Mr. Marino had to approve, that was the rule, he had to approve every single person who entered the property, and that went double these days, ever since that insane robbery attempt a couple months ago. These days, security at the lodge was tighter than ever, including those weird lights on all night, and added motion sensors, and all the rest of it.
And tightened procedures, as well. Being as diplomatic as possible, Dave said to the woman, "I guess Mr. Griffith will be bringing written approval from Mr. Marino with him. I mean for the truck."
The woman sighed, elaborately. "Is that really necessary?" She pronounced it nes-iss-ry.
"If I want to keep my job, ma'am, yes, it is."
That of course made it different; they were both employees, after all. "I'll arrange to have Mr. Marino fax the approval," she promised, and forty-five minutes later it did come clicking in.
It was legitimate, all right. It was on one of Mr. Marino's letterheads, it was signed with his usual cramped little up-and-down signature, and it had been sent from his fax number in Courmayeur:
Mr. Horace Griffith will be arriving today to spend one night, possibly two, at the lodge. Give him every assistance. He will be bringing with him a number of wooden crates, to be transported to the lodge in a vehicle rented from Big Sky Motor Transport. The crates will be unloaded at the lodge by staff, and the truck will depart. At a later time, to be determined by Mr. Griffith, the truck will return, and Mr. Griffith will oversee the loading of a second shipment of crates, to be taken away from the lodge.
Well, that was straightforward, and didn't seem as though it should create too much of a ripple in the otherwise placid circle of days at the lodge.
That's what Dave thought. At eleven-thirty, Fred left to pick up Mr. Griffith, Dave watching the white Blazer on the monitors as it swerved down the twisty road off the mountain, and it was still more or less a normal day. And it still was at quarter to three, when Fred radioed Dave from the Blazer: "ETA in five minutes, we'll go straight up to the lodge." "Roger."
Dave intercommed this info to Greg, then watched Greg and Bob and Wilma move from camera to camera through the house, then outside to climb into another of the Blazers and drive on up to the lodge.
And here came Blazer number one, back up the road, this time followed by a big boxy truck with a black cab but the body painted a bright pale blue; the big sky, maybe. Dave looked away from DoomRanger II, his thumbs still on the controls, to watch those vehicles come up, bypass the house, and head on up to the lodge.
Up there, Greg and Bob and Wilma stood by the open front door, and here came the other two vehicles. Fred and Mr. Griffith, a trim middle-aged man with a haughty manner and a thick crown of wavy white hair, got out of their car as the truck made a cumbersome U-turn to put its rear as close as possible to the front door.
Two men in work clothes got out of the truck, as Wilma collected Mr. Griffith's suitcase from the Blazer and carried it into the lodge.
The next few minutes were just people carrying things; no reason for Dave to look up from his battle. Wilma took Mr. Griffith's suitcase to his guest room, while the two men from the truck carried crate after crate into the front hall, each crate a large narrow rectangle, the smallest four feet square, the largest five by eight.
Inside, following Mr. Griffith, Greg and Bob and Fred, and after her other errand Wilma, carried the crates to the basement door and downstairs, the only place in the whole compound that wasn't covered by the monitor cameras. Dave supposed that was because, if any unauthorized person had gotten that far, they would already have been seen by half a dozen cameras elsewhere, so what difference would it make to see the same person in the basement? Not that it mattered to him.
His interest now was mostly in DoomRanger II, but his eye was naturally caught by movements on the screens, so he did remain aware of the steady routine of transferring crates from truck to basement, and then all at once his eye was drawn to a different screen, and he saw a different kind of motion.
A bus. Black or dark blue, coming up the road from the state highway. No, that was second, behind a black car. A car and bus coming up the road.
Dave was about to reach for his microphone, to alert Greg up at the lodge that they had interlopers, when his eye was snagged again, this time by another kind of movement, on four different screens, showing the steep wooded slope above the lodge.
Men. Men all in black, carrying guns, rifles, walking down the road there, and down through the woods. Men in bulky dark vinyl coats.
The car and bus approached the house from the south. The men in black approached the lodge from the north. It was DoomRanger II! But it couldn't be. Then what was it?
There were white letters on the backs of the black vinyl coats of the invaders coming down from the north. One of them passed close enough to a camera, moving away, on down the hill, so the letters could be read on his back: ATF.
ATF? Dave knew what that was, that was Alcohol, Tobacco and Firearms, one of the government police forces, like the FBI. Somebody'd had a joke about them a few years ago, Dave remembered: "Alcohol, tobacco, and firearms? Sounds like a party to me"
But this wasn't a party. What the heck was this? What was the ATF doing here? What could they possibly think was going on here?
Trembling, dropping DoomRanger II into his lap, Dave reached for the mike, thumbed the button, quavered, "Greg! We got— We got—" He stumbled, bewildered between saying we got visitors and we got company. "Greg! We got Alcohol, Tobacco and Firearms!"
And that's when it turned into one of those days; big time.
8
Matt knew he was coming. The son of a bitch was going to get through Paul's stupid defenses, he'd go through Paul like a saber through a baby, and here was Matt, stuck, in this useless body, in this miserable wheelchair!.
Paul had shut off the stairclimber. He'd run it on down to the ground floor, by that door he'd nailed shut—as though that would do any good—and then he'd cut off the power, so that Matt couldn't use it, couldn't move, couldn't get out of here, couldn't defend himself!
He hated this body. He remembered who he used to be, when he was someone who wasn't afraid of anybody, when he was stronger than anybody and more reckless than anybody and tougher than anybody, so if anybody ever had reason to be afraid, it was the people who had to deal with Matt Rosenstein.
If only he had a gun. He was trapped in these rooms, the kitchen at the front, the living-dining room in the middle, his room at the back. He had windows to look out of, front and back. He had staircases up and down, which he couldn't use. He had knives, in the kitchen, but what good were knives if you couldn't reach the guy?
He had telephones, kitchen and bedroom, but they were merely little metal mockeries, jeering him. Who would he call? Who could he call? After the trail he'd cut through people, the first part of his life, who was there in the world for him to phone right now, and what would he say? "Hi, this is Matt Rosenstein, you remember me, I broke your jaw one time, I'm stuck here paralyzed in this wheelchair with a guy coming to kill me, I was wondering if you'd like to come help me out."
His arms were still strong, and his brain still worked, you could be sure of that. He had taken a cleaver from the kitchen drawer, not the longest one but the strongest, a solid slice of steel with a firm black handle, shaped for his fist. It was concealed now in the wheelchair against his left hip, blade down, handle toward the front, so he could reach over with the right hand, bring it up and out in one steady motion. If he could get Parker within range ...
That was the damn thing of it. If he could get his hands on Parker, he had a chance. He might even be able to do him with just the strength in his arms, not even using the knife. But why would Parker get that close?
What could Matt do to bring Parker close? He thought of lying doggo, pretending to be dead, maybe with the knife slack in his hand, blood smeared on the knife and blood smeared on his throat, as though he'd killed himself. Got in a funk because Parker was coming, and ch
ecked out.
Would Parker come over to study the situation up close, make sure Matt was really dead? Or would he stand across the room and pump bullets into him from there, just to be on the safe side? Matt put himself in Parker's position, gunning down a man in a wheelchair, finding him maybe dead with a knife in his hand, and what would Matt do? He knew what he'd do.
Money. Not the knife, the knife concealed at his right side, held in his right hand, a wad of bills clutched in his left in his lap, very obvious, as though he'd been scheming some escape route out of here, somebody to pay off. A wad of bills, make sure there was at least a century showing at the top, or better yet a Cleveland, if they had one here.
They did have stashes of money in the house. Paul and Matt both came from a life in which it was a good idea to keep ready cash on tap, just in case. Matt had money in the well behind a dresser drawer in his room, but he didn't think there was anything larger than a hundred there.
Would Paul have a thou? Would he give it or loan it to Matt? Would that son of a bitch Paul do anything to help Matt out, the bastard?
He could hear Paul walking around, upstairs. Usually, Paul was on the top floor, as far as he could get from Matt—as though Matt wouldn't have noticed that—with Pam Saugherty's room on the floor between. But now Pam was gone, and Paul was afraid of Parker coming down through the roof somehow, so he'd moved down to Pam's room. Changed the sheets, too, Matt had heard that laundering, the machines being up there on Pam's level, and had a good sardonic laugh over it. No, Paul wouldn't like to sleep on sheets smelling of some woman, would he? Oh, no, not Paul.
Pam was the last woman Matt had ever had. He realized that all at once, with some surprise, then some regret, regret yet again, in another and equally biting way; all those women he hadn't been able to get his hands on.
Too bad the last one couldn't have been a better article.
Restless, he wheeled around and around his tiny cage, these few rooms, like a lab rat in an experiment, captured and hobbled and placed here in a "natural" environment. Paul had given him canned soup and salted crackers for dinner, and a bottle of beer that had made him giddy for just a few minutes—he couldn't handle booze any more, not at all the way he used to— and then silently Paul had cleaned up the dishes and gone back upstairs, leaving Matt here to wheel himself back and forth, back and forth.
Look out the front windows at the nighttime street, people walking by, to and from their own dinners, cabs going by, sometimes a horn sounding, every once in a while a siren farther off. Look out the back windows at darkness below, lit windows all around covered by shades or drapes or blinds.
Would he come from down there, from that lake of darkness behind the house? Climb up the brick wall like Spiderman, smash through this window, this window right here. Matt spun the wheelchair wheels, spinning away, rolling forward again, out of the bedroom, around the dining table, forward to the front windows, where every lone pedestrian could be Parker.
He'd come late at night, wouldn't he? Matt had wanted to sleep during the day, but his mind was raging too much, furious and afraid, and the parts of his body he could feel ached with tension, across the shoulders and the back of the neck.
Ten-thirty at night. When would he come, three, four in the morning? If only Matt could sleep now, to be ready then.
Paul kept moving around upstairs, small mouse-like rustlings. I need him, Matt thought, and the thought grated on him, it was like acid. But it was true. He couldn't get through this on his own.
So at last he wheeled himself to the stairwell, waited there a minute, red-eyed, glaring at the steps he couldn't climb, before crying, "Paul!" But it came out hoarse, not loud enough, a rusty croaking sound. He didn't speak enough, had nobody to talk to, nothing to say. He inhaled, burning his throat, and tried again: "Paul!"
This time Paul heard, up there, and Matt followed the sound of his hurried footsteps, then saw Paul at the top of the stairs, gawking downward, his own fear naked on his face. "What is it? Did you hear something?"
"No, I didn't hear anything, I didn't see anything, I don't know anything." He gripped the wheelchair arms, knowing he had to be less hostile, he needed Paul now. "Come down," he said, and paused, and shook his head, and said, "Paul, please come down. We got to talk, we got to work this out."
Paul hesitated. "Do you need your bag changed?"
Hell! That was the most disgusting part of it, the worst part of it, the most degrading part of his helplessness. "No!" Then he made fists, and punched his dead thighs, and squeezed his eyes shut. "I want to talk," he said, as calmly as he could, inside the blackness with his eyes shut. "I just want to talk, figure this out. Figure out what to do."
"Oh, sure, Matt, good idea."
Paul came trotting down the stairs, and when Matt opened his eyes he saw that Paul's face was happy now, behind the worry and fear. He'd always used Paul's love, always taken advantage of it, but he'd always hated it, too, recoiled from it the way he now recoiled from his own body. But he still needed Paul. He needed him all the time, for everything in his life, but never more than right now.
He spun away from that open face, not wanting to have to see it, and wheeled into the dining area again, and then forward. He could look out the front windows, that would be all right. Fewer pedestrians now, less traffic.
Paul followed him, but not all the way. He stood back by the dining table, watching him. Matt sensed him back there and blinked out the window, then turned the wheelchair to face Paul. Being very calm, he said, "I figure, he'll come in late, three or four in the morning, probably tonight."
Paul put both hands next to each other on top of a dining table chair, kneaded the wood as though it were dough. "You don't think we can keep him out?"
"He'll get in," Matt insisted. "I think we have to take turns staying awake, one of us on guard. And I think we have to stay together, not separated."
"I suppose you're right." Paul looked around. "I could bring a mattress down," he decided, 'just for ... just for now. Put it right here on the floor."
"When I'm on guard, and you're asleep," Matt said, still being calm, still being reasonable, "you'll have to give me the gun."
Paul blinked at him, but instead of arguing he said, "Matt, I don't have a gun."
"Oh, don't do that, Paul!" Matt punched the chair arm. "You can trust me, you don't have to be so goddamn afraid of me all the time!"
Paul shook his head. "I do have to be afraid of you," he said. "You're too angry. I never know what you might do."
"Do!" Matt spread his arms, to display himself. "What the fuck can I do?"
"You can take it out on me," Paul said, and something crashed downstairs.
They both stared. It had been a booming noise, echoing in the stairwell. Something hard had hit the front door.
"It's him!" Paul whispered, turning to stare at the hall, and the something hard smashed into the door again.
Matt knew what that was. It was a ram, the kind of ram the police use to break down a door, a yard-long hollow metal cylinder, closed at both ends, with two handles on top and a conical iron weight inside. Swing it back, pause, and the weight slides to the back of the cylinder. Swing it forward into the door, and the weight comes faster, pounding the end of the cylinder ^against the door.
This door was nailed, but only at the bottom. The ram would hit it at waist height. The closed vestibule down there would contain most of the noise, and Parker would only swing the ram when no one was outside, walking by. The door wouldn't last long.
A third boom echoed, and Matt wheeled fast at Paul, grabbing his arm with his left hand, clenching him tight before Paul could duck out of the way. "Give me the gun!"
"No! I don't have a—"
"Give it to me!" Matt shook him like a dust rag, and Paul's head flopped back and forth, his mouth gabbling, the words all jumbled together. "Give me the gun!"
The crash from downstairs now was a different sound, the sound of the door frame splintering. Matt's right hand
flashed down to his left hip, came out with the knife, held it high. "Give me the gun, you useless faggot, let me take care of the bastard!"
"Hurting— You're hurting—"
The final crash from downstairs, and the volume of the air changed. He's coming up. Matt howled without words, slashing with the knife, over and over, until Paul was a limp thing dangling from the grip of his left hand.
Christ, why didn't you give me the gun? Shit, he's coming up, where is it, where is it?
Matt yanked Paul's body across his lap, frisked it desperately, one-handed, knife in the other as he patted all the pockets, searching, searching ...
There was no gun. There was no weapon of any kind. How could Paul not have a gun?
Matt looked up, and Parker stood in the doorway. He had a gun, a small snub pistol in his right hand. Matt lifted the slippery red knife, but there was no threat in it. He knew he was no threat. He stared at Parker, and Parker stepped forward to look at the scene. Matt let go of Paul's arm, and the body slid off his lap onto the floor. Parker looked at it, at the knife, around at the room, and at last into Matt's eyes. He shook his head. 'You aren't worth much," he said, and turned around, and walked away.
9
Ralph Wiss had two sons, but neither of them had followed in his footsteps. Partly that was because they had no idea where his footsteps had taken him, just exactly how he'd made his living all these years, and partly it was because he'd rather they didn't follow the path he'd picked. It had worked out well for him, but not for everybody; a lot of people had found danger and disaster down that road, jail terms or death.
So his own preference was that the boys take up some other profession, if they could find one that pleased them and that they were suited for, and it seemed to be working out. Bobby was in the navy, maybe planning to make a career out of it, and Jason was assistant manager of a supermarket and thinking he might stay with that company over the long haul, all of which was fine.
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