“I remember, in particular, starting up in bed one sleepless night as there flashed into my head the meaning of her last words: ‘There was no other way’; the phrase I had half-smiled at at the time, as a parrot-like echo of the novel-heroine’s stock farewell. I had never, up to that moment, wholly understood why Paulina had come to my house that night. I had never been able to make that particular act—which could hardly, in the light of her subsequent conduct, be dismissed as a blind surge of passion—square with my conception of her character. She was at once the most spontaneous and the steadiest-minded woman I had ever known, and the last to wish to owe any advantage to surprise, to unpreparedness, to any play on the spring of sex. The better I came, retrospectively, to know her, the more sure I was of this, and the less intelligible her act appeared. And then, suddenly, after a night of hungry restless thinking, the flash of enlightenment came. She had come to my house, had brought her trunk with her, had thrown herself at my head with all possible violence and publicity, in order to give me a pretext, a loophole, an honorable excuse, for doing and saying—why, precisely what I had said and done!
“As the idea came to me it was as if some ironic hand had touched an electric button, and all my fatuous phrases had leapt out on me in fire.
“Of course she had known all along just the kind of thing I should say if I didn’t at once open my arms to her; and to save my pride, my dignity, my conception of the figure I was cutting in her eyes, she had recklessly and magnificently provided me with the decentest pretext a man could have for doing a pusillanimous thing....
“With that discovery the whole case took a different aspect. It hurt less to think of Paulina—and yet it hurt more. The tinge of bitterness, of doubt, in my thoughts of her had had a tonic quality. It was harder to go on persuading myself that I had done right as, bit by bit, my theories crumbled under the test of time. Yet, after all, as she herself had said, one could judge of results only in the long run....
“The Trants stayed away for two years; and about a year after they got back, you may remember, Trant was killed in a railway accident. You know Fate’s way of untying a knot after everybody has given up tugging at it!
“Well—there I was, completely justified: all my weaknesses turned into merits! I had ‘saved’ a weak woman from herself, I had kept her to the path of duty, I had spared her the humiliation of scandal and the misery of self-reproach; and now I had only to put out my hand and take my reward.
“I had avoided Paulina since her return, and she had made no effort to see me. But after Trant’s death I wrote her a few lines, to which she sent a friendly answer; and when a decent interval had elapsed, and I asked if I might call on her, she answered at once that she would see me.
“I went to her house with the fixed intention of asking her to marry me—and I left it without having done so. Why? I don’t know that I can tell you. Perhaps you would have had to sit there opposite her, knowing what I did and feeling as I did, to understand why. She was kind, she was compassionate—I could see she didn’t want to make it hard for me. Perhaps she even wanted to make it easy. But there, between us, was the memory of the gesture I hadn’t made, forever parodying the one I was attempting! There wasn’t a word I could think of that hadn’t an echo in it of words of hers I had been deaf to; there wasn’t an appeal I could make that didn’t mock the appeal I had rejected. I sat there and talked of her husband’s death, of her plans, of my sympathy; and I knew she understood; and knowing that, in a way, made it harder.... The door-bell rang and the footman came in to ask if she would receive other visitors. She looked at me a moment and said ‘Yes,’ and I got up and shook hands and went away.
“A few days later she sailed for Europe, and the next time we met she had married Reardon....”
VI
It was long past midnight, and the terrier’s hints became imperious.
Merrick rose from his chair, pushed back a fallen log and put up the fender. He walked across the room and stared a moment at the Brangwyn etching before which Paulina Trant had paused at a memorable turn of their talk. Then he came back and laid his hand on my shoulder.
“She summed it all up, you know, when she said that one way of finding out whether a risk is worth taking is not to take it, and then to see what one becomes in the long run, and draw one’s inferences. The long run—well, we’ve run it, she and I. I know what I’ve become, but that’s nothing to the misery of knowing what she’s become. She had to have some kind of life, and she married Reardon. Reardon’s a very good fellow in his way; but the worst of it is that it’s not her way....
“No: the worst of it is that now she and I meet as friends. We dine at the same houses, we talk about the same people, we play bridge together, and I lend her books. And sometimes Reardon slaps me on the back and says: ‘Come in and dine with us, old man! What you want is to be cheered up!’ And I go and dine with them, and he tells me how jolly comfortable she makes him, and what an ass I am not to marry; and she presses on me a second helping of poulet Maryland, and I smoke one of Reardon’s cigars, and at half-past ten I get into my overcoat, and walk back alone to my rooms....”
AFTER HOLBEIN
ANSON WARLEY had had his moments of being a rather remarkable man; but they were only intermittent; they recurred at ever-lengthening intervals; and between times he was a small poor creature, chattering with cold inside, in spite of his agreeable and even distinguished exterior.
He had always been perfectly aware of these two sides of himself (which, even in the privacy of his own mind, he contemptuously refused to dub a dual personality); and as the rather remarkable man could take fairly good care of himself, most of Warley’s attention was devoted to ministering to the poor wretch who took longer and longer turns at bearing his name, and was more and more insistent in accepting the invitations which New York, for over thirty years, had tirelessly poured out on him. It was in the interest of this lonely fidgety unemployed self that Warley, in his younger days, had frequented the gaudiest restaurants and the most glittering Palace Hotels of two hemispheres, subscribed to the most advanced literary and artistic reviews, bought the pictures of the young painters who were being the most vehemently discussed, missed few of the showiest first nights in New York, London or Paris, sought the company of the men and women—especially the women—most conspicuous in fashion, scandal, or any other form of social notoriety, and thus tried to warm the shivering soul within him at all the passing bonfires of success.
The original Anson Warley had begun by staying at home in his little flat, with his books and his thoughts, when the other poor creature went forth; but gradually—he hardly knew when or how—he had slipped into the way of going too, till finally he made the bitter discovery that he and the creature had become one, except on the increasingly rare occasions when, detaching himself from all casual contingencies, he mounted to the lofty water-shed which fed the sources of his scorn. The view from there was vast and glorious, the air was icy but exhilarating; but soon he began to find the place too lonely, and too difficult to get to, especially as the lesser Anson not only refused to go up with him but began to sneer, at first ever so faintly, then with increasing insolence, at this affectation of a taste for the heights.
“What’s the use of scrambling up there, anyhow? I could understand it if you brought down anything worth-while—a poem or a picture of your own. But just climbing and staring: what does it lead to? Fellows with the creative gift have got to have their occasional Sinaïs; I can see that. But for a mere looker-on like you, isn’t that sort of thing rather a pose? You talk awfully well—brilliantly, even (oh, my dear fellow, no false modesty between you and me, please!). But who the devil is there to listen to you, up there among the glaciers? And sometimes, when you come down, I notice that you’re rather—well, heavy and tongue-tied. Look out, or they’ll stop asking us to dine! And sitting at home every evening—brr! Look here, by the way; if you’ve got nothing better for tonight, come along with me to Chrissy Torrance�
�s—or the Bob Briggses’—or Princess Kate’s; anywhere where there’s lots of racket and sparkle, places that people go to in Rollses, and that are smart and hot and overcrowded, and you have to pay a lot—in one way or another—to get in.”
Once and again, it is true, Warley still dodged his double and slipped off on a tour to remote uncomfortable places, where there were churches or pictures to be seen, or shut himself up at home for a good bout of reading, or just, in sheer disgust at his companion’s platitude, spent an evening with people who were doing or thinking real things. This happened seldomer than of old, however, and more clandestinely; so that at last he used to sneak away to spend two or three days with an archaeologically-minded friend, or an evening with a quiet scholar, as furtively as if he were stealing to a lover’s tryst; which, as lovers’ trysts were now always kept in the lime-light, was after all a fair exchange. But he always felt rather apologetic to the other Warley about these escapades—and, if the truth were known, rather bored and restless before they were over. And in the back of his mind there lurked an increasing dread of missing something hot and noisy and overcrowded when he went off to one of his mountain-tops. “After all, that high-brow business has been awfully overdone—now hasn’t it?” the little Warley would insinuate, rummaging for his pearl studs, and consulting his flat evening watch as nervously as if it were a railway time-table. “If only we haven’t missed something really jolly by all this backing and filling...”
“Oh, you poor creature, you! Always afraid of being left out, aren’t you? Well—just for once, to humor you, and because I happen to be feeling rather stale myself. But only to think of a sane man’s wanting to go to places just because they’re hot and smart and overcrowded!” And off they would dash together...
II
All that was long ago. It was years now since there had been two distinct Anson Warleys. The lesser one had made away with the other, done him softly to death without shedding of blood; and only a few people suspected (and they no longer cared) that the pale white-haired man, with the small slim figure, the ironic smile and the perfect evening clothes, whom New York still indefatigably invited, was nothing less than a murderer.
Anson Warley—Anson Warley! No party was complete without Anson Warley. He no longer went abroad now; too stiff in the joints; and there had been two or three slight attacks of dizziness... Nothing to speak of, nothing to think of, even; but somehow one dug one’s self into one’s comfortable quarters, and felt less and less like moving out of them, except to motor down to Long Island for week-ends, or to Newport for a few visits in summer. A trip to the Hot Springs, to get rid of the stiffness, had not helped much, and the ageing Anson Warley (who really, otherwise, felt as young as ever) had developed a growing dislike for the promiscuities of hotel life and the monotony of hotel food.
Yes; he was growing more fastidious as he grew older. A good sign, he thought. Fastidious not only about food and comfort but about people also. It was still a privilege, a distinction, to have him to dine. His old friends were faithful, and the new people fought for him, and often failed to get him; to do so they had to offer very special inducements in the way of cuisine, conversation or beauty. Young beauty; yes, that would do it. He did like to sit and watch a lovely face, and call laughter into lovely eyes. But no dull dinners for him, not even if they fed you off gold. As to that he was as firm as the other Warley, the distant aloof one with whom he had—er, well, parted company, oh, quite amicably, a good many years ago...
On the whole, since that parting, life had been much easier and pleasanter; and by the time the little Warley was sixty-three he found himself looking forward with equanimity to an eternity of New York dinners.
Oh, but only at the right houses—always at the right houses; that was understood! The right people—the right setting—the right wines... He smiled a little over his perennial enjoyment of them; said “Nonsense, Filmore,” to his devoted tiresome man-servant, who was beginning to hint that really, every night, sir, and sometimes a dance afterward, was too much, especially when you kept at it for months on end; and Dr.—
“Oh, damn your doctors!” Warley snapped. He was seldom ill-tempered; he knew it was foolish and upsetting to lose one’s self-control. But Filmore began to be a nuisance, nagging him, preaching at him. As if he himself wasn’t the best judge...
Besides, he chose his company. He’d stay at home any time rather than risk a boring evening. Damned rot, what Filmore had said about his going out every night. Not like poor old Mrs. Jaspar, for instance... He smiled self-approvingly as he evoked her tottering image. “That’s the kind of fool Filmore takes me for,” he chuckled, his good-humor restored by an analogy that was so much to his advantage.
Poor old Evelina Jaspar! In his youth, and even in his prime, she had been New York’s chief entertainer—“leading hostess,” the newspapers called her. Her big house in Fifth Avenue had been an entertaining machine. She had lived, breathed, invested and reinvested her millions, to no other end. At first her pretext had been that she had to marry her daughters and amuse her sons; but when sons and daughters had married and left her she had seemed hardly aware of it; she had just gone on entertaining. Hundreds, no, thousands of dinners (on gold plate, of course, and with orchids, and all the delicacies that were out of season), had been served in that vast pompous dining-room, which one had only to close one’s eyes to transform into a railway buffet for millionaires, at a big junction, before the invention of restaurant trains...
Warley closed his eyes, and did so picture it. He lost himself in amused computation of the annual number of guests, of saddles of mutton, of legs of lamb, of terrapin, canvas-backs, magnums of champagne and pyramids of hot-house fruit that must have passed through that room in the last forty years.
And even now, he thought—hadn’t one of old Evelina’s nieces told him the other day, half bantering, half shivering at the avowal, that the poor old lady, who was gently dying of softening of the brain, still imagined herself to be New York’s leading hostess, still sent out invitations (which of course were never delivered), still ordered terrapin, champagne and orchids, and still came down every evening to her great shrouded drawing-rooms, with her tiara askew on her purple wig, to receive a stream of imaginary guests?
Rubbish, of course—a macabre pleasantry of the extravagant Nelly Pierce, who had always had her joke at Aunt Evelina’s expense... But Warley could not help smiling at the thought that those dull monotonous dinners were still going on in their hostess’s clouded imagination. Poor old Evelina, he thought! In a way she was right. There was really no reason why that kind of standardized entertaining should ever cease; a performance so undiscriminating, so undifferentiated, that one could almost imagine, in the hostess’s tired brain, all the dinners she had ever given merging into one Gargantuan pyramid of food and drink, with the same faces, perpetually the same faces, gathered stolidly about the same gold plate.
Thank heaven, Anson Warley had never conceived of social values in terms of mass and volume. It was years since he had dined at Mrs. Jaspar’s. He even felt that he was not above reproach in that respect. Two or three times, in the past, he had accepted her invitations (always sent out weeks ahead), and then chucked her at the eleventh hour for something more amusing. Finally, to avoid such risks, he had made it a rule always to refuse her dinners. He had even—he remembered—been rather funny about it once, when someone had told him that Mrs. Jaspar couldn’t understand...was a little hurt...said it couldn’t be true that he always had another engagement the nights she asked him...“True? Is the truth what she wants? All right! Then the next time I get a ‘Mrs. Jaspar requests the pleasure’ I’ll answer it with a ‘Mr. Warley declines the boredom.’ Think she’ll understand that, eh?” And the phrase became a catchword in his little set that winter. “ ‘Mr. Warley declines the boredom’—good, good, good!” “Dear Anson, I do hope you won’t decline the boredom of coming to lunch next Sunday to meet the new Hindu Yoghi”—or the new saxophone sol
oist, or that genius of a mulatto boy who plays Negro spirituals on a toothbrush; and so on and so on. He only hoped poor old Evelina never heard of it...
“Certainly I shall not stay at home tonight—why, what’s wrong with me?” he snapped, swinging round on Filmore.
The valet’s long face grew longer. His way of answering such questions was always to pull out his face; it was his only means of putting any expression into it. He turned away into the bedroom, and Warley sat alone by his library fire... Now what did the man see that was wrong with him, he wondered? He had felt a little confusion that morning, when he was doing his daily sprint around the Park (his exercise was reduced to that!); but it had been only a passing flurry, of which Filmore could of course know nothing. And as soon as it was over his mind had seemed more lucid, his eye keener, than ever; as sometimes (he reflected) the electric light in his library lamps would blaze up too brightly after a break in the current, and he would say to himself, wincing a little at the sudden glare on the page he was reading: “That means that it’ll go out again in a minute.”
Yes; his mind, at that moment, had been quite piercingly clear and perceptive; his eye had passed with a renovating glitter over every detail of the daily scene. He stood still for a minute under the leafless trees of the Mall, and looking about him with the sudden insight of age, understood that he had reached the time of life when Alps and cathedrals become as transient as flowers.
Everything was fleeting, fleeting...yes, that was what had given him the vertigo. The doctors, poor fools, called it the stomach, or high blood-pressure; but it was only the dizzy plunge of the sands in the hour-glass, the everlasting plunge that emptied one of heart and bowels, like the drop of an elevator from the top floor of a sky-scraper.
Certainly, after that moment of revelation, he had felt a little more tired than usual for the rest of the day; the light had flagged in his mind as it sometimes did in his lamps. At Chrissy Torrance’s, where he had lunched, they had accused him of being silent, his hostess had said that he looked pale; but he had retorted with a joke, and thrown himself into the talk with a feverish loquacity. It was the only thing to do; for he could not tell all these people at the lunch table that very morning he had arrived at the turn in the path from which mountains look as transient as flowers—and that one after another they would all arrive there too.
The New York Stories of Edith Wharton Page 40