"Good God," I muttered. "Someone threatens your life and it takes a damn act of Congress to get anyone to take it seriously."
Wesley didn't reply.
Marino snorted. "It's like in your place, Doc. No such thing as preventive medicine. We're nothing but a damn cleanup crew. Can't do a damn thing until after the fact, when there's hard evidence. Like a dead body."
"Beryl's behavior ought to have been evidence enough," I answered. "Look over these reports. Everything Officer Reed suggested, she did. He told her to get an alarm system and she did. He told her to start parking her car in the garage and she did, even though she was planning to turn the garage into an office. She asked him about a handgun, then went out and bought one. And whenever she called Reed it was directly after the killer had called and threatened her. In other words, she didn't wait and call the police hours, days later."
Wesley began spreading out the photocopies of Beryl's letters from Key West, the scene sketches and report, and a series of Polaroid photographs of her yard, the inside of her house, and finally of her body in the bedroom upstairs. He perused the items in silence, his face hard. He was sending the clear signal it was time to move on, we had argued and complained enough. What the police did or didn't do wasn't important. Finding the killer was.
"What's bothering me," Wesley began, "is there's an inconsistency in the MO. The history of threats she was receiving are in keeping with a psychopathic mentality. Someone who stalked and threatened Beryl for months, someone who seemed to know her only from a distance. Unquestionably, he derived most of his pleasure from fantasy, the antecedent phase. He drew it out. He may have finally struck when he did because she'd frustrated him by leaving town. Maybe he feared she was going to move altogether, and he murdered her the moment she got back."
"She finally pissed him off big time," Marino interjected.
Wesley continued looking at the photographs. "I'm seeing a lot of rage, and this is where the inconsistency comes in. His rage seems personally directed at her. The mutilation of her face, specifically."
He tapped a photograph with an index finger. "The face is the person. In the typical homicide committed by a sexual sadist, the victim's face isn't touched. She's depersonalized, a symbol. In a sense, she has no face to the killer because she's a nobody to him. Areas of the body he mutilates, if he's into mutilation, are the breasts, the genitalia…"
He paused, his eyes perplexed. "There are personal elements in Beryl's murder. The cutting of her face, the overkill, fit with the killer's being someone she knew, perhaps even well. Someone who had a private, intense obsession with her. But watching her from a distance, stalking her, don't fit with that at all. These are acts more in keeping with a stranger killer."
Marino was toying with Wesley's.357 door prize again. Idly spinning the cylinder, he said, "Want my opinion? I think the squirrel's got a God complex. You know, as long as you play by his rules he don't whack you. Beryl broke the rules by leaving town and sticking a FOR SALE sign in her yard. No fun anymore. You break the rules, you get punished."
"How are you profiling him?" I asked Wesley.
"White, mid-twenties to mid-thirties. Bright, from a broken home in which he was deprived of a father figure. He may also have been abused as a child, physically, psychologically, or both. He's a loner. This doesn't mean he lives alone, however. He could be married because he's skilled at maintaining a public persona. He leads a double life. There is the one man the world sees, then this darker side. He's obsessive-compulsive, and he's a voyeur."
"Yo," Marino muttered sardonically. "Sounds like half the drones I work with."
Wesley shrugged. "Maybe I'm shooting blanks, Pete. I haven't sorted through it yet. He could be some loser still living at home with his mother, could have priors, been in and out of institutions, prisons. Hell, he could work downtown in a big securities firm and have no criminal or psychiatric history at all. It seems he usually called Beryl at night. The one call we know about that he made during the day was on a Saturday. She worked out of her home, was there most of the time. He called when it was convenient for him versus when he was likely to find her in. I'm leaning toward thinking he has a regular nine to five job and is off on the weekends."
"Unless he was calling her while he was at work," Marino said.
"There's always that possibility," Wesley conceded.
"What about his age?" I asked. "You don't think it's possible he might be older than you just proposed?"
"It would be unusual," Wesley said. "But anything's possible."
Sipping my coffee, which was cool by now, I got around to telling them what Mark had told me about Beryl's contract conflicts and her enigmatic relationship with Gary Harper. When I was finished, Wesley and Marino were staring curiously at me. For one thing, this Chicago lawyer's impromptu visit late at night did sound a little odd. For another, I had thrown them a curve. The thought probably had not occurred to Marino or Wesley and, before last night, certainly not to me, that there actually might be a motive in Beryl's slaying. The most common motive in sexual homicides is no motive at all. The perpetrators do it because they enjoy it and because the opportunity is there.
"A buddy of mine's a cop in Williamsburg," Marino commented. "Tells me Harper's a real squirrel, a hermit. Drives around in an old Rolls-Royce and never talks to nobody. Lives in this big mansion on the river, never has nobody in, nothing. And the guy's old, Doc."
"Not so old," I disagreed. "In his mid-fifties. But yes, he's reclusive. I think he lives with his sister."
"It's a long shot," Wesley said, and he looked very tense. "But see how far you can run with it, Pete. If nothing else, maybe Harper would have a few guesses about this 'M' Beryl was writing. Obviously, it was someone she knew well, a friend, a lover. Someone out there has got to know who it is. We find that out, we're getting somewhere."
Marino didn't like it. "I know what I've heard," he said.
"Harper ain't going to talk with me and I don't got probable cause to force him into it. I also don't think he's the guy who whacked Beryl even if he did have motive, maybe. Seems to me he would have done it and been done with it. Why draw it out for nine, ten months? And she'd recognize his voice if it was him calling."
"Harper could have hired somebody," Wesley said.
"Right. And we would have found her a week later with a nice clean gunshot wound in the back of her head," Marino answered. "Most hit men don't stalk their victims, call 'em up, use a blade, rape 'em."
"Most of them don't," Wesley agreed. "But we can't be sure rape occurred, either. There was no seminal fluid."
He glanced at me, and I nodded a confirmation. "The guy may be dysfunctional. Then again, the crime could be staged, her body positioned to looked like a sexual assault when it really wasn't. It all depends on who was hired, if this is the case, and what the plan was. For example, if Beryl turned up shot while she was in the middle of a dispute with Harper, the cops put him first on the list. But if her murder looks like the work of a sexual sadist, a psychopath, Harper doesn't enter anybody's mind."
Marino was staring off at the bookcase, his meaty face flushed. Slowly turning uneasy eyes on me, he said, "What else you know about this book she was writing?"
"Only what I've said, that it was autobiographical and possibly threatening to Harper's reputation," I replied.
"That's what she was working on down there in Key West?"
"I would assume so. I can't be certain," I said.
He hesitated. "Well, I hate to tell you, but we didn't find nothing like that inside her house."
Even Wesley looked surprised. "The manuscript in her bedroom?"
"Oh, yeah." Marino reached for his cigarettes. "I've glanced at it. Another novel with all this Civil War romance shit in it. Sure don't sound like this other thing the doc's describing."
"Does it have a title or a date on it?" I asked.
"Nope. Don't even look like it's all there, for that matter. About this thick."
Ma
rino measured off about an inch with his fingers. "Got a lot of notes written in the margins, about ten more pages written in longhand."
"We'd better take a second look through all of her papers, her computer disks, make sure this autobiographical manuscript isn't there," Wesley said. "We also need to find out who her literary agent or editor is. Maybe she mailed the manuscript to someone before she left Key West. What we'd better make sure of is that she didn't return to Richmond with the thing. If she did and now it's gone, that's significant, to say the least."
Glancing at his watch, Wesley pushed back his chair as he announced apologetically, "I've got another appointment in five minutes."
He escorted us out to the lobby.
I couldn't get rid of Marino. He insisted on walking me to my car.
"You got to keep your eyes open."
He was at it again, giving me one of the "street smart" lectures he had given me numerous times in the past. "A lot of women, they never think about that. I see 'em all the time walking along and not having the foggiest idea who's looking at 'em, maybe following 'em. And when you get to your car, have your damn keys out and look under it, okay? Be surprised how many women don't think about that either. If you're driving along and realize someone's following you, what do you do?"
I ignored him.
"You head to the nearest fire station, okay? Why? Because there's always somebody there. Even at two in the morning on Christmas. That's the first place you head."
Waiting for a break in traffic, I began digging for my keys. Glancing across the street, I noticed an ominous white rectangle under the wiper blade of my state car. Hadn't I put in enough change? Damn.
"They're all over the place," Marino went on. "Just start looking for 'em on your way home or when you're running around doing your shopping."
I shot him one of my looks, then hurried across the street.
"Hey," he said when we got to my car, "don't get hot at me, all right? Maybe you should feel lucky I hover over you like a guardian angel."
The meter had run out fifteen minutes ago. Snatching the ticket off the windshield, I folded it and stuffed it in his shirt pocket.
"When you hover back to headquarters," I said, "take care of this, please."
He was scowling at me as I drove off.
3
Ten blocks away I pulled into another metered space and dropped in my last two quarters. I kept a red MEDICAL EXAMINER plate in plain view on the dash of my state car. Traffic cops never seemed to look. Several months ago, one of them had the nerve to write me up while I was downtown working a homicide scene the police had called me to in the middle of the day.
Hurrying up cement steps, I pushed through a glass door and went inside the main branch of the public library, where people moved about noiselessly and wooden tables were stacked with books. The hushed ambiance inspired the same reverence in me as it had when I was a child. Locating a row of microfiche machines halfway across the room, I began pulling up an index of books written under Beryl Madison's various pen names and jotting down the titles. The most recent work, a historical novel set during the Civil War and published under the pen name Edith Montague, had come out a year and a half ago. Probably irrelevant, and Mark was right, I thought. Over the past ten years, Beryl had published six novels. I had never heard of a single one of them.
Next I began a search of periodicals. Nothing. Beryl wrote books. Apparently she had not published anything, nor had there been any interviews of her, in magazines. Newspaper clips should be more promising. There were a few book reviews published in the Richmond Times over the past few years. But they were useless because they referred to the author by pen name. Beryl's killer knew her by her real name.
Screen after screen of hazy white type went by. "Mab-erly," "Macon," and finally "Madison."
There was one very short piece about Beryl published in the Times last November:
AUTHOR TO LECTURE
Novelist Beryl Stratton Madison will lecture to the Daughters of the American Revolution this Wednesday at the Jefferson Hotel at Main and Adams streets. Ms. Madison, protegee of Pulitzer Prize-winner Gary Harper, is most known for historical fiction set during the American Revolution and the Civil War. She will speak on "The Viability of Legend as a Vehicle for Fact."
Jotting down the pertinent information, I lingered long enough to locate several of Beryl's books and check them out. Back at the office, I busied myself with paperwork, my attention continually tugged toward the phone. It's none of your business. I was well aware of the boundary separating my jurisdiction from that of the police.
The elevator across the hall opened and custodians began talking in loud voices as they went to the janitorial closet several doors down. They always arrived at around six-thirty. Mrs. J. R. McTigue, listed in the paper as being in charge of reservations, wasn't going to answer anyway. The number I had copied was probably the DAR's business office, which would have closed at five.
The phone was picked up on the second ring.
After a pause, I asked, "Is this Mrs. J. R. McTigue?"
"Why, yes. I'm Mrs. McTigue."
It was too late. There was no point in being anything other than direct. "Mrs. McTigue, this is Dr. Scarpetta…"
"Dr. who?"
"Scarpetta," I repeated. "I'm the medical examiner investigating the death of Beryl Madison…"
"Oh, my! Yes, I read about that. Oh, my, oh, my. She was such a lovely young woman. I just couldn't believe it when I heard-"
"I understand she spoke at the November DAR meeting," I said.
"We were so thrilled when she agreed to come. You know, she didn't do much of that sort of thing."
Mrs. McTigue sounded quite elderly, and already I had the sinking feeling this had been the wrong move. Then she surprised me.
"You see, Beryl did it as a favor. That's the only reason it happened. My late husband was a fnend of Gary Harper, the writer. I'm sure you've heard of him. Joe set it up, really. He knew it would mean so much to me. I've always loved Beryl's books."
"Where do you live, Mrs. McTigue?"
"The Gardens."
Chamberlayne Gardens was a retirement home not far from downtown. It was just one more grim landmark in my professional life. Over the past few years, I'd had several cases from the Gardens and virtually every other retirement community or nursing home in the city.
"I'm wondering if I could stop by for a few minutes on my way home," I said. "Would that be possible?"
"I think so. Why, yes. I suppose that would be fine. You're Dr. who*"
I repeated my name slowly.
"I'm in apartment three-seventy-eight. When you come into the lobby, take the elevator up to the third floor."
I already knew a lot about Mrs. McTigue because of where she lived. Chamberlayne Gardens catered to the elderly who did not have to rely on Social Security to survive. Deposits for its apartments were substantial, the monthly fee steeper than most people's mortgages. But the Gardens, like others of its kind, was a gilded cage. No matter how lovely it was, no one really wanted to be there.
On the western fringes of downtown, it was a modern brick high rise that looked like a depressing blend of a hotel and a hospital. Parking in a visitor slot, I headed toward a lighted portico that promised to be the main entrance. The lobby gleamed with Williamsburg reproductions, many of the pieces bearing arrangements of silk flowers in heavy cut-crystal vases. On top of the wall-to-wall red carpet were machine-made Oriental rugs, and overhead was a brass chandelier. An old man was perched on a couch, cane in hand, eyes vacant beneath the brim of a tweedy English cap. A decrepit woman was trekking across the rug with a walker.
A young man looked bored behind a potted plant on the front desk and paid me no mind as I headed to the elevator. The doors eventually opened and took forever to close, as is common in places where people need plenty of time to ambulate. Riding up three floors alone, I stared abstractedly at the bulletins taped to the paneled interior, reminders of field
trips to area museums and plantations, of bridge clubs, arts and crafts, and a deadline for knitted items needed by the Jewish Community Center. Many of the announcements were outdated. Retirement homes, with their cemetery names like Sunnyland or Sheltering Pines or Chamberlayne Gardens, always made me feel slightly queasy. I didn't know what I would do when my mother could no longer live alone. Last time I called her she was talking about getting a hip replacement.
Mrs. McTigue's apartment was halfway down on the left, and my knock was promptly answered by a wizened woman with scanty hair tightly curled and yellowed like old paper. Her face was dabbed with rouge, and she was bundled in an oversize white cardigan sweater. I smelled floral-scented toilet water and the aroma of baking cheese.
"I'm Kay Scarpetta," I said.
"Oh, it's so nice of you to come," she said, lightly patting my offered hand. "Will you have tea or something a little stronger? Whatever you like, I have it. I'm drinking port."
All this as she led me into the small living room and showed me to a wing chair. Switching off the television, she turned on another lamp. The living room was as overwhelming as the set of the opera Aida. On every available space of the faded Persian rug were heavy pieces of mahogany furniture: chairs, drum tables, a curio table, crowded bookcases, corner cupboards jammed with bone china and stemware. Closely spaced on the walls were dark paintings, bell pulls, and several brass rubbings.
She returned with a small silver tray bearing a Water-ford decanter of port, two matching pieces of stemware, and a small plate arranged with homemade cheese biscuits. Filling our glasses, she offered me the plate and lacy linen napkins that looked old and freshly ironed. It was a ritual that took quite a long time. Then she seated herself on a worn end of a sofa where I suspected she sat most hours of the day while she was reading or watching television. She was pleased to have company even if the reason for it was somewhat less than sociable. I wondered who, if anyone, ever came to see her.
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