“I got a load of money,” Rinker said. “It won’t cover the risk, but I’ll give you a thousand a week plus whatever I got left over at the end.” Pollock opened her mouth to object, but Rinker held up an imperious finger. “Don’t want to hear about it. I’m leavin’ the money, and you take it and spend it on something stupid.”
“I can do that, no doubt about it,” Pollock said. “Maybe buy a stair-climber, or something.” She sucked up an ice cube, ran it a couple of times around her mouth, and then spit it back into the beer. “So tell me what you’re up to.”
POLLOCK THREW MOST of the shit out of the shit room, and Rinker put down an inflatable guest mattress she’d bought at a Target store, with a sheet and an acrylic blanket. Her clothes stayed in her suitcase. Pollock’s landlady had an extra space in the garage next door, and Pollock walked around the house and rented it, thirty dollars a month, so that Rinker would have a place to put the California car. That night, Rinker left Pollock in front of her television and began to scout the men she’d come to kill.
NANNY DICHTER WAS the richest of the bunch, with a home in Frontenac; he had a fountain on the front lawn. The fountain, in the figure of a small girl with a water jug on her back, was carved out of golden marble imported from Austria. Dichter sold drugs, and had for most of his adult life. He’d been one of the first to make cocaine imports into a business, instead of an adventure. He was married, had two sons and four daughters, and three or four live-in servants. He owned the majority interest in a chain of midwestern mall-based import stores that sold native art to the aesthetically impaired, and provided a convenient network for his bulk cocaine sales.
Paul Dallaglio worked with Dichter, taking care of competitive issues, which was how he’d met Rinker. He’d used her nine times and paid her a little more than a half million dollars. He lived not far from Dichter in a home on a heavily wooded lot in Creve Coeur. He was executive vice president and part owner of the import chain.
Andy Levy was a banker, and worked a straight job as vice president of development with First Heartland National of St. Louis; he handled most of the mob money in St. Louis, including Rinker’s, before she moved to Wichita. He lived in a huge old redbrick cube in Central West End, and was a patron of the performing arts—he dated dancers, and sometimes actresses. Rinker had killed Levy’s wife and her lawyer when the marriage went on the rocks, and the lawyer was foolish enough to threaten Levy with the exposure of his money operation. Levy liked to walk in Forest Park. He’d once been banned from the zoo for throwing center-cut pork chops to the lions.
Finally there was John Ross, who’d originally recruited Rinker and taught her the gun trade. Ross ran an overworld liquor distributorship, and had interests in vending machine and trucking businesses. He had parallel shadow businesses in cocaine, sports betting, and loan-sharking. He was retail, to Nanny Dichter’s wholesale. He’d also acted as Rinker’s agent, selling her guns for cash, and taking his cut in clout rather than money. Ross lived off a semiprivate street in Ladue in the center of six acres of lawn. He’d been Rinker’s friend and protector, though when she’d been broken out by the cops, he’d tried to have her killed. She gave him that one, because of their history, but had warned him at the time that if there was another unsuccessful attempt, she’d be coming for him.
Dichter and Ross were smart and personally violent. Dallaglio was essentially a criminal executive who worked by remote control. He’d never gotten his hands bloody, but he did know how to protect himself. Levy barely thought of himself as criminal—he was just a guy who knew some guys, and like a bunch of Rotarians, they all threw business at each other.
Every one of the four men knew too much about each of the others, and more than enough about Rinker. While any one of the four could have authored the assassination in Cancún, it was unlikely that any one of them would have done it on his own hook. They walked carefully around each other, and none of them would want to be blamed if something had gone wrong, as it had. They’d have talked.
RINKER SLEPT IN Pollock’s room for three more days, going out at night, getting a handle on the town. She knew it well from her days as a dancer, and with Ross at the liquor warehouse, but there were always changes, and she’d never really surveyed it from the perspective of an assassin.
She needed to know what was open, and when. Where she could ditch, if she ran into trouble. Where she could pick up a car in a hurry. Where the targets did their business. As she wandered around town, she refined her ideas about her approaches to the targets.
One night, she dropped Pollock at a country joint with twenty dollars and a hand-sized Sony tape recorder, and told her to sit as close to the jukebox as she could, have a couple of beers, and tape-record the bar. Pollock did all of that, and Rinker listened to the tape on the way back home. The tape sounded fine, and reminded her of the Rink.
SHE MADE THE first open move on a Monday night, with a stop at the BluesNote Cafe at LaClede’s Landing on the river. The BluesNote was owned by John Sellos. The club had never done well, and without a variety of minor criminal activities—the barkeeps ran a sports-betting business, and a back room became an informal office for a fence and a branch office for one of Ross’s loan sharks—the place would have closed fifteen years earlier. As it was, it struggled, and Sellos worried incessantly.
Rinker wore black jeans for the job, a black blazer, and black Nike running shoes. She carried one of the nine-millimeter pistols in her jacket pocket. She parked a block from the club and sat in the car for a while, gathering herself, watching the street.
She knew she frightened people, but she knew that was only an edge. Physically, she was in good shape, but a large man was still a large man. Even an out-of-shape cigarette freak like Jackie Burke in L.A., or Jimmy Cricket in San Francisco, could pull her arms off if he was pissed, or desperate, and forgot about her reputation for a minute.
That meant that when she wanted to talk to a man, she had to get on top of him immediately. She didn’t have to flash the gun, but it had to be there, in his mind’s eye, right from the start. She had to be the cold-eyed killer right inside his shirt.
A blond couple, the woman a little wobbly, and a single man in cowboy boots went into the BluesNote as she watched, and one man left. The man who left stopped just outside the door and looked up and down the street: looking for action, which meant that not much was going on inside the club. When Rinker had run her bar in Wichita, she’d hated the sight of a man looking both ways on the sidewalk outside. The Rink hadn’t come through for him.
After watching for ten minutes, she got out of the car, hung a purse on her shoulder, and walked down to the club. The door was surrounded with predistressed wood that was now genuinely distressed; the doorknob rattled under her hand. She stepped inside the door, paused, let her eyes adjust to the gloom. A long-haired young man sat on a dais at the end of the main room, a guitar on one knee. He was saying, “…learned this song from an old Indian guy up in Dakota. I was working the wheat harvest, this was back in ’99…”
Rinker thought, Jesus.
When she could see, Rinker walked along the left wall straight back to the kitchen doors, through the doors and up the stairs. She knew the place from her years at the liquor warehouse: Nothing had changed. The door at the upper landing was closed, but there was light coming through the crack at the bottom. She put a hand on the pistol in her pocket and pushed through the door.
Sellos was sitting behind his desk. When Rinker pushed through the door, without knocking, he jumped, saw her face, and settled back into his chair.
“You scared me,” he said, smiling hopefully.
“Good,” she said. She kept her hand in her pocket, noticed that Sellos was watching that hand, and said, “Yeah. I got a gun.”
“You gonna shoot me? I haven’t done anything to you.” He was a thin man, with a big nose and a yellowish tint to his skin. He looked as though somebody large had blown nicotine and tar on him; he looked like he should be wearing
a brown fedora.
“I didn’t come here to shoot you,” Rinker said. “I need about four of your cell phones, and I need you to make a call for me.”
“Whatever’s good,” he said.
“If you mess with me, I’ll shoot you right in the heart,” Rinker said. She eased her hand out of her pocket, letting him see the gun with the fat snout. “I got no patience for being messed around.”
His Adam’s apple bobbed once, and he said, “I don’t have the phones here. I gotta make a call.”
“Call.” She waggled the pistol at the phone.
He picked up the telephone, punched in four numbers, and said without preface, “Have Carl bring me up four phones. And you know that poster we got under the bar? Give him that, too, I want to show it to a guy.”
“Who’s Carl?” Rinker asked when he hung up.
“Old guy. Works for me. Could you put the gun away?”
“You got folk music downstairs, John,” Rinker said. An accusation, and it made Sellos uncomfortable. She slipped the pistol back into her jacket pocket. They listened for a minute, and heard, faintly, through the floor, the singer’s scratchy voice: …the Sioux and Arikara are gone, driven by the white man’s trains, across those treasured free-wind plains, where the wheat waves like dollar bills, and overflows some banker’s tills…
“Gotta pay the mortgage, Clara,” he said. “The guy costs me nothin’.”
“How’re you gonna grow your bar traffic, John, with some asshole singing about freight trains and wheat? Folk music is worse than nothing. Hiring folksingers does nothing but encourage them. It’s like letting cockroaches into your house.”
“I gotta have something, and I can’t hire country,” Sellos said defensively. “Country people won’t come down here. And blues are dead, except with the corduroy university crowd, and they can make a whole night out of a beer and a dish of free peanuts.” They heard footsteps in the hallway, and both turned their heads: then a knock. Sellos got up, opened the door, took the phones and a piece of paper, said, “Thanks, Carl,” and shut the door again. He stepped back behind his desk, looked at the back of the telephones for a few seconds, then put them where Rinker could reach them.
“How much?” Rinker asked.
“You don’t have to pay,” Sellos said. “Just take the fuckin’ things.”
“How long are they good for?”
“Couple of weeks, anyway. Two of them are arranged, the other two are on vacation.” Arranged phones were phones that the owner arranged to have stolen, for a fee. Vacation phones were lifted in burglaries of people who were out of town.
“All right. You know the numbers for these phones?” Rinker asked.
“They’re on the tape on the back.”
She looked at the back of one of the phones, found a piece of white adhesive tape, with a number in blue ballpoint. “Write this down,” she said. She read the number off, and Sellos wrote it on his desk pad. “Soon as I leave here, I want you to call Nanny Dichter on his private line and tell him to call me at this number. I don’t talk when I’m driving, so I won’t turn the phone on until I’m somewhere safe. But you tell him to call me, okay?”
“Are you and Nanny, uh…are you lookin’ for each other?”
“You don’t want to know about this, John. You call Nanny, tell him I want to talk about John Ross. Eleven o’clock, right around there.”
“Nanny’ll be pissed at me.” He shook his head sadly, thinking about it.
“No, he won’t. Just get in touch with him when I leave, and tell him I was pointing a gun at your head. I’ll tell him the same thing.”
“You gotta promise me,” Sellos said. “To tell him that.”
“Cross my heart,” Rinker said. “Now. I need a home phone number for Andy Levy.”
Sellos was puzzled. “Andy who?”
“Levy. The bank guy.”
Sellos shook his head “I don’t know him.”
“John…”
“Honest to God, Clara, I never heard of him. He’s a Jew or something? I don’t know hardly any Jews. Honest to God.”
Rinker looked at him for a moment, her best look, and decided that Sellos was nervous but was probably telling the truth.
“All right. I’ll find it somewhere else.”
“I’d do anything, Clara….”
Rinker stood up. “The best thing for you to do, John, is to give me a few minutes before you call Nanny. Or anybody else. If the cops come screaming down the street, I’ll come back and kill you first.”
“No problem, I won’t call the cops. You ought to see this.” He pushed the piece of paper across the desk. It looked like a wanted poster and had Rinker’s face on it.
“Where’d you get it?”
“It’s in every goddamn bar and motel in St. Louis,” Sellos said. “The picture’s not very good—it could be anybody. But if you know you, it looks like you.”
“Why’re you telling me?” Rinker asked.
He shrugged. “I always sorta liked you…when you were working out of the warehouse. I didn’t know about the gun stuff until it was in the papers.”
She nodded—he had liked her, she thought. She remembered that. “All right. Give me a couple minutes.” She stood up and stepped away, to the office door, and then said, “Listen, John, you gotta get rid of that fuckin’ folk music, okay? Promise me?” She let out a thin smile. “I mean, I’m not gonna shoot you if you don’t, but just do it for…American civilization?”
NANNY DICHTER LIVED on Chirac Road, a semiprivate dead-end lane in Frontenac. All the houses sat well back from the lane, and any car turning into it could be seen—watched—from any of the houses along it. On the other hand, any car coming out of the lane could be seen up and down Nouvelle Road, the main street. At ten minutes past ten o’clock, Rinker parked on Nouvelle Road, three blocks from Chirac. Ten or fifteen cars lined the street; a party. She parked at the end of the line closest to Chirac, turned off the lights, and slumped behind the steering wheel, watching Chirac in the rearview mirror.
Bunches of kids were still arriving at the party, and a couple left. From her spot in the street, Rinker could hear their music and see flickering multicolored lights. Some kind of techno shit, she thought. Better than folk music, anyway. A little after ten-thirty, a kid wandered out of the party, stood on the front lawn of the party house, and began vomiting. He continued for a minute, then walked on to his car, got in, got back out, vomited again, then got back in the car and drove away.
Happy trails, Rinker thought.
At ten-thirty-five, she began to wonder if Dichter was going to call her, or if he’d been home when Sellos called him—what if he’d been at his office, working late? She’d be sitting here and never know. There was no chance that he’d call from either his house or his business, though. The feds probably had him so tapped that they knew every time he opened the refrigerator.
At ten-forty, a Mercedes rolled out of Chirac Road, sat for a minute, then turned right, away from her, and headed down the street, slowly. Dichter always drove a Mercedes. Rinker reached for the key, then stopped. The Benz was a little obvious, don’t you think, Clara? Rolling up and stopping like that, so anybody could get a look?
She sat still as the Mercedes disappeared at a corner three blocks away. Maybe a mistake? Maybe he’d be calling in two minutes, and she’d have no idea where he was?
Then another car rolled out of Chirac, a station wagon—a Volkswagen, she thought—and turned left, toward her. This car did not hesitate at the street entrance. When it passed her, she saw two men inside; one had a hand to his head, as thought he were talking on a cell phone—probably to the driver of the Benz, Rinker thought. She let the car get two blocks down Nouvelle, over a hump and out of sight, before she followed.
She didn’t think Dichter would go far. Any phone would do, as long as it wasn’t his. She started to tighten up now. Started to feel the adrenaline, the hunting hormone, flowing into her bloodstream. She’d always liked the
feel of it, the stress.
And she thought about Paulo, dead on the ground in Cancún, his blood all over her, his blue eyes vacant. Thought about her baby, the way things were going to be forever. The adrenaline was a familiar thing, but now something else flowed in, a coldness that she’d felt only once before, about her stepfather.
Hate. And it was liquid and cold, like mercury flowing through her veins. Nanny Dichter, two blocks away, still breathing, while Paulo lay rotting in his grave…
SHE KNEW ENOUGH not to try to get close to the Volkswagen. She stayed way back, turned off her lights once, followed the Volkswagen around a corner west onto Clayton Road, worried that she’d lose him. Clayton Road had more traffic than the side streets, and she closed up just a bit. The Volkswagen continued on, turned north off Clayton, then west again, and finally cut into a Lincoln Inn.
She continued past the hotel, down the block, to a second entrance. Kept looking back and saw the Volkswagen pull up to the reception bay, and a man who looked very like Nanny Dichter get out and go inside.
She parked as close to a side door as she could, picked up the Sony tape recorder, and turned it on. The Dixie Chicks were singing something inoffensive. She got out of the car and walked toward the hotel’s side door. The door was locked. She took a step away, looking toward the front, thinking about the second man in the Volkswagen—and saw a young guy coming down the hallway toward the side door, carrying a sleepy, red-eyed kid. The guy pushed through, and Rinker held the door, smiled, and was inside.
The telephone rang. She punched it on, held the tape recorder close to her face as she walked along the hallway, and answered. “Hello?”
“This is me,” Dichter said. “What do you want?”
“I want to know whose idea it was to go to Cancún,” she said. “Was that John? Or was that the whole goddamn bunch of you?”
Lucas Davenport Collection: Books 11-15 Page 80