by Mike Cox
Published by The History Press
Charleston, SC
www.historypress.net
Copyright © 2017 by Mike Cox
All rights reserved
First published 2017
e-book edition 2017
ISBN 978.1.43966.108.6
Library of Congress Control Number: 2017931822
print edition ISBN 978.1.46713.758.4
Notice: The information in this book is true and complete to the best of our knowledge. It is offered without guarantee on the part of the author or The History Press. The author and The History Press disclaim all liability in connection with the use of this book.
All rights reserved. No part of this book may be reproduced or transmitted in any form whatsoever without prior written permission from the publisher except in the case of brief quotations embodied in critical articles and reviews.
DEDICATION
This isn’t the only book I’ve dedicated to my granddad L.A. Wilke (1897–1984), but this one especially is for him. The first time I ever saw the capitol was when he took me there when I was a little boy in the early 1950s. As I stood wide-eyed in the rotunda taking in the dome above, he told me that his father—my great-grandfather—had been one of the workers who helped build the capitol back in the 1880s. Granddad was proud of that, and so am I. While Granddad never got around to writing the book on the capitol’s history that he had hoped to, he did lay the metaphorical foundation for my writing career. So now it’s come full circle.
CONTENTS
Dedication
Preface
Prologue. The Old Man
1. Why the Capitol’s Not in Tehuacana
2. Half a Watermelon on a Corn-Crib
3. The Great Treasury Raid
4. Capitol Whodunits Real and Fictional
5. Mr. Fleming of Comanche
6. The Man Who Burned Down the Capitol
7. The Forgotten Capitol
8. The Graves on Convict Hill
9. Last Roundup at the XIT
10. The Capitol They Never Built
11. Fortunately W.C. Walsh Paid Attention in Math Class
12. “A Fight on Wilke Is a Fight on Me”
13. The Lost Sword
14. What About the Grounds?
15. Remembering the Alamo at the Capitol
16. Smokey Henderson Hangs in the Capitol, Too
17. A Picture’s Worth a Thousand…Lobbyists
18. “Tex” O’Reilly Storms the Senate
19. The Crack in the Floor
20. Love on Kissing Hill
21. Capitol Protest Had O. Henry Twist
22. A Massive Mystery—Literally
23. The Day They Ate the Capitol
24. Capitol Kitsch
25. Lady with a Past
26. Lost and Found
27. All Texans Own the Capitol, But…
28. Capitol Ghosts
29. More Capitol Myths
30. More True Tales
Afterword. Sine Die
Appendix A. Capitol Numbers
Appendix B. Bottom Lines
Chronology. Capitol Timeline
Notes
Sources
Bibliography
About the Author
PREFACE
Like most Austinites, I was still asleep early that morning of February 6, 1983. But then my phone rang. The capitol was on fire.
At the time, I covered the police beat for the Austin American-Statesman. I had an arrangement with the Austin Fire Department (AFD) that a dispatcher would call me at home anytime a major fire broke out, but Larry BeSaw, a friend and former newspaper colleague who worked as assignment editor for one of the local television stations, called me first. AFD might have called later, but by that time, I was already on my way downtown.
Driving toward the capitol in my personal vehicle, I could see its familiar lighted dome as I headed north on MoPac Boulevard from far South Austin toward downtown. All looked perfectly normal, so I began to think I’d be back in bed soon. Getting closer, however, I saw black smoke coming from the big, red granite statehouse. Having covered plenty of fires over the years, I knew the significance of that: black smoke meant live fire untouched by water.
When I got to the capitol, I found it ringed by flashing red lights coming from what seemed like every fire truck in Austin, with more equipment rolling up. The incident had already gone from two to four alarms and soon reached an unprecedented all-out level the department referred to as a general alarm. In other words, it was bad.
I spotted Assistant Fire Chief Brady Poole, ranking officer on the scene, and checked in with him for a quick rundown on the situation. He said a fire had started in the lieutenant governor’s apartment behind the Senate chamber on the second floor of the huge building’s east side. His firefighters were having a hard time getting water on it, and the fire had begun to spread through the crawl space created with the installation of modern offices in the then nearly century-old structure. I stayed close to Poole so I could keep up.
As word began to spread that the capitol was burning, more and more people began showing up. Soon, newly inaugurated governor Mark White, awakened by all the sirens and flashing red lights just across Eleventh Street from the governor’s mansion, joined the onlookers and got his own briefing from Poole. Austin mayor Carol Keeton McClellan, wearing a jogging suit, arrived next. Soon, Lieutenant Governor Bill Hobby showed up. He had not been in his apartment, but his daughter and three friends had been. Eighteen-year-old Kate Hobby had gotten out okay along with two of her guests, but the third friend was dead of smoke inhalation.
I had been talking with the governor, who I had known since he was secretary of state, when Poole interrupted to tell him that he needed to mobilize as much state manpower as he could to begin emptying the capitol of anything that could be saved, from files to works of art. We might not be able to stop this, the assistant chief said in so many words. Hearing that, the mayor began crying. A longtime Austinite, I knew how she felt. While the capitol belongs to all Texans, those of us who grew up with the statehouse tend to be pretty proprietary about it.
In my case, I remember going to the capitol for the first time as a kindergartener. I still have a photograph that my late granddad L.A. Wilke took of me sitting on one of the Civil War–era cannons on the capitol grounds.
Granddad’s father, a second-generation German Texan named Adolph Wilke, had been one of many laborers involved in the construction of the capitol back in the 1880s. (I hasten to add that he was among the paid workers, not one of the convicts pressed into service by a cost-conscious state government.)
As I stood there that cool morning watching smoke continue to pour from the building, I couldn’t help but flip through my many memories of the capitol. There was that Sunday in the early 1950s when I was barely five. Granddad worked for the Texas Good Roads Association, which had a post office box in the old Capitol Station, long since closed. But back then, years before its quasi-privatization, the U.S. Post Office Department delivered mail twice daily, Monday through Saturday. Even on Sundays, postal workers placed mail in post office boxes. The Good Roads Association subscribed to the Houston, Dallas and San Antonio newspapers, and Granddad had come to the capitol to pick up the Sunday editions. Somehow I got separated from him and, with growing alarm, began wandering the long, empty corridors yelling for him as loudly as I could. Had I known then that many believe the place is haunted I would have been even more terrified. I wandered around the capitol for a tearful ten or fifteen minutes before Granddad finally found me.
Ten years later, my first for-pay job was in the capitol. I worked in the Senate as an assistant sergeant-a
t-arms (a glorified page) during the 1965 regular legislative session and again in the 1967 session. Later that year, I began a newspaper career that often had me at the capitol covering stories, including the 1974 Constitutional Convention that came within three votes of passing a new state charter for the first time in nearly one hundred years. Of course, Texas voters still would have had to approve it, but back then, they probably would have.
Now, I was covering the fire that threatened to destroy the capitol. As night turned to cloudy morning, firefighters finally got the blaze under control. Problems with hot spots continued for a while, but they had saved the building. Later that day, in the American-Statesman’s busy newsroom, I turned in my stories and headed home to get some sleep. For a while, I’d thought I’d be writing the building’s figurative last chapter. Instead, it proved to be just another of its many stories.
Over the years, from my granddad and others, I’ve heard quite a few interesting tales about the capitol, and those became the genesis of this book. Granddad had always been intrigued by the capitol because of his father’s role in helping to build it, and he had his own memories as well. In fact, in the early 1950s, he decided to do a book on the capitol. He did a considerable amount of research but never got around to writing it. (Fortunately, I inherited his files.) He envisioned a definitive history, but this book is not intended as an overall history of the iconic building—that would take a much larger volume, maybe even two volumes to really do it right. Nor can this book relate every story connected to the capitol. All I can do is tell some of the more interesting tales. Even so, in reading this collection, I think you’ll wind up with an overall sense of how Texas ended up with such a magnificent capitol.
—MIKE COX
Prologue
THE OLD MAN
We shape our buildings and they shape us.
—Winston Churchill
Just as he’d been doing every day for years, Al Eck left his small West Avenue house on the edge of downtown and despite his stiff knees walked east on Twelfth Street to the capitol. Strolling through the park-like grounds with a pocketful of pecans for his squirrel friends—he had names for many of them—made a nice start on the day. But for the still-alert ninety-year-old, coming to the capitol had special meaning.
As a youngster in the early 1880s, he had watched the red granite capitol rise stone by stone, column by column and floor by floor. He had seen the naked iron framework fitted into place to support the huge building’s iconic dome, and on February 26, 1888, he had posed with a group of construction workers and Austin residents for a photograph in front of the capitol with the Goddess of Liberty before laborers raised the statue atop the nearly finished building.
Now, everyone else in the often-published image lay long dead. So far as Eck or anyone else knew, he was the last living person who had a hand in building Texas’s still-imposing statehouse. At the height of the mammoth construction project, more than one thousand workmen and some four hundred convicts had been on the contractor’s payroll. Nearly double that number had drawn wages for their labor or trade skills at one time or another during the six-plus years it took to complete the massive structure designed to accommodate the Lone Star State’s government for centuries to come.
What Eck and so many others had built wasn’t perfect and never became perfect. Its roof perennially leaked no matter how many times it got fixed; corners in regard to design and material specifications had been cut to minimize the impact on the state treasury or the builders; not all the structure’s angles were plumb or measurements exact; heavy chunks of etched ceiling glass had fallen onto the Senate floor and more. Even so, every time Eck’s dimming eyes looked up at the capitol, he felt a sense of pride. When completed, it had been the seventh-largest building in the world, taller even than the Capitol in Washington, D.C. Now, more than seventy-five years after its dedication, the statehouse still dominated Austin’s modest skyline, its grand scale both symbolic of Texas’s extraordinary size and the forward-thinking nature of its people.
As the years passed, to some extent, Eck had come to think of the building as his capitol. He knew its every corner. And for the hundreds of state employees who worked inside the sprawling building, from stenographers to the uniformed capitol security guards, as well as the lawmakers who showed up every two years determined to either pass or defeat certain legislation, Eck’s time-creased countenance had become the figurative face of the capitol’s past. Not only had he been around for all of the building’s history to date, whenever newspaper reporters wrote stories related to the capitol or its periodic maintenance-remodeling issues, they turned to Eck for context. On top of everything else, folks simply found the good-natured Al—no one used his last name—a pleasure to be around.
Born on April 10, 1874, in Cedar Falls, Iowa, Alvin Astor Eck arrived in Austin with his family in 1879. His father, Leonard T. Eck, had earlier immigrated to the United States from Germany. Once settled in Texas’s capital city, the elder Eck bought a jewelry and mercantile business at 101 East Sixth Street, and the family lived upstairs. Later, he had a business at 1200 South Congress Avenue, the first commercial building in South Austin. Having made a fair living, Eck bought land in western Travis County, where in 1900 he became postmaster of the small community of Teck, named in his honor.
By the time his father died in 1925, Al Eck was married to a schoolteacher and contributed to his family’s support as a state maintenance employee whose salary had started at nine dollars a week. That was back when Saturday was just another workday, and each day ran twelve hours. He rose from laborer to electrician, boilermaker, supervisor and, finally, building engineer at the capitol. He later worked at the state’s deaf school before finally retiring.
Al Eck (right), pictured here receiving a legislative proclamation in 1967, saw the old capitol burn and helped with the construction of the new one. Author’s collection.
“I put the first electric lights in the capitol…and worked about 30 men doing it,” he told an Austin American-Statesman reporter at a birthday party thrown by his friends at the capitol in April 1964. “Then we put in the high pressure steam system and that took about 200 men. Back in those days they didn’t hand you a set of blueprints.…You had to use this,” he said, tapping his head. In addition, Eck had climbed to the top of the capitol to wire the Goddess of Liberty for a light bulb in the star she holds. When the bulb burned out, he said, no one replaced it.
Not only had Eck watched the capitol go up and spent a career helping to maintain it, but as a boy he had also stood among the onlookers as the previous statehouse burned down. That happened in the fall of 1881, when Eck was seven. As black smoke billowed into the cloudy sky and word spread almost as rapidly as the flames that the 1853-vintage limestone capitol was on fire, Eck ran uphill from his family’s house on Sixth Street to watch as volunteer firemen futilely battled the blaze and, when they gave up on that, joined state officials and bystanders in trying to rescue government documents and other public property from the doomed building. More than eight decades later, Eck still owned a dime he had found in the capitol ruins after the fire, one side of the silver coin blackened by the intense heat of the blaze.
From the ashes of that fire, almost literally, would rise the new capitol. Planning had already been underway for a much larger, much grander new statehouse, but the loss of the old capitol added urgency to the process. Only eighty-three days after the fire, state officials broke ground for a capitol that would truly be worthy of Texas. And the method that the state had come up with to finance its construction was as innovative as the new statehouse would be impressive: rather than strain an already anemic treasury, the state would swap three million acres of land to pay for it. Whether the state or the builders got the better deal is still being debated among historians, but Texas got a fine new capitol.
For Eck and most Texans then and now, the capitol has never been merely a government building. It and the Alamo stand unquestionably as the state’s tw
o most historically significant structures, a pair of beloved architectural icons—at least for most Texans.
Beyond the role it plays in housing the constitutional functions of state government, Eck understood that the capitol amounted to a giant museum of Texas history and culture. Its artwork, historical artifacts and the monuments that surround it tell the ongoing story of Texas. Eck played a part in that, too.
In 1901, famed sculptress Elisabet Ney hired Eck to help her with the marble statues of Stephen F. Austin and Sam Houston she had been commissioned to sculpt for the capitol foyer.1 He worked twelve-hour days six days a week for two dollars a week until the two life-size works were completed and dedicated in 1903, an event he attended.
“She did the chipping, and I did the polishing on those statues,” he said. “It took a lot of work with a pumice stone to get that soft marble from Virginia where it looked just right.”
When he first went to work for the eccentric European-born artist, he said, “I was scared to death of her.…She was a very big woman who talked like a man and wore bloomers.” That apprehension lasted for the first week, but after that, he said, “We got to be friends. She was a wonderful woman.”
Starting with his ninetieth birthday, a party in Eck’s honor became an annual capitol event. “I’ll come back here as long as I can,” Eck said as that first gathering wound down that spring day in 1964. True to his promise, he was back in the capitol for his ninety-first, ninety-second and ninety-third birthday observances. That year, 1967, the House of Representatives passed a resolution congratulating him on yet another birthday. Representative Will L. Smith of Beaumont presented him the signed document as they posed for a “grip and grin” newspaper photo in front of Ney’s statue of Texas colonizer Stephen F. Austin.
Eck attended two more birthday parties at “his” capitol before he died on January 27, 1970, less than three months before his ninety-sixth birthday. “The Grand Old Patriarch of the Capitol is dead,” the Texas Public Employee magazine soon declared.2 But the building that had been such an important part of his life endures, as do its many stories.