When Schalken studied under the immortal Gerard Douw, he was a young man; and in spite of the phlegmatic constitution and unexcitable manner which he shared, we believe, with his countrymen, he was not incapable of deep and vivid impressions, for it is an established fact that the young painter looked with considerable interest upon the beautiful niece of his wealthy master.
Rose Velderkaust was very young, having, at the period of which we speak, not yet attained her seventeenth year, and, if tradition speaks truth, possessed all the soft dimpling charms of the fail; light-haired Flemish maidens. Schalken had not studied long in the school of Gerard Douw, when he felt this interest deepening into something of a keener and intenser feeling than was quite consistent with the tranquillity of his honest Dutch heart; and at the same time he perceived, or thought he perceived, flattering symptoms of a reciprocity of liking, and this was quite sufficient to determine whatever indecision he might have heretofore experienced, and to lead him to devote exclusively to her every hope and feeling of his heart. In short, he was as much in love as a Dutchman could be. He was not long in making his passion known to the pretty maiden herself, and his declaration was followed by a corresponding confession upon her part.
Schalken, however, was a poor man, and he possessed no counterbalancing advantages of birth or position to induce the old man to consent to a union which must involve his niece and ward in the strugglings and difficulties of a young and nearly friendless artist. He was, therefore, to wait until time had furnished him with opportunity, and accident with success; and then, if his labours were found sufficiently lucrative, it was to be hoped that his proposals might at least be listened to by her jealous guardian. Months passed away, and, cheered by the smiles of the little Rose, Schalken’s labours were redoubled, and with such effect and improvement as reasonably to promise the realisation of his hopes, and no contemptible eminence in his art, before many years should have elapsed.
The even course of this cheering prosperity was, however, destined to experience a sudden and formidable interruption, and that, too, in a manner so strange and mysterious as to baffle all investigation, and throw upon the events themselves a shadow of almost supernatural horror.
Schalken had one evening remained in the master’s studio considerably longer than his more volatile companions, who had gladly availed themselves of the excuse which the dusk of evening afforded, to withdraw from their several tasks, in order to finish a day of labour in the jollity and conviviality of the tavern.
But Schalken worked for improvement, or rather for love. Besides, he was now engaged merely in sketching a design, an operation which, unlike that of colouring, might be continued as long as there was light sufficient to distinguish between canvas and charcoal. He had not then, nor, indeed, until long after, discovered the peculiar powers of his pencil, and he was engaged in composing a group of extremely roguish-looking and grotesque imps and demons, who were inflicting various ingenious torments upon a perspiring and pot-bellied St. Anthony, who reclined in the midst of them, apparently in the last stage of drunkenness.
The young artist, however, though incapable of executing, or even of appreciating, anything of true sublimity, had nevertheless discernment enough to prevent his being by any means satisfied with his work; and many were the patient erasures and corrections which the limbs and features of saint and devil underwent, yet all without producing in their new arrangement anything of improvement or increased effect.
The large, oldfashioned room was silent, and, with the exception of himself, quite deserted by its usual inmates. An hour had passed — nearly two — without any improved result. Daylight had already declined, and twilight was fast giving way to the darkness of night. The patience of the young man was exhausted, and he stood before his unfinished production, absorbed in no very pleasing ruminations, one hand buried in the folds of his long dark hair, and the other holding the piece of charcoal which had so ill executed its office, and which he now rubbed, without much regard to the sable streaks which it produced, with irritable pressure upon his ample Flemish inexpressibles.
‘Pshaw!’ said the young man aloud, ‘would that picture, devils, saint, and all, were where they should be — in hell!’
A short, sudden laugh, uttered startlingly close to his ear, instantly responded to the ejaculation.
The artist turned sharply round, and now for the first time became aware that his labours had been overlooked by a stranger.
Within about a yard and a half, and rather behind him, there stood what was, or appeared to be, the figure of an elderly man: he wore a short cloak, and broad-brimmed hat with a conical crown, and in his hand, which was protected with a heavy, gauntlet-shaped glove, he carried a long ebony walking-stick, surmounted with what appeared, as it glittered dimly in the twilight, to be a massive head of gold, and upon his breast, through the folds of the cloak, there shone what appeared to be the links of a rich chain of the same metal.
The room was so obscure that nothing further of the appearance of the figure could be ascertained, and the face was altogether overshadowed by the heavy flap of the beaver which overhung it, so that not a feature could be discerned. A quantity of dark hair escaped from beneath this sombre hat, a circumstance which, connected with the firm, upright carriage of the intruder, proved that his years could not yet exceed threescore or thereabouts.
There was an air of gravity and importance about the garb of this person, and something indescribably odd, I might say awful, in the perfect, stone-like movelessness of the figure, that effectually checked the testy comment which had at once risen to the lips of the irritated artist. He therefore, as soon as he had sufficiently recovered the surprise, asked the stranger, civilly, to be seated, and desired to know if he had any message to leave for his master.
‘Tell Gerard Douw,’ said the unknown, without altering his attitude in the smallest degree, ‘that Mynher Vanderhauseny of Rotterdam, desires to speak with him tomorrow evening at this hour, and, if he please, in this room, upon matters of weight — that is all. Goodnight.’
The stranger, having finished this message, turned abruptly, and, with a quick but silent step, quitted the room, before Schalken had time to say a word in reply.
The young man felt a curiosity to see in what direction the burgher of Rotterdam would turn on quitting the studio, and for that purpose he went directly to the window which commanded the door.
A lobby of considerable extent intervened between the inner door of the painter’s room and the street entrance, so that Schalken occupied the post of observation before the old man could possibly have reached the street.
He watched in vain, however. There was no other mode of exit.
Had the old man vanished, or was he lurking about the recesses of the lobby for some bad purpose? This last suggestion filled the mind of Schalken with a vague horror, which was so unaccountably intense as to make him alike afraid to remain in the room alone and reluctant to pass through the lobby.
However, with an effort which appeared very disproportioned to the occasion, he summoned resolution to leave the room, and, having double-locked the door and thrust the key in his pocket, without looking to the right or left, he traversed the passage which had so recently, perhaps still, contained the person of his mysterious visitant, scarcely venturing to breathe till he had arrived in the open street.
‘Mynher Vanderhausen,’ said Gerard Douw within himself, as the appointed hour approached, ‘Mynher Vanderhausen of Rotterdam! I never heard of the man till yesterday. What can he want of me? A portrait, perhaps, to be painted; or a younger son or a poor relation to be apprenticed; or a collection to be valued; or — pshaw I there’s no one in Rotterdam to leave me a legacy. Well, whatever the business may be, we shall soon know it all.’
It was now the close of day, and every easel, except that of Schalken, was deserted. Gerard Douw was pacing the apartment with the restless step of impatient expectation, every now and then humming a passage from a piece of music whi
ch he was himself composing; for, though no great proficient, he admired the art; sometimes pausing to glance over the work of one of his absent pupils, but more frequently placing himself at the window, from whence he might observe the passengers who threaded the obscure by-street in which his studio was placed.
‘Said you not, Godfrey,’ exclaimed Douw, after a long and fruitless gaze from his post of observation, and turning to Schalken— ‘said you not the hour of appointment was at about seven by the clock of the Stadhouse?’
‘It had just told seven when I first saw him, sir,’ answered the student.
‘The hour is close at hand, then,’ said the master, consulting a horologe as large and as round as a full-grown orange. ‘Mynher Vanderhausen, from Rotterdam — is it not so?’
‘Such was the name.’
‘And an elderly man, richly clad?’ continued Douw.
‘As well as I might see,’ replied his pupil; ‘he could not be young, nor yet very old neither, and his dress was rich and grave, as might become a citizen of wealth and consideration.’
At this moment the sonorous boom of the Stadhouse clock told, stroke after stroke, the hour of seven; the eyes of both master and student were directed to the door; and it was not until the last peal of the old bell had ceased to vibrate, that Douw exclaimed:
‘So, so; we shall have his worship presently — that is, if he means to keep his hour; if not, thou mayst wait for him, Godfrey, if you court the acquaintance of a capricious burgomaster. As for me, I think our old Leyden contains a sufficiency of such commodities, without an importation from Rotterdam.’
Schalken laughed, as in duty bound; and after a pause of some minutes, Douw suddenly exclaimed:
‘What if it should all prove a jest, a piece of mummery got up by Vankarp, or some such worthy! I wish you had run all risks, and cudgelled the old burgomaster, stadholder, or whatever else he may be, soundly. I would wager a dozen of Rhenish, his worship would have pleaded old acquaintance before the third application.’
‘Here he comes, sir,’ said Schalken, in a low admonitory tone; and instantly, upon turning towards the door, Gerard Douw observed the same figure which had, on the day before, so unexpectedly greeted the vision of his pupil Schalken.
There was something in the air and mien of the figure which at once satisfied the painter that there was no mummery in the case, and that he really stood in the presence of a man of worship; and so, without hesitation, he doffed his cap, and courteously saluting the stranger, requested him to be seated.
The visitor waved his hand slightly, as, if in acknowledgment of the courtesy, but remained standing.
‘I have the honour to see Mynher Vanderhausen, of Rotterdam?’ said Gerard Douw.
‘The same,’ was the laconic reply of his visitant.
‘I understand your worship desires to speak with me,’ continued Douw, ‘and I am here by appointment to wait your commands.’
‘Is that a man of trust?’ said Vanderhausen, turning towards Schalken, who stood at a little distance behind his master.
‘Certainly,’ replied Gerard.
‘Then let him take this box and get the nearest jeweller or goldsmith to value its contents, and let him return hither with a certificate of the valuation.’
At the same time he placed a small case, about nine inches square, in the hands of Gerard Douw, who was as much amazed at its weight as at the strange abruptness with which it was handed to him.
In accordance with the wishes of the stranger, he delivered it into the hands of Schalken, and repeating HIS directions, despatched him upon the mission.
Schalken disposed his precious charge securely beneath the folds of his cloak, and rapidly traversing two or three narrow streets, he stopped at a corner house, the lower part of which was then occupied by the shop of a Jewish goldsmith.
Schalken entered the shop, and calling the little Hebrew into the obscurity of its back recesses, he proceeded to lay before him Vanderhausen’s packet.
On being examined by the light of a lamp, it appeared entirely cased with lead, the outer surface of which was much scraped and soiled, and nearly white with age. This was with difficulty partially removed, and disclosed beneath a box of some dark and singularly hard wood; this, too, was forced, and after the removal of two or three folds of linen, its contents proved to be a mass of golden ingots, close packed, and, as the Jew declared, of the most perfect quality.
Every ingot underwent the scrutiny of the little Jew, who seemed to feel an epicurean delight in touching and testing these morsels of the glorious metal; and each one of them was replaced in the box with the exclamation:
‘Mein Gott, how very perfect! not one grain of alloy — beautiful, beautiful!’
The task was at length finished, and the Jew certified under his hand the value of the ingots submitted to his examination to amount to many thousand rix-dollars.
With the desired document in his bosom, and the rich box of gold carefully pressed under his arm, and concealed by his cloak, he retraced his way, and entering the studio, found his master and the stranger in close conference.
Schalken had no sooner left the room, in order to execute the commission he had taken in charge, than Vanderhausen addressed Gerard Douw in the following terms:
‘I may not tarry with you tonight more than a few minutes, and so I shall briefly tell you the matter upon which I come. You visited the town of Rotterdam some four months ago, and then I saw in the church of St. Lawrence your niece, Rose Velderkaust. I desire to marry her, and if I satisfy you as to the fact that I am very wealthy — more wealthy than any husband you could dream of for her — I expect that you will forward my views to the utmost of your authority. If you approve my proposal, you must close with it at once, for I cannot command time enough to wait for calculations and delays.’
Gerard Douw was, perhaps, as much astonished as anyone could be by the very unexpected nature of Mynher Vanderhausen’s communication; but he did not give vent to any unseemly expression of surprise, for besides the motives supplied by prudence and politeness, the painter experienced a kind of chill and oppressive sensation, something like that which is supposed to affect a man who is placed unconsciously in immediate contact with something to which he has a natural antipathy — an undefined horror and dread while standing in the presence of the eccentric stranger, which made him very unwilling to say anything which might reasonably prove offensive.
‘I have no doubt,’ said Gerard, after two or three prefatory hems, ‘that the connection which you propose would prove alike advantageous and honourable to my niece; but you must be aware that she has a will of her own, and may not acquiesce in what WE may design for her advantage.’
‘Do not seek to deceive me, Sir Painter,’ said Vanderhausen; ‘you are her guardian — she is your ward. She is mine if YOU like to make her so.’
The man of Rotterdam moved forward a little as he spoke, and Gerard Douw, he scarce knew why, inwardly prayed for the speedy return of Schalken.
‘I desire,’ said the mysterious gentleman, ‘to place in your hands at once an evidence of my wealth, and a security for my liberal dealing with your niece. The lad will return in a minute or two with a sum in value five times the fortune which she has a right to expect from a husband. This shall lie in your hands, together with her dowry, and you may apply the united sum as suits her interest best; it shall be all exclusively hers while she lives. Is that liberal?’
Douw assented, and inwardly thought that fortune had been extraordinarily kind to his niece. The stranger, he thought, must be both wealthy and generous, and such an offer was not to be despised, though made by a humourist, and one of no very prepossessing presence.
Rose had no very high pretensions, for she was almost without dowry; indeed, altogether so, excepting so far as the deficiency had been supplied by the generosity of her uncle. Neither had she any right to raise any scruples against the match on the score of birth, for her own origin was by no means elevated; and as to
other objections, Gerard resolved, and, indeed, by the usages of the time was warranted in resolving, not to listen to them for a moment.
‘Sir,’ said he, addressing the stranger, ‘your offer is most liberal, and whatever hesitation I may feel in closing with it immediately, arises solely from my not having the honour of knowing anything of your family or station. Upon these points you can, of course, satisfy me without difficulty?’
‘As to my respectability,’ said the stranger, drily, ‘you must take that for granted at present; pester me with no inquiries; you can discover nothing more about me than I choose to make known. You shall have sufficient security for my respectability — my word, if you are honourable: if you are sordid, my gold.’
‘A testy old gentleman,’ thought Douw; ‘he must have his own way. But, all things considered, I am justified in giving my niece to him. Were she my own daughter, I would do the like by her. I will not pledge myself unnecessarily, however.’
‘You will not pledge yourself unnecessarily,’ said Vanderhausen, strangely uttering the very words which had just floated through the mind of his companion; ‘but you will do so if it IS necessary, I presume; and I will show you that I consider it indispensable. If the gold I mean to leave in your hands satisfy you, and if you desire that my proposal shall not be at once withdrawn, you must, before I leave this room, write your name to this engagement.’
Having thus spoken, he placed a paper in the hands of Gerard, the contents of which expressed an engagement entered into by Gerard Douw, to give to Wilken Vanderhausen, of Rotterdam, in marriage, Rose Velderkaust, and so forth, within one week of the date hereof.
While the painter was employed in reading this covenant, Schalken, as we have stated, entered the studio, and having delivered the box and the valuation of the Jew into the hands of the stranger, he was about to retire, when Vanderhausen called to him to wait; and, presenting the case and the certificate to Gerard Douw, he waited in silence until he had satisfied himself by an inspection of both as to the value of the pledge left in his hands. At length he said:
Complete Works of Sheridan Le Fanu (Illustrated) Page 674