by Alan Moore
The broken-hearted mob of ghosts who had been Reggie’s mentors in the afterlife had also counselled against going “Upstairs” to a place they called “Mansoul”. That, they’d explained, was for a better class of dead folk who had led respectable and carefree lives, not for the sorry likes of Reggie and his new-found friends. Their poor opinion of themselves had chimed with his own faltered self-esteem, and it occurred to Reggie that he might still be one of their company, to this day shambling through the joyless alleys of the ghost-seam with them, listening to their complaints and their regrets there in that muted landscape where each sound and every hope fell flat. He’d almost certainly still be amongst that wretched fellowship, he realised soberly, if it had not been for the great ghost-storm of 1913.
That had been like the Almighty trumping, in that it was deafening and unexpected. It had been much worse than the comparatively minor squall that Reggie and the Dead Dead Gang had just affected their escape from, down in 1959. Both had been caused, though, by the same phenomenon: by the violent activity of higher supernatural forces in the region of Mansoul that corresponded to the Mayorhold, where there was a place they called the Works. In 1913 these superior powers, be they the builders or the former builders who had been reclassified as devils, were in uproar over something that was said to be connected with the coming war. Their outraged flailings had provoked a wind of terrible ferocity that had torn through the phantom neighbourhood and had blown all of Reggie’s fatalistic chums away to Delapre. That was the reason it had put the wind up Reggie, so to speak, when him and all the other kids had heard Black Charley say there was a ghost-storm on its way: Reggie had been through one before.
There’d not been any warning, just a sudden rush of phantom dust and debris bowling down the middle of St. Mary’s Street, and then a ghostly rubbish bin had come careening out of nowhere and hit Reggie smack between the shoulder blades, so that he fell flat on his face. That, looking back, had been what saved him. Toppling forward, with his bowler somehow landing pinned and flattened underneath him, he’d instinctively put out both hands to break the fall and found himself embedded past his elbows in the ancient and thus partially substantial Boroughs soil. His scrabbling spectral fingers, out of sight a foot or two beneath the ground, happened upon a tree root that was also of sufficient age to get a grip on, and he’d thus been anchored more or less securely when the main sledgehammer blow of the ghost-gale had hit them only instants later.
Old Ralph Peters, a bankrupted grocer from 1750-something who’d looked like John Bull, had voiced a startled and despairing cry when he’d been lifted up into the air, as weightless as a feather, and had been sent soaring off in the direction of St. Peter’s Church. They’d all been rummaging about amongst the trees and overgrowth between the burial ground where Reggie had passed over (and had subsequently been interred), and Marefair. As the fierce north-easterly had torn poor Ralph into the sky he’d clutched in desperation at the topmost branches of an elm in hope of finding purchase, but the twigs had been new growth and had passed through the portly spirit’s hands like they weren’t there. Ralph had been snatched away arse-first towards the south horizon with the frightening velocity and dreadful noise of a deflating grey balloon, the after-pictures of his shocked face spiralling behind him like a hundred John Bull posters gushing from a printing press.
While Reggie had sprawled there screaming inaudibly above the tempest, clinging to the buried tree root for dear death, he’d watched as one by one the rest of the threadbare assembly – Maxie Mullins, Ron Case, Cadger Plowright, Burton Turner – had careened away into the clouds, passing through factory chimneys, fences made of rusty tin and the brick walls of people’s houses as they went. He’d heard Ron Case’s shriek of agony as the stooped little ghost with the perpetual sniffle had collided at high speed with the nine-hundred-year-old spire of Peter’s Church, a building venerable enough to have accumulated solid presence even in the ghost-seam. From what Reggie had been told a few years later, Ron had hit the church tower and been bent around it, caught upon it like an airborne ribbon hooked upon a nail. The raging winds had pulled his insubstantial body out as if it were a paper streamer, with the outcome being that by all accounts he’d ended up as something twice the height and much too thin to look at without shuddering. As for the others, Reggie didn’t have the first idea where they’d eventually been set down: from that appalling day to this, he’d never met with any of the kindly but dejected bunch again. For all that he knew they might still be up there, moaning and complaining as they twirled and flapped, caught in the planet’s jet-streams for eternity.
He’d been alone, then, in the spiritual hurricane, face down and shoulder-deep in Boroughs rock with his feet lifted off the ground and trailing in the churning air behind him, a whole football team of after-image boots and darned socks kicking helplessly. As he recalled he’d been debating whether to keep clutching at the root until the storm abated, if it ever did, or whether to let go and join his colleagues. He had just about decided on the latter of these options when he’d noticed that something peculiar was happening to the wasteland turf about a yard in front of him. There’d been concentric bands of black and white that seemed to ripple outwards from a dark spot in the middle, and it had been from this shimmering central point that Reggie had seen what he’d at first taken to be plump and ghastly worms but had then understood were a child’s fingers, wriggling up from underneath the earth. As there were at least thirty digits visible at one point, he had realised that the owner of the hands must be a ghost-child like himself, which had provided cause for cautious optimism.
Scraping back the wavering Liquorice Allsort stripes to either side with movements like the shovelling front paws of a mole, the mystery hands had very quickly made the portal wide enough for larger body-parts to be pushed through. Thus it had been that he had found himself with arms sunk in the earth, cheeks fluttering and eyes watering in the fierce wind as he’d stared disbelievingly at the small girl whose head and shoulders had suddenly poked up from the waste-ground a few feet in front of him. Around her neck had been a ruff of rabbit skins that made it look like she was surfacing out of a barrel of dead animals. Her bowl-cut hair had whipped about all round her head in the still-raging tempest, every loose strand dragging after-image curtains of itself to veil her scowling features in a mask of matted steam. That had been his first meeting with ferocious, mouthy, brave, infuriating Phyllis Painter.
Verbally abusing him throughout and treating him as if he were an idiot, Phyllis had managed to reach out and grab him by the wrist once he’d unearthed one of his arms. With what had turned out to be her kid Bill holding her ankles from below, she’d somehow hauled both Reggie and his squashed hat through the opening she’d dug, yanking him down into the glittering see-through darkness of a tunnel that had run from Peter’s Church up to St. Sepulchre’s, or at least had done in the thirteen-hundreds, which was the time period that Phyllis had been digging her way up from when she’d happened upon Reggie. They’d all landed in a heap on top of Bill, struggling on the packed dirt floor amidst dropped Saxon coins and Norman dog-bones, giggling and yelling as if the whole dire predicament had been enormous fun. After the untold years of his association with resigned old men who hadn’t even had death to look forward to, Reggie had known once more the spirit-lifting thrill of being a daft little lad unburdened by regret. They’d finally stopped laughing and sat up, there in the fourteenth-century gloom, to shake hands and make proper introductions.
Him and Bill and Phyllis had been more or less inseparable from then on, organising games of hide and seek in heaven, playing ghost-tag, sliding on their bottoms down the dusty decades. As he’d got to know them better, Reggie had picked up the odd fact here and there, such as how they were both from the same family and had both lived and died a good while after he had. He’d found out that Phyllis’s last name was Painter, which was more than Reggie knew about his other young pals. He assumed that Bill must be a Painter too, but h
e’d got no idea as to the surnames of Drowned Marjorie or John, whom Reggie and the Painters had encountered some time after the three of them had first met, in medieval times, beneath the burial ground. As with living kids, dead ones preferred to deal almost exclusively in Christian names, or so it seemed to Reggie.
Bill and Phyllis had before long disabused him with regard to the forlorn philosophy he’d picked up second-hand from Maxie Mullins, Cadger Plowright and the rest. They’d taken him up to Mansoul, up to the Second Borough on the floor above the mortal realm, where the reverberant sound and overwhelming colour had brought Reggie to his knees, as had the smell of Phyllis’s dead-rabbit scarf once they’d climbed from the odourless dominion of the ghost-seam. Having met the down-at-heel but glorious individuals who resided mostly in that upper world, people like Mrs. Gibbs, old Sheriff Perrit or Black Charley, Reggie had revised his idea of himself. The afterlife – which was in some ways also the before-and-during life – had not turned out to be the snooty and judgemental place that Burton Turner and the others had described. It had instead been both a wonder and a terror, the most thrilling playground for a child that Reggie could imagine, and he’d understood that all its shining residents were only people who had lived their lives and done the things they’d had to do, the same as Reggie had. All the disheartened spirits that he’d previously knocked about with, he had realised, were not condemned to purgatory by anything except their own shame and a mercilessly low opinion of themselves.
It had been at some point during the early days of their association, possibly just after the Adventure of the Phantom Cow and just before the Mystery of Snow Town, that the three of them had first decided that they were now an official gang. This would have been about the time that Reggie had remembered his old dream about Miss Tibbs and had suggested that they call themselves the Dead Dead Gang, which everybody had seemed tickled by. They’d stuck together ever since then, although Reggie had got no idea how long ago the founding of their happy throng had been, nor even how you’d calculate a thing like that on the time-free plane of Mansoul.
Time being what it was up in the Second Borough, Reggie kept things straight by reckoning events in the same order he’d experienced them, the way most people did. He had a notion that the builders and the devils saw things differently, but that was somehow tied up with the business about special geometry and mathematics and dimensions, so he tended not to dwell upon it very much. For Reggie, keeping track of years and dates had always been a headache, and the best that he could manage was to maintain an internal list of big occasions in their proper sequence. For example, following the naming of the gang they’d pretty soon embarked upon the Snow Town business, when the three of them had gone exploring in the twenty-fifties, and right after that there’d been the Case of the Five Chimneys. Their next exploit, The Dead Dead Gang Versus the Nene Hag, had been the one where they’d picked up Drowned Marjorie, and eight or nine adventures later they’d encountered John, with his boy’s-paper hero looks, during the Subterranean Aeroplane Affair. Though weeks, years, decades or possibly centuries had passed since then, to Reggie it seemed like one endless afternoon in much the way that children think of their school summer holidays, measured in games played or best-friendships forged.
That period, with its Riddle of the Crawling Arm and Incident of the Delirious Blackshirt and the rest, had been a largely calm and happy one for Reggie. Now, though, with their current operation (“The Enigma of the Soppy Little Kid”), he wondered if those carefree times were drawing to a close, the way his days with the rough sleepers had done. First there’d been that trouble with the devil, the first really famous fiend that Reggie had bumped into in his time Upstairs, and then there’d been that stuff about this nipper kicking off a scrap between the Master Builders. Throw in the unsettling ghost-storm and in Reggie’s estimation this whole latest escapade was turning into a complete disaster. He had previously thought that having died inside a packing crate would be the worst thing that could ever happen to him, and that relatively speaking the remainder of eternity would be a pushover. This Michael Warren business, though, with all its demons and its dangers, made that notion look too optimistic. Privately, he was of the opinion that the sooner they dumped the new blonde kid down the scarlet well and into the fifth century, the better.
Look at the fuss he’d made just now, when he’d turned round and noticed that his house and street had gone, Reggie thought scornfully. The lucky little beggar had already found out he’d be coming back to life again, and then he goes and throws a fit about some buildings that had been demolished. He should try freezing to death inside a crate. As Reggie saw things, all these sissy little modern kids should try freezing to death inside a crate. It’d be good for them.
Reggie stood with his comrades and the new boy at the junction of Bath Street and Scarletwell, sometime in nothing-five or nothing-six, up in the twenty-somethings. Michael Warren was still blubbering and pointing to the place his home had been while big John tried consoling him and Phyllis told him not to be so daft. Contemptuously, Reggie hawked some ectoplasm up and spat it out into the gutter. Tilting down his bowler’s brim to what he thought might be more of a tough chap’s angle, he looked off downhill towards St. Andrew’s Road and the lone house, there near the corner, that they’d just escaped from. In all fairness to the wailing toddler, Reggie didn’t much like being this far up the ladder of the decades either. His own century, the nineteenth, was all right, despite it having treated him so poorly, and he thought the first half of the twentieth was reasonably presentable if you ignored the wars. Time periods much after that, though, and it all went funny. This one that they were in now, the twenty-first, was somewhere that he’d kept away from ever since the Snow Town episode. Despite the fact that Reggie was a ghost, this present century gave him the willies.
What was worst were all the houses they had here: the flats. Where Reggie could remember tangled lanes crowded with individual homes now there were only great big ugly blocks, a hundred residences crushed into a cube, like when they squash old cars in a machine. And naturally, having to live a new way had made everybody different. These days families were all divided up like eggs in cartons, one to a compartment, and folk didn’t hang together in the way they’d done when their untidy streets and their untidy lives had all been knotted up in one big ball. It was as if society had finally caught up with Reggie Bowler, so that now the vast majority of people were content to live and die alone, inside a box. Aimlessly gazing at the single red-brick structure jutting from the night grass near the junction with St. Andrew’s Road, he realised with a start that up here in the twenty-somethings, this peculiar relic was the only proper house still standing in the Boroughs. All the rest had been replaced by concrete lumps.
Behind him, Michael Warren was berating Phyllis, between sobs and gulps for breath, over the way she’d brought him here to this upsetting place. He said he didn’t think that she was really looking after him at all, and that she was just doing what she wanted to and being selfish – which from Reggie’s point of view there may have been some truth in, but he knew it was a bad idea for the new kid to point it out to Phyllis like that. Sure enough, the Dead Dead Gang’s girl boss immediately got on her high horse, and then got that to balance on the saddle of an even higher horse as she turned her ferocious approbation on the sniffling little boy, loudly recalling how she’d helped him in the Attics of the Breath and how she’d saved him from the clutches of the devil-king. Letting the whole debate sail past him Reggie spat again into the dark, the wad of ghost-phlegm leaving pale dots on the darkness as it arced towards the pavement, like a perforation line. Returning his attention to the faded ribbon of St. Andrew’s Road as it spooled through the night towards the north and Semilong, Reggie inspected its infrequent motor traffic that passed back and forth beneath the craning streetlamps with their sickly grey coronas.
Cars had frightened Reggie when he’d first encountered them while playing tiggy-through-the-wall wi
th Bill and Phyllis in the 1930s, and had then amazed and fascinated him as he’d become increasingly familiar with them. Reggie fancied that he had turned into something of a connoisseur of motor vehicles across the timeless time since then, being particularly fond of those you came across down in the 1940s and the 1950s. Double-decker buses were his favourite, especially after Phyllis had informed him that as living people saw them, they were a bright red. He liked the transport of the twentieth century’s middle decades largely for its pleasing shapes, its mudguard curves and bumper bulges. Also, Reggie thought the cars you saw around those years had cheerful faces, the arrangement of the headlights, bonnet mascot and the radiator grill that Reggie couldn’t help but see as eyes and nose and mouth.
The intermittent modern cars that hummed and hurtled through the night along St. Andrew’s Road were, like so many of this current era’s trappings, less to Reggie’s liking. They had either the sleek bodies of malicious cats advancing rapidly on something through tall grass, or they resembled trundling military tanks that had been geed-up to go faster. Worst of all, in his opinion, were the cold, mean-spirited expressions of their features, crowded in beneath the forehead of the bonnet like the blunt and vicious masks of fighting fish. The headlamps were now lidded and inscrutable above the radiator’s surly overbite, the entire four-wheeled metal skull now that of a belligerent bull-terrier. He’d once remarked to Phyllis that they looked like they were out hunting for something in the dark, and she’d just sniffed and said “Round ’ere, it’s girls.”
The row between Phyllis and Michael Warren was still going on, back over Reggie’s greatcoat-shrouded shoulder. Phyllis said, “I oughter just abandon yer, if that’s the way yer feel abayt it”, and then Michael Warren said, “Glow on and see a fakir”, which to Reggie’s ear made very little sense. But then, that was the way the newly dead found themselves talking before they were used to the expanded possibilities of language that there were in Mansoul, alongside the richer sounds and colours. Before they had found their “Lucy-lips”, as the expression went. Reggie remembered his own early gibberish tirade at the unwitting members of the congregation filing into Doddridge Church down in the 1870s, and felt a pang of sympathy for the disoriented youngster, though not much of one. As there were no cars passing by at present, Reggie was about to turn back to the other ghost-kids squabbling behind him and resume his part in their discussion when he noticed something odd emerging from the featureless brick wall bounding the enclosed garages belonging to the flats, a little further downhill from where they were standing, nearer to where blacked-out Scarletwell Street joined the sodium-lit ribbon of St. Andrew’s Road.