Spring absorbed the rest. Even the most bilious townsman couldn't help knowing that the Vienna Woods undulated only a few streetcar stops away. And here the lilacs exhaled their sweetness, the baby leaf waved its miracle green, and the zither called from the vintner's garden. Together they seduced politics into pleasure.
Soon the only enduring controversies appeared to be deliciously traditional: Was this year's wine as good as last season's? Had the Court Opera been right in turning down Richard Strauss's Ariadne auf Naxos? Could a soprano like Maria Jeritza, who made her mark as Elsa in Lohengrin, sing Adele in Die Fledermaus?
How pleasant, the answers. Yes, the new year's wine promised to match its predecessor. Yes, La Jeritza did prove to be a marvelous Adele. And something in Viennese logic justified the rejection of Ariadne. This logic concluded that the city's talent was not modernist like Richard Strauss; that the phrase "Wien bleibt Wien" (Vienna remains Vienna) summed up the city's virtuosity; that timelessness, not timeliness, expressed its soul.
Princess Pauline Metternich seemed to prove the point. This grand dame was the ancient but ever-buoyant daughter-inlaw of the Chancellor who had been Napoleon's nemesis. At the end of April she gave an Alt-Wiener Jause, that is, an Old Viennese High Tea where select company in Biedermeier dress enjoyed delicacies and three-quarter time offered in the style of a century ago.
That was how the haut monde perpetuated Alt Wien. For the people at large another Alt Wein rose up in the Kaisergar- ten. The Emperor's garden was the Imperial Palace pleasance, and for the occasion His Majesty admitted the public to its lawns. Here they found highlights of a time that was no more, sculpted of papier-mache, meticulously reproduced in scaleddown size after old paintings or illustrations in yellowed books: razed landmarks like the original Court Theater, romanesque churches perished in wars, early baroque mansions consumed by fires. Reborn here, all their turrets, pediments, gargoyles presented themselves once again to the gaze of a twentieth-century public.
Wien bleibt Wien. More than ever Vienna remained itself at the end of April 1914. And just then it learned something that was not quite imaginable.
The First Lord Chamberlain issued an announcement. His Majesty's cold, having turned into bronchitis, had now developed into pneumonia. Leading specialists were in attendance. His Imperial and Royal Highness, the Crown Prince, had been summoned from Konopiste to the capital.
Franz Joseph had reigned for sixty-six years. Firmly, if secretly, the notion had established itself, somewhere deep back in the mind of the town, that he would reign for another six hundred. Now Vienna must deal with the absurd possibility that he might not.
16
NEVER HAD THE HUGE GATES OF THE IMPERIAL PALACE GROUNDS IN SCHONbrunn opened to so many humble vehicles-to quite ordinary taxis. From their doors emerged the physicians who were trying to keep the monarch alive. Grand automobiles of dignitaries also rolled into the broad graveled driveway. Sentinels presented arms as their passengers emerged: Count von Berchtold, Minister of Foreign Affairs; Count von Krobatin, Minister of War; Count von Sturgkh, the Premier. But unlike the doctors they were not admitted to the All-Highest bedside. His Majesty was too ill. They could only leave their reports, their respects, their wishes, and their prayers.
Often the serious-faced Excellencies would then direct their chauffeurs to drive from Schonbrunn, in Vienna's southwest, to Castle Belvedere in the southeast. Here the Heir Apparent resided and waited-but not for them. Other visitors' cars remained parked far longer at the Belvedere. They belonged to members of the Crown Prince's shadow cabinet about to move into the sun.
Who were these, and what did their comings, goings, stayings, portend? In the late April days of 1914 such questions dominated a third meeting ground, namely the restaurant Meissl & Schadn. Its facade on the Karntnerstrasse pictured all five continents, reflecting the concerns of its clientele: key officials of sub-cabinet rank of the Ministry of Foreign Affairs and the Ministry of War. They would be the caretaker team between monarchs. In a special back room of Meissl & Schadn-the Extra Stuberl-they enjoyed the establishment's vaunted Tafelspitz while caucusing on the problems of transition in the Palace.
It was bound to be dramatic. They'd already heard that almost the entire court planned to stand down the moment last rites were administered at the All-Highest bed. The First Lord Chamberlain, Prince Montenuovo, had in hand letters of resignation written in advance by himself as well as by equerries, adjutants, lords-in-waiting. These instruments would be signed and dated minutes before the old Emperor's death. That would prevent the new ruler from cashiering the retinue en masse with a consequent loss of their pensions.
But the prospect of Franz Ferdinand striding toward the throne also raised an issue far graver than retirement benefits of cup-bearers. The back room at Meissl & Schadn worried over nothing less than civil war.
At Castle Belevedere a post-accession plan had been drawn up. To anyone in the upper circles of government its content held few secrets. It would implement the Crown Prince's absolute determination to remove the Hungarian Prime Minister Tisza and to change Hungary's suffrage laws by which Tisza maintained power. At present the electoral system was heavily skewed in favor of the landed gentry-Tisza's political base. The new Emperor would grant equal votes to all Magyars. Agricultural workers, landless and therefore voteless until now, would be able to ballot their bosses out of office. Three million Croats, semi-enslaved within Hungarian borders, would gain a strong voice against their suppressors. Beyond that, Franz Ferdinand intended to radically revise the constitution of the entire Habsburg realm. Under him "Austria-Hungary" would be superseded by a "United States of Austria." With the Empire federalized, many present bedevilments would vanish.
Other nationalities would not starve while Hungarian barons feasted. Vienna's central control would apply to military and some financial matters. Outside of these, the Crown would respect and enforce the autonomy (cultural or otherwise) of Bohemia, Croatia, Slovenia, Galicia, Transylvania, Illyria, Dalmatia, and-neither last nor first-Hungary. To all such domains the Emperor of Austria would serve as equitable King. He would give his Slavic subjects the parity which had long been their due.
Of course none of the Meissl & Schadn habitues had ever heard of an article an obscure Bolshevik had compiled in Vienna the year before. Had they read Stalin's "Marxism and the National Question," they would have been astonished by its structural resemblance to Franz Ferdinand's scheme. At any rate, most of the sub-Excellencies at Meissl & Schadn admitted that the post-accession plan made sense; perhaps urgent, one-minute-before-midnight sense. And just because it made sense it would make trouble.
Hungary's bearded, formidable Prime Minister Tisza no doubt anticipated Franz Ferdinand's intentions. He was not the man to put up with them. The Meissl & Schadn consensus believed that Tisza might not hesitate to mobilize the Hungarian militia against the new Emperor. He had practically said so. "If Franz Ferdinand wants to use the army against me," Tisza had been quoted even before the present crisis in the old Emperor's health, "I will have the last word." And this is what the Crown Prince had said loudly, to the head of his Military Chancellery shortly after the Emperor had fallen ill: "Twenty-four hours after I am in, Tisza will be out."
The Meissl & Schadn crowd had even gotten word on who was to put Tisza out. The car of Joseph von Kristoffy, a former Hungarian Minister of the Interior, could be found more often in Vienna than in Budapest these days-usually at a side entrance of the Castle Belvedere. He was Franz Ferdinand's choice for Premier of Hungary. By that same entrance, just as often stood the automobile of General Karl von Terstyanski, the Crown Prince's favorite to succeed General Conrad as Chief of Staff. He was already commander of the Budapest garrison. His assignment: to make Tisza reliquish his office, if necessary by force.
Tisza, however, had an iron grip. It seemed inevitable that after Franz Joseph's death the implacable new sovereign would collide with the immovable Hungarian. Would the monarchy become a battlef
ield? Through what constitutional juggling or political stratagem could one contrive a compromise? Or did the problem no longer permit a peaceful option? The sub-Excellencies at Meissl & Schadn sighed. To bring their parleys to a Viennese conclusion they liked to order Linzer torte, another specialite de la maison. But when they walked out of the restaurant into the May evening, it was not the taste of the torte that lingered. It was the sigh.
***
The All-Highest illness weighed on the city. Pacers in the corridors of power failed to enjoy a fine spring. So did Vienna's lesser folk. They couldn't afford to probe the Empire's future over bone china and Bohemian crystal. Instead, they gathered on plain benches of the vineyard inns in the Vienna Woods. The moon dappled the beech leaves, the wine gladdened the tongue, but the idyll was laced with apprehension. People stared into their goblets. They shook their heads over the latest medical bulletins from the Palace. Those doctors had become so terse. It wasn't right that the kindly, ageless legend of Franz Joseph should terminate in "severe pulmonary complications." The phrase seemed too blunt and newfangledsomething like the frown on Franz Ferdinand's portraits.
The plain people on the plain benches knew hardly anything pleasant about their future ruler. His long absences from the capital implied little fondness for Vienna. His official stare revealed nothing. And so the people tried to fill that sullen void. They talked about an article series featured in the tabloid Illustrirtes Wiener Extrablatt just then. Its subject, though dating back almost twenty years, was timely. It concerned another Habsburg sickbed; Franz Ferdinand himself had lain in that one, in 1895, when tuberculosis had been eroding his lungs.
Then, too, the bulletins had grown terse. But the Archduke's fierce will had prevailed not only over the disease but over its exploitation by his enemies at Court. Quickly and quite publicly the camarilla had written him off as successor. Ceremonials and privileges of an heir apparent had been transferred to Franz Ferdinand's younger and much flightier brother, the Archduke Otto. Until then Otto had been famous chiefly for the champagne-happy night during which he had strolled through the Sacher Hotel lobby naked except for the badge of the Order of the Golden Fleece hanging from his neck. That had not kept the Emperor's First Lord Chamberlain from asking Otto to inaugurate theaters, open bridges, visit new hospitals. From 1894 to 1895 the Court Gazette had treated Otto as the de facto Crown Prince. And even after Franz Ferdinand had regained enough fitness for a longer journey, he had not been included in the great state visit of 1896. Archduke Otto had accompanied Emperor Franz Joseph to St. Petersburg for a meeting with the Tsar.
Of course the Illustrirtes Wiener Extrablatt could only hint at the high-altitude malice of those years. But now, in late April of 1914, the stories around it ran as vintage gossip through Vienna's inns: Perhaps the bitterness of his young, sick years had put the scowl on Franz Ferdinand's face? Perhaps the aggravations of his morganatic marriage had deepened it? In the inns, people wondered, conjectured, drank. For a while they felt a bit better. How good to merge Franz Ferdinand tales into Habsburg legendry, to fit him into a traditional scheme! Encouraged, the vineyard drinkers sang a song written just a few months earlier. It came from the pen of a municipal bureaucrat yet it had grown to be the rage all over Europe; it had even spread to England and America. The whole world was hymning something fragile and sweet:
Wien, Wien, nud Du allein
Sollst stets die Stadt meiner Traeume sein
Dort wo die alten Haeuserln stehn
Dort wo die lieblichen Maedchen gehn…
(Vienna, Vienna, none but you
Can be the city of my dreams come true
Here, where the old houses loom
Here, where I for lovely young girls swoon…)
Actually "Wien, Wien" was just the latest and by far the most famous example of the genre Wiener Lieder. Over a hundred WienerLieder had been composed in the last eighty years. All were songs of lyric wistfulness. They sighed of a love not for a woman or a man but for Vienna; for that rainbow of a town fraying away exquisitely between vineyard and Danube; for streets in which the girls were beautiful because the houses were old; for a world whose doom was its enchantment.
In April 1914 the people on the wooden benches sang "Wien, Wien," to serenade their sick, dear Emperor. Actually he had become dear only after he had become ancient. But he had been ancient for so long, he seemed to have been dear forever. For generations those silver sideburns had generated fond stories, wonderful rumors, reverent speculations. Austrian patriotism centered on this ikon of infinite anecdotes and wrinkles. Still, the day must come when six horses draped in black would bear him away; when the most unsentimental of Archdukes would roar up in his motorcar to take possession of the Imperial Palace. What then?
Neither the firmament's glimmer above nor the reflections in the Danube below answered the question brooding over the vineyard hills. And so the people in the leafy inns resorted to their only ready remedy: to drink; to gossip antique Habsburg gossip again; and, again and again, to sing "Wien, Wien…"
Another tune attained enormous popularity in Vienna's springtime of 1914-the first international hit of a young American composer, Irving Berlin. It was frequently featured by modish restaurant orchestras like the one in the Ring- strasse's Grand Hotel. But during late April and early May the music there played to an unusual number of empty tables. Franz Joseph's pneumonia was taking its toll in these plush precincts, too. The succession, with its perils and uncertainties, loomed ahead. A sudden decline had shaken the stock market. Many of the more loose-pursed tycoons were retrenching and that included patrons of the Grand Hotel restaurant. Nevertheless, some habitues kept coming to enjoy Stuffed Whitefish a la Radziwill (a renowned virtuosity of the chef's) and to keep au courant with Mister Irving Berlin. Among prominent diners figured Hermann von Reininghaus, the young brewery grand seigneur, and his dusky wife Gina as well as the third element of the triangle, General Conrad, the Chief of Staff.
The presence of the beloved-even when encumbered by her husband-always cheered the General. What's more, the good weather promised him, a passionate mountaineer, some fine Alpine tours. But as Gina noted in her memoirs, his smile looked rigid in those days. With reason. The General shared all of Vienna's fear for the old Emperor. In addition, he must face the probability that the new monarch would dismiss him in disgrace, would send him packing summarily, together with the Hungarian Prime Minister Tisza even as the coffin of Franz Joseph was carried into the crypt of the Capuchin Church.
Of course an exit in May would only accelerate somewhat the General's timetable. In the spring of 1914 he had resolved to wait for the Sarajevo maneuvers at the end of June, and then to resign. It was enough. He had been harassed too often by Franz Ferdinand, rebuffed too often each time he requested the punishment of Serbia-which was fomenting a rebellion in Albania right now. Too often had he been frustrated for the sake of "this foul peace which drags on and on," as he had put it in one of his secret letters to Gina von Reininghaus. The same letter vibrated with impatience for a "war from which I could return crowned with success that would allow me to break through all the barriers between us, Gina, and claim you as my own dearest wife. [a war that] would bring the satisfactions in my career and private life which fate has so far denied me."
He would be denied them forever when Franz Ferdinand mounted the throne. Still, at the Grand Hotel restaurant he could bear with fate a little better because here it was cushioned with Gina's closeness. When the orchestra struck up that rousing new air from America, the General rose to his feet, bowed, requested Herr von Reininghaus's permission to ask Frau von Reininghaus for the honor of this dance.
It was granted. General and lady walked to the parquet floor. They began to sway in each others arms. The vocalist sang, in Viennese English, the song most popular throughout the Western world that spring of 1914:
Come on and hear, come on and hear
Alexander's ragtime band,
Come on along, come on alo
ng'
It's the best band in the land,
They can play a bugle call
Like you never heard before,
Make it so natural
That you want to go to war…
17
Repercussions of Franz Joseph's pneumonia spread southward to the Serbian capital. Before the news reached him there, Gavrilo Princip had been focusing steadily, unblinking, on a climax that drew nearer each day: the June war games of the Austrian Army near Sarajevo, captained by the man who must be killed, the Archduke Franz Ferdinand.
To help him in the deed, Princip had recruited Nedeljko Cabrinovic in Belgrade. In Sarajevo itself Princip's old confederate Danilo Ilia was waiting. But by April Princip decided that the assassination of the Habsburg Crown Prince was an enterprise requiring yet another partner. He picked Trifko Graben, a fellow lodger in his rooming house at 23 Carigradska Street in Belgrade.
Graben, too, had been a former high school student in Austrian Bosnia who had crossed the border into Serbia and now lounged about Belgrade coffeehouses between odd jobs. But Grabez's exile differed from Princip's. It lacked politics. In a dispute over grades, Graben had punched his teacher in the nose before running away. Vagabonding, adventuring, womanizing, appealed to Graben much more than ideology. Yet Princip liked the lad's pluck and brawn. And so thin little Princip began to talk to Graben, whose muscular frame towered over him. He kept talking softly, steadily, in the seclusion of his room. Unblinking, he talked with a voice barely audible yet of an overwhelming intensity. When he finished, the big fellow had become the little one's obedient disciple. In two days, juvenile delinquent had changed to zealot. Grabei was ready to do anything at his leader's command.
Thunder At Twilight: Vienna 1913/1914 Page 16