"Masculine-feminine. Is that all there ever was to it?" I whispered. My body wanted to sleep some more. But the blood.
She reached up and touched my cheek with her fingers. Tears again?
We went out of the room together, and onto a long landing with a marble railing, from which a stairs descended, turning once, into an immense room. Candelabra everywhere. Dim electric lamps creating a luxurious gloom.
At the very center, the women were assembled, perhaps two hundred or more of them, standing motionless and looking up at us, their hands clasped as if in prayer.
Even in their silence, they seemed barbaric, amid the European furniture, the Italian hardwoods with their gilt edges, and the old fireplace with its marble scrolls. I thought of her words suddenly: "history doesn't matter; art doesn't matter." Dizzy. On the walls, there ran those airy eighteenth-century paintings, full of gleaming clouds and fat-cheeked angels, and skies of luminescent blue.
The women stood looking past this wealth which had never touched them and indeed meant nothing to them, looking up at the vision on the landing, which now dissolved, and in a rush of whispered noise and colored light, materialized suddenly at the foot of the stairs.
Sighs rose, hands were raised to shield bowed heads as if from a blast of unwelcome light. Then all eyes were fixed upon the Queen of Heaven and her consort, who stood on the red carpet, only a few feet above the assembly, the consort a bit shaken and biting his lip a little and trying to see this thing clearly, this awful thing that was happening, this awful mingling of worship and blood sacrifice, as the victims were brought forth.
Such fine specimens. Dark-haired, dark-skinned, Mediterranean men. Every bit as beautiful as the young women. Men of that stocky build and exquisite musculature that has inspired artists for thousands of years. Ink black eyes and darkly shaved faces; and deep cunning; and deep anger as they looked upon these hostile supernatural creatures who had decreed the death of their brothers far and wide.
With leather straps they'd been bound-probably their own belts, and the belts of dozens of others; but the women had done it well. Their ankles were tethered even, so that they could walk but not kick or run. Naked to the waist they were, and only one was trembling, as much with anger as with fear. Suddenly he began to struggle. The other two turned, stared at him, and started to struggle as well.
But the mass of women closed on them, forcing them to their knees. I felt the desire rise in me at the sight of it, at the sight of leather belts cutting into the dark naked flesh of the men's arms. Why is this so seductive! And the women's hands holding them, those tight menacing hands that could be so soft otherwise. They couldn't fight so many women. Heaving sighs, they stopped the rebellion, though the one who had started the struggle looked up, accusingly, at me.
Demons, devils, things from hell, that is what his mind told him; for who else could have done such things to his world? Oh, this is the beginning of darkness, terrible darkness!
But the desire was so strong. You are going to die and I am going to do it! And he seemed to hear it, and to understand it. And a savage hatred of the women rose out of him, replete with images of rape and retribution that made me smile, and yet I understood. Rather completely I understood. So easy to feel that contempt for them, to be outraged that they had dared to become the enemy, the enemy in the age-old battle, they, the women! And it was darkness, this imagined retribution, it was unspeakable darkness, too.
I felt Akasha's fingers on my arm. The feeling of bliss came back; the delirium. I tried to resist it, but I felt it as before. Yet the desire didn't go away. The desire was in my mouth now. I could taste it.
Yes, pass into the moment; pass into pure function; let the bloody sacrifice begin.
The women went down on their knees en masse, and the men who were already kneeling seemed to grow calm, their eyes glazing over as they looked at us, their lips trembling and loose.
I stared at the muscled shoulders of the first one, the one who had rebelled. I imagined as I always do at such moments the feel of his coarse rough-shaven throat when my lips would touch it, and my teeth would break through the skin-not the icy skin of the goddess-but hot, salty human skin.
Yes, beloved. Take him. He is the sacrifice that you deserve. You are a god now. Take him. Do you know how many wait for you?
It seemed the women understood what to do. They lifted him as I stepped forward; there was another struggle, but it was no more than a spasm in the muscles as I took him into my arms.
My hand closed too hard on his head; I didn't know my new strength, and I heard the bones cracking even as my teeth went in. But the death came almost instantly, so great was my first draught of blood. I was burning with hunger; and the whole portion, complete and entire in one instant, had not been enough. Not nearly enough!
At once I took the next victim, trying to be slow with it, so that I would tumble into the darkness as I'd so often done, with only the soul speaking to me. Yes, telling me its secrets as the blood spurted into my mouth, as I let my mouth fill before I swallowed. Yes, brother. I am sorry, brother. And then staggering forward, I stepped on the corpse before me and crushed it underfoot.
"Give me the last one."
No resistance. He stared up at me in utter quiet, as if some light had dawned in him, as if he'd found in theory or belief some perfect rescue. I pulled him to me-gently, Lestat-and this was the real fount I wanted, this was the slow, powerful death I craved, the heart pumping as if it would never stop, the sigh slipping from his lips, my eyes clouded still, even as I let him go, with the fading images of his brief and unrecorded life, suddenly collapsed into one rare second of meaning.
I let him drop. Now there was no meaning.
There was only the light before me, and the rapture of the women who had at last been redeemed through miracles.
The room was hushed; not a thing stirred; the sound of the sea came in, that distant monotonous booming.
Then Akasha's voice:
The sins of the men have now been atoned for; and those who are kept now, shall be well cared for, and loved. But never give freedom to those who remain, those who have oppressed you.
And then soundlessly, without distinct words, the lesson came.
The ravening lust which they had just witnessed, the deaths they had seen at my hands-that was to be the eternal reminder of the fierceness that lived in all male things and must never be allowed free again. The males had been sacrificed to the embodiment of their own violence.
In sum, these women had witnessed a new and transcendent ritual; a new holy sacrifice of the Mass. And they would see it again; and they must always remember it.
My head swam from the paradox. And my own small designs of not very long ago were there to torment me. I had wanted the world of mortals to know of me. I had wanted to be the image of evil in the theater of the world and thereby somehow do good.
And now I was that image all right, I was its literal embodiment, passing through the minds of these few simple souls into myth as she had promised. And there was a small voice whispering in my ear, hammering me with that old adage: be careful what you wish for; your wish might come true.
Yes, that was the heart of it; all I'd ever wished for was coming true. In the shrine I had kissed her and longed to awaken her, and dreamt of her power; and now we stood together, she and I, and the hymns rose around us. Hosannas. Cries of joy.
The doors of the palazzo were thrown open.
And we were taking our leave; we were rising in splendor and in magic, and passing out of the doors, and up over the roof of the old mansion, and then out over the sparkling waters into the calm sweep of the stars,
I had no fear of falling anymore; I had no fear of anything so insignificant. Because my whole soul-petty as it was and always had been-knew fears I'd never imagined before.
THE STORY OF THE TWINS,
PART II
SHE WAS DREAMING OF KILLING. IT WAS A GREAT dark city like London or Rome, and she was hurryin
g through it, on an errand of killing, to bring down the first sweet human victim that would be her own. And just before she opened her eyes, she had made the leap from the things she had believed all her life, to this simple amoral act-killing. She had done what the reptile does when it hoists in its leathery slit of a mouth the tiny crying mouse that it will crush slowly without ever hearing that soft heartbreaking song.
Awake in the dark; and the house alive above her; the old ones saying Come. A television talking somewhere. The Blessed Virgin Mary had appeared on an island in the Mediterranean Sea.
No hunger. Maharet's blood was too strong. The idea was growing, beckoning like a crone in a dark alley. Killing.
Rising from the narrow box in which she lay, she tiptoed through the blackness until her hands felt the metal door. She went into the hallway and looked up the endless iron stairs, crisscrossing back over itself as if it were a skeleton, and she saw the sky through the glass like smoke. Mael was halfway up, at the door of the house proper, gazing down at her.
She reeled with it-I am one of you and we are together-and the feel of the iron rail under her hand, and some sudden grief, just a fleeting thing, for all she had been before this fierce beauty had grabbed her by the hair.
Mael came down as if to retrieve her, because it was carrying her away.
They understood, didn't they, the way the earth breathed for her now, and the forest sang, and the roots prowled the dark, coming through these earthen walls.
She stared at Mael. Faint smell of buckskin, dust. How had she ever thought such beings were human? Eyes glittering like that. And yet the time would come when she would be walking among human beings again, and she would see their eyes linger and then suddenly move away. She'd be hurrying through some dark city like London or Rome. Looking into the eyes of Mael, she saw the crone again in the alleyway; but it had not been a literal image. No she saw the alleyway, she saw the killing, purely. And in silence, they both looked away at the same instant, but not quickly, rather respectfully. He took her hand; he looked at the bracelet he'd given her. He kissed her suddenly on the cheek. And then he led her up the stairs towards the mountaintop room.
The electronic voice of the television grew louder and louder, speaking of mass hysteria in Sri Lanka. Women killing men. Even male babies murdered. On the island of Lynkonos there had been mass hallucinations and an epidemic of unexplained deaths.
Only gradually did it dawn on her, what she was hearing. So it wasn't the Blessed Virgin Mary, and she had thought how lovely, when she first heard it, that they can believe something like that. She turned to Mael but he was looking ahead. He knew these things. The television had been playing its words to him for an hour.
Now she saw the eerie blue flicker as she came into the mountaintop room. And the strange spectacle of these her new brethren in the Secret Order of the Undead, scattered about like so many statues, glowing in the blue light, as they stared fixedly at the large screen.
". . . outbreaks in the past caused by contaminants in food or water. Yet no explanation has been found for the similarity of the reports from widely divergent places, which now include several isolated villages in the mountains of Nepal. Those apprehended claim to have seen a beautiful woman, called variously the Blessed Virgin, or the Queen of Heaven, or simply the Goddess, who commanded them to massacre the males of their village, except for a few carefully chosen to be spared. Some reports describe a male apparition also, a fair-haired deity who does not speak and who as yet has no official or unofficial title or name . . ."
Jesse looked at Maharet, who watched without expression, one hand resting on the arm of her chair.
Newspapers covered the table. Papers in French and Hindustani as well as English.
" . . from Lynkonos to several other islands before the militia was called in. Early estimates indicate some two thousand men may have been killed in this little archipelago just off the tip of Greece."
Maharet touched the small black control under her hand and the screen vanished. It seemed the entire apparatus vanished, fading into the dark wood, as the windows became transparent and the treetops appeared in endless, misted layers against the violent sky. Far away, Jesse saw the twinkling lights of Santa Rosa cradled in the dark hills. She could smell the sun that had been in this room; she could feel the heat rising slowly through the glass ceiling.
She looked at the others who were sitting there in stunned silence. Marius glared at the television screen, at the newspapers spread out before him.
"We have no time to lose," Khayman said quickly to Maharet. "You must continue the tale. We don't know when she will come here."
He made a small gesture, and the scattered newspapers were suddenly cleared away, crushed together, and hurtling soundlessly into the fire which devoured them with a gust that sent a shower of sparks up the gaping smokestack.
Jesse was suddenly dizzy. Too fast, all of that. She stared at Khayman. Would she ever get used to it? Their porcelain faces and their sudden violent expressions, their soft human voices, and their near invisible movements?
And what was the Mother doing? Males slaughtered. The fabric of life for these ignorant people utterly destroyed. A cold sense of menace touched her. She searched Maharet's face for some insight, some understanding.
But Maharet's features were" utterly rigid. She had not answered Khayman. She turned towards the table slowly and clasped her hands under her chin. Her eyes were dull, remote, as if she saw nothing before her.
"The fact is, she has to be destroyed," Marius said, as if he could hold it in no longer. The color flared in his cheeks, shocking Jesse, because all the normal lines of a man's face had been there for an instant. And now they were gone, and he was visibly shaking with anger. "We've loosed a monster, and it's up to us to reclaim it."
"And how can that be done?" Santino asked. "You speak as if it's a simple matter of decision. You cannot kill her!"
"We forfeit our lives, that's how it's done," Marius said. "We act in concert, and we end this thing once and for all as it should have been ended long ago." He glanced at them all one by one, eyes lingering on Jesse. Then shifting to Maharet. "The body isn't indestructible. It isn't made of marble. It can be pierced, cut. I've pierced it with my teeth. I've drunk its blood!"
Maharet made a small dismissive gesture, as if to say I know these things and you know I know.
"And as we cut it, we cut ourselves?" Eric said. "I say we leave here. I say we hide from her. What do we gain staying in this place?"
"No!" Maharet said.
"She'll kill you one by one if you do that," Khayman said. "You're alive because you wait now for her purpose."
"Would you go on with the story," Gabrielle said, speaking directly to Maharet. She'd been withdrawn all this time, only now and then listening to the others. "I want to know the rest," she said. "I want to hear everything." She sat forward, arms folded on the table.
"You think you'll discover some way to vanquish her in these old tales?" Eric asked. "You're mad if you think that."
"Go on with the story, please," Louis said. "I want to ..." He hesitated. "I want to know what happened also."
Maharet looked at him for a long moment.
"Go on, Maharet," Khayman said. "For in all likelihood, the Mother will be destroyed and we both know how and why, and all this talk means nothing."
"What can prophecy mean now, Khayman?" Maharet asked, her voice low, devitalized. "Do we fall into the same errors that ensnare the Mother? The past may instruct us. But it won't save us."
"Your sister comes, Maharet. She comes as she said she would."
"Khayman," Maharet said with a long, bitter smile.
"Tell us what happened," Gabrielle said.
Maharet sat still, as if trying to find some way to begin. The sky beyond the windows darkened in the interval. Yet a faint tinge of red appeared in the far west, growing brighter and brighter against the gray clouds. Finally, it faded, and they were wrapped in absolute darkness, ex
cept for the light of the fire, and the dull sheen of the glass walls which had become mirrors.
"Khayman took you to Egypt," Gabrielle said. "What did you see there?"
"Yes, he took us to Egypt," Maharet said. She sighed as she sat back in the chair, her eyes fixed on the table before her. "There was no escape from it; Khayman would have taken us by force.
And in truth, we accepted that we had to go. Through twenty generations, we had gone between man and the spirits. If Amel had done some great evil, we would try to undo it. Or at least ... as I said to you when we first came to this table ... we would seek to understand.
"I left my child. I left her in the care of those women 1 trusted most. I kissed her. I told her secrets. And then I left her, and we set out, carried in the royal litter as if we were guests of the King and Queen of Kemet and not prisoners, just as before.
"Khayman was gentle with us on the long march, but grim and silent, and refusing to meet our gaze. And it was just as well, for we had not forgotten our injuries. Then on the very last night when we camped on the banks of the great river, which we would cross in the morning to reach the royal palace, Khayman called us into his tent and told us all that he knew.
Anne Rice - vc 3 -Queen of the Damned.txt Page 47