"Okay, Wimpy, when can you set it up?"
"Saturday, Bumper, we can do it Saturday."
"No good," I said quickly, a gas pain slicing across my stomach. "Friday's the latest for anything."
"Christ, Bumper. He's out of town. I know for sure. I think he's gone to the border to score."
"I can't wait past Friday. Think of somebody else then."
"Shit, lemme think," he said, rapping his skinny fingers against his temple. "Oh yeah, I got something. A guy in the Rainbow Hotel. A tall dude, maybe forty, forty-five, blondish hair. He's in the first apartment to the left on the second floor. I just heard last night he's a half-ass fence. Buys most anything you steal. Cheap, I hear. Pays less than a dime on the dollar. A righteous dog. He deserves to fall. I hear these dope fiends bring radios and stuff like that, usually in the early morning."
"Okay, maybe I'll try him tomorrow," I said, not really very interested.
"Sure, he might have lots of loot in the pad. You could clear up all kinds of burglaries."
"Okay, Wimpy, you can make it now. But I want to see you regular. At least three times a week."
"Bumper, could you please loan me a little in advance?"
"You gotta be kidding, Wimpy! Pay a junkie in advance?"
"I'm in awful bad shape today, Bumper," he said with a cracked whispery voice, like a prayer. He looked as bad as any I'd ever seen. Then I remembered I'd never see him again. After Friday I'd never see any of them again. He couldn't do me any good and it was unbelievably stupid, but I gave him a ten, which was just like folding up a saw-buck and sticking it in his arm. He'd be in the same shape twelve hours from now. He stared at the bill like he didn't believe it at first. I left him there and walked back to the car.
"We'll get that pothead for you," he said. "He's sloppy. You'll find seeds between the carpet and the molding outside the door in the hall. I'll get you lots of probable cause to kick over the pad."
"I know how to take down a dope pad, Wimpy," I said over my shoulder.
"Later, Bumper, see you later," he yelled, breaking into a coughing spasm.
Chapter THREE
I ALWAYS TRY to learn something from the people on my beat, and as I drove away I tried to think if I learned anything from all Wimpy's chatter. I'd heard this kind of bullshit from a thousand hypes. Then I thought of the hemorrhoid ointment for shrinking hype marks. That was something new. I'd never heard that one before. I always try to teach the rookies to keep their mouths shut and learn to listen. They usually give more information than they get when they're interrogating somebody. Even a guy like Wimpy could teach you something if you just give him a chance.
I got back in my car and looked at my watch because I was starting to get hungry. Of course I'm always hungry, or rather, I always want to eat. But I don't eat between meals and I eat my meals at regular times unless the job prevents it. I believe in routine. If you have rules for little things, rules you make up yourself, and if you obey these rules, your life will be in order. I only alter routines when I have to.
One of the cats on the daywatch, a youngster named Wilson, drove by in his black-and-white but didn't notice me because he was eyeballing some hype that was hotfooting it across Broadway to reach the crowded Grand Central Market, probably to score. The doper was moving fast like a hype with some gold in his jeans. Wilson was a good young copper, but sometimes when I looked at him like this, in profile when he was looking somewhere else, that cowlick of his and that kid nose, and something else I couldn't put my finger on, made me think of someone. For a while it bothered me and then one night last week when I was thinking so hard about getting married, and about Cassie, it came to me-he reminded me of Billy a little bit, but I pushed it out of my mind because I don't think of dead children or any dead people, that's another rule of mine. But I did start thinking of Billy's mother and how bad my first marriage had been and whether it could have been good if Billy had lived, and I had to admit that it could have been good, and it would have lasted if Billy had lived.
Then I wondered how many bad marriages that started during the war years had turned out all right. But it wasn't just that, there was the other thing, the dying. I almost told Cruz Segovia about it one time when we used to be partners and we were working a lonely morning watch at three a.m., about how my parents died, and how my brother raised me and how he died, and how my son died, and how I admired Cruz because he had his wife and all those kids and gave himself away to them fearlessly. But I never told him, and when Esteban, his oldest son, died in Vietnam, I watched Cruz with the others, and after the crushing grief he still gave himself away to them, completely. But I couldn't admire him for it anymore. I could marvel at it, but I couldn't admire it. I don't know what I felt about it after that.
Thinking all these foolish things made a gas bubble start, and I could imagine the bubble getting bigger and bigger. Then I took a bubble buster, chewed it up and swallowed it, made up my mind to start thinking about women or food or something good, raised up, farted, said "Good morning, Your Honor," and felt a whole lot better.
Chapter FOUR
IT ALWAYS MADE ME FEEL GOOD just to drive around without thinking, so I turned off my radio and did just that. Pretty soon, without looking at my watch, I knew it was time to eat. I couldn't decide whether to hit Chinatown or Little Tokyo today. I didn't want Mexican food, because I promised Cruz Segovia I'd come to his pad for dinner tonight and I'd get enough Mexican food to last me a week. His wife Socorro knew how I loved chile relleno and she'd fix a dozen just for me.
A few burgers sounded good and there's a place in Hollywood that has the greatest burgers in town. Every time I go to Hollywood I think about Myrna, a broad I used to fool around with a couple years ago. She was an unreal Hollywood type, but she had a good executive job in a network television studio and whenever we went anywhere she'd end up spending more bread than I would. She loved to waste money, but the thing she really had going as far as I was concerned is that she looked just like Madeleine Carroll whose pictures we had all over our barracks during the war. It wasn't just that Myrna had style and elegant, springy tits, it's that she really looked like a woman and acted like one, except that she was a stone pothead and liked to improvise too much sexually. I'm game for anything reasonable, but sometimes Myrna was a little too freaky about things, and she also insisted on turning me on, and finally I tried smoking pot one time with her, but I didn't feel good high like on fine scotch. On her coffee table she had at least half a key and that's a pound of pot and that's trouble. I could just picture me and her getting hauled off to jail in a nark ark. So it was a bummer, and I don't know if it's the overall depressant effect of pot or what, but I crashed afterwards, down, down, down, until I felt mean enough to kick the hell out of her. But then, come to think of it, I guess Myrna liked that best of all anyway. So, Madeleine Carroll or not, I finally shined her on and she gave up calling me after a couple weeks, probably having found herself a trained gorilla or something.
There was one thing about Myrna that I'd never forget-she was a great dancer, not a good dancer, a great dancer, because Myrna could completely stop thinking when she danced. I think that's the secret. She could dig hard rock and she was a real snake. When she moved on a dance floor, often as not, everyone would stop and watch. Of course they laughed at me-at first. Then they'd see there were two dancers out there. It's funny about dancing, it's like food or sex, it's something you do and you can just forget you have a brain. It's all body and deep in your guts, especially the hard rock. And hard rock's the best thing to happen to music. When Myrna and me were really moving, maybe at some kid place on the Sunset Strip, our bodies joined. It wasn't just a sex thing, but there was that too, it was like our bodies really made it together and you didn't even have to think anymore.
I used to always experiment by doing the funky chicken when we first started out. I know it's getting old now, but I'd do it and they'd all laugh, because of the way my belly jumped and swayed around. Then I'
d always do it again right near the end of the song, and nobody laughed. They smiled, but nobody laughed, because they could see by then how graceful I really am, despite the way I'm built. Nobody's chicken was as funky as mine, so I always stood there flapping my elbows and bowing my knees just to test them. And despite the raw animal moves of Myrna, people also looked at me. They watched both of us dance. That's one thing I miss about Myrna.
I didn't feel like roaming so far from my beat today so I decided on beef teriyaki and headed for J-town. The Japanese have the commercial area around First and Second Streets between Los Angeles Street and Central Avenue. There are lots of colorful shops and restaurants and professional buildings. They also have their share of banks and lots of money to go in them. When I walked in the Geisha Doll on First Street, the lunch hour rush was just about over and the mama-san shuffled over with her little graceful steps like she was still twenty instead of sixty-five. She always wore a silk slit-skirted dress and she really didn't look too bad for an old girl. I always kidded her about a Japanese wearing a Chinese dress and she would laugh and say, "Make moah China ting in Tokyo than all China. And bettah, goddam betcha." The place was plush and dark, lots of bamboo, beaded curtains, hanging lanterns.
"Boom-pah san, wheah you been hide?" she said as I stepped through the beads.
"Hello, Mother," I said, lifting her straight up under the arms and kissing her on the cheek. She only weighed about ninety pounds and seemed almost brittle, but once I didn't do this little trick and she got mad. She expected it and all the customers got a kick out of watching me perform. The cooks and all the pretty waitresses and Sumi, the hostess, dressed in a flaming orange kimono, expected it too. I saw Sumi tap a Japanese customer on the shoulder when I walked in.
I usually held the mama-san up like this for a good minute or so and snuggled her a little bit and joked around until everyone in the place was giggling, especially the mama-san, and then I put her down and let her tell anyone in shouting distance how "stlong is owah Boom-pah." My arms are good even though my legs are gone, but she was like a paper doll, no weight at all. She always said "owah Boom-pah," and I always took it to mean I belonged to J-town too and I liked the idea. Los Angeles policemen are very partial to Buddha heads because sometimes they seem like the only ones left in the world who really appreciate discipline, cleanliness, and hard work. I've even seen motor cops who'd hang a ticket on a one-legged leper, let a Nip go on a good traffic violation because they contribute practically nothing to the crime rate even though they're notoriously bad drivers. I've been noticing in recent years though that Orientals have been showing up as suspects on crime reports. If they degenerate like everyone else there'll be no group to look up to, just individuals.
"We have a nice table for you, Bumper," said Sumi with a smile that could almost make you forget food-almost. I started smelling things: tempura, rice wine, teriyaki steak. I have a sensitive nose and can pick out individual smells. It's really only individual things that count in this world. When you lump everything together you get goulash or chop suey or a greasy stew pot. I hated food like that.
"I think I'll sit at the sushi bar," I said to Sumi, who once confessed to me her real name was Gloria. People expected a geisha doll to have a Japanese name, so Gloria, a third generation American, obliged them. I agreed with her logic. There's no sense disappointing people.
There were two other men at the sushi bar, both Japanese, and Mako who worked the sushi bar smiled at me but looked a little grim at the challenge. He once told Mama that serving Boom-pah alone was like serving a sushi bar full of sumos. I couldn't help it, I loved those delicate little rice balls, molded by hand and wrapped in strips of pink salmon and octopus, abalone, tuna and shrimp. I loved the little hidden pockets of horseradish that surprised you and made your eyes water. And I loved a bowl of soup, especially soybean and seaweed, and to drink it from the bowl Japanese style. I put it away faster than Mako could lay it out and I guess I looked like a buffalo at the sushi bar. Much as I tried to control myself and use a little Japanese self-discipline, I kept throwing the chow down and emptying the little dishes while Mako grinned and sweated and put them up. I knew it was no way to behave at the sushi bar in a nice restaurant, this was for gourmets, the refined eaters of Japanese cuisine, and I attacked like a blue locust, but God, eating sushi is being in heaven. In fact, I'd settle for that, and become a Buddhist if heaven was a sushi bar.
There was only one thing that saved me from looking too bad to a Japanese-I could handle chopsticks like one of them. I first learned in Japan right after the war, and I've been coming to the Geisha Doll and every other restaurant here in J-town for twenty years so it was no wonder. Even without the bluesuit, they could look at me click those sticks and know I was no tourist passing through. Sometimes though, when I didn't think about it, I ate with both hands. I just couldn't devour it fast enough.
In cooler weather I always drank rice wine or hot sake with my meal, today, ice water. After I'd finished what two or three good-sized Japanese would consume, I quit and started drinking tea while Mama and Sumi made several trips over to make sure I had enough and to see that my tea was hot enough and to try to feed me some tempura, and the tender fried shrimp looked so good I ate a half dozen. If Sumi wasn't twenty years too young I'd have been awful tempted to try her too. But she was so delicate and beautiful and so young, I lost confidence even thinking about it. And then too, she was one of the people on my beat, and there's that thing, the way they think about me. Still, it always helped my appetite to eat in a place where there were pretty women. But until I was at least half full, I have to say I didn't notice women or anything else. The world disappears for me when I'm eating something I love.
The thing that always got to me about Mama was how much she thanked me for eating up half her kitchen. Naturally she would never let me pay for my food, but she always thanked me about ten times before I got out the door. Even for an Oriental she really overdid it. It made me feel guilty, and when I came here I sometimes wished I could violate the custom and pay her. But she'd fed cops before I came along and she'd feed them after, and that was the way things were. I didn't tell Mama that Friday was going to be my last day, and I didn't start thinking about it because with a barrel of sushi in my stomach I couldn't afford indigestion.
Sumi came over to me before I left and held the little teacup to my lips while I sipped it and she said, "Okay, Bumper, tell me an exciting cops-and-robbers story." She did this often, and I'm sure she was aware how she affected me up close there feeling her sweet breath, looking at those chocolate-brown eyes and soft skin.
"All right, my little lotus blossom," I said, like W. C. Fields, and she giggled. "One spine tingler, coming up."
Then I reverted to my normal voice and told her about the guy I stopped for blowing a red light at Second and San Pedro one day and how he'd been here a year from Japan and had a California license and all, but didn't speak English, or pretended not to so he could try to get out of the ticket. I decided to go ahead and hang one on him because he almost wiped out a guy in the crosswalk, and when I got it written he refused to sign it, telling me in pidgin, "Not gear-tee, not gear-tee," and I tried for five minutes to explain that the signature was just a promise to appear and he could have a jury trial if he wanted one and if he didn't sign I'd have to book him. He just kept shaking his head like he didn't savvy and finally I turned that ticket book over and drew a picture on the back. Then I drew the same picture for Sumi. It was a little jail window with a stick figure hanging on the bars. He had a sad turned-down mouth and slant eyes. I'd showed him the picture and said, "You sign now, maybe?" and he wrote his name so fast and hard he broke my pencil lead.
Sumi laughed and repeated it in Japanese for Mama. When I left after tipping Mako they all thanked me again until I really did feel guilty. That was the only thing I didn't like about J-town. I wished to hell I could pay for my meal there, though I confess I never had that wish anywhere else.
Frankly, there was practically nothing to spend my money on. I ate three meals on my beat. I could buy booze, clothes, jewelry, and everything else you could think of at wholesale or less. In fact, somebody was always giving me something like that as a gift. I had my bread stop and a dairy that supplied me with gallons of free ice cream, milk, cottage cheese, all I wanted. My apartment was very nice and rent-free, even including utilities, because I helped the manager run the thirty-two units. At least he thought I helped him. He'd call me when he had a loud party or something, and I'd go up, join the party, and persuade them to quiet down a little, while I drank their booze and ate their canapes. Once in awhile I'd catch a peeping tom or something, and since the manager was such a mouse, he thought I was indispensable. Except for girlfriends and my informants it was always hard to find anything to spend my money on. Sometimes I actually went a week hardly spending a dime except for tips. I'm a big tipper, not like most policemen.
When it came to accepting things from people on my beat I did have one rule-no money. I felt that if I took money, which a lot of people tried to give me at Christmas time, I'd be getting bought. I never felt bought though if a guy gave me free meals or a case of booze, or a discounted sport coat, or if a dentist fixed my teeth at a special rate, or an optometrist bounced for a pair of sunglasses half price. These things weren't money, and I wasn't a hog about it. I never took more than I could personally use, or which I could give to people like Cruz Segovia or Cassie, who recently complained that her apartment was beginning to look like a distillery. Also I never took anything from someone I might end up having to arrest. For instance, before we started really hating each other, Marvin Heywood, the owner of the Pink Dragon, tried to lay a couple cases of scotch on me, and I mean the best, but I turned him down. I'd known from the first day he opened that place it would be a hangout for slimeballs. Every day was like a San Quentin convention in that cesspool. And the more I thought of it, the more I got burned up thinking that after I retired nobody would roust the Dragon as hard as I always did. I caused Marvin a sixty-day liquor license suspension twice, and I probably cost him two thousand a month in lost business since some of the hoods were afraid to come there because of me.
the Blue Knight (1972) Page 4