“It would be sufficient that in such a house as this I thought I might find some employment for a painter.”
“You are a painter?” says I.
“A poor one, as you see,” replies Dario, with a significant glance at his clothes.
Don Sanchez turned to me, hunching his shoulders.
“’Tis clear,” says he, “that Signor Dario has been grossly abused by our lady’s over-zealous steward. You have but to tell us, sir, what reparation we can make you.”
“I’ll not refuse it,” answers Dario, eagerly. “You shall grant me permission to prove the honesty of my story—and something more than that. Somewhere here,” adds he, glancing around him, “I’d leave a tribute to the grace of that dear lady who brought me back to life.”
Don Sanchez assents with a bow to this proposal, but with a rueful glance at the rich panels of the wall, as fearing this painter might be as poor in talent as in his clothes—the latter reflecting discredit on the former—and would disfigure the handsome walls with some rude daub.
“Ah!” cries Dario, casting his eye upon the ceiling, which was plastered in the Italian mode and embellished with a poor design of cherubs and clouds, “this ceiling is ill done. I could paint a fresco that would less disgrace the room.”
“You will need materials,” says the Don, laying his purse upon the table. “When you return with them, you may rely upon having our lady’s consent to your wishes.”
The painter took the purse with a bow of acknowledgment, and no more hesitation than one gentleman would show in receiving an obligation from another, and presently left us.
“Shall we see him again, think ye, Señor?” I asked when we were left to ourselves.
He nodded, but with such a reflective, sombre air, that I was impelled to ask him if he lacked confidence in the story told us by the painter.
“His story may be true enough, but whether Signor Dario be an honest man or not is another matter. A painter’s but a man. A ruined gentleman will accommodate his principles to circumstances” (with a side glance that seemed to say, “I am a ruined gentleman”)—“and my mind would be easier if I knew by what curious accident a painter in need should find himself in the heart of Kent, and why fixing on this house to seek employment he should linger to the point of starvation before he can pluck up courage to ask a simple question. We must keep our eyes open, Mr. Hopkins, and,” adds he, dropping his voice, “our mouths shut.”
I could not sleep that night for thinking of house-breakings and bloody struggles for dear life; for ’tis a matter of common report that this sort of robbers, ere they make attack, do contrive to get one of their number into the house that he may learn where good goods are stowed, which part is easiest of attack, etc. I know not whether these quakings were shared by the Don, but certainly our misgivings never entered Moll’s little head. Nay, rather, her romantic disposition did lead her (when she heard our narration) to conceive that this mysterious Dario might be some wandering genius, whose work upon our ceiling would make the Court for ever glorious. And while in this humour she bade me go to Simon, whose presence she would not tolerate in her house, and make him acquainted with her high displeasure, and furthermore, to command that he should make satisfactory apology to Dario upon his return. So to him I went, and he wringing his hands in anguish deplored that his best endeavours to serve his mistress served only to incense her the more against him. But for his apology he declared that has been made the moment he heard of the gentleman’s release, at the same time that he restored to him his hat and a pocket-book which had fallen from his pocket.
This did somewhat reassure me, knowing full well that Simon would not have given up this book without first acquainting himself with its contents, and urging that had there been anything in it to incriminate him, he had certainly laid it before his mistress for his own justification.
A couple of days after this, as Don Sanchez and I were discoursing in the great avenue, Dario presents himself, looking all the better for a decent suit of clothes and a more prosperous condition, and Moll joining us at that moment, he makes her a very handsome obeisance and standing uncovered before her, begs to know if it is her will that he should paint the ceiling of her dining-hall.
As he spoke, the colour rose on his cheek, and a shaft of sunlight falling on his curling hair, which shone with the lustre of health, made him look as comely a man as ever I did see, and a good five years younger than when he stood before us in the extremity of distress.
“Sir,” says Moll, “were you my debtor as much as I am yours, I could not ask for better payment.”
Don Sanchez put an end to this pretty exchange of courtesies—which maybe he considered overmuch as between a lady of Moll’s degree and one who might turn out to be no more than an indifferent painter at the best—by proposing that Dario should point out what disposition he would have made for his convenience in working. So he went within doors, and there Dario gave orders to our gardener, who was a handy sort of Jack-of-all-trades, what pieces of furniture should be removed, how the walls and floor should be protected, and how a scaffold should be set up for him to work on. And the gardener promising to carry out all these instructions in the course of the day, Dario took his leave of us in a very polished style, saying he would begin his business the next morning betimes.
Sure enough, we were awoke next day by a scraping below, and coming down, we found our painter in a scull-cap and a smock that covered him to his heels, upon his scaffold, preparing the ceiling in a very workmanlike manner. And to see him then, with his face and beard thickly crusted over with a mess of dry plaster and paint, did I think somewhat dispel those fanciful illusions which our Moll had fostered—she, doubtless, expecting to find him in a very graceful attitude and beautiful to look at, creating a picture as if by inchantment. Her mortification was increased later in the day when, we having invited him on her insistence to dine at our table, he declined (civilly enough), saying he had brought his repast with him, and we presently found him seated astride one of his planks with a pocket knife in one hand and a thumb-piece of bread and bacon in the other, which he seemed to be eating with all the relish in the world.
“Why, he is nought but a common labourer,” says Moll, disgusted to see him regaling himself in this fashion, as we returned to our room. “A pretty picture we are like to get for all this mess and inconvenience!”
And her idol being broken (as it were), and all her fond fancies dashed, she would not as much as look at him again nor go anigh the room, to be reminded of her folly.
However, on the third day Dario sent to ask if she would survey his outlines and decide whether the design pleased her or not. For this purpose he had pushed aside his scaffold, and here we saw a perspective done on the ceiling in charcoal, representing a vaulted roof with an opening to the sky in the middle, surrounded by a little balcony with trailing plants running over it, and flowers peeping out betwixt the balusters. And this, though very rough, was most artificial, making the room look twice its height, and the most admirable, masterly drawing that I did ever see.
And now Moll, who had prepared a courteous speech to cover the contempt she expected to feel for the work, could say nought for astonishment, but stood casting her eyes round at the work like one in a maze.
“If you would prefer an allegory of figures,” says Dario, misconceiving her silence.
“Nay,” answers she, “I would have nothing altered. ’Tis wonderful how such effect can be made with mere lines of black. I can scarce believe the ceiling is flat.” And then she drops her eyes upon Dario, regarding him with wonder, as if doubting that such a dirty-looking man could have worked this miracle.
“You must have seen better designs in Rome,” says he.
At this I took alarm, not thinking for the moment that he might have picked up some particulars of Judith Godwin’s history from Mrs. Butterby, or the curious servants who were ever prying in the room.
“’Tis so long ago,” says Moll, readily.
“I think I have seen something like it in the Holy City,” observes the Don, critically.
“Probably. Nothing has been left undone in Rome—I am told. It has not been my good fortune to get so far.”
This was good news; for otherwise he might have put some posers to Moll, which she had found it hard to answer without betraying her ignorance.
Having Moll’s approval, Dario set to work forthwith to colour his perspective; and this he did with the sure firm hand of one who understands his business, and with such nice judgment, that no builder, whose design is ordered by fixed rule and line, could accomplish his work with greater truth and justice. He made it to appear that the lower part of his vaulted roof was wainscoted in the style of the walls, and to such perfection that ’twould have puzzled a conjurer to decide where the oaken panels ended and the painted ones began.
And now Moll suffers her fancies to run wild again, and could not sufficiently marvel over this poor painter and his work, of which she would discourse to such lengths, that both the Don and I at times had some ado to stifle our yawns. She would have it that he was no common man, but some great genius, compelled by misfortune or the persecution of rivals, to wander abroad in disguise, taking for evidence the very facts which had lately led her to condemn him, pointing out that, whereas those young gentlemen who courted her so persistently did endeavour, on all occasions, to make their estate and natural parts appear greater than they were, this Dario did not, proving that he had no such need of fictitious advancement, and could well afford to let the world judge of his worth by his works, etc. This point we did not contest, only we were very well content to observe that he introduced no one into the house, had no friends in the village (to our knowledge), and that nought was lacking from our store of plate.
She never tired of watching him at his work—having the hardihood to mount upon the scaffold where he stood, and there she would sit by the hour on a little stool, chatting like any magpie, when the nature of his occupation allowed his thoughts to wander, silent as a mouse when she perceived that his mind was absorbed in travail—ready at any moment to fetch this or hold t’other, and seizing every opportunity to serve him. Indeed, I believe she would gladly have helped him shift the heavy planks, when he would have their position altered, had he permitted her this rough usage of her delicate hands. One day, when he was about to begin the foliage upon his balcony, he brought in a spray of ivy for a model; then Moll told him she knew where much better was to be found, and would have him go with her to see it. And she, coming back from this expedition, with her arms full of briony and herbage, richly tinted by the first frost, I perceived that there was a new kind of beauty in her face, a radiance of great happiness and satisfaction which I had never seen there before.
Here was herbage enough for a week, but she must have fresh the next morning, and thenceforth every day they would go out ere the sun was high, hunting for new models.
To prepare for these early excursions, Mistress Moll, though commonly disposed to lie abed late in the morning, must have been up by daybreak. And, despite her admiration of Dario’s simplicity in dress, she showed no inclination to follow his example in this particular; but, on the contrary, took more pains in adorning her person at this time than ever she had done before; and as she would dress her hair no two mornings alike, so she would change the fashion of her dress with the same inconstancy until the sly hussy discovered which did most please Dario’s taste; then a word of approval from him, nay, a glance, would suffice to fix her choice until she found that his admiration needed rekindling. And so, as if her own imagination was not sufficiently forcible, she would talk of nothing with her friends but the newest fashions at court, with the result that her maids were for ever a-brewing some new wash for her face (which she considered too brown), compounding charms to remove a little mole she had in the nape of her neck, cutting up one gown to make another, and so forth. One day she presented herself with a black patch at the corner of her lip, and having seen nought of this fashion before, I cried out in alarm:
“Lord, child! have you injured your face with that mess Betty was stewing yesterday?”
“What an absurd, old-fashioned creature you are!” answers she, testily. “Don’t you know that ’tis the mode now for ladies to wear spots? Signor Dario,” adds she, her eyes lighting up, “finds it mighty becoming.” When I saw her thus disfiguring her pretty face (as I considered it then, though I came to admire this embellishment later on) to please Signor Dario, I began to ask myself how this business was likely to end.
CHAPTER XX.
Of Moll’s ill humour and what befel thereby.
Feeling, in the absence of Dawson, that I stood in the position of a guardian to his daughter, and was responsible for her welfare, my mind grew very uneasy about the consequences of her extravagant admiration for the painter; and, knowing that Don Sanchez, despite his phlegmatic humour, loved Moll very sincerely at heart, I took him aside one day, and asked him if he had observed nothing particular in Moll’s behaviour of late.
“One would be blind,” says he, “not to see that she is enamoured of Dario, if that’s what you mean.”
I admitted that my suspicions inclined that way, and, explaining my concern on her behalf, I asked him what he would do in my place.
“In my country,” says he, “matters never would have been suffered to go so far, and Mistress Judith would have been shut up a prisoner in her room these past three weeks. But I doubt if our maidens are any the safer or better for such treatment, and I am quite sure that such treatment would be worse than useless for an English girl, and especially such an one as this. For, guard her how you might, she would assuredly find means to break her prison, and then no course is open to her but to throw herself in the arms of the man she loves, trusting to mere accident whether he abuses her devotion or not. You might as well strive to catch the wind and hold it as stay and stem the course of youthful passion.”
“Aye, Señor,” says I, “this may be all very true. But what should you do in my place?”
“Nothing,” says he.
This was a piece of advice which set me scratching my head in dubitation.
“Beware,” continues he, “how you suggest the thing you fear to one who needs but a hint to act. I have great faith in the natural modesty of women (and I do think no child more innocent than Mistress Judith), which, though it blind them to their danger, does, at the same time, safeguard them against secret and illicit courses of more fatal consequences. Let her discourse with him, openly, since it pleases her. In another fortnight or so Dario’s work will be finished, he will go away, our young lady will shed secret tears and be downcast for a week. Then another swain will please her, and she’ll smile again. That, as I take it, will be the natural order of events, unless,” adds he, “that natural order is disturbed by some external influence.”
Maugre this sage advice, my concern being unabated, I would step pretty frequently into the room where these young people were, as if to see how the work was going forward, and with such a quick step that had any interchange of amorous sentiments existed, I must at one time or another have discovered it. But I never detected any sign of this—no bashful silence, no sudden confusion, or covert interchange of glances. Sometimes they would be chatting lightly, at others both would be standing silent, she, maybe, holding a bunch of leaves with untiring steadfastness, for him to copy. But I observed that she was exceedingly jealous of his society, and no matter how glibly she was talking when I entered, or how indifferent the subject, she would quickly become silent, showing me very plainly by her manner that she would vastly prefer my room to my company.
Still, I was not displeased when I perceived this fresco drawing near to its completion.
“You are getting on apace,” says I, very cheerfully one day. “I reckon you will soon have done.”
“Yes,” answers he, “in a week I shall have nought to do but to pack up my tools and go.” There was an accent of sorrow in hi
s voice, despite himself, which did not escape me nor Moll neither, for I saw her cast her eyes upon his face, as if to read if there were sadness there. But she said never a word.
However, in the afternoon she comes to me, and says she:
“I am resolved I will have all the rooms in the house plastered, if Signor Dario will consent to paint them.”
“All the rooms!” says I, in alarm. “Surely you have not counted the cost of what you propose.”
“I suppose I have enough to keep my house in suitable condition.”
“Without doubt, though I expect such work as Signor Dario’s must command a high price.”
“All I ask of you, then,” says she, “is to bid my steward have five thousand pounds ready for my uses, and within a week, lest I should need it suddenly. Should he raise objections—”
“As assuredly he will,” says I, who knew the crafty, subtle character of old Simon full well by, this time. “A thousand objections, and not one you can pick a hole in.”
“Then show him this and tell him I accept Mr. Goodman’s offer unless he can find more profitable means of raising money.”
With that she puts in my hand a letter she had that morning received from one Henry Goodman, a tenant, who having heard that she had disposed of a farm to his neighbour, now humbly prayed she would do him the same good turn by selling him the land he rented, and for which he was prepared to pay down in ready money the sum of five thousand pounds.
Armed with this letter, I sought Simon and delivered Moll’s message. As I expected, the wily old man had good excuses ready for not complying with this request, showing me the pains he had taken to get the king’s seal, his failures to move the king’s officers, and the refusal of his goldsmith to furnish further supplies before the deed of succession was passed.
“These objections are all very just,” says I, “so I see no way of pleasing our lady but by selling Mr. Goodman’s farm, which she will have done at once if there be no alternative.” So I give him the letter, which he can scarce read for trembling with anguish.
The Pirate Story Megapack: 25 Classic and Modern Tales Page 33