“My dear young friend, remain where you are for a few moments. I will return to you immediately, and tell you whatever I have ascertained. You are in no condition for such a scene at present.”
Charles, indeed, felt that the fact was so, and, sick and giddy, suffered
Doctor Danvers, with gentle compulsion, to force him into a seat.
In silence the venerable clergyman followed his conductor. With a palpitating heart he advanced to the bedside, and twice essayed to draw the curtain, and twice lost courage; but gathering resolution at last, he pulled the drapery aside, and beheld all he was to see again of Richard Marston.
The bedclothes were drawn so as nearly to cover the mouth.
“There is the wound, sir,” whispered the man, as with coarse officiousness he drew back the bedclothes from the throat of the corpse, and exhibited a gash, as it seemed, nearly severing the head from the body. With sickening horror Doctor Danvers turned away from the awful spectacle. He covered his face in his hands, and it seemed to him as if a soft, solemn voice whispered in his ear the mystic words, “Whoso sheddeth man’s blood, by man shall his blood be shed.”
The hand which, but a few years before, had, unsuspected, consigned a fellow-mortal to the grave, had itself avenged the murder — Marston had perished by his own hand.
Naturally ambitious and intriguing, the perilous tendencies of such a spirit in Mademoiselle de Barras had never been schooled by the mighty and benignant principles of religion; of her accidental acquaintance at Rouen with Sir Wynston Berkley, and her subsequent introduction, in an evil hour, into the family at Gray Forest, it is unnecessary to speak. The unhappy terms on which she found Marston living with his wife, suggested, in their mutual alienation, the idea of founding a double influence in the household; and to conceive the idea, and to act upon it, were, in her active mind, the same. Young, beautiful, fascinating, she well knew the power of her attractions, and determined, though probably without one thought of transgressing the limits of literal propriety, to bring them to bear upon the discontented, retired roué, for whom she cared absolutely nothing, except as the instrument, and in part the victim of her schemes. Thus yielding to the double instinct that swayed her, she gratified, at the same time, her love of intrigue and her love of power. At length, however, came the hour which demanded a sacrifice to the evil influence she had hitherto worshipped on such easy terms. She found that her power must now be secured by crime, and she fell. Then came the arrival of Sir Wynston — his murder — her elopement with Marston, and her guilty and joyless triumph. At last, however, came the blow, long suspended and terrific, which shattered all her hopes and schemes, and drove her once again upon the world. The catastrophe we have just described. After it she made her way to Paris. Arrived in the capital of France, she speedily dissipated whatever remained of the money and valuables which she had taken with her from Gray Forest; and Madame Marston, as she now styled herself, was glad to place herself once more as a governess in an aristocratic family. So far her good fortune had prevailed in averting the punishment but too well earned by her past life. But a day of reckoning was to come. A few years later France was involved in the uproar and conflagration of revolution. Noble families were scattered, beggared, decimated; and their dependants, often dragged along with them into the flaming abyss, in many instances suffered the last dire extremities of human ill. It was at this awful period that a retribution so frightful and extraordinary overtook Madame Marston, that we may hereafter venture to make it the subject of a separate narrative. Until then the reader will rest satisfied with what he already knows of her history; and meanwhile bid a long, and as it may possibly turn out, an eternal farewell to that beautiful embodiment of an evil and disastrous influence.
The concluding chapter in a novel is always brief, though seldom so short as the world would have it. In a tale like this, the “winding up” must be proportionately contracted. We have scarcely a claim to so many lines as the formal novelist may occupy pages, in the distribution of poetic justice, and the final grouping of his characters into that effective tableau upon which, at last, the curtain gracefully descends. We, too, may be all the briefer, inasmuch as the reader has doubtless anticipated the little we have to say. It amounts, then, to this: — Within two years after the fearful event which we have just recorded, an alliance had drawn together, in nearer and dearer union, the inmates of Gray Forest and Newton Park. Rhoda had given her hand to young Mervyn, of ulterior consequences we say nothing — the nursery is above our province. And now, at length, after this Christmas journey through somewhat stern and gloomy scenery, in this long-deferred flood of golden sunshine we bid thee, gentle reader, a fond farewell.
THE END
GHOSTLY TALES
CONTENTS
AN ACCOUNT OF SOME STRANGE DISTURBANCES IN AUNGIER STREET
AN AUTHENTIC NARRATIVE OF A HAUNTED HOUSE
ULTOR DE LACY: A LEGEND OF CAPPERCULLEN
GHOST STORIES OF CHAPELIZOD
THE MYSTERIOUS LODGER
LAURA SILVER BELL
WICKED CAPTAIN WALSHAWE, OF WAULING
THE CHILD THAT WENT WITH THE FAIRIES
STORIES OF LOUGH GUIR
THE VISION OF TOM CHUFF
DICKON THE DEVIL
AN ACCOUNT OF SOME STRANGE DISTURBANCES IN AUNGIER STREET
It is not worth telling, this story of mine — at least, not worth writing. Told, indeed, as I have sometimes been called upon to tell it, to a circle of intelligent and eager faces, lighted up by a good after-dinner fire on a winter’s evening, with a cold wind rising and wailing outside, and all snug and cosy within, it has gone off — though I say it, who should not — indifferent well. But it is a venture to do as you would have me. Pen, ink, and paper are cold vehicles for the marvellous, and a “reader” decidedly a more critical animal than a “listener.” If, however, you can induce your friends to read it after nightfall, and when the fireside talk has run for a while on thrilling tales of shapeless terror; in short, if you will secure me the mollia tempora fandi, I will go to my work, and say my say, with better heart. Well, then, these conditions presupposed, I shall waste no more words, but tell you simply how it all happened.
My cousin (Tom Ludlow) and I studied medicine together. I think he would have succeeded, had he stuck to the profession; but he preferred the Church, poor fellow, and died early, a sacrifice to contagion, contracted in the noble discharge of his duties. For my present purpose, I say enough of his character when I mention that he was of a sedate but frank and cheerful nature; very exact in his observance of truth, and not by any means like myself — of an excitable or nervous temperament.
My Uncle Ludlow — Tom’s father — while we were attending lectures, purchased three or four old houses in Aungier Street, one of which was unoccupied. He resided in the country, and Tom proposed that we should take up our abode in the untenanted house, so long as it should continue unlet; a move which would accomplish the double end of settling us nearer alike to our lecture-rooms and to our amusements, and of relieving us from the weekly charge of rent for our lodgings.
Our furniture was very scant — our whole equipage remarkably modest and primitive; and, in short, our arrangements pretty nearly as simple as those of a bivouac. Our new plan was, therefore, executed almost as soon as conceived. The front drawingroom was our sitting-room. I had the bedroom over it, and Tom the back bedroom on the same floor, which nothing could have induced me to occupy.
The house, to begin with, was a very old one. It had been, I believe, newly fronted about fifty years before; but with this exception, it had nothing modern about it. The agent who bought it and looked into the titles for my uncle, told me that it was sold, along with much other forfeited property, at Chichester House, I think, in 1702; and had belonged to Sir Thomas Hacket, who was Lord Mayor of Dublin in James II.’s time. How old it was then, I can’t say; but, at all events, it had seen years and changes enough to have contracted all that mysterious and saddened air, at on
ce exciting and depressing, which belongs to most old mansions.
There had been very little done in the way of modernising details; and, perhaps, it was better so; for there was something queer and by-gone in the very walls and ceilings — in the shape of doors and windows — in the odd diagonal site of the chimneypieces — in the beams and ponderous cornices — not to mention the singular solidity of all the woodwork, from the banisters to the window-frames, which hopelessly defied disguise, and would have emphatically proclaimed their antiquity through any conceivable amount of modern finery and varnish.
An effort had, indeed, been made, to the extent of papering the drawingrooms; but somehow, the paper looked raw and out of keeping; and the old woman, who kept a little dirt-pie of a shop in the lane, and whose daughter — a girl of two and fifty — was our solitary handmaid, coming in at sunrise, and chastely receding again as soon as she had made all ready for tea in our state apartment; — this woman, I say, remembered it, when old Judge Horrocks (who, having earned the reputation of a particularly “hanging judge,” ended by hanging himself, as the coroner’s jury found, under an impulse of “temporary insanity,” with a child’s skipping-rope, over the massive old bannisters) resided there, entertaining good company, with fine venison and rare old port. In those halcyon days, the drawingrooms were hung with gilded leather, and, I dare say, cut a good figure, for they were really spacious rooms.
The bedrooms were wainscoted, but the front one was not gloomy; and in it the cosiness of antiquity quite overcame its sombre associations. But the back bedroom, with its two queerly-placed melancholy windows, staring vacantly at the foot of the bed, and with the shadowy recess to be found in most old houses in Dublin, like a large ghostly closet, which, from congeniality of temperament, had amalgamated with the bedchamber, and dissolved the partition. At night-time, this “alcove” — as our “maid” was wont to call it — had, in my eyes, a specially sinister and suggestive character. Tom’s distant and solitary candle glimmered vainly into its darkness. There it was always overlooking him — always itself impenetrable. But this was only part of the effect. The whole room was, I can’t tell how, repulsive to me. There was, I suppose, in its proportions and features, a latent discord — a certain mysterious and indescribable relation, which jarred indistinctly upon some secret sense of the fitting and the safe, and raised indefinable suspicions and apprehensions of the imagination. On the whole, as I began by saying, nothing could have induced me to pass a night alone in it.
I had never pretended to conceal from poor Tom my superstitious weakness; and he, on the other hand, most unaffectedly ridiculed my tremors. The sceptic was, however, destined to receive a lesson, as you shall hear.
We had not been very long in occupation of our respective dormitories, when I began to complain of uneasy nights and disturbed sleep. I was, I suppose, the more impatient under this annoyance, as I was usually a sound sleeper, and by no means prone to nightmares. It was now, however, my destiny, instead of enjoying my customary repose, every night to “sup full of horrors.” After a preliminary course of disagreeable and frightful dreams, my troubles took a definite form, and the same vision, without an appreciable variation in a single detail, visited me at least (on an average) every second night in the week.
Now, this dream, nightmare, or infernal illusion — which you please — of which I was the miserable sport, was on this wise: ——
I saw, or thought I saw, with the most abominable distinctness, although at the time in profound darkness, every article of furniture and accidental arrangement of the chamber in which I lay. This, as you know, is incidental to ordinary nightmare. Well, while in this clairvoyant condition, which seemed but the lighting up of the theatre in which was to be exhibited the monotonous tableau of horror, which made my nights insupportable, my attention invariably became, I know not why, fixed upon the windows opposite the foot of my bed; and, uniformly with the same effect, a sense of dreadful anticipation always took slow but sure possession of me. I became somehow conscious of a sort of horrid but undefined preparation going forward in some unknown quarter, and by some unknown agency, for my torment; and, after an interval, which always seemed to me of the same length, a picture suddenly flew up to the window, where it remained fixed, as if by an electrical attraction, and my discipline of horror then commenced, to last perhaps for hours. The picture thus mysteriously glued to the window-panes, was the portrait of an old man, in a crimson flowered silk dressing-gown, the folds of which I could now describe, with a countenance embodying a strange mixture of intellect, sensuality, and power, but withal sinister and full of malignant omen. His nose was hooked, like the beak of a vulture; his eyes large, grey, and prominent, and lighted up with a more than mortal cruelty and coldness. These features were surmounted by a crimson velvet cap, the hair that peeped from under which was white with age, while the eyebrows retained their original blackness. Well I remember every line, hue, and shadow of that stony countenance, and well I may! The gaze of this hellish visage was fixed upon me, and mine returned it with the inexplicable fascination of nightmare, for what appeared to me to be hours of agony. At last ——
The cock he crew, away then flew
the fiend who had enslaved me through the awful watches of the night; and, harassed and nervous, I rose to the duties of the day.
I had — I can’t say exactly why, but it may have been from the exquisite anguish and profound impressions of unearthly horror, with which this strange phantasmagoria was associated — an insurmountable antipathy to describing the exact nature of my nightly troubles to my friend and comrade. Generally, however, I told him that I was haunted by abominable dreams; and, true to the imputed materialism of medicine, we put our heads together to dispel my horrors, not by exorcism, but by a tonic.
I will do this tonic justice, and frankly admit that the accursed portrait began to intermit its visits under its influence. What of that? Was this singular apparition — as full of character as of terror — therefore the creature of my fancy, or the invention of my poor stomach? Was it, in short, subjective (to borrow the technical slang of the day) and not the palpable aggression and intrusion of an external agent? That, good friend, as we will both admit, by no means follows. The evil spirit, who enthralled my senses in the shape of that portrait, may have been just as near me, just as energetic, just as malignant, though I saw him not. What means the whole moral code of revealed religion regarding the due keeping of our own bodies, soberness, temperance, etc.? here is an obvious connexion between the material and the invisible; the healthy tone of the system, and its unimpaired energy, may, for aught we can tell, guard us against influences which would otherwise render life itself terrific. The mesmerist and the electro-biologist will fail upon an average with nine patients out of ten — so may the evil spirit. Special conditions of the corporeal system are indispensable to the production of certain spiritual phenomena. The operation succeeds sometimes — sometimes fails — that is all.
I found afterwards that my would-be sceptical companion had his troubles too. But of these I knew nothing yet. One night, for a wonder, I was sleeping soundly, when I was roused by a step on the lobby outside my room, followed by the loud clang of what turned out to be a large brass candlestick, flung with all his force by poor Tom Ludlow over the banisters, and rattling with a rebound down the second flight of stairs; and almost concurrently with this, Tom burst open my door, and bounced into my room backwards, in a state of extraordinary agitation.
I had jumped out of bed and clutched him by the arm before I had any distinct idea of my own whereabouts. There we were — in our shirts — standing before the open door — staring through the great old banister opposite, at the lobby window, through which the sickly light of a clouded moon was gleaming.
“What’s the matter, Tom? What’s the matter with you? What the devil’s the matter with you, Tom?” I demanded shaking him with nervous impatience.
He took a long breath before he answered me, and then it was
not very coherently.
“It’s nothing, nothing at all — did I speak? — what did I say? — where’s the candle, Richard? It’s dark; I — I had a candle!”
“Yes, dark enough,” I said; “but what’s the matter? — what is it? — why don’t you speak, Tom? — have you lost your wits? — what is the matter?”
“The matter? — oh, it is all over. It must have been a dream — nothing at all but a dream — don’t you think so? It could not be anything more than a dream.”
“Of course” said I, feeling uncommonly nervous, “it was a dream.”
“I thought,” he said, “there was a man in my room, and — and I jumped out of bed; and — and — where’s the candle?”
“In your room, most likely,” I said, “shall I go and bring it?”
“No; stay here — don’t go; it’s no matter — don’t, I tell you; it was all a dream. Bolt the door, Dick; I’ll stay here with you — I feel nervous. So, Dick, like a good fellow, light your candle and open the window — I am in a shocking state.”
I did as he asked me, and robing himself like Granuaile in one of my blankets, he seated himself close beside my bed.
Every body knows how contagious is fear of all sorts, but more especially that particular kind of fear under which poor Tom was at that moment labouring. I would not have heard, nor I believe would he have recapitulated, just at that moment, for half the world, the details of the hideous vision which had so unmanned him.
“Don’t mind telling me anything about your nonsensical dream, Tom,” said I, affecting contempt, really in a panic; “let us talk about something else; but it is quite plain that this dirty old house disagrees with us both, and hang me if I stay here any longer, to be pestered with indigestion and — and — bad nights, so we may as well look out for lodgings — don’t you think so? — at once.”
Complete Works of Sheridan Le Fanu (Illustrated) Page 714