by Alan Moore
“Why wiz that place that’s in front of us all punny-looking? I don’t look the like of it.”
The toddler sounded anxious. Marjorie could tell by how he mixed his words up into dream-talk, having not yet settled comfortably into the more flexible vocabulary of the afterlife. She knew exactly what he meant, though, and she fully understood the reasons for the infant’s apprehension.
Up ahead of them, the glowing boardwalk passed above an expanse of the ghost-seam that appeared to be much more abnormal than was normal, so to speak. For one thing, there were sudden flares of vivid hue amongst the unrelenting greyness of the muffled half-world. For another … well, the air itself was sort of creased, as were the faintly eerie structures that you could see through it. Space itself appeared to have been hideously mangled, crumpled up like paper in a giant’s fist, with random fold-lines running everywhere and all the grounds and buildings of the place beneath them made into a clumsy, mad collage. This spatial fragmentation and distortion, added to the shift and flow of different times that was already evident, made the asylums an alarming sight. Reality was crushed into a faceted, chaotic tangle of now, there, and here, and then: an indescribable topography that was one moment crystalline and convex and the next a field of odd-shaped cavities and holes, where black and white inverted forms were drenched at intervals by colour-bursts of frightening hallucinatory blue, or hot and lurid Polynesian orange. Wondering how Phyllis Painter could conceivably make sense of this demented and yet somehow glorious spectacle to wide-eyed Michael Warren, Marjorie was all ears. She might learn something important, and besides, she always made an effort to remember dialogue.
“Well, what we’re comin’ up to ’ere, it’s what we call the mad-’ouses or the asylums. It’s a bit like all that funny waste-ground between Chalk Lane and St. Andrew’s Road what we saw earlier, where I said we could goo an’ play on ayr way back, if yer remember. In both places it’s a kind of a subsidence. Fer whatever reason bits of Upstairs ’ave fell through ter Daynstairs. What we’re lookin’ at, dayn in the world below it’s more or less in the same place as Berry Wood, the mental ’ospital. Saint Crispin’s, what they call it. But, because most of ’em what are livin’ dayn below us are doolally, it’s a bit more complicated than it saynds.
“See, up in Mansoul, where I faynd yer in the Attics o’ the Breath, all o’ the shops and avenues and whatnot are all made from like a crust o’ livin’ people’s dreams and their imaginings. The problem ’ere wiz that ’alf o’ the lunatics what places like this ’ave ’ad in ’em dayn the years, they don’t know where they are. Some of ’em don’t know when they are, and that means that the area of Mansoul that’s above ’em wiz made out of dreams and memories what are wrong. Thoughts, Upstairs, are builder’s materials, and if the thoughts are flawed then all the architecture what’s built out of ’em wiz flawed as well, and that’s what’s ’appened ’ere. A faulty part o’ Mansoul ’as fell in and crushed the ghost-seam, and as a result all the asylums in Northampton ’ave collapsed into one place, at least from ayr perspective. It’s because the patients don’t ’ave much idea which mental ’ome they’re in, so everythin’ gets all confused up on the ’igher levels too. That what we’re looking at dayn there, it’s the St. Crispin’s ’Ospital at Berry Wood, but bits of it are from Saint Andrew’s ’Ospital on Billing Road and other bits are from the mad-’ouse what there used to be in Abby Park, where the museum wiz now. All o’ them colours what keep flashin’, that’s where coloured rubble from Mansoul ’as ended up embedded in the ghost-seam. It’s in a right two-and-eight, and you wait ’til we’re dayn there in it! Livin’ and dead loonies everywhere, and even they can’t tell one from the other!”
Marjorie agreed inwardly. It was most probably as succinct an appraisal of the madhouses as she herself could have come up with, and she hadn’t previously known that the subsidence in the Second Borough had been caused by the frail, broken minds that were supporting it down in the earthly realm. She’d known that all the different mental institutions overlapped, so that deluded inmates from one place or time could mingle freely with the medicated shufflers of another, but she hadn’t fully understood the way that it all worked. Phyllis’s explanation made sense of the startling eruptions of pure colour, too: the visual qualities of a collapsed Mansoul reacting with the firework emotions of the mentally disturbed.
With Michael Warren’s curiosity now wholly satisfied and with his fears only somewhat allayed, the clutch of latchkey phantoms headed on along the Ultraduct, deeper into the fold and flux of the asylums. Marjorie, who’d had her inner reverie interrupted by the toddler’s query, found that she could not recall what she’d been thinking. No doubt it had been some vaguely literary musing about birds or clouds or something, but now it had vanished. Lacking its distraction, Marjorie Miranda Driscoll found her thoughts returning to their customary drift of shadowed memories and images, the very things that she indulged in literary musings to avoid.
The Nene Hag’s massive, murky shape had hung there in the river-bottom gloom before the drowned child, with its horrid and incalculable length trailing away behind it into underwater blackness. Brilliant fragments of Marjorie’s shattered Life Review were still caught in the strangling tangles of the creature’s hair, swirling and curling all about them both. One of the Hag’s umbrella-pterodactyl hands was clamped tight on the newly-dead girl’s ankle, holding her immobile as it studied her. Right at the bottom of the slimy wells that were its sockets, she had seen the slug-like glisten of the monster’s eyes and in them was the mer-thing’s whole unbearable, unasked-for story; every terrifying detail of its near two-thousand-year existence leaking into Marjorie like septic drainage from a rusted cistern.
It was of the Potameides, of the Fluviales. Merrow, naiad, Undine, it was all of these and had been called Enula once, when last it had a name; had been called ‘She’ when last it had some vestige of a gender. That had been during the second century, when what was now the Nene Hag had been then a minor river goddess, worshipped by a crew of homesick Roman soldiers garrisoned at the town’s south bridge in one of the many river-forts erected between here and Warwickshire, along the Nene. Those ancient afternoons, the clots of colour that were sodden floral offerings, drifting with the current. The Latin imprecations, half believing, half embarrassed, muttered underneath the breath. Enula – had that really been her name or was it a mishearing, a false memory? The creature didn’t know or care. It didn’t matter. Enula would do.
She’d started life as hardly anything at all, a mere poetic understanding of the river’s nature in the minds and songs of the first settlers; a flimsy tissue of ideas, barely aware of her own tenuous existence. Gradually, the songs and stories that had brought her to the brink of being grew more complex, adding to her bulk with new and more sophisticated metaphors: the river was the flow of life itself, its constant one-way passage that of time, its quivering reflective surface like the mirror of our memory. She’d taken on a fragile substance, at least in the world of fables, dreams and phantoms that was closest to the muddy mortal sphere, and finally had been made spiritually concrete when they’d given her a name. Enula. Or had it been Nendra? Nenet? Something like that, anyway.
Back then she’d been a beautiful young concept, her appearance that of an unusually elongated mermaid, ten or twelve feet prow to stern, her face a fabulous confection. Each eye, then much closer to the surface of her head, was an exquisite violet lotus with its myriad petals opening and closing on the crinkles of her smile. Her lips had been two foot-long curls of iridescent fish-skin where prismatic hues of lavender and turquoise played, and lustrous tresses of deep bottle-green drifted about the polished pebble hardness of her breasts and belly. Both her eyebrows and her maidenhair were of the softest otter pelts and her extraordinary tail was terminated in a fin like an immense jewelled comb, big as a longbow. Her bright scales and her eight oval fingernails alike were made from mirror, where black bands of shadow rippled like reflected trees.
> She’d even had a love, those many centuries ago. His name had been Gregorius, a stranded Roman soldier working out his term of duty at the river-fort, missing his wife and children far away in warm Milan. His floral offerings to the spirit of the waters had been the most frequent and the most profuse, and every other morning he’d bathe naked in her chilly flow, his balls and penis shrivelled to a walnut. She remembered, dimly, the distinct smell of his sweat, the way he’d sweep the water back across his scalp to wash the dark, cropped hair. Her opal droplets trickling down his spine towards the buttocks. Once, during his riverside ablutions, he had masturbated briefly and discharged his seed into the torrent foaming at his knees, the congealed sperm swept off towards the distant ocean. Lovesick, she had followed this most precious offering almost to the Wash before she’d given up and headed back for home, wondering all the way at the ferocity of the obsession that had seized her.
Then one dismal morning her young man had gone, as had his cohorts. The abandoned river-fort became a crumbling playhouse for the local children and, within a few years, had been scavenged and dismantled to the point where it no longer served as anything at all. She’d waited and she’d waited, writhing in frustration down amongst the silt and sediment, but she had never seen Gregorius again, nor any of his kind. There had been no more flowers, but only night-soil flung upon her bosom by the hairy, slouching Britons when they rose each morning. Clearly, she was not regarded as even a demigoddess any longer and, accordingly, down in her cold, resentful darkness she’d begun to change.
She’d been so lonely. That was what had altered her by inches, turning her from lovely Nenet, Nendra or Enula to the Nene Hag, to the mile-long thing she was today. Her simple solitude had fashioned her into a monster, had precipitated all the desperate actions since then. All the drowned souls she’d claimed, all of them taken only for companionship.
She’d held herself back, had restrained her urges for some several centuries before she’d given in and grabbed a ghost as it was struggling to escape its bobbing body. She had been aware that once that step was taken it was irrevocable, a vile crime of the spirit from which there could be no turning back. That’s why she’d put the moment off for so long, why she’d hesitated until the idea of an eternal life without love could not be endured another instant. That point had been reached one summer night in the ninth century, almost a thousand years ago. The man’s name had been Edward, a stout crofter in his fortieth year or so, who’d tripped and fallen in the river as he’d made his way home through the dark fields with a belly full of ale. Edward had been her first.
These were not pleasant things from her perspective, neither Edward’s taking nor their subsequent relationship. She’d never really bothered to consider what the drowned man’s own view of such matters might have been. During the years they’d spent together, Edward had appeared to be in a continuous state of shock or trauma anyway, right from the moment when she’d closed her huge webbed hand around his thrashing and disoriented spectral body. In his widening eyes she’d caught her first glimpse of what she must look like now, the way that she must seem to them, the humans. Even if she should be fortunate enough to find a new Gregorius, how would she stop him screaming at what she’d become?
Edward, of course, had screamed at first – long bubbling spirit-noises that were somewhere between sound and light. Eventually, he’d fallen silent of his own accord and had retreated to the glazed and trance-like state in which he’d stayed for the remainder of their courtship. He became a paralysed and staring pet-toy, drifting and inert as Nendra or Enula batted him this way and that between her crab-leg fingers or attempted to communicate with him. Unable to elicit a response that went beyond a moan, a twitch or a convulsion, the Nene Hag had at last settled for a one-way conversation that went on uninterrupted for the full five decades he was with her. She unburdened herself of her many trials and disappointments, several times, and even told him of the day when she had chased Gregorius’s clotted sperm to the freshwater limits of her territory. He made no sign that he heard or understood her utterances, and she might have thought that she had no effect upon him whatsoever were it not for the continuing disintegration of his personality, shedding layers of awareness in an effort to escape the unrelenting horror of his circumstances. Finally, when Edward had no more self than a knot of driftwood, Nenet let him go. A piece of ghostly flotsam, used-up and sucked dry of its vitality, she’d watched as he was swirled away towards the east, towards the sea, still silent and still staring.
Then she’d gone and caught another one.
How many had there been since then? Two dozen? Three? The Nene Hag had lost count and had by now forgotten most of her companions’ names. She thought of all of them as “Edward”, even the half-dozen women that she’d netted down the decades, when she thought of them at all. Some of them had been more responsive to her presence than the first Edward had been. Some of them had tried pleading with her, some had even asked her questions as they’d struggled through their fear to comprehend her and to understand the nightmare they were caught in. All of them, however, would sink into her first suitor’s catatonic state, sooner or later. And when there was almost nothing left, when consciousness had shrunken to a numb, insensate dot, she would get rid of them. When their eyes ceased to follow the rare shafts of sunlight filtered from above as through a dirty glass, when their whole souls went limp and did not move thereafter, when there was no longer even Nendra’s dreary entertainment to be had from them she sent them off upon her stately and unhurried currents, never wondering what became of them, whether they would remain as mindless husks until the end of time or if they might one day recover. Mute and unresponsive she had no more use for them, and there were always more fish in the stream.
It – for it was most certainly an ‘it’ by now – had only taken women when no men were to be had, having arrived at the conclusion that ghost females caused more fuss than they were worth. Most of the women, it was true, had lasted longer than the men before withdrawing to a vegetative torpor, but they’d also been more fierce and frightened and had fought harder as well. Combining with Enula’s natural antipathy to its own former gender, this resistance had brought out a streak of cruelty in the Nene Hag’s nature, where before had only been abiding loneliness and bleak embitterment. One of the female Edwards who’d got on the creature’s wrong side had been slowly psychologically dismantled, picked apart in tumbling flakes of astral fish-food and then, after almost ninety winters, had been flung away. The ancient sub-aquatic phantasm had been surprised by the response that this deliberate torture had awoken in it: a dim, distant glimmer of sensation that was almost pleasure. Obviously, once discovered, this new tendency to inflict suffering had rapidly become more urgent, more pronounced, more necessary to the river-monster’s equilibrium.
It hadn’t caught a child before. It hadn’t felt the need, regarding them as minnows, no more than a mouthful when there was a great abundance of more adult sustenance to hand with each new year, all of the accidents and suicides. The nineteenth and the twentieth centuries, however, had been something of a lean stretch on account of the increasing numbers that were learning how to swim. Around the join of the two periods, Nenet had noticed with disdain an old man giving swimming lessons to a flock of nude young boys there on the stretch of it that marked the old town’s western boundary. Infuriatingly, from waterside discussions it had overheard, it later learned that the long meadow in the area, near where Saint Andrew’s Priory once stood, had been renamed after this irksome Irish lifeguard, an ex-military man named Paddy Moore, and was now known as Paddy’s Meadow. Consequently, through the interfering efforts of such people, most of those who entered the Hag’s province would climb safely out again. The creature had been without company since it had let the remnants of her last associate go, sometime during the 1870s, but now its dry spell had come to an end. Now it had Marjorie.
This entire tide of dreadful history had rushed into the helpless phantom child, alo
ng with a great host of other apprehensions, mysteries and gruesome trivia pertaining to the creature’s long, famished existence. Though transfixed by terror, Marjorie had suddenly known all the river’s cloudy secrets, known the whereabouts of both the missing and the murdered, had known where the lost crown jewels of Bad King John had ended up, the ones that never did “all come out in the Wash”. The little girl had stared into the wet grey spiral of the Undine’s eye and understood with absolute conviction what was to become of her: she’d spend unbearably protracted decades, horribly aware of how her very being was unravelling, flinching itself to pieces as it bore the undivided weight of the Nene Hag’s attentions, and then in the end when even Marjorie’s identity and consciousness were too much to endure she’d be discarded, one more used ghost heading for the east coast, dead twice over.
It was as all this was sinking in that there had been a terrible commotion in the nearby waters. The Nene Hag’s glutinous eyes had narrowed and contracted, squinting in surprise at this unwelcome interruption. The huge flattened head had turned, seeking the source of the disturbance, and then it had –
Marjorie bumped suddenly into the back of Reggie Bowler, who had stopped dead on the Ultraduct in front of her. The radiant flyover was evidently passing just above a central point in the web of entangled lunatic asylums, this being where Phyllis Painter had seen an abundance of mad-apples earlier, before she’d got mixed up with Michael Warren in the Attics of the Breath.
“All right, ’ere’s where I saw the Puck’s ’Ats. There wiz ’undreds of ’em, ’angin’ from the trees and from the gutterin’. If we jump dayn from where we are now, we can bag the lot of ’em.”