by Maureen Tan
“Tan writes in cutting bursts of staccato energy, a style that mellows only for a few delectable passages of romance.”
—Library Journal
“…too dangerous…no backup…can’t allow it…another way…against policy…irresponsible if I…”
Finally he ran out of steam. Or so I thought.
“Lacie, you’re smart and perceptive and you know your stuff. I wouldn’t mind spending more time with you. Professionally. Or personally. But there’s no way I’m going to let you risk your life for this case.”
I stared at him, taken off guard by his admission. But I wasn’t about to let my emotions get in the way of my better judgment. Or doing the work I was committed to.
“I’m going to do this,” I said quietly. “You can help me. Or you can cut me loose. Like it or not, Anthony, I have the perfect cover.”
Dear Reader,
We’re new, we’re thrilling, and we’re back with another explosive lineup of four Silhouette Bombshell titles especially for you. This month’s stories are filled with twists and turns to keep you guessing to the end. But don’t stop there—write and tell us what you think! Our goal is to create stories with action, emotion and a touch of romance, featuring strong, sexy heroines who speak to the women of today.
Critically acclaimed author Maureen Tan’s A Perfect Cover delivers just that. Meet Lacie Reed. She’ll put her life on the line to bring down a serial killer, even though it means hiding her identity from the local police—including one determined detective.
Temperatures rise in the latest Athena Force continuity story as an up-and-coming TV reporter travels to Central America for an exclusive interview with a Navy SEAL, only to find her leads drying up almost before her arrival. That won’t deter the heroine of Katherine Garbera’s Exposed….
They say you can’t go home again, but the heroine of Doranna Durgin’s first Bombshell novel proves the Exception to the Rule. Don’t miss a moment as this P.I.’s assignment to guard government secrets clashes with the plans of one unofficial bodyguard.
Finally, truth and lies merge in Body Double, by Vicki Hinze. When a special forces captain loses three months of her memories, her search to get them back forces her to rely on a man she can’t trust to uncover a secret so shocking, you won’t believe your eyes….
We’ll leave you breathless! Please send me your comments c/o Silhouette Books, 233 Broadway, Suite 1001, New York, NY 10279.
Best wishes,
Natashya Wilson
Associate Senior Editor
A PERFECT COVER
MAUREEN TAN
MAUREEN TAN
is a Marine Corps brat, the eldest of eight children and naturally bossy. She and her husband of thirty years have three adult children, two grandchildren and currently share their century-old house with a dog, three cats, three fish and a rat. Much to his dismay, their elderly Appaloosa lives in the barn. Most of Maureen’s professional career has involved explaining science, engineering and medical research to the public. To keep her life from becoming boring, she has also worked in disaster areas as a FEMA public affairs officer and spent two years as a writer for an electronic games studio. Maureen’s first Bombshell book, A Perfect Cover, is set in New Orleans and recounts one woman’s fight to save Vietnamese immigrants from a serial killer.
For my family and friends, who make it all worthwhile.
And for Peter, the love of my life.
Contents
Prologue
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Epilogue
Prologue
I never knew my mother. She was probably a prostitute. Or perhaps she was just a woman who loved the wrong man. In either event, she was most likely dead.
There was panic in the streets of Saigon when Ho Chi Minh’s troops poured into the city. Barefoot, ragged soldiers carrying AK-47s streamed from hidden tunnels. The Cholon district was in flames. South Vietnamese soldiers were stripping off their uniforms, trying to blend in with the population. And the Americans—caught off guard by the swift fall of the city—were fleeing the embassy’s rooftop by helicopter, abandoning their friends and allies.
Abandoning their children.
That day, an American soldier—a black man in a torn and charred Marine sergeant’s uniform—burst into Grandma Qwan’s home. He interrupted a dozen orphaned children and Grandma Qwan as they knelt in prayer, saying the Rosary out loud, petitioning the Virgin for her protection.
The soldier’s hands were badly burned, Grandma Qwan told me later, but still he held a blanket-wrapped toddler tightly in his arms.
“Her name is Lai Sie,” he said in Vietnamese as he put the child gently on her feet and placed a silk-wrapped bundle on the floor beside Grandma Qwan.
Stunned into silence, Grandma Qwan simply stared at the soldier. His hair was singed, his eyes were bloodshot, and tears streaked the gray soot that coated his dark face. Later that night, Grandma Qwan discovered enough money and jewelry among the little girl’s clothing to support the orphanage for years.
“Please. Keep her safe for me,” was the soldier’s only request. “I’ll come back for her.”
Then he’d disappeared into the chaos of the smoke-filled streets.
I waited for years, but my American father never returned. And no young Vietnamese woman stepped forward to claim me.
Grandma Qwan loved and protected me as she did all of the children in her care. But my coloring and features, inherited from my parents, made me an outcast in my own country. I was bui doi. Throughout my childhood, I heard the curse shouted by pedicab drivers, spat out by old women in the marketplace, muttered when soldiers knocked me aside, used as a taunt by playmates.
Bui doi. Dust of life. Bui doi. Child of dust.
Chapter 1
I was sitting in darkness, waiting to be rescued. Or to die. As were we all. More than fifty of us, trapped inside the long, battered trailer of an eighteen-wheeler. Men and women, young and old. A few adolescent children. But no infants. Yet.
All around us were splintery shipping crates, large and small. They filled the trailer top to bottom and front to back, with just enough room left between the rows to conceal a human cargo. Shipping labels, stenciled in black paint, said the crates contained an assortment of machine parts destined for America. We, too, had been destined for America. But the truck that pulled us was long gone, its trailer and its cargo—human and machine—stationary. We were locked in and abandoned. And the heat was becoming unbearable.
Beside me, Rosa groaned—a deep, harsh sound with surprisingly little volume to it. I leaned in closer to her, my hand brushing the sleeve of her light cotton dress, then moving to find a thick braid, a soft cheek and, finally, her forehead. It was damp with perspiration. From the heat. And from her labor. I stroked Rosa’s hair back away from her face, murmured pleasant, soothing nonsense and tried to give comfort where none existed.
Rosa groaned and tensed again. My wristwatch was gone, stolen. But I had counted the seconds between her contractions, confirming what we both already knew. Soon, Rosa’s child would arrive. And I wished I could stop the inevitable.
; I’d met Rosa weeks earlier. As the sun rose over the lush green of the jungle, a group of desperate and excited strangers had gathered on a hill, close enough to the Actuncan Cave to feel the cool, damp air flowing from its mouth. We had each paid a life’s savings to smugglers called polleros— chicken herders—for a few forged papers, the promise of a minimum-wage job and legal citizenship for any of our children born on U.S. soil.
“Me llamo Rosa Maria Martinez,” Rosa had said. “I go to America. To New York City.”
“I am Lupe Cordero,” I replied in Spanish that was touched by the distinctive accents of rural Guatemala. “From Chichicastenango. I am fifteen and go to live with my sister in Houston.”
Lies. All of it. My real name was Lacie Reed. I was twenty-seven, an American citizen, and I had no sister. But there was nothing about my appearance to make her doubt me. My hair was dark and curly, my skin unwrinkled and golden-brown, my almond-shaped eyes dark. And I was tiny—small-boned and just a breath over five feet tall. Like Rosa and the others, I was dressed to travel in nondescript clothing that would draw little attention.
This wasn’t the first time I’d lied for my Uncle Duran. I was Special Assistant to the Right Honorable Senator Duran Reed, a position that covered an amazing variety of activities. This time, it meant being part of an interagency task force that included Mexico’s National Immigration Institute and the U.S. Immigration and Naturalization Service. The INS.
For two weeks we traveled together on foot, by car and by rickety open truck, making our way from Flores to Tapachula, Mexico. Then two days by freight train brought us to Veracruz. We spent that night in a warehouse, on a dirty concrete floor surrounded by fifty other exhausted refugees.
The United States government wanted these people stopped. These and many thousands like them. A flood of illegals from Central and South America passing through Mexico on their way to the U.S. But even as the government of Mexico cooperated with the U.S. to solve the problem, corrupt officials grew rich extorting the immigrants.
If organized traffickers were brought to justice, the danger for those who continued traveling along Mexico’s underground highway would be lessened. But that required the testimony of a reliable witness. And immigrants who cooperated with the authorities had a bad habit of disappearing or dying.
That was where my skills came in.
In the dim yellow light of a bare overhead bulb, in the layer of grime on the warehouse floor, I used the edge of a plastic cigarette lighter I found in a corner to draw the faces of two National Railway workers I had seen taking bribes that day. It didn’t matter if I used a pencil on a sketch pad, a piece of chalk on a blackboard or a stick on a smooth patch of ground. If I drew what I saw, I could remember it and reproduce it accurately. Always. Faces were easy. As were diagrams and numbers. More than that, the very process of drawing objects and people freed my intuition, enabling me to make connections that weren’t apparent when I merely observed a situation.
And so, that night, I added more descriptions to my mental catalog of incidents and faces. My sketches at journey’s end, along with my recollection of dates, locations and times, would enable both governments to identify and arrest traffickers. Then I would testify against them.
The sun was just rising when we loaded into the truck. We went willingly, ducking beneath an overhead door that had been raised only a few feet from the trailer floor, moving as quickly as we could into the shadowy interior. We squeezed through a maze of claustrophobic aisleways created by shipping crates, occasionally crouching low to avoid a load bar. When our progress through the trailer was briefly stalled by a large, slow-moving man from Honduras, I looked more closely at one of the bars. A ratcheting mechanism telescoped the tubular steel bar outward until it spanned the width of the trailer. Swivel rubber pads at each end wedged the bar tightly into place, creating a strong, temporary, horizontal barrier.
At the far end of the trailer was an open area large enough—barely—to accommodate all of us. Rosa and I settled down in a cramped corner as a pollero announced that the drive would be long and uncomfortable. But it would end in America. In Laredo, Texas. In the meantime, we could relieve ourselves in the buckets he’d placed inside the trailer for us. Then he closed the door with a thud and I heard a heavy lock drop into place. The truck lurched its way out of the freight yard and picked up speed on the roadway.
We were still moving when the narrow pinpoints of daylight coming through small scars in the trailer’s aluminum shell faded to darkness.
In the middle of the night, things went terribly wrong.
It started with sirens in the distance. As the sound came closer and caught up with us, conversation stopped inside the trailer.
“Uno. Dos. Tres.” Rosa counted under her breath as the sirens resolved themselves into at least three vehicles.
The truck slowed and the surface beneath the tires roughened. The floor beneath us sloped slightly to one side as the driver pulled the rig onto the shoulder of the road. But he kept the truck moving.
The sirens blazed past. The red lights of emergency vehicles glanced off the trailer, throwing shattered fragments of light into the interior. Then the light was gone. And the sirens were lost in the distance.
But the driver must have panicked. The truck pulled back onto the highway, continued along at high speed, then abruptly braked and downshifted to make a right turn. More time passed and the road deteriorated. The movement of the trailer became increasingly violent. We were thrown like rag dolls, bouncing against each other and into the unyielding shipping crates.
Then, abruptly, the terrifying ride stopped.
For a moment, except for the sound of the engine, there was silence. Then male and female voices erupted, shouting in Spanish, cursing the driver in the vulgar colloquialisms of Mexico and Guatemala and Honduras and El Salvador. We threatened him, demanding that he open the trailer door and let us out now. But the driver didn’t respond. Instead we felt the jolt as he freed the truck from the trailer. Then he drove away, abandoning us to the desert heat.
Despite the exterior lock, a dozen sets of bare fingers and straining backs and shoulders tried to pull the trailer door upward. The heavier men and a few of the women threw their shoulders against the door, trying to shift it outward. We climbed up the stacked crates, grasped the overhead track for the door and tried to yank it from the brackets that mounted it to the ceiling.
We were still working to escape when the pale beginning of a new day gradually found its way in through the tiny holes in the trailer wall. The heat inside the trailer grew worse. As each escape attempt was revealed as futile, activity inside the trailer slowed. An hour past dawn and those inside the trailer were quiet. Deathly quiet.
Rosa cried out again.
Her contractions were now coming in waves, one after another, barely giving her time to rest in between. For the first time since her labor began, she began crying. Quiet, hopeless weeping. Heart-wrenching, inconsolable weeping.
“Never give up, little one,” I murmured.
Only after I had spoken did I realize that I’d said the words in Vietnamese, repeating them exactly as I had first heard them. Rosa was too preoccupied to notice, but the words brought back memory, still vivid though two decades had passed.
I was eight when Grandma Qwan put me on a fishing boat crowded with people fleeing Vietnam. The men she’d paid had assured her that I would be safe. And perhaps they’d believed that. But we were intercepted midvoyage by Thai pirates. From my hiding place beneath a pile of rotting nets, I listened to the screams as they murdered the men, raped the women and stole everything of value.
Fourteen of us were left alive—cast adrift on a ruined boat without food or water. Thirteen women and one scrawny, mixed-race orphan who reeked of fish guts and filth. Days passed. One by one, the others died. Some of thirst and exposure. Some quietly, hopelessly, casting themselves into the sea. Until just one young woman and I remained. Though I was just a child, I had seen enough
death to know that she would not live much longer.
That night she had held me close.
“Never give up, little one,” she had whispered in Vietnamese, as if she were telling me a precious secret.
When I awoke, she was gone. And I was alone.
I did not despair. I did not give up.
I had come too far to die today.
I stopped thinking about the imminent arrival of Rosa’s child. Using an edge of the cigarette lighter against the vertical surface of a nearby crate, I imagined that I was drawing with a nicely sharpened charcoal pencil on paper torn from an expensive vellum pad. I drew the exterior of the trailer, its only door solidly locked, and surrounded it with desert. A blazing sun hung in the sky. Mentally, I set that drawing aside. Then I drew the interior of the trailer.
I began with a rectangle with six solid walls—back and front, sides, ceiling and floor. I sketched the details of a door that pulled upward to open, that rode on tracks mounted parallel to the ceiling. Between the tracks and the ceiling there was at least a foot of space. I added crates. And refugees. And load bars that ratcheted into place…
The load bars could be moved!
I stood and began dragging at one of the horizontal bars as I described my plan to the others. Within moments, I had help. We freed the bar, set it on its end and ratcheted it upward until it pressed against one of the tracks from which the trailer door was suspended. Then the big, slow-moving man from Honduras, who was the strongest among us, continued working the stiff ratchet. He lengthened the load bar one inch at a time until there was so much pressure against the track that it buckled and bent.