Above the trailer park, Hellhag Hill rose another hundred feet, its bulk seeming to press the narrow shelf with its frail trailers, far too close to the edge.
"I seldom look up there," Lucinda said. "Usually I sit where I can't see any sign of civilization. From the first time I came here, the hill has put me in mind of the wild, empty hills in the old, old tales that Shamas told me.
She looked shyly at Pedric. "That was what first drew me to him. The stories. I loved his stories, and the caring and passion with which he told them."
She sighed. "This hill gave me back that sense of magic. Gave me back that quality in Shamas that I found so appealing-and that he took away from me."
Pedric gave her an odd look. "This is not the old country, Lucinda. Not the old world, where such tales are a dear part of one's fife. In this modern world, magic-if such ever existed-most surely does not happen."
She looked at him quietly. "That is not how you make me feel, when you tell your stories."
He shook his head, looking around him. "The hill is delightfully wild, but it is only a hill, an ordinary California hillside-probably with poison oak growing beneath us, right where we're sitting."
Lucinda laughed. She looked up at the trailers and RVs. "Which of those is yours, Pedric?"
"The green trailer, there at the end."
"Right at the edge," she said softly. "So that, every morning when you wake, and every night before you sleep, you see not the other trailers, but the open hill dropping away below you." She smiled. "Why did you park just there, where the view must be vast and empty? Don't tell me you're not touched by a sense of otherness about this place?"
He simply smiled.
After a moment, she said, "And why have all these frightened animals come to the hill so suddenly? The strange, wild cats that I feed, and those two thin, uncared-for puppies that Clyde Damen has taken in? Why did they appear all at once? No one abandons that many animals all at one time." She watched him intently.
"I can tell you where the pups came from," the old man said. "All very ordinary. But yon cats," he said, falling into the old speech, "th' cats be a band of strays that wandered here, that's all." He looked hard at her. "You are not imagining th' cats are anything other than common, stray beasties? Why, th' world be full of such, Lucinda."
She laughed at him, and touched his hand.
"Not imagining th' hill be full of burrows?" Pedric persisted. "Not imagining th' bright eyes looking out?" He smiled and raised a shaggy eyebrow.
Pedric's gentle teasing made such a notion seem silly even to Dulcie; though she was certain the hill was not ordinary.
And when Dulcie looked up, the little kit was hunched not a yard away from her, crouched deep in the bushes, peering out, her yellow eyes round and amazed, her fluffy tail twitching with curiosity.
"Maybe I am picturing that old tale of the cats beneath the hillside," Lucinda said to Pedric. "Who is to say what is possible?" She fixed an intense look on the old man. "There is something strange about Hellhag Hill. You will not admit it, but I think you see it. And I am not the only one who has noticed."
"So," Pedric asked softly. "And what about th' yon cat watching us? Th' yon beastie half-hidden in the grass? Is there something strange about that little cat?" Looking into the tangles, he watched Dulcie with interest. He did not see the kit. "Wo'd that little beastie, who is spying on us, rise up and speak to thee as do th' cats in the old tales? Wo'd this cat maybe bid thee good morning?"
He can't see the kit, Dulcie thought. He means me. Why is he staring at me?
Lucinda looked to where Dulcie sat beneath the bushes, and came to kneel there, pulling away the heavy growth.
"What a sweet little cat, curled up in a bed of leaves." She looked up at Pedric. "I believe this is Wilma's cat- my good friend, Wilma. Same dark stripes and peach-colored ears and nose. Yes, the same green eyes. Oh, Wilma would not want her roaming way out here. What brought her out to this wild place? Do you suppose she has followed us?" She reached to pick Dulcie up.
When Dulcie moved away, Lucinda drew back. "This little cat," she said diffidently, "comes to sit on the back fence behind my house. I think she hunts for birds among the maple branches. Sometimes she seems to be looking right into my parlor." She laughed. "Maybe she watches reflections in the glass, the movement of clouds and birds.
"Won't you come out, kitty?" Lucinda asked softly. "It is Wilma's kitty. We won't hurt you. Whatever are you doing up here? Come on out, puss. Puss? Puss?"
Dulcie came out reluctantly. She hated to be called puss. She leaped atop the boulder before Lucinda could pick her up. Stretching, she curled down on the smooth granite, out of Lucinda's reach, and slitted her eyes as if to nap again.
"Come away, Lucinda. The little cat doesn't want to be taken home. Well, there's nothing here to hurt her. You can tell Wilma where you saw her." And he began to ask Lucinda questions about Shamas and their years together.
Lucinda's answers made Dulcie sad. Pedric asked about the sale of the house, but made no comment as to whether he thought Lucinda should sell the old family home. As the two sat talking, watching the sea brighten, the tortoiseshell kit drew closer again to Dulcie, listening to every word. What a nosy little creature she was. What did she make of this conversation? What a bold, inquisitive, interesting scrap of cat fur.
And as both cats eavesdropped on the two humans, up the hill where the trailers and RVs cast their shadows long beneath the rising sun, another watcher sat, looking down, observing Pedric and Lucinda, frowning and tapping his closed fist against his lean, tensed thigh.
13
"I DON'T want a dog," Charlie told the pup. Hestig looked up at her sadly, pressing against her leg, as she stood at her apartment window sipping her first cup of coffee. Beyond the window, the village rooftops, the library and shops, and the eucalyptus trees that shaded Ocean's wide median, all were muted by the fog, as indistinct as an oriental watercolor. Putting her cup on the table beside her sweet roll, she sat down to her quick breakfast, petting Hestig when he pushed close to her chair and laid his head on her shoulder.
"You know I can't keep you," she said softly. "Or do you just want my breakfast?" She laughed at his sad expression. "The housing arrangement's temporary, my dear. Three or four days, maybe a week, and back you go to Clyde." Already the apartment looked as though Hestig had moved in for good, his folded blanket in the far corner comfortably matted with dog hairs, his water and food bowls taking up most of the floor in the small kitchenette; a huge chewbone occupied the center of the rag rug beside Charlie's cot, his leash and choker lay on the table beside her coffee cup.
She had to admit, his manners were improved without his brother to distract him; he minded her most of the time, was turning into a solemn and loving companion. He was beginning to put on weight, too, his ribs resembling far less an ancient washboard.
But when she imagined keeping him, she shook her head. "Look around you. I'm living in one room, here. No yard, no deck, not even a balcony."
Hestig whined.
"And in case you hadn't noticed, I'm a working girl." She scratched under his chin. "I can't take you on the job. What, tie you to the bumper all day? I can't take you into the houses that I clean and repair." She looked deep into Hestig's brown eyes. "Clyde will find a nice home for you, just you wait and see."
The pup sighed, his eyes sad enough to melt concrete, his black ears drooping. Gently, she touched the thick black scar that ran jagged across the top of his head. "How did that happen? What-or who-struck you so hard as to leave a scar like that?" She stroked the ropy wound. "You must have been very small; you're not very old now, and it takes a while for such a thing to heal."
Hestig's tail whipped so hard it nearly toppled a dinette chair.
"Who would hit a little puppy like that? I'm surprised the blow didn't kill you."
Hestig smiled and wagged and snuggled closer, leaning into her shoulder with all his fifty pounds. She tried to imagine taking hi
m to work with her. Surely, when he grew older and had more training, he would behave with impeccable manners.
But common sense prevailed. "I really can't. I can't keep you."
He nuzzled her hand, finding no joy in such solemn pronouncements.
She pushed back her kinking red hair. The fog made it curl so tight. "I have a business to tend to, it takes all my time. You've been around on the jobs with me." She took his long canine face in her hands. "Did you like being shut in the van all day with the ladders and mops and tools?"
Hestig's sigh said that he'd loved it because he was near her.
"I don't have time for a big, active dog, not and clean for people, do their household repairs and their yard work, and build up a really nice service." She stroked his long black ears. "You should be on a ranch somewhere, like up with Max's horses." She sipped her coffee. "Maybe I can talk Harper into giving you a try. How would you like that?"
Hestig gazed at her sadly.
"Look at it this way. Burying bones and digging them up is top priority for you. Charlie's Fix-It, Clean-It is top priority for me."
He laid his head on the table, sniffing at the last bite of sweet roll. She tapped his nose gently, and he drew back. The time was six A.M., time for their walk. In half a week, Hestig had the routine down to perfection.
Picking up his leash, she triggered an explosion of ungainly leaps and pirouettes. She stood waiting for him to calm so they could leash up, then made him stay by her heel going down the steps to the little front foyer, between the antique shop and the jewelry store, and on out to the sidewalk. Stepping out into the wet, chill fog and turning south toward the sea five blocks away, she expected Hestig to dance and try to pull ahead; usually he could hardly contain himself until he reached the sand, where he could run free.
This morning he didn't dance.
He didn't pull the lead but moved slowly and warily ahead, pressing against her thigh. She could see nothing in the fog. He lunged suddenly into the mist, his bark a bold challenge, wooo, wooo, wooo. She had to turn sideways and pull the leash taut across her upper legs to hold him; he was so strong and lunging so hard that if he'd jerked her straight on, he'd have pulled her over. She could see no one, no gray shadow waiting in the fog, nothing to alarm him, only a few parked cars along the curb, barely visible. But the pup saw something, and was barking and straining.
Again she pulled him back to her and ran her hand down his shoulder, trying to calm him-and trying to see through the mist, listening for any scrap of sound over his barking. He lunged again, and she heard a car start-saw a dark smear move away from the curb, its tires hushing on the wet pavement. At the same moment, she saw Lucinda Greenlaw just a few feet from her, walking along the median toward the shore, her tall thin figure wavery and insubstantial-a mysterious early-morning wanderer. Later in the day Lucinda would appear perfectly ordinary, doing her errands among the village shops as sedately as any elderly lady- but now she seemed ghostlike and exotic.
Hestig had quieted; Lucinda passed them, not glancing in their direction, seeming totally lost in her own thoughts, perhaps aware only of a dog walker out in the foggy morning. Charlie knelt and hugged the pup, feeling the tension of his thin body. He was still shivering.
Who had frightened him like that? Who had been there and driven away? Rising, she tightened his lead and hurried toward the shore. Already, Lucinda had disappeared.
Hestig was quiet and obedient again, until she passed the contemporary wooden building that held the public rest rooms, an attractive redwood-and-stone structure, appealing on the outside but dank and cold within, as were most such seaside facilities, its wet concrete floor strewn with wadded paper towels and damp sand. The building stood at the edge of a small seashore park of sand dunes and cypress trees and was flanked by a variety of handsome native bushes. Hestig shied at these and backed away, staring at a pair of legs stretched out behind a bush, a newspaper over them as if for warmth-one of Molena Point's few homeless, she supposed, sheltered within the dense foliage. Or maybe some late-night drunk sleeping it off. Like Hestig, she quickly moved away. As she turned toward the rolling breakers, she saw that Lucinda had reached the other side of the park, a thin vague shadow walking swiftly.
Heading across the soft, dry sand to where the shore was wet and hard, and turning south, Charlie let Hestig off his leash. He looked behind them once, then trotted ahead, sniffing at the sand but not straying far from her. Even when they reached the southerly beach, where the waves crashed among dark, rising boulders, and half a dozen dogs were running the shore or playing ball with their owners, Hestig remained near her. She sat on a rock watching him. She was so happy to be living in that quiet village, away from the bustle and heavy traffic of San Francisco where she'd gone to art school.
She'd not have thought to come to Molena Point if her Aunt Wilma hadn't retired there. She had to smile, when she remembered how she had come crawling, totally defeated after two years of failing at various commercial art jobs for which she wasn't really prepared, or talented enough.
Well, she was glad she was there. She loved the smallness of the village, loved that she could walk from the sea up into the sun-baked hills in just minutes. And, she thought, watching Hestig, one of the hundred things she liked best was that people walking their dogs could stop at any sidewalk restaurant, have a light meal while their canine companions napped beneath the table. She would see leashed dogs in the bank, in the shops-places where, in any other town, dogs would not be allowed. And the little open-air restaurants, their courtyard tables surrounded by flowers and sheltered by the old, twisted oaks, never ceased to enchant her. "When I die," she'd told Clyde once, "this is exactly how it will be. Charming villages all crowded among the flowers, all of them beside the sea, with the smell of the sea, the crash of breakers."
She'd met Clyde soon after she arrived; he'd been Wilma's friend since he was eight, when Wilma was his next-door neighbor: blond, twentysomething, and beautiful; Clyde said he'd had a terrible crush on her.
Charlie's first date with Clyde was a trip to the wrecking yard to find parts for her old van, then to a small Mexican restaurant, where no one noticed their grease-stained clothes. They'd been dating ever since, their relationship swinging from casual and easy to sometimes very warm and loving. Once in a while she thought about marrying Clyde; more often she liked the arrangement just as it was.
Around her, the fog had thinned, the dawn brightening. She called Hestig, and as they started back she heard, over the thunder of the breakers, sirens begin to scream up in the village, their ululations growing louder as they headed for the shore. She thought of someone drowning, and her frightened gaze turned quickly toward the sea.
She saw no disturbance, no one in the water-not even one surfer, and it was far too cold for swimmers. Only when she neared the little park again did she see the ambulance and police cars, their red whirling lights staining the fog like smeared blood. She thought of Lucinda, wondered if the older woman might have fallen or maybe become ill. Hurrying up to the gathering crowd, she found Lieutenants Brennan and Wendell stringing yellow police tape around the rest-room building and its adjacent bushes, out into the street and around a large portion of the sandy park.
The homeless man still lay beneath the bushes. His newspaper was gone, revealing shoes that were nearly new and looked expensive. Two paramedics knelt over him. She couldn't see what they were doing. Three early walkers, two with dogs, stood to one side talking to an officer, answering his questions. She didn't see Lucinda.
14
THEIR BELLIES full of rabbit, the cats were headed home through the mist, the village empty and quiet around them, its scents of flowers and bacon and coffee homey and comforting. Licking blood off their whiskers, ignoring the sting of various wounds inflicted by the enraged rabbit, a deep sense of well-being filled the cats. They had hunted, they had fed. All was proper and right with their world. Their territory-Molena Point village and far beyond-was suitably at peace
. Except for various human affairs, which were not cat business, but which neither cat would leave alone.
"He's cozying up to Lucinda for some reason," Joe said of Pedric. "What's he after?"
"He's not cozying up at all; he's the only one of that family who's her friend-well, Newlon, of course."
"And why Newlon? How does she know him so much better. I thought-"
"Wilma says he often came out to sail with Shamas; Lucinda's known him a long time."
"Well, I don't trust him, or Pedric."
She cut him an annoyed look. "I don't know about Newlon. But Pedric's good for her. She needs a friend just now."
"He's a Greenlaw."
"You're so suspicious."
"Hasn't it crossed your mind that Pedric is deliberately gaining her confidence? That while the rest of the family quarrels over her money and makes her mad, that old man with his sweetness and shared confidences is setting her up to rip her off big-time?"
Her ears flattened, her green eyes flashed. "Don't be such a cynic. Can't you see that he's different from the others, that he truly likes Lucinda?" She looked at him narrow-eyed. "Don't you believe in anything anymore?"
"Pedric is a Greenlaw. Don't you know the police are watching the whole family? All week those Greenlaw women and kids have been a problem in the village shops-stealing, Dulcie. Shoplifting."
He gave her a hard yellow stare. "They're too quick for the store owners to catch. But after they leave, merchandise comes up missing-a lot of expensive merchandise. Such a shabby, greedy little crime."
"Has anyone seen Pedric stealing?" Her eyes had gone black with anger; her tail switched and lashed.
Cat to the Dogs Page 12