But that was the past, and as golden-hued and sweetly nostalgic as those images painted my daydreams, I quickly realized the here and now was a shiny new gift sitting right there in front of me, just waiting to be opened.
As the humidity-drenched days ticked by and the words on the screen added up, the decision to move back home felt truer and truer inside my soul, almost as if a kind of predestination was taking place—and frankly, that surprised me. When Kara—a bubbly, patient, green-eyed beauty (who coincidentally also came from a large Edgewood family)—first suggested I move home for the months leading up to our wedding, I thought she’d lost her mind. I loved my parents with all my heart, but I hadn’t lived at home for longer than a weeklong holiday break since I’d been seventeen, five long years earlier. I carried with me legitimate fears that the three of us might drive each other crazy living under the same roof again, and my mother might even resort to poisoning me one evening at dinner.
But as luck would have it, Kara possessed a razor-keen intuition to go along with that million-dollar smile of hers—and as was to become routine in the years that followed, she was right about everything.
The seven months I spent on Hanson Road were just what I needed. In a way, for me, they formed a kind of bridge to adulthood—and both the good and the bad that came along with it.
First, the good: I worked hard in the comfortable silence of my old bedroom and got better at my craft. A handful of stories sold, and the first issue of Cemetery Dance arrived on time and on budget, proving a moderate success. I saw people I hadn’t seen in years. Rekindled old friendships. I got to help my father mow the lawn and trim the bushes that summer, and rake the leaves and clear the gutters that fall. We tinkered in his garage workshop and watched Orioles games in the basement while sharing paper plates stacked with cheese and crackers and frosty six-packs of Coors. I watched the bathroom scale tip upward as I feasted on my mother’s home cooking, and the sound of my parents’ laughter as they watched television sitcoms in the dark of their bedroom became my nighttime lullaby.
But then there was the bad; the unimaginably, indescribably bad, hovering above all those wonderful memories like an angry, slate-gray thunderstorm sky. Four innocent girls murdered. Four families ripped apart. And a town held hostage by a faceless madman, a monster far more frightening and evil than anything I could imagine in one of my stories.
For a brief time, not long after the third murder, I tried to tell myself that I didn’t know any of the girls that well, not really. But it didn’t matter—and I knew it. They were our neighbors. They were friends of friends, siblings of friends, or in some cases, children of friends. And they were from Edgewood. The one place in the world I knew and loved the most.
I’ve had plenty of time since then to think about it—a little more than a year and a half, to be exact—and I believe the woman disc jockey on the radio that long-ago June afternoon was right when she’d said it was as if we’d experienced a loss of our innocence. After everything that’d happened, it felt like we could never go back to the way it was before.
And maybe we shouldn’t.
Maybe that’s what grieving is all about: never forgetting what we’ve lost.
I can’t explain how or why it happened the way it did, the timing of me being back there on Hanson Road when the murders occurred. I don’t know whether it was fate (as many in my life would like to believe) or simple misfortune. Ultimately, the reasons why don’t matter.
I was there.
I was witness.
And, somehow, the monster’s story became my own.
– Richard Chizmar
June 20, 1990
one The Town
“It was during those long, slow, breathless walks up that gravel driveway that I first began telling scary stories to my friends…”
1
Before I get to the Boogeyman and his reign of terror during the summer and fall of 1988, I want to tell you about the town where I grew up. It’s important that you carry with you a clear picture of the place—and the people who live there—as you read the story that follows, so you can understand exactly what it is we all lost. There is a John Milton quote that I think of often while driving the streets of my hometown: “Innocence, once lost, can never be regained. Darkness, once gazed upon, can never be lost.”
For the citizens of Edgewood, this was our time of darkness.
2
I believe that most small towns wear two faces: a public one comprised of verifiable facts involving historical timelines, demographics, matters of economy and geography; and a hidden, considerably more private face formed by a fragile spiderweb of stories, memories, rumors, and secrets passed down from generation to generation, whispered by those who know the town best.
Edgewood, Maryland, located twenty-five miles northeast of Baltimore in southern Harford County, was no exception. Situated in the top center of an inverted triangular peninsula created by the Chesapeake Bay to the south, the Gunpowder River to the west, and the Bush River to the east, Edgewood was originally home to a number of Native Americans, most notably the Powhatan and Susquehannock tribes. Captain John Smith was among the first to navigate the Bush River, naming it “Willowbyes Flu” after his beloved hometown in England. In 1732, the Presbury Meetinghouse was established on the river’s shoreline as one of the first Methodist churches in America.
A railroad system constructed through the area in 1835 provided distribution for local agricultural markets, and the railroad’s extension in the mid-1850s provided a foundation for the town of Edgewood’s development. The wooden railroad bridge crossing the nearby Gunpowder River was burned in April 1861 during the Baltimore riots, and Confederate soldiers burned it a second time in July 1864.
Although the population of Edgewood was a mere three-dozen full-time residents in 1878, the railroad and neighboring countryside’s lush farmland contributed to eventual growth. Before long, there was an abundance of new homes in the area, including a number of extravagant residences, many erected by businessmen commuting daily to Baltimore via train. A schoolhouse, post office, hotel, general store, and blacksmith were soon established within the town’s borders.
The Edgewood train station also experienced increased popularity because of its proximity to valuable hunting grounds for numerous species of waterfowl. Soon, gentlemen sportsmen from northeastern cities as far-ranging as New York and Boston traveled to Edgewood to take part in the hunt. General George Cadwalader, a colorful war hero and respected Philadelphia lawyer, gradually acquired large plots of property in the area, consisting of almost eight thousand acres, and invited affluent and influential friends to visit. He leased waterfront land to various hunting clubs and established more than a dozen farms on the property. Hardworking tenant farmers paid Cadwalader a healthy percentage of their seasonal crops.
Another prominent figure in Edgewood’s early days was Herman W. “Boss” Hanson. A prosperous gentleman farmer and longtime member of the Maryland House of Delegates, Hanson was also a shrewd businessman. Tomatoes were his company’s most profitable crop and at one point, he operated four canneries in the area and purchased all the other local farmers’ tomatoes to fill orders. The canned fruit was marketed under the Queen Brand and sold all over the country, eventually even shipping overseas.
The only real drama in the town’s history up until that point arrived in the summer of 1903, when a group of armed outlaws attempted to rob a payroll train docked at the Edgewood Station. A fierce gunfight erupted with the local constable and his men, resulting in the death of two lawmen, a civilian employee of the payroll company, and all six of the outlaws. A local newspaper reporter counted over two hundred and fifty bullet holes in the station’s walls. Fortunately, such violence was rare in the still-rural town.
A short distance down the tracks was the Magnolia Station, named for the lovely magnolia trees that flourished there. Across from the station was Magnolia Meadows, a popular resort for picnics, outdoor events, and excursion
parties from Baltimore. A spacious pavilion centered in the grove was used for dances and weddings, and by the early 1900s, Magnolia boasted a post office, church, schoolhouse, canning house, general store, shoe shop, and barbershop.
The pastoral life of those living in and around Edgewood changed dramatically in October 1917, when the U.S. government took possession of all the land south of the railroad tracks to create Edgewood Arsenal military complex. Thousands of people flocked to the area to construct a number of facilities designed to handle the various aspects of chemical weaponry. The government built massive plants to produce such toxic chemicals as mustard gas, chlorine, chloropicrin, and phosgene. They even produced gas masks for horses, donkeys, and dogs. Peak employment during July 1918 totaled 8,342 civilians and 7,175 military personnel.
While wealthy residents such as General Cadwalader were reimbursed for their lost property, local tenant farmers and sharecroppers received no such payments. A number of Black farmers relocated to establish a small community of modest homes in the Magnolia area known as Dembytown. A general store, a two-room schoolhouse, and a ramshackle jazz club called the Black Hole were erected in a trio of narrow clapboard buildings along the northeastern border of Dembytown. The club burned down in 1920 under suspicious circumstances.
The burgeoning military presence soon transformed Edgewood. Schools, housing, and a multitude of businesses spread across the area. World War II brought yet another wave of military personnel and civilians to town. A modernized train station was hurriedly built to handle the great influx of people. Additional civilian barracks and off-post housing units were constructed in numerous Edgewood locations, including a twenty-six-acre development named Cedar Drive. The overflow of new residents, coupled with the completion of Route 40, a four-lane highway cutting through Edgewood, spurred further economic development. Edgewood Meadows, a sprawling community of single-family homes, was established in the early 1950s. Old Edgewood Road and Hanson Road bisected the sprawling development, and both roadways were soon dotted with commercial establishments. Farther south on Hanson Road, a sprawling community of affordable town houses, the Courts of Harford Square, was constructed, replacing over a hundred acres of fertile farmland. Sitting upon a grassy hill overlooking the new development stood the original “Hanson House” built by Thomas Hanson in the early 1800s. The grand Victorian home featured fifty-one windows and seven gables, and was the first house in Edgewood to enjoy indoor plumbing. In 1963, the Edgewood Public Library opened on Hanson Road across from the bustling Acme supermarket. Later that same year, the Edgewood exit on Interstate 95 opened, spawning even greater numbers of residential neighborhoods. To support the influx of young students in the area, three spacious schools—a high school, middle school, and elementary school—were built on 102 acres along Willoughby Beach Road.
But with every boom there comes the inevitable bust—and in the years following the United States military’s involvement in Vietnam, a number of weapons testing programs at Edgewood Arsenal were either downsized or canceled altogether. Troops and civilian personnel were transferred to other bases along the East Coast and, soon after, numerous remote sections of the Arsenal took on the appearance of a ghost town. For several years, there were well-publicized rumors that the U.S. government planned to open a paratrooper school in the abandoned areas, but those plans never materialized.
By the late 1980s, the unincorporated community of Edgewood covered almost seventeen square miles. Population hovered at nearly 18,000 people—68% White, 27% African American, and 3.5% Hispanic. The median household income was a slightly below national average, $40,500. The average household was 2.81 occupants, and the average family size was 3.21.
This was the public face of Edgewood, Maryland.
3
This is the Edgewood I know and love:
I grew up in a modest two-story house with green shutters and a sloping driveway at the corner of Hanson and Tupelo Roads. That house and the sidewalks, streets, and yards that surrounded it were my entire world from the time I was five years old until I left for college at the age of seventeen. My parents still live there today.
I was the youngest of five children—following in the footsteps of three sisters (Rita, Mary, and Nancy) and the eldest of the bunch, my brother (John)—by a margin of nearly eight years. In other words, I was probably a mistake. I’ve never actually asked my parents if that was the case, but I’ve heard it enough times from my siblings to mostly believe it to be true. Regardless, it never really mattered.
My father (retired U.S. Air Force, a quiet, hardworking man of decency and integrity) and my mother (a diminutive-in-stature caregiver of the first order, and still very much the Ecuadorian beauty my father married) treated their children with equal measures of love and understanding and patience. Well, almost. I must admit that as the youngest—and some say the cutest—not to mention the last of the Chizmar clan to live under their roof, I very well may be my parents’ favorite.
But I digress.
The white-painted front door and large bay window of our house peered out upon Hanson Road, one of the busiest-traveled roadways in all of Edgewood. The speed limit sign posted directly across the street read 25 mph, but few drivers obeyed that particular law. The right side of our house bordered Tupelo Road, a much quieter, tree-lined avenue that stretched all the way from Tupelo Court across the street to Presbury United Methodist Church on Edgewood Road.
A small, enclosed breezeway connected our dining room to a single-car garage. The garage was my father’s private place, his sanctuary. Growing up, I was alternately intimidated and fascinated by it. For whatever reason, it always reminded me of the magical and chaotic sorcerer’s workshop in the Disney movie Fantasia. A narrow homemade workbench lined much of the far wall. Hanging above it, covering every available inch of mounted pegboard, were dozens of tools and gadgets, mysteriously labeled and organized in ways I still don’t understand to this day. At opposite ends of the bench, tucked against the wall and stacked atop each other, were four cube-shaped organizers featuring rows of small plastic drawers, each neatly labeled and filled with various-sized nuts, bolts, nails, and washers. Attached to either end at the front of the bench was a pair of large steel vises. Underneath were tidy stacks of pre-cut lumber, a number of plastic buckets, and a couple of old stepstools. The garage’s remaining wall space was taken up by sheets of leaning plywood, old furniture awaiting repair, and large, dangerous-looking machinery: a table saw with gleaming metal teeth, a twin-belt sander, a router, and drill press. To my friends and me, the machines all resembled sophisticated instruments of torture. Higher up on the walls hung shelf upon shelf, also homemade, stacked with small cardboard boxes, glass jars, and old coffee cans labeled with strips of masking tape bearing my father’s all-caps handwriting: ROPE. TAPE. WIRE. BRACKETS. CLAMPS. BALL BEARINGS. In other words, the stuff of magic when you’re eight years old.
Unfortunately, the rest of the house wasn’t nearly as interesting. A small kitchen, dining room, living room, and foyer occupied the first floor. An antique stereo cabinet, housing my father’s impressive collection of jazz records, was centered beneath the bay window, and several mahogany bookcases lined the walls. The sofa and accompanying armchair were inexplicably green. Upstairs, there were three modest-sized bedrooms and a bathroom. My bedroom was situated in the far corner with windows facing both the side and back yards. On the lowest level was a prone-to-flooding basement with dark paneled walls, sectional sofa, his and her recliners, a black-and-white marble coffee table on which my father played solitaire most every evening, an RCA television, and a spectacular hand-carved cuckoo clock centered on the back wall.
One of my favorite places in the house was the large screened-in back porch accessible through a sliding glass door off the rear of the dining room. I spent countless summer evenings on that porch—reading comics and paperback books, sorting baseball and football cards, or playing board games with friends. My mother would bring out a pitcher of homem
ade lemonade and chocolate chip cookies still warm and gooey from the oven, and my friends and I would feel like kings of the world. We also had sleepovers out there when the weather was warm enough.
Despite my early love of reading, not to mention obsessively watching scary movies and westerns on TV, I was an outdoors boy. From the day we moved in, I spent countless hours beneath the ageless weeping willow tree that stood watch in our side yard, pretending I was Cy Young Award–winning pitcher Jim Palmer of the Baltimore Orioles. I’d use the heels of my old tennis shoes to carve out a pitcher’s rubber in the grass, and then I’d go into my best trademark high-leg-kick wind-up and hurl fastball after fastball at a square patch of bare concrete wall, located dangerously close to the basement window. I still consider it a small miracle that I never once broke that window, but the green shutter bordering the window’s left edge paid dearly for my youthful arrogance. Dented and battered beyond recognition from hundreds of errant throws—high and inside to my imaginary right-handed batters—it barely managed to cling to the wall with a pair of bent and rusty nails. That beat-up shutter remains a sore subject to this day between my father and me.
The sidewalk that ran in front of my house, parallel to Hanson Road, had thirty-three cracks of various sizes and shapes. The sidewalk that ran alongside Tupelo had nineteen. I knew those walkways like the back of my hand. I’d walked, skateboarded, or biked them every day for twelve years. When we were young boys, my friends and I built ramps with concrete blocks and wooden boards salvaged from construction sites or “borrowed” from my father’s workshop, and jumped them on our bikes. More often than not, we were bare-chested with nary a helmet in sight. Once, we even convinced a little kid who lived a few blocks away to do it blindfolded. That didn’t end well, and we never tried it again. Sometimes we upped the ante, soaring over trash cans or plastic bags filled with grass and leaves. Other times, we lay down side by side on the sidewalk and jumped over each other. Believe me when I say that lying on your back on a sun-blasted slab of concrete with your arms at your sides and your eyes closed, letting your idiot friend who truly believes he’s Evel Knievel hurtle over you on a bicycle, is the apex of blind adolescent loyalty.
Chasing the Boogeyman Page 2