It got more perplexing. Joni turned another page in her notebook and said, "I've also put the vacuumings under the scope, Dr. Scarpetta. The debris Marino vacuumed off the prayer rug, in particular, is a real hodgepodge."
She skimmed a list. "Tobacco ash, pinkish paper particles consistent with the stamp on cigarette packs, glass beads, a couple bits of broken glass consistent with beer bottle and headlight glass. As usual, there are pieces and parts of bugs, vegetable debris, also one spherical metal ball. And a lot of salt."
"As in table salt?"
"That's right," she said. "All this was on her prayer rug?"
I asked. "Also from the area of the floor where her body was found," she replied. "And a lot of the same debris was on her body, in her nail scrapings, and in her hair."
Beryl didn't smoke. There was no reason for tobacco ash or particles from a cigarette pack stamp to be found inside her house. Salt is associated with food, and it didn't make sense for salt to be upstairs or on her body.
"Marino brought in six different vacuurnings, all of them from carpets and areas of the floor where blood was found," Joni said. "In addition, I've looked at the control sample vacuumings taken from areas of her house or carpets where there was no blood or evidence of a struggle -areas where the police think the killer didn't go. The vacuumings are significantly different. The debris I just listed was found only in those areas where the killer was thought to have been, suggesting that most of this material was transferred from him to the scene and her body. It may have been clinging to his shoes, his clothing, his hair. Everywhere he went, everything he brushed up against collected some of this debris."
"He must be a veritable Pig Pen," I said.
"This stuff is almost invisible to the naked eye," the ever-serious Joni reminded me, "He probably wouldn't have a clue he was carrying so much trace on his person."
I studied her handwritten lists. There were only two types of cases from my past experience that might account for such an abundance of debris. One was when a body was dumped in a landfill or some other dirty place such as a road shoulder or gravel parking lot, the other when it was transported from one scene to another in the dirty trunk or on the dirty floor of a car. Neither scenario applied to Beryl.
"Break it down for me by color," I said. "Which of these are likely to be carpet versus garment fibers?"
"The six nylon fibers are red, dark red, blue, green, greenish yellow, and dark green. The greens may actually be black," she added. "Black doesn't look black under the scope. All of these are coarse, consistent with carpet-type fibers, and I'm suspicious some of them may be from vehicle versus household carpeting."
"Why?"
"Because of the debris I found. For example, the glass beads are often associated with reflectorized paint, such as is used in street signs. The metal spheres I find quite often in car vacuumings. They're solder balls from the assembling of the vehicle's undercarriage. You don't see them, but they're there. Bits of broken glass-broken glass is all over the place, especially along road shoulders and in parking lots. You pick it up on the bottom of your shoes and track it into your car. Same goes for the cigarette debris. Finally, we're left with salt, and that makes me most suspicious the origin of Beryl's trace is vehicular. People go to McDonald's. They eat french fries inside their cars. Probably every car in this city has salt in it."
"Let's say you're right," I said. "Let's say these fibers are from car carpeting. That still doesn't explain why there would be possibly six different nylon carpet fibers. It's not likely this guy has six different types of carpet inside his vehicle."
"No, that's not likely," Joni said. "But the fibers could have been transferred to the inside of his car. Maybe he works in a profession that exposes him to carpets. Maybe he has an occupation that puts him in and out of different cars throughout the day."
"A car wash?"
I asked, envisioning Beryl's car. It was spotless inside and out Joni thought about this, her young face intense. "Could very well be something like that. If he works in one of these car washes where attendants clean the interiors, the trunks, he'd be exposed to a variety of carpet fibers all day long. It's inevitable he's going to pick up some of them. Another possibility is he works as a car mechanic."
I reached for my coffee. "Okay. Let's get to the other four fibers. What can you tell me about them?"
She glanced over her paperwork. "One is acrylic, one olefin, one polyethylene, the other Dynel. Again, the first three are consistent with carpet-type fibers. The Dynel fiber is interesting because I don't see Dynel very often. It's generally associated with fake fur coats, furlike rugs, wigs. But this Dynel fiber is rather fine, more consistent with garment material."
"The only clothing fiber you found?"
"I'm inclined that way," she answered.
"Beryl was thought to have been wearing a tannish pants suit…"
"It's not Dynel," she said. "At least her slacks and jacket aren't. They're a cotton and polyester blend. It's possible her blouse was Dynel, no way to know since it hasn't turned up."
She retrieved another slide from the file folder and mounted it on the stage. "As for the orange fiber I mentioned, the only acrylic one I found, it has a shape at cross section I've never seen before."
She drew a diagram to demonstrate, three circles joined in the center, bringing to mind a three-leaf clover without a stem. Fibers are manufactured by forcing a melted or dissolved polymer through the very fine holes of a spinneret. Cross-sectionally, the resulting filaments, or fibers, will be the same shape as the spinneret holes, just as a line of toothpaste will be the same cross-sectional shape as the opening in the tube it was squeezed through. I had never seen the clover-leaf shape before, either. Most acrylics are a peanut, dog bone, dumbbell, round, or mushroom shape at cross section.
"Here."
Joni moved to one side, making room for me.
I peered through the ocular lens. The fiber looked like a blotchy twisted ribbon, its varying shades of bright orange lightly peppered with black particles of titanium dioxide.
"As you can see," she explained, "the color is also a little awkward. The orange. Uneven, and moderately dense with delustering particles to dull the fiber's shine.
All the same, the orange is garish, a real Halloween orange, which I find peculiar for clothing or carpet fibers. The diameter is moderately coarse."
"Which would make it consistent with carpeting," I ventured. "Despite the peculiar color."
"Possibly."
I began thinking about what materials I had come across that were bright orange. "What about traffic vests?"
I asked. "They're bright orange, and a fiber from that would fit with the vehicle-type debris you've identified."
"Unlikely," she replied. "Most traffic vests I've seen are nylon versus acrylic, usually a very coarse mesh that isn't likely to shed. In addition, windbreakers and jackets you might associate with road crews or traffic cops are smooth, also unlikely to shed, and they're usually nylon."
She paused, adding thoughtfully, "It also seems to me you aren't likely to find much, if any, delustering particles-you wouldn't want a traffic vest to appear dull."
I backed away from the stereoscope. "Whatever the case, this fiber is so distinctive I suspect it's patented. Someone out there should recognize it even if we don't have a known material for comparison."
"Good luck."
"I know. Proprietary blackouts," I said. "The textile industry is as secretive about their patents as people are about their assignations."
Joni stretched her arms and massaged the back of her neck. "It's always struck me as miraculous the Feds were able to get so much cooperation in the Wayne Williams case," she said, referring to the grisly twenty-two-month spree in Atlanta, in which it is believed that as many as thirty black children were murdered by the same serial killer. Fibrous debris recovered from twelve of the victims' bodies was linked to the residence and automobiles used by Williams.
"Maybe w
e should get Hanowell to take a look at these fibers, especially this orange one," I said.
Roy Hanowell was an FBI special agent in the Microscopic Analysis Unit in Quantico. He examined the fibers in the Williams case, and ever since had been inundated with other investigative agencies worldwide wanting him to look at everything from cashmere to cobwebs.
"Good luck," Joni said again, just as drolly.
"You'll call him?" I asked.
"I doubt he'll be inclined to look at something that's already been examined," she said, adding, "You know how the Feds are."
"We'll both call him," I decided.
When I returned to my office there were half a dozen pink telephone messages. One jumped out at me. Written on it was a number with a New York City exchange and the note: "Mark. Please return call ASAP."
There was only one reason I could think of for his being in New York. He was seeing Sparacino, Beryl's attorney. Why was Orn-dorff amp; Berger so intensely interested in Beryl Madison's murder? The telephone number apparently was Mark's direct line because he picked up on the first ring.
"When's the last time you were in New York?" he asked casually.
"I beg your pardon?"
"There's a flight leaving Richmond in exactly four hours. It's nonstop. Can you can be on it?"
"What is this about?" I asked quietly, my pulse quickening.
"I don't think it wise to discuss the details over the phone, Kay," he said.
"I don't think it wise for me to come to New York, Mark," I responded.
"Please. It's important. You know I wouldn't ask if it wasn't."
"It's not possible…"
"I just spent the morning with Sparacino," he interrupted as long-suppressed emotions wrestled with my resolve. "There's a couple of new developments having to do with Beryl Madison and your office."
"My office?" I no longer sounded unmoved. "What could you possibly be discussing that has to do with my office?"
"Please," he said again. "Please come."
I hesitated.
"I'll meet you at La Guardia."
Mark's urgency cut off my attempts at retreat. "We'll find someplace quiet to talk. The reservation's already made. All you need to do is pick up your ticket at the check-in counter. I've booked a room for you, taken care of everything."
Oh God, I thought as I hung up, and then I was inside Rose's office.
"I have to go to New York this afternoon," I explained in a tone that invited no questions. "It has to do with Beryl Madison's case, and I'll be out of the office at least through tomorrow."
I evaded her eyes. Though my secretary knew nothing about Mark, I feared that my motivation was as obvious as a billboard.
"Is there a number where you can be reached?" Rose asked.
"No."
Opening the calendar, she immediately began scanning for the appointments she would need to cancel as she informed me, "The Times called earlier, something about doing a features article, a profile of you."
"Forget it," I answered irritably. "They just want to corner me about Beryl Madison's case. It never fails. Whenever there's a particularly brutal case I refuse to discuss, suddenly every reporter in town wants to know where I went to college, if I have a dog or ambivalence about capital punishment, and what my favorite color, food, movie, and mode of death are."
"I'll decline," she muttered, reaching for the phone.
I left the office in time to make it home, throw a few things into a suit bag, and beat the rush-hour traffic. As Mark promised, my ticket was waiting for me at the airport. He had booked me in first class, and within the hour I was settled in a row all to myself. For the next hour I sipped Chivas on the rocks and tried to read as my thoughts shifted like the clouds in the darkening sky beyond my oval window.
I wanted to see Mark. I realized it wasn't professional necessity, but a weakness that I had believed I had completely overcome. I was alternately thrilled and disgusted with myself. I did not trust him, but I wanted to desperately. He's not the Mark you once knew, and even if he was, remember what he did to you. And no matter what my mind said, my emotions would not listen.
I went through twenty pages of a novel written by Beryl Madison as Adair Wilds and had no earthly idea what I had read. Historical romances are not my favorite, and this one, in truth, wouldn't win any prizes. Beryl wrote well, her prose sometimes breaking into song, but the story limped along on wooden feet. It was the sort of pulp that was written almost to formula, and I wondered if she might have succeeded at the literature she aspired to write had she lived.
The pilot's voice suddenly announced we would be landing in ten minutes. Below, the city was a dazzling circuit board with tiny lights moving along highways and tower lights winking red from the tops of skyscrapers.
Minutes later, I pulled my suit bag out of the storage compartment and passed through the boarding bridge into the madness of La Guardia. I turned, rather startled, at the pressure of a hand on my elbow. Mark was behind me, smiling.
"Thank God," I said with relief.
"What? You thought I was a purse snatcher?" he asked dryly.
"If you had been, you wouldn't be standing," I said.
"I don't doubt that."
He began steering me through the terminal. "Your only bag?"
"Yes."
"Good."
Out front, we got a cab piloted by a bearded Sikh in a maroon turban whose name was Munjar, according to the ID clamped to his visor. He and Mark shouted at each other until Munjar appeared to understand our destination.
"You haven't eaten, I hope," Mark said to me.
"Nothing but smoked almonds…" I fell against his shoulder as we screeched from lane to lane.
"There's a good steak house not far from the hotel," Mark said loudly. "Figured we'd just eat there since I don't know a damn thing about getting around in this city."
Just getting to the hotel would do, I thought, as Munjar began an unsolicited monologue about how he had come to this country to get married, and had a December wedding planned even though he had no prospects for a wife at the moment. He went on to inform us that he had been driving a cab for only three weeks, and had learned how to drive in the Punjab, where he had started driving a tractor at the age of seven.
The traffic was bumper to bumper, with yellow cabs whirling dervishes in the dark. When we arrived in mid-town we passed a steady flow of people in evening dress adding to the long line outside Carnegie Hall. The bright lights and people in furs and black ties stirred old memories. Mark and I used to love the theater, the symphony, the opera.
The cab stopped at the Omni Park Central, an impressive tower of lights near the theater district at the corner of Fifty-fifth and Seventh. Mark snatched up my bag and I followed him inside the elegant lobby, where he checked me in and had my bag sent up to my room. Minutes later we were walking through the sharp night air. I was grateful I had brought my overcoat. It felt cold enough to snow. In three blocks we were at Gallagher's, the nightmare of every cow and coronary artery and the fantasy of every red meat lover. The front window was a meat locker behind glass, an enormous display of every cut of meat imaginable. Inside was a shrine to celebrities, autographed photographs covering the walls.
The din was loud and the bartender mixed our drinks very strong. I lit a cigarette and took a quick survey. Tables were arranged close together, typical for New York restaurants. Two businessmen were engrossed in conversation to our left, the table to our right empty, the one beyond that occupied by a strikingly handsome young man working on the New York Times and a beer. I took a long look at Mark, trying to read his face. He was tight around the eyes and playing with his Scotch.
"Why am I really here, Mark?" I asked.
"Maybe I just wanted to take you out to dinner," he said.
"Seriously."
"I'm serious. You aren't enjoying yourself?"
"How can I enjoy myself when I'm waiting for a bomb to drop?" I said.
He unbuttoned his suit jac
ket. "We'll order first, then we'll talk."
He used to do this to me all the time. He would get me going only to make me wait. Maybe it was the lawyer in him. It used to drive me crazy. It still did.
"The prime rib comes highly recommended," he said as we looked over the menus. "That's what I'm going to have, and a spinach salad. Nothing fancy. But the steaks are supposed to be the best in town."
"You've never been here?" I asked.
"No. Sparacino has," he answered.
"He recommended this place? And the hotel, too, I presume?" I asked, my paranoia kicking in.
"Sure," he replied, interested in the wine list now. "It's SOP. Clients fly to town and stay in the Omni because it's convenient to the firm."
"And your clients eat here, too?"
"Sparacino's been here before, usually after the theater. That's how he knows about it," Mark said.
"What else does Sparacino know about?" I asked. "Did you tell him you were meeting me?"
He met my eyes and said, "No."
"How is that possible if your firm is putting me up and if Sparacino recommended the hotel and the restaurant?"
"He recommended the hotel to me, Kay. I have to stay somewhere. I have to eat. Sparacino invited me to go out with a couple of other lawyers tonight. I declined, said I needed to look over some paperwork and would probably just find a steak somewhere. What did he recommend? And so on."
It was beginning to dawn on me and I wasn't sure if I felt embarrassed or unnerved. Probably it was both. Orn-dorff amp; Berger wasn't paying for this trip. Mark was. His firm knew nothing about it.
The waiter was back and Mark placed the order. I was fast losing my appetite.
"I flew in last night," he resumed. "Sparacino got hold of me in Chicago yesterday morning, said he needed to see me right away. As you may have guessed, it's about Beryl Madison."
He looked uncomfortable.
"And?" I prodded him, my uneasiness increasing.
He took a deep breath and said, "Sparacino knows about my connection, uh, about you and me. Our past…"
Body of Evidence ks-2 Page 7