by Alan Moore
Even without its dusty, faded colours, this was the Spring Lane that Michael recognised, Spring Lane as it was in the summer months of 1959 and not as it had been in the bright-tinted memories of Phyllis Painter or the other people who had lived here long ago. For one thing, nearly all the houses on the lane’s far side had been pulled down. The homes that had been near the upper end were gone, including Phyllis Painter’s and the sweetshop that had stood next door, demolished to make room for a long patch of grass that ran along the top Crispin Street edge of Spring Lane School, just a few stone steps up from the school’s concrete playground. This was silent and deserted on account of the school holidays.
The houses lower down the hill, the ones that had been standing in between Scarletwell Terrace at the bottom of the slope and Spring Lane Terrace halfway up, these had all disappeared, as had the terraces themselves. The lower playing field of Spring Lane School now reached from the old factory where the fever cart had once been kept, down to the jitty-way that ran along behind the houses on St. Andrew’s Road. Although the view was cosy and familiar, Michael found that he was looking at it in a different way, as somebody who knew what had been there before and knew how much was gone. The gaps between the buildings didn’t look as if they had been planned, the way they’d looked to him before, but seemed more like reminders of some great disaster.
Michael understood for the first time that he’d been living in a country that had not had time yet to get over being in a war, although he didn’t think that many German bombs had fallen on Northampton while all that was going on. It just looked like they had, or as if something every bit as bad had happened. It was funny. If he hadn’t seen Mansoul and seen how Spring Lane looked in people’s hearts, then all of this would seem normal to him, instead of being bare and broken-looking. It would look like it had always been this way, with all its holes and empty bits.
The other children had by then caught up to him and John, with Phyllis and Drowned Marjorie still smirking slyly as they whispered to each other. The boy Reggie, in his dented bowler hat, had once more started up the game of knuckles he’d been playing earlier with Phyllis’s young brother Bill, as they lagged back behind the rest of the Dead Dead Gang. Ginger Bill was blonde like Michael in the ghost-seam, which was colourless as a new Magic Painting book before you’d brushed the water on. As Bill and Reggie’s clenched hands hurtled down to smack each other on the knuckles, the two boys were blossoming with fists like angry monsters or like funny gods that people from another country might believe in. Michael wondered briefly if this was the reason why so many things in legends had got extra heads or arms, but just then his attention was seized by a passing bright grey ladybird, so that the idea trailed off uncompleted.
Once they had regrouped, the ghostly urchins crossed Spring Lane and carried on down Crispin Street, beside the woven wire boundary that fenced off the grubby white fur of the school’s top lawn. It wasn’t until Bill and Reggie plunged straight through the fence to rough-and-tumble there upon the pale and poorly-looking grass that Michael was reminded how he now had the ability to pass through walls and things. He wondered why he and the others kept so strictly upon one side of the wire partition. He supposed that it was habit, and decided not to test it out by joining Bill and Reggie. If he wasn’t walking through things all the time then it was easier to pretend that everything was normal, if you didn’t count the lack of colour or the burst of twenty hands he now apparently required to quietly pick his nose.
As they got nearer to the scuffed and silvery metal hurdle of the crossing-barrier that stood outside the school’s top gate, Michael gazed over Crispin Street to Herbert Street; there it ran off uphill between two patches of tall grass and rubble where it looked like there had once been houses. In his ordinary life, wheeled past it in his pushchair by his mum Doreen, Michael had thought that Herbert Street looked like a run-down sort of street where run-down people lived, although it might have been the name that gave him that impression. Herbert Street, he half-believed, was where the Herberts started out, including not only the Scruffy Herberts and the Lazy Herberts that his dad had often mentioned, but also their more successful-sounding relatives, the Crafty Herberts. This was an idea which more than likely had been passed on to him, like an eyeless teddy bear, by his big sister.
Thinking idly about families and where they started out, including all the things that John had said about his dad and his great-granddad, he was startled when the big boy grabbed him by the collar of his dressing gown and pushed him face down on the grass-seamed paving stones. John did this with such force that for a second Michael’s face was shoved below the surface of the street, which was alarming until he discovered that it wasn’t really a great inconvenience, although there wasn’t much to look at except worms. Bobbing his head back up he caught the tail-end of what John was shouting, with the bigger boy himself down on the ground now, next to Michael.
“… body get down! It’s Malone at ten o’clock, up over Althorp Street! Were the same grey as what the path wiz, more or less, so if we stay still he won’t see us, being right up in the sky like that.”
Although afraid to move a muscle, Michael slowly tipped his head back so that he could peer into the firmament above them.
At first, he mistook it for a smear of dirty smoke, a drifting stain of factory black above the chimneypots that rose between here and the Mayorhold, uphill to the east. It scudded over the slate rooftops like a small but viciously determined thunderhead, and Michael was just wondering why anyone would name a cloud “Malone” when he first noticed the two yapping terriers that it was carrying beneath its arms.
It was a man, a dead man judging from the smudge of picture-portraits stuttering behind him in his wake as he progressed across the off-white heavens. He wore hobnail boots, a shabby suit and long dark coat, the outfit topped off by a bowler hat like Reggie wore, though a much smarter one that looked more business-like. It was the fading plume of after-images from this drab clothing that had looked like smoke when Michael first set eyes on it, a filthy airborne blemish caused by someone burning tyres. However, as he studied it more closely with the better eyesight that he’d had since he’d been dead, more and more horrid details became readily apparent.
There was the chap’s face for one thing, a white mask suspended in the churning black steam of his head and body. Pale, with small grey wrinkles where the eyes should be, the ghostly countenance was smoothly shaven, almost rubbery, that of a well-kept sixty-year-old man with absolutely no expression. Michael thought the deadpan features looked more frightening than droll. They didn’t look like they’d react to anything, no matter how sweet, terrible or sudden it might be. The colour of the fellow’s hair was hidden underneath a stream of bowler hats, but Michael thought that it was more than likely white and oiled, like feathers from an albatross.
Not very tall yet wiry in his build, the man was upright as he moved across the sky, legs pedalling as though he sat astride an unseen bicycle, or as though he were treading air. Each sweep and swing of his long coat hung there recorded on the space behind him in a tongue of tarry vapour. Underneath his arms he clutched his pair of dogs, one black, one white, like on the label of Gran’s whiskey bottle, while up from his jacket pockets boiled the writhing heads of what the horror-stricken Michael first took to be snakes then realised were ferrets, not that this was any less distressing. He could hear their distant cheeps of threat and panic, even in amongst the startled barking of the terriers, despite the ghost-seam’s soundproofing that sucked the echo out of every note.
“What wiz he?” Michael asked John in a whisper as the two of them lay face down, side by side upon the tiles of Crispin Street. The older boy kept his poetic-looking eyes fixed watchfully upon the smouldering figure passing overhead as he replied.
“Him? That’s Malone, the Boroughs’ ratter. He’s a fearsome man, make no mistake. They say he does a party trick where he’ll catch rats and kill ’em with his teeth, although I’ve never s
een him do it. Phyllis stole his bowler once and put it on a great big rat. All you could see was this hat with a rat’s tail scuttling down the street, and old Malone grey in the face as he went running after it. Malone wiz furious. He said that he’d hang Phyllis with her rabbit-string if he caught up with her, and sounded like he meant it. From the way he’s headed, I’d say he’s just come out of the Jolly Smokers. That’s the pub they haunt, up on the Mayorhold, so he might have had a drink. At any rate, you’re best off steering clear of him, whether he’s drunk or sober. With a bit of luck he’s heading home to Little Cross Street, where he lived, and he’ll be passed by in a minute.’
As it turned out, John was right. Although he moved as slow as treacle, the dead rat-catcher progressed in a south-westerly direction through the ashen Boroughs’ sky, cutting across the corner of the school’s top lawn from Crispin Street to Scarletwell Street, floating off above the maisonettes, past Bath Street to the tangled courts and passages beyond. The whining of the hounds grew fainter as their master’s blot-like shape was shrunken to a smut, a breeze-borne speck like something in your eye, no different from the other black flakes carried from the railway station.
Cautiously, the Dead Dead Gang climbed to their feet once they were sure he wasn’t going to come dog-paddling back through the still summer air and pounce upon them. Bill and Reggie were both giggling as they reminisced about the rat-and-bowler incident that John had mentioned, although Phyllis had a faintly worried look and fiddled nervously with her long scarf of putrefying rabbit pelts. Only Drowned Marjorie seemed unconcerned by the experience, dusting her skirt down with a brisk efficiency and brushing bits of ghost-grit from her chubby knees as she stood up. Michael was starting to see the bespectacled girl as the gang’s most stoic member, taking every new experience in her stumpy stride without complaint. He thought that this might be an outlook that came naturally to someone drowned before the age of seven. Things would probably seem relatively unsurprising after that, even if they were flying rat-catchers.
Although the sighting of Malone had evidently rattled Phyllis, she still managed to maintain a tone of calm authority as she addressed her men.
“Come on. If we’re to find ayt all the clues an’ evidence abayt ayr regimental mascot then we better get dayn Scarletwell, before somebody else comes sailin’ past.”
Michael fell into step beside the gang as they continued along Crispin Street. In the square holes where paving-tiles had been prised up were puddles, shimmering like chips of mirror on a pantomime princess’s ball-gown. Shuffling in his slippers to keep up with John, Michael was unable to put Malone the ratter’s recent aerial stroll out of his mind.
“How wiz he flying, right up in the air like that?”
The older boy frowned quizzically at Michael, so that Michael thought he must have said his words the wrong way round again.
“What do you mean? Malone’s a ghost. Ghosts don’t have any heaviness, what they call mass, so here in the three-sided world the pull of things don’t make no difference to ’em. Not much, anyway. It’s just the same for us lot. Here, give me your hand and jump as if we’re in the long-jump.”
Michael did as he was told. To his astonishment he found that he and John were sailing through the air in a slow arc which, at its summit, took them higher than the fencing of the school yard to their right. As light as dandelion clocks they drifted back to earth again a few yards further down the street, their after-images like kite-tails settling behind. Michael was speechless with delight at this exciting new discovery but nonetheless resumed his normal walking style there next to John, who had by now let go of Michael’s hand.
“There’s lots of things like that what you can do. You can jump off a roof and fall so slowly that you don’t get hurt. Or you can fly like old Malone, although there’s lots of different ways of doing it. Most people pick their feet up off the floor until they’re sort of lying in the air, then do a breast-stroke like they’re swimming. Others do a doggie-paddle like Malone, and some just swoop about like bits of paper in the wind. You’ll find with the majority of ghosts, though, that they can’t be bothered flying everywhere. For one thing, it’s too bloody slow. The air’s as thick as marmalade. You’re faster walking, or else running in the special ways that ghosts can run: there’s skimming like you’re on a frozen slide that’s just an inch above the pavement, or there’s what we call the rabbit run, on all fours so that just your knuckles graze the ground. That’s a good laugh, if everybody’s in the mood for it, but by and large it’s safer walking. You’ve got time to spot all the rough sleepers before they spot you.”
They were now at the end of Crispin Street, where it ran over Scarletwell Street and turned into Upper Cross Street. John insisted that they wait again at this new junction for the others to catch up, so Michael practised jumping on the spot, achieving altitudes of several feet before John asked him, genially, to pack it in. From where they stood upon their corner, Scarletwell Street was unrolled down to St. Andrew’s Road upon their right, while on their left it sloped up in between the facing terraces towards the cosy oldness of the Mayorhold. Michael always thought of this familiar enclosure as a sort of town square that was meant for just the people of the Boroughs, even though he knew that the real Market Square was further off uptown.
Standing there in his drool-scorched dressing gown, there in the draughtboard-coloured copy of his neighbourhood, the little boy looked at the weathered brickwork of the houses at the top of Scarletwell and had a sense, for the first time, of how long everything had been here before he’d been born. There was what John had told him about playing on the green behind St. Peter’s Church with Michael’s dad when they’d been boys. He hadn’t really thought before about his dad having once had a childhood, although now it struck him, shockingly and suddenly, that everyone must have been little once. Even his dad’s mum, his nan, May, she’d have begun life as a tiny baby somewhere. Then there was her dad, Michael’s great-grandfather, who John had mentioned, who was mad and had the power to not have any money. Snowy, had John called him? Snowy must have been a boy of Michael’s age once, long ago, who’d had a mother and a father, and so on and so on, back to times he’d heard about “when we were living in the trees”, which he’d assumed were probably the ones down in Victoria Park. Michael stared off down Scarletwell, between the modern maisonettes or flats on one side and the playing fields of Spring Lane School upon the other, feeling as if he were peering down a real well, one that dropped away beneath him, down through all the mums and dads and grandmas and great-granddads, back through all the days and years and hundred-years into a smelly, dark place that was damp and echoey, mysterious and bottomless.
Once all the other dead kids had caught up and joined them on the corner, John and Michael carried on down Scarletwell Street. From the hill’s top, gazing down across the squeaking railway yards towards Victoria Park and Jimmy’s End, the view was much the same as it had been up in Mansoul, except that here it looked like an old silent film, silver like fish-skin, without all of the remembered warmth and colour. It was only when he thought about the way things would have been only a little while back, in his parents’ day, that it occurred to Michael how much change the district must have seen in those few years.
Judging from how he’d heard his mum and gran describe it, the whole big oblong of ground, which stretched from Scarletwell Street to Spring Lane and from St. Andrew’s Road to Crispin Street, had been much simplified. Where once the block had been a maze of homes and yards and businesses, now there were just the classrooms of Spring Lane School sheltered in a concrete hollow at the hill’s crest and a single row of houses at the bottom on St. Andrew’s Road, the terrace that Michael had lived in when he was alive. All of the land between was now banked playing fields, with the exception of a sole surviving factory over on Spring Lane. A hundred warehouses, sheds, pubs, homes that had served for generations, alleyways for kissing couples, outdoor toilets and lamplighter’s shortcuts had been swept
away to leave grey meadows where the whitewash margins of the football pitch stood out like old scars. Although this was Scarletwell as Michael knew it, somewhere that seemed always to have been the way it was and where his own house still stood safe and sound, he had a sudden tingling sense of all the names and stories that had been rubbed out to make a place where school-kids could have sack races on sports day. All the people that were gone, and all the things they’d known.
Michael was walking beside John, still, as they sauntered down the washed-out reproduction of the hill. Not far behind them, Phyllis and Drowned Marjorie were sniggering conspiratorially again and Michael wondered if it was at him, but then he always wondered that with girls. Or boys. Following at the rear, Phyllis’s little brother Bill conferred in hushed tones with the bowler-clad boy, Reggie, telling him what Michael thought was probably a dirty joke, then having to explain the modern parts of it that the Victorian boy obviously didn’t get. Michael could hear him saying “Well, okay, the woman in the gag’s not Elsie Tanner, then. What if it’s Mrs. Beeton?” Michael didn’t know the first name, but he thought the second had something to do with either cookery or nursing, or perhaps she’d been a murderer. He strained to hear the finish of the story, which appeared to involve either Elsie Tanner or else Mrs. Beeton answering the door to a delivery boy when she was nude and straight out of the bath, but Phyllis Painter turned round to her younger brother and told him to knock it off before she clouted him. There was a tightness in her voice that Michael didn’t think had been there before they’d had their near run-in with Malone. She sounded a bit scared, and in the light of what he’d heard about the fearless pranks that Phyllis played on ghosts, this puzzled him. He thought that he’d ask John.