Nowhere City

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Nowhere City Page 23

by Alison Lurie


  Carrying a pile of clothes, she crossed the room towards the dancers. “Excuse me; but do you know where the salesclerk is?”

  “You want to try some things on?” The girl who said this had a dark tan and long shiny black hair hanging to below her shoulders. “You can take ’em in there, behind the curtain.”

  In the dim dressing room Katherine struggled out of her dress and pumps and into navy blue slacks and a sailor shirt. She put her shoes back on, which looked terrible, so she took them off—the carpet seemed fairly clean—and went out to find a mirror. The salesgirls, if they were salesgirls, glanced up.

  “Uh-uh,” the blackhaired one said, shaking her head. “That’s no good for you. It looks draggy.”

  “The color’s all wrong,” said the other, who was small, pale, and extremely thin, with a cloud of frizzy hair and immense eyes. “You should have some light, bright color, like maybe pink or yellow.”

  “She could wear that set of yours with the pink leaves.” The girl got up. “What’s your size? About a ten?”

  Katherine nodded slightly. She would have liked to be sure that these girls really worked here and were not merely making fun of her.

  “Here. Try this on.”

  Katherine considered refusing politely, but after all, what did it matter? She retreated to the dressing room and put on pale yellow pants, very tight, and a matching top appliqued with baroque designs in pink.

  “Yeah! I like that. It really swings,” the dark girl exclaimed as she came out again. “What do you think, Dominique?”

  “It’s right,” Dominique said approvingly.

  “She designed that,” the other girl explained. “She makes a lot of our clothes. ... See if you dig it yourself. The mirror’s over there.”

  As Katherine crossed the room, the shop door opened and a group of other customers entered. Suddenly embarrassed by her bare feet and the costume she was wearing, she averted her eyes and took a detour between two racks of bathing suits and around behind the central pillar. But one of the customers seemed to be moving in that direction too, she noticed, walking directly towards her across the carpet with a determined expression. She was a sophisticated-looking girl in her twenties, a very Hollywood type, in dark glasses and yellow slacks, with shiny pale brown hair pulled tight back—Suddenly Katherine knew who she was. She raised her hand, half waving and half warding off; her reflection did the same.

  Dr. Einsam’s was the first psychiatrist’s waiting room Katherine had ever been in. She looked at it curiously for signs that this was an antechamber to the treatment of the soul. But it was like any doctor’s office. The furniture was somewhat Danish and somewhat modern, philodendron sprouted from brackets under the diffused light, and the paneled walls were bare of any image. It was all innocuous to the point of blandness—perhaps deliberately so. The waiting rooms in Purgatory probably looked like this.

  Katherine sat down. She did not pick up Life, Time, or The New Yorker from the neat piles on the walnut veneer, but continued to stare round the room, as if after all it might contain some clue to the strangeness of this city, or of Dr. Einsam. Because they were related somehow. In his own terms, Iz was perfectly consistent. He had a way of looking at this world, and a system for dealing with it. He even had his own language—in a way, the language was the system.

  She had tried to translate some of his more striking statements back into ordinary English, but when she did so explicitly she usually got into trouble. I don’t have any insecurities in that area meant “I’m not worried about that.” But I have no serious emotional commitments now might mean “I’m not involved with anybody else,” or it might mean “I’m not in love with you or anybody.” “Love?” Iz had said, when after a silence she tried to settle this point. “I don’t know what that word means to you. What I feel for you is completely unique. It doesn’t relate to anything else in my life. ... Can you understand that?”

  “I don’t think so,” she had said, turning her head away on the sheet. Gently, Iz turned it back towards him. “Try to,” he said. “Listen, Katherine,” he continued, as she did not respond. “The kind of relationship you call ‘love’ is something that’s been very bad for you. It’s all fucked up with ideas like duty, and morality, and giving up everything for some other person in a very grudging, painful way. I don’t want to take part in this self-destructive fantasy.”

  “Katherine. Come in.” Dr. Einsam held open the door to his office. “Sorry to keep you waiting.” As he stood there in his heavy glasses, neat dark silk suit and tie, well-trimmed black beard, and expression of sympathetic welcome, he looked like an advertisement for a psychiatrist. Even his faint European accent seemed more pronounced. The door itself, Katherine noticed as she entered, was heavily padded with soundproofing material in a somewhat sinister way.

  The office was another small ordinary room, anonymously well furnished. A group of jungle plants, like those in Iz’s apartment, sprouted before the window, putting out red feelers and large, spotted leaves.

  “Sorry I was late,” Dr. Einsam repeated. “I just had a rather hard hour.” He pushed up his glasses and rubbed his closed eyes.

  “I’ve been in the waiting room about fifteen minutes,” Katherine said. “I didn’t see anyone come out.”

  “By the other door.” Rapidly, Iz opened and shut a door giving onto an empty hallway.

  “Oh.”

  “You don’t think I bother to invent social lies for you. Uh.” He stretched his arms up and out, yawning. “This patient really has a problem. Twenty-three years old and still sleeping in the mother’s bedroom.”

  “Oh, really?” Katherine had expected something more unusual.

  “Naturally, that’s not all. There’s also educational failure and an intense terror of elevators. Those were the main presenting symptoms; they didn’t see anything wrong in the family setup.”

  “But there aren’t any elevators in Los Angeles,” Katherine said, “at least, not very many.”

  “Ya, that is why they moved out here.”

  Iz smiled only slightly; Katherine felt ashamed of the laugh she gave. “Poor girl,” she apologized. “I’m sorry. You really shouldn’t tell me things like that about your patients though, should you?”

  “I don’t tell you anything identifying.” The temperature of Iz’s voice dropped at this criticism. “I didn’t even say it was a woman; you only assumed that.” He looked at Katherine coolly and intently; she looked down. “Well. How are you today?”

  “Oh, I’m all right.”

  “Good. Sit down, why don’t you?”

  Katherine glanced at the couch by the wall, an innocuous rectangle covered in brown tweed. But in her mind’s eye she saw the sobs and howls of souls in pain rising out of it like thin smoke, and felt the bolster at the far end damp with demented tears. She veered away and sat on a straight chair facing the desk.

  “So.” Iz leaned on the corner of the desk and loosened his tie. “And how is everything? How’s Paul?”

  “All right, I guess. He hasn’t talked to me much lately. How’s Glory?”

  “Oh, she’s just fine,” Iz spoke bitterly. “She’s been going out with Rory Gunn, seen around with him all over town, haven’t you noticed?” Katherine shook her head. “But I suppose you don’t follow the gossip columns. I don’t either, but someone called it to my attention. Some friend.” Katherine could not think of anything pleasant or intelligent to say; all that occurred to her was the Department of Social Studies criticism: A movie star? What on earth does he want to marry a movie star for? “So,” Iz went on. “Hey. You bought some clothes.”

  “Yes; I found something. I don’t know whether it’ll do.”

  “Show me.”

  Katherine unwrapped the box from Jax, rustling tissue paper.

  “That’s not bad. ... Put it on; let’s see it.”

  “You mean now?”

  “Why not?” Iz smiled. “You didn’t really expect to come up here this afternoon and not take off
your clothes, did you?”

  “I didn’t really know.” Katherine felt herself beginning to blush under Iz’s look; to hide it she stood up and started changing her clothes as quickly as possible, not looking at him.

  “Hm. Turn round. ... Ya, I like that.”

  “It feels so strange. I never wore anything like it before.” She held out her arms at an awkward angle, as if she were learning to fly. “I had an awful shock in that store; I went to look in a mirror, and I didn’t recognize myself. I mean, I thought I was somebody else.”

  “Ah?”

  “You see, I had on sunglasses, so I couldn’t see my face very well, and my body—Well, anyone might not recognize my body, if they were to meet it in a crowd in strange clothes.”

  “No: I think I would recognize it,” Iz said, sliding off the desk. “But probably I have looked at it more closely than you ever have.” He put his hands up under the loose top of Katherine’s new costume. “For example: your breasts point outwards, but the right one does so more than the left.” He forced his fingers beneath the tight band of her bra. “Did you ever happen to observe that?” Gently, Iz pushed Katherine’s breasts up out of the bra, and stroked them in demonstration.

  “No, I don’t think so.” A tremor of heat and motion rippled downwards through her. At the same time, she was embarrassed to think that this was happening in a professional office.

  “You see, you’re not very narcissistic, for a woman. You’re unusually attractive, yet you don’t seem to know it. I think you actually don’t have too much consciousness of your own body image.”

  “Is that bad?” She answered in a daze.

  “Not necessarily. In your case, possibly it’s a good thing, since you’ve been pushed around so much by other people’s preconceptions. It might be easier for you to change. Come on; I want you.” Iz half led, half dragged Katherine towards the daybed. “Take those clothes off.”

  She found herself doing so, almost automatically, laying each garment on the sofa separately, but Iz scooped them up and threw them across the room in the direction of a chair. The tweed cover was rough and itchy against her bare skin. She felt somebody should say something, and ventured, as he lay down beside her, “It seems so strange, making love right on your office couch. Have you ever done it here before?”

  Iz did not answer, except with one of those steady silences she had learned to understand as a refusal to comment. With an impatient movement, he pulled the bolster out from under her head, and put his open mouth to hers.

  “When I remember that you thought you weren’t very interested in sex, I have to laugh, Katherine,” he said presently, laughing. “How many times did you just come? Three?” His chest shook. “Am I too heavy on you?”

  “No, I like it.” Katherine laid her hand on his shoulder. Even here there was a light growth of curly hair, now damp with sweat, like grass after a storm. “Iz. What I want to know is—Why does it work for me with you, and not with Paul?”

  “That’s an interesting question,” he said, pulling up a tweed cushion so he could rest his arm on it. “Why do you think?”

  “I don’t know. Maybe it’s partly because you, well, force me. I mean, of course I don’t have to come here. And I still do have all kinds of trouble about that; even today I stood in front of your building for about five minutes trying to decide whether to run away. ... But then, once I’m with you, I know that no matter what I do you’ll make me sleep with you. It’s completely settled, so I don’t have to worry or feel responsible. ... And I trust you. And then—” Katherine stared across the room at the window, but could see nothing of the city except for scraps of sky between the plants.

  “Ya, so then?” he encouraged her. The psychiatrist’s phrase and intonation sounded odd in this position; Katherine smiled.

  “Well, then, it’s as if what I do here doesn’t really count. I mean, Los Angeles is so far away from everywhere and everything here is so peculiar, it’s as if it weren’t real.”

  “And I am so peculiar.”

  “You know what I mean.” Katherine laughed. “By Cambridge standards, you are.”

  “And reality is judged always by Cambridge standards?” Iz propped his head on his hands and looked down into Katherine’s face.

  “I don’t know.” She smiled. “Maybe if I were with you long enough, I’d begin to see everything your way.” It would be like when she used to lie upside down to drain her sinuses, she thought, when after a while she would begin to imagine that the furniture was fastened to the ceiling, and she could walk along underneath it over a white plaster floor from which lighting fixtures grew like strange plants. Only she didn’t have sinus attacks now.

  “I hope not; I don’t want you to exchange one tyranny for another simply. That’s no solution. Uh.” Iz raised himself off Katherine, sighing, and lay down beside her, next to the wall, fitting himself to the curve of her hip.

  “But I thought you wanted me to be influenced by your ideas. I thought that was the whole point,” Katherine said half-seriously “Isn’t that what’s supposed to happen in—” she hesitated, and chose one of Iz’s neutral terms—“a relationship like this? Almost like when people get married.”

  “I don’t know what you mean by ‘supposed to happen.’” He laughed. “I’m against institutionalized love affairs. I’m against all institutions, you know that—including the institution of marriage.” He swung up his arm to within a few inches of his face, squinted at his wristwatch, smiled, and let it fall again. “You understand, it’s the job of an anarchist to break up all authoritarian systems. With us, adultery is a matter of principle.”

  “But you have been married,” Katherine reminded him.

  “Yes,” Iz admitted. “Occasionally I’ve made that mistake. ... I’ve let myself become involved, and been hurt, and all of that. So, we all make mistakes, even us anarchists.” He grinned.

  Katherine laughed too, wondering how seriously he meant it. One could never be sure, with Iz. Meanwhile, silently, he began to trace the outline of her back with his finger.

  “And how is your husband these days?” he asked.

  “Oh, all right. I don’t know. He’s been talking about going back into teaching. I think he must be tired of his job.”

  “Ya?” Iz’s hand moved further down, drawing the line of Katherine’s white hip and thigh against the dark tweed of the analytic couch. “A question occurs to me,” he said. “Why has Paul, apparently so healthy, so extroverted, etcetera, why has this man chosen the academic life?” Used now to Iz’s rhetorical questions, Katherine simply waited. “Answer, because he is basically unfree and dependent on existing patterns. He has to feel part of some benign system that will smile on his little adventures. Or frown, perhaps.”

  “But Paul’s not the scholarly type at all,” Katherine objected rather stupidly. The truth was, no matter how angry she felt at her husband, and discouraged about her marriage, it annoyed her obscurely that Iz should sum him up this way.

  “Not externally.” Iz did not press his point; he moved his fingers along Katherine, thinking.

  “I brought my shorthand notebook,” she said, smiling as she noticed it sticking out of her bag across the room. “I thought you really wanted to dictate something.”

  “Ya, I ought to. But let’s forget it.” Iz continued the outline.

  “Mm. ... You know, I never do any work for you any more. It’s really awful, considering I’m being paid so much an hour by the grant. We’re exploiting them dreadfully.”

  “Foundations exist to be exploited.” Gently, Iz drew a series of fine parallel lines across Katherine with his nails.

  “And it’s not only you. I’m not really working very much for Charlie or Bert either. Even when you’re not there now, I just sit up in the office sometimes in a kind of daze. I guess—-” She stopped; Iz said nothing. “I guess maybe I’m getting too involved to work,” she concluded, almost in a whisper.

  “You’re not as involved as you think you are
,” Iz replied after a short pause. “Or let’s put it this way; you’re deeply involved in the experience, that’s true; but your commitment to me as an individual is not so very great. Do you really want to know what I think?” He raised his head to look at her. “Are you comfortable?”

  “Yes. Go on.”

  “All right. I think it’s easier for you to let yourself go with me because I’m not a man of your own class and background. I’m a foreigner ... a—what shall I say?—Wandering Jew, with a beard and an accent. In one sense, what you have with me is the kind of thing well-to-do women look for, perhaps not quite consciously, when they go abroad on a tour. Under those circumstances they can have what they call a “romantic interlude,” even a very intense one, without feeling they’re really deceiving their husbands. ... I don’t mean to imply this is only a phenomenon of the middle class. It’s the same thing with the little housewife who figures it doesn’t really count when she lets the plumber push her up against the basement wall some afternoon.”

  “No. That’s just not true!” Katherine exclaimed. “I don’t think of you as a foreigner or a plumber. I know you’re a very intelligent, highly educated professional man.”

  Iz laughed. “The way you say that proves it. Don’t be simple-minded, Katherine. You know what I’m talking about. You were saying almost the same thing yourself earlier.”

  In silence, Katherine admitted to herself that she did, although of course Iz had put it much, much too crudely. “All right,” she said. “And you know what I was talking about too. About working for you and that. Because it does worry me, really. You know.” She looked at him. He smiled; slightly nodded.

  “All right. I will give my serious consideration to your problem,” he replied in his professional manner. “Ahh.” He yawned and, raising himself, leaned across Katherine’s body and felt about on the floor with wide, half-blind gestures. Then he found his glasses, sat up, and put them on—changing at once from a naked and bearded satyr to a small, middle-European man at a nudist camp. This man looked at his watch.

 

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