“I never said it was a Rembrandt.” I could hardly have said why, but I felt distinctly annoyed with Crozier.
“Of course not. There’s ‘Rembrandt’ on the frame, but I saw you’d modified it to ‘Dutch School’; I apologize.” He paused, but I offered no explanation. “What about it?” he went on. “Where did you pick it up?” As he leaned to the flame of the cigar-lighter his face seemed ruddy with enjoyment.
“I got it for a song,” I said.
“A thousand, I think?”
“Have you seen it?” I asked abruptly.
“Went over the place this afternoon and found it in the cellar. Why hasn’t it been hung, by the way?”
I paused a moment. “I’m waiting—”
“To—?”
“To have it varnished.”
“Ah!” He leaned back and poured himself a second glass of Chartreuse. The smile he confided to its golden depths provoked me to challenge him with—
“What do you think of it?”
“The Rembrandt?” He lifted his eyes from the glass. “Just what you do.”
“It isn’t a Rembrandt.”
“I apologize again. You call it, I believe, a picture of the same period?”
“I’m uncertain of the period.”
“H’m.” He glanced appreciatively along his cigar. “What are you certain of?”
“That it’s a damned bad picture,” I said savagely.
He nodded. “Just so. That’s all we wanted to know.”
“We?”
“We—I—the committee, in short. You see, my dear fellow, if you hadn’t been certain it was a damned bad picture our position would have been a little awkward. As it is, my remaining duty—I ought to explain that in this matter I’m acting for the committeeas simple as it’s agreeable.”
“I’ll be hanged,” I burst out, “if I understand one word you’re saying!”
He fixed me with a kind of cruel joyousness. “You will—you will,” he assured me; “at least you’ll begin to, when you hear that I’ve seen Miss Copt.”
“Miss Copt?”
“And that she has told me under what conditions the picture was bought.”
“She doesn’t know anything about the conditions! That is,” I added, hastening to restrict the assertion, “she doesn’t know my opinion of the picture.” I thirsted for five minutes with Eleanor.
“Are you quite sure?” Crozier took me up. “Mr. Jefferson Rose does.”
“Ah—I see.”
“I thought you would,” he reminded me. “As soon as I’d laid eyes on the Rembrandt—I beg your pardon!—I saw that it—well, required some explanation.”
“You might have come to me.”
“I meant to; but I happened to meet Miss Copt, whose encyclopedic information has often before been of service to me. I always go to Miss Copt when I want to look up anything; and I found she knew all about the Rembrandt.”
“All?”
“Precisely. The knowledge was in fact causing her sleepless nights. Mr. Rose, who was suffering from the same form of insomnia, had taken her into his confidence, and she—ultimately—took me into hers.”
“Of course!”
“I must ask you to do your cousin justice. She didn’t speak till it became evident to her uncommonly quick perceptions that your buying the picture on its merits would have been infinitely worse for—for everybody—than your diverting a small portion of the Museum’s funds to philanthropic uses. Then she told me the moving incident of Mr. Rose. Good fellow, Rose. And the old lady’s case was desperate. Somebody had to buy that picture.” I moved uneasily in my seat. “Wait a moment, will you? I haven’t finished my cigar. There’s a little head of Il Fiammingo’s that you haven’t seen, by the way; I picked it up the other day in Parma. We’ll go in and have a look at it presently. But meanwhile what I want to say is that I’ve been charged—in the most informal way—to express to you the committee’s appreciation of your admirable promptness and energy in capturing the Bartley Reynolds. We shouldn’t have got it at all if you hadn’t been uncommonly wide-awake, and to get it at such a price is a double triumph. We’d have thought nothing of a few more thousands—”
“I don’t see,” I impatiently interposed, “that, as far as I’m concerned, that alters the case.”
“The case—?”
“Of Mrs. Fontage’s Rembrandt. I bought the picture because, as you say, the situation was desperate, and I couldn’t raise a thousand myself. What I did was of course indefensible; but the money shall be refunded to-morrow—”
Crozier raised a protesting hand. “Don’t interrupt me when I’m talking ex cathedrâ. The money’s been refunded already. The fact is, the Museum has sold the Rembrandt.”
I stared at him wildly. “Sold it? To whom?”
“Why—to the committee.—Hold on a bit, please.—Won’t you take another cigar? Then perhaps I can finish what I’ve got to say.—Why, my dear fellow, the committee’s under an obligation to you—that’s the way we look at it. I’ve investigated Mrs. Fontage’s case, and—well, the picture had to be bought. She’s eating meat now, I believe, for the first time in a year. And they’d have turned her out into the street that very day, your cousin tells me. Something had to be done at once, and you’ve simply given a number of well-to-do and self-indulgent gentlemen the opportunity of performing, at very small individual expense, a meritorious action in the nick of time. That’s the first thing I’ve got to thank you for. And then—you’ll remember, please, that I have the floor—that I’m still speaking for the committee—and secondly, as a slight recognition of your services in securing the Bartley Reynolds at a very much lower figure than we were prepared to pay, we beg you—the committee begs you—to accept the gift of Mrs. Fontage’s Rembrandt. Now we’ll go in and look at that little head....”
THE OTHER TWO
WAYTHORN, on the drawing-room hearth, waited for his wife to come down to dinner.
It was their first night under his own roof, and he was surprised at his thrill of boyish agitation. He was not so old, to be sure—his glass gave him little more than the five-and-thirty years to which his wife confessed—but he had fancied himself already in the temperate zone; yet here he was listening for her step with a tender sense of all it symbolized, with some old trail of verse about the garlanded nuptial door-posts floating through his enjoyment of the pleasant room and the good dinner just beyond it.
They had been hastily recalled from their honeymoon by the illness of Lily Haskett, the child of Mrs. Waythorn’s first marriage. The little girl, at Waythorn’s desire, had been transferred to his house on the day of her mother’s wedding, and the doctor, on their arrival, broke the news that she was ill with typhoid, but declared that all the symptoms were favorable. Lily could show twelve years of unblemished health, and the case promised to be a light one. The nurse spoke as reassuringly, and after a moment of alarm Mrs. Waythorn had adjusted herself to the situation. She was very fond of Lily—her affection for the child had perhaps been her decisive charm in Waythorn’s eyes—but she had the perfectly balanced nerves which her little girl had inherited, and no woman ever wasted less tissue in unproductive worry. Waythorn was therefore quite prepared to see her come in presently, a little late because of a last look at Lily, but as serene and well-appointed as if her good-night kiss had been laid on the brow of health. Her composure was restful to him; it acted as ballast to his somewhat unstable sensibilities. As he pictured her bending over the child’s bed he thought how soothing her presence must be in illness: her very step would prognosticate recovery.
His own life had been a gray one, from temperament rather than circumstance, and he had been drawn to her by the unperturbed gaiety which kept her fresh and elastic at an age when most women’s activities are growing either slack or febrile. He knew what was said about her; for, popular as she was, there had always been a faint undercurrent of detraction. When she had appeared in New York, nine or ten years earlier, as the pretty Mrs. Haske
tt whom Gus Varick had unearthed somewhere—was it in Pittsburgh or Utica?—society, while promptly accepting her, had reserved the right to cast a doubt on its own indiscrimination. Inquiry, however, established her undoubted connection with a socially reigning family, and explained her recent divorce as the natural result of a runaway match at seventeen; and as nothing was known of Mr. Haskett it was easy to believe the worst of him.
Alice Haskett’s remarriage with Gus Varick was a passport to the set whose recognition she coveted, and for a few years the Varicks were the most popular couple in town. Unfortunately the alliance was brief and stormy, and this time the husband had his champions. Still, even Varick’s stanchest supporters admitted that he was not meant for matrimony, and Mrs. Varick’s grievances were of a nature to bear the inspection of the New York courts. A New York divorce is in itself a diploma of virtue, and in the semi-widowhood of this second separation Mrs. Varick took on an air of sanctity, and was allowed to confide her wrongs to some of the most scrupulous ears in town. But when it was known that she was to marry Waythorn there was a momentary reaction. Her best friends would have preferred to see her remain in the role of the injured wife, which was as becoming to her as crape to a rosy complexion. True, a decent time had elapsed, and it was not even suggested that Waythorn had supplanted his predecessor. People shook their heads over him, however, and one grudging friend, to whom he affirmed that he took the step with his eyes open, replied oracularly: “Yes—and with your ears shut.”
Waythorn could afford to smile at these innuendoes. In the Wall Street phrase, he had “discounted” them. He knew that society has not yet adapted itself to the consequences of divorce, and that till the adaptation takes place every woman who uses the freedom the law accords her must be her own social justification. Waythorn had an amused confidence in his wife’s ability to justify herself. His expectations were fulfilled, and before the wedding took place Alice Varick’s group had rallied openly to her support. She took it all imperturbably: she had a way of surmounting obstacles without seeming to be aware of them, and Waythorn looked back with wonder at the trivialities over which he had worn his nerves thin. He had the sense of having found refuge in a richer, warmer nature than his own, and his satisfaction, at the moment, was humorously summed up in the thought that his wife, when she had done all she could for Lily, would not be ashamed to come down and enjoy a good dinner.
The anticipation of such enjoyment was not, however, the sentiment expressed by Mrs. Waythorn’s charming face when she presently joined him. Though she had put on her most engaging teagown she had neglected to assume the smile that went with it, and Waythorn thought he had never seen her look so nearly worried.
“What is it?” he asked. “Is anything wrong with Lily?”
“No; I’ve just been in and she’s still sleeping.” Mrs. Waythorn hesitated. “But something tiresome has happened.”
He had taken her two hands, and now perceived that he was crushing a paper between them.
“This letter?”
“Yes—Mr. Haskett has written—I mean his lawyer has written.”
Waythorn felt himself flush uncomfortably. He dropped his wife’s hands.
“What about?”
“About seeing Lily. You know the courts—”
“Yes, yes,” he interrupted nervously.
Nothing was known about Haskett in New York. He was vaguely supposed to have remained in the outer darkness from which his wife had been rescued, and Waythorn was one of the few who were aware that he had given up his business in Utica and followed her to New York in order to be near his little girl. In the days of his wooing, Waythorn had often met Lily on the door-step, rosy and smiling, on her way “to see papa.”
“I am so sorry,” Mrs. Waythorn murmured.
He roused himself. “What does he want?”
“He wants to see her. You know she goes to him once a week.”
“Well—he doesn’t expect her to go to him now, does he?”
“No—he has heard of her illness; but he expects to come here.”
“Here?”
Mrs. Waythorn reddened under his gaze. They looked away from each other.
“I’m afraid he has the right.... You’ll see....” She made a proffer of the letter.
Waythorn moved away with a gesture of refusal. He stood staring about the softly lighted room, which a moment before had seemed so full of bridal intimacy.
“I’m so sorry,” she repeated. “If Lily could have been moved—”
“That’s out of the question,” he returned impatiently.
“I suppose so.”
Her lip was beginning to tremble, and he felt himself a brute.
“He must come, of course,” he said. “When is—his day?”
“I’m afraid—to-morrow.”
“Very well. Send a note in the morning.”
The butler entered to announce dinner.
Waythorn turned to his wife. “Come—you must be tired. It’s beastly, but try to forget about it,” he said, drawing her hand through his arm.
“You’re so good, dear. I’ll try,” she whispered back.
Her face cleared at once, and as she looked at him across the flowers, between the rosy candle-shades, he saw her lips waver back into a smile.
“How pretty everything is!” she sighed luxuriously.
He turned to the butler. “The champagne at once, please. Mrs. Waythorn is tired.”
In a moment or two their eyes met above the sparkling glasses. Her own were quite clear and untroubled: he saw that she had obeyed his injunction and forgotten.
II
Waythorn, the next morning, went down town earlier than usual. Haskett was not likely to come till the afternoon, but the instinct of flight drove him forth. He meant to stay away all day—he had thoughts of dining at his club. As his door closed behind him he reflected that before he opened it again it would have admitted another man who had as much right to enter it as himself, and the thought filled him with a physical repugnance.
He caught the “elevated” at the employees’ hour, and found himself crushed between two layers of pendulous humanity. At Eighth Street the man facing him wriggled out, and another took his place. Waythorn glanced up and saw that it was Gus Varick. The men were so close together that it was impossible to ignore the smile of recognition on Varick’s handsome overblown face. And after all—why not? They had always been on good terms, and Varick had been divorced before Waythorn’s attentions to his wife began. The two exchanged a word on the perennial grievance of the congested trains, and when a seat at their side was miraculously left empty the instinct of self-preservation made Waythorn slip into it after Varick.
The latter drew the stout man’s breath of relief. “Lord—I was beginning to feel like a pressed flower.” He leaned back, looking unconcernedly at Waythorn. “Sorry to hear that Sellers is knocked out again.”
“Sellers?” echoed Waythorn, starting at his partner’s name.
Varick looked surprised. “You didn’t know he was laid up with the gout?”
“No. I’ve been away—I only got back last night.” Waythorn felt himself reddening in anticipation of the other’s smile.
“Ah—yes; to be sure. And Sellers’s attack came on two days ago. I’m afraid he’s pretty bad. Very awkward for me, as it happens, because he was just putting through a rather important thing for me.”
“Ah?” Waythorn wondered vaguely since when Varick had been dealing in “important things.” Hitherto he had dabbled only in the shallow pools of speculation, with which Waythorn’s office did not usually concern itself.
It occurred to him that Varick might be talking at random, to relieve the strain of their propinquity. That strain was becoming momentarily more apparent to Waythorn, and when, at Cortlandt Street, he caught sight of an acquaintance and had a sudden vision of the picture he and Varick must present to an initiated eye, he jumped up with a muttered excuse.
“I hope you’ll find Sellers
better,” said Varick civilly, and he stammered back: “If I can be of any use to you—” and let the departing crowd sweep him to the platform.
At his office he heard that Sellers was in fact ill with the gout, and would probably not be able to leave the house for some weeks.
“I’m sorry it should have happened so, Mr. Waythorn,” the senior clerk said with affable significance. “Mr. Sellers was very much upset at the idea of giving you such a lot of extra work just now.”
“Oh, that’s no matter,” said Waythorn hastily. He secretly welcomed the pressure of additional business, and was glad to think that, when the day’s work was over, he would have to call at his partner’s on the way home.
He was late for luncheon, and turned in at the nearest restaurant instead of going to his club. The place was full, and the waiter hurried him to the back of the room to capture the only vacant table. In the cloud of cigar-smoke Waythorn did not at once distinguish his neighbors; but presently, looking about him, he saw Varick seated a few feet off. This time, luckily, they were too far apart for conversation, and Varick, who faced another way, had probably not even seen him; but there was an irony in their renewed nearness.
Varick was said to be fond of good living, and as Waythorn sat dispatching his hurried luncheon he looked across half enviously at the other’s leisurely degustation of his meal. When Waythorn first saw him he had been helping himself with critical deliberation to a bit of Camembert at the ideal point of liquefaction, and now, the cheese removed, he was just pouring his café double from its little two-storied earthen pot. He poured slowly, his ruddy profile bent above the task, and one beringed white hand steadying the lid of the coffee-pot; then he stretched his other hand to the decanter of cognac at his elbow, filled a liqueur-glass, took a tentative sip, and poured the brandy into his coffee-cup.
Waythorn watched him in a kind of fascination. What was he thinking of—only of the flavor of the coffee and the liqueur? Had the morning’s meeting left no more trace in his thoughts than on his face? Had his wife so completely passed out of his life that even this odd encounter with her present husband, within a week after her remarriage, was no more than an incident in his day? And as Waythorn mused, another idea struck him: had Haskett ever met Varick as Varick and he had just met? The recollection of Haskett perturbed him, and he rose and left the restaurant, taking a circuitous way out to escape the placid irony of Varick’s nod.
The New York Stories of Edith Wharton Page 15