"Doth it not occur to thee, oh Holly," said Ayesha, laying her hand upon my shoulder, "that those men who sailed North may have been the fathers of the first Egyptians?"
"Nay, I know not," I said; "it seems that the world is very old."
"Old? Yes, it is old indeed. Time after time have nations, ay, and rich and strong nations, learned in the arts, been and passed away and been forgotten, so that no memory of them remains. This is but one of several; for Time eats up the works of man, unless, indeed, he digs in caves like the people of Kôr, and then mayhap the sea swallows them, or the earthquake shakes them in. Who knows what hath been on the earth, or what shall be? There is no new thing under the sun, as the wise Hebrew wrote long ago. Yet were not these people utterly destroyed, as I think. Some few remained in the other cities, for their cities were many. But the barbarians from the south, or perchance my people, the Arabs, came down upon them, and took their women to wife, and the race of the Amahagger that is now is a bastard brood of the mighty sons of Kôr, and behold it dwelleth in the tombs with its fathers' bones.[*] But I know not: who can know? My arts cannot pierce so far into the blackness of Time's night. A great people were they. They conquered till none were left to conquer, and then they dwelt at ease within their rocky mountain walls, with their man servants and their maid servants, their minstrels, their sculptors, and their concubines, and traded and quarrelled, and ate and hunted and slept and made merry till their time came. But come, I will show thee the great pit beneath the cave whereof the writing speaks. Never shall thine eyes witness such another sight."
[*] The name of the race Ama-hagger would seem to indicate a curious mingling of races such as might easily have occurred in the neighbourhood of the Zambesi. The prefix "Ama" is common to the Zulu and kindred races, and signifies "people," while "hagger" is an Arabic word meaning a stone. - Editor.
Accordingly I followed her to a side passage opening out of the main cave, then down a great number of steps, and along an underground shaft which cannot have been less than sixty feet beneath the surface of the rock, and was ventilated by curious borings that ran upward, I know not where. Suddenly the passage ended, and she halted and bade the mutes hold up the lamps, and, as she had prophesied, I saw a scene such as I was not likely to see again. We were standing in an enormous pit, or rather on the brink of it, for it went down deeper - I do not know how much - than the level on which we stood, and was edged in with a low wall of rock. So far as I could judge, this pit was about the size of the space beneath the dome of St. Paul's in London, and when the lamps were held up I saw that it was nothing but one vast charnel-house, being literally full of thousands of human skeletons, which lay piled up in an enormous gleaming pyramid, formed by the slipping down of the bodies at the apex as fresh ones were dropped in from above. Anything more appalling than this jumbled mass of the remains of a departed race I cannot imagine, and what made it even more dreadful was that in this dry air a considerable number of the bodies had simply become desiccated with the skin still on them, and now, fixed in every conceivable position, stared at us out of the mountain of white bones, grotesquely horrible caricatures of humanity. In my astonishment I uttered an ejaculation, and the echoes of my voice, ringing in the vaulted space, disturbed a skull that had been accurately balanced for many thousands of years near the apex of the pile. Down it came with a run, bounding along merrily towards us, and of course bringing an avalanche of other bones after it, till at last the whole pit rattled with their movement, even as though the skeletons were getting up to greet us.
"Come," I said, "I have seen enough. These are the bodies of those who died of the great sickness, is it not so?" I added, as we turned away.
"Yea. The people of Kôr ever embalmed their dead, as did the Egyptians, but their art was greater than the art of the Egyptians, for, whereas the Egyptians disembowelled and drew the brain, the people of Kôr injected fluid into the veins, and thus reached every part. But stay, thou shalt see," and she halted at haphazard at one of the little doorways opening out of the passage along which we were walking, and motioned to the mutes to light us in. We entered into a small chamber similar to the one in which I had slept at our first stopping-place, only instead of one there were two stone benches or beds in it. On the benches lay figures covered with yellow linen,[*] on which a fine and impalpable dust had gathered in the course of ages, but nothing like to the extent that one would have anticipated, for in these deep-hewn caves there is no material to turn to dust. About the bodies on the stone shelves and floor of the tomb were many painted vases, but I saw very few ornaments or weapons in any of the vaults.
[*] All the linen that the Amahagger wore was taken from the tombs, which accounted for its yellow hue. It was well washed, however, and properly rebleached, it acquired its former snowy whiteness, and was the softest and best linen I ever saw. - L. H. H.
"Uplift the cloths, oh Holly," said Ayesha, but when I put out my hand to do so I drew it back again. It seemed like sacrilege, and, to speak the truth, I was awed by the dread solemnity of the place, and of the presences before us. Then, with a little laugh at my fears, she drew them herself, only to discover other and yet finer cloths lying over the forms upon the stone bench. These also she withdrew, and then for the first for thousands upon thousands of years did living eyes look upon the face of that chilly dead. It was a woman; she might have been thirty-five years of age, or perhaps a little less, and had certainly been beautiful. Even now her calm clear-cut features, marked out with delicate eyebrows and long eyelashes which threw little lines of the shadow of the lamplight upon the ivory face, were wonderfully beautiful. There, robed in white, down which her blue-black hair was streaming, she slept her last long sleep, and on her arm, its face pressed against her breast, there lay a little babe. So sweet was the sight, although so awful, that - I confess it without shame - I could scarcely withhold my tears. It took me back across the dim gulf of ages to some happy home in dead Imperial Kôr, where this winsome lady girt about with beauty had lived and died, and dying taken her last-born with her to the tomb. There they were before us, mother and babe, the white memories of a forgotten human history speaking more eloquently to the heart than could any written record of their lives. Reverently I replaced the grave-cloths, and, with a sigh that flowers so fair should, in the purpose of the Everlasting, have only bloomed to be gathered to the grave, I turned to the body on the opposite shelf, and gently unveiled it. It was that of a man in advanced life, with a long grizzled beard, and also robed in white, probably the husband of the lady, who, after surviving her many years, came at the last to sleep once more for good and all beside her.
We left the place and entered others. It would be too long to describe the many things I saw in them. Each one had its occupants, for the five hundred and odd years that had elapsed between the completion of the cave and the destruction of the race had evidently sufficed to fill these catacombs, numberless as they were, and all appeared to have been undisturbed since the day when they were placed there. I could fill a book with the description of them, but to do so would only be to repeat what I have said, with variations.
Nearly all the bodies, so masterfully was the art with which they had been treated, were as perfect as on the day of death thousands of years before. Nothing came to injure them in the deep silence of the living rock: they were beyond the reach of heat and cold and damp, and the aromatic drugs with which they had been saturated were evidently practically everlasting in their effect. Here and there, however, we saw an exception, and in these cases, although the flesh looked sound enough externally, if one touched it it fell in, and revealed the fact that the figure was but a pile of dust. This arose, Ayesha told me, from these particular bodies having, either owing to haste in the burial or other causes, been soaked in the preservative,[*] instead of its being injected into the substance of the flesh.
[*] Ayesha afterwards showed me the tree from the leaves of which this ancient preservative was manufactured. It is a low bush-lik
e tree, that to this day grows in wonderful plenty upon the sides of the mountains, or rather upon the slopes leading up to the rocky walls. The leaves are long and narrow, a vivid green in colour, but turning a bright red in the autumn, and not unlike those of a laurel in general appearance. They have little smell when green, but if boiled the aromatic odour from them is so strong that one can hardly bear it. The best mixture, however, was made from the roots, and among the people of Kôr there was a law, which Ayesha showed me alluded to on some of the inscriptions, to the effect that on pain of heavy penalties no one under a certain rank was to be embalmed with the drugs prepared from the roots. The object and effect of this was, of course, to preserve the trees from extermination. The sale of the leaves and roots was a Government monopoly, and from it the Kings of Kôr derived a large proportion of their private revenue. - L. H. H.
About the last tomb we visited I must, however, say one word, for its contents spoke even more eloquently to the human sympathies than those of the first. It had but two occupants, and they lay together on a single shelf. I withdrew the grave-cloths and there, clasped heart to heart, were a young man and a blooming girl. Her head rested on his arm, and his lips were pressed against her brow. I opened the man's linen robe, and there over his heart was a dagger-wound, and beneath the woman's fair breast was a like cruel stab, through which her life had ebbed away. On the rock above was an inscription in three words. Ayesha translated it. It was "Wedded in Death."
What was the life-story of these two, who, of a truth, were beautiful in their lives, and in their death were not divided?
I closed my eyelids, and imagination, taking up the thread of thought, shot its swift shuttle back across the ages, weaving a picture on their blackness so real and vivid in its details that I could almost for a moment think that I had triumphed o'er the Past, and that my spirit's eyes had pierced the mystery of Time.
I seemed to see this fair girl form - the yellow hair streaming down her, glittering against her garments snowy white, and the bosom that was whiter than the robes, even dimming with its lustre her ornaments of burnished gold. I seemed to see the great cave filled with warriors, bearded and clad in mail, and, on the lighted daïs where Ayesha had given judgment, a man standing, robed, and surrounded by the symbols of his priestly office. And up the cave there came one clad in purple, and before him and behind him came minstrels and fair maidens, chanting a wedding song. White stood the maid against the altar, fairer than the fairest there - purer than a lily, and more cold than the dew that glistens in its heart. But as the man drew near she shuddered. Then out of the press and throng there sprang a dark-haired youth, and put his arms about this long-forgotten maid, and kissed her pale face in which the blood shot up like lights of the red dawn across the silent sky. And next there was turmoil and uproar, and a flashing of swords, and they tore the youth from her arms, and stabbed him, but with a cry she snatched the dagger from his belt, and drove it into her snowy breast, home to the heart, and down she fell, and then, with cries and wailing, and every sound of lamentation, the pageant rolled away from the arena of my vision, and once more the past shut to its book.
Let him who reads forgive the intrusion of a dream into a history of fact. But it came so home to me - I saw it all so clear in a moment, as it were; and, besides, who shall say what proportion of fact, past, present, or to come, may lie in the imagination? What is imagination? Perhaps it is the shadow of the intangible truth, perhaps it is the soul's thought.
In an instant the whole thing had passed through my brain, and She was addressing me.
"Behold the lot of man," said the veiled Ayesha, as she drew the winding sheets back over the dead lovers, speaking in a solemn, thrilling voice, which accorded well with the dream that I had dreamed: "to the tomb, and to the forgetfulness that hides the tomb, must we all come at last! Ay, even I who live so long. Even for me, oh Holly, thousands upon thousands of years hence; thousands of years after you hast gone through the gate and been lost in the mists, a day will dawn whereon I shall die, and be even as thou art and these are. And then what will it avail that I have lived a little longer, holding off death by the knowledge that I have wrung from Nature, since at last I too must die? What is a span of ten thousand years, or ten times ten thousand years, in the history of time? It is as naught - it is as the mists that roll up in the sunlight; it fleeth away like an hour of sleep or a breath of the Eternal Spirit. Behold the lot of man! Certainly it shall overtake us, and we shall sleep. Certainly, too, we shall awake and live again, and again shall sleep, and so on and on, through periods, spaces, and times, from æon unto æon, till the world is dead, and the worlds beyond the world are dead, and naught liveth but the Spirit that is Life. But for us twain and for these dead ones shall the end of ends be Life, or shall it be Death? As yet Death is but Life's Night, but out of the night is the Morrow born again, and doth again beget the Night. Only when Day and Night, and Life and Death, are ended and swallowed up in that from which they came, what shall be our fate, oh Holly? Who can see so far? Not even I!"
And then, with a sudden change of tone and manner -
"Hast thou seen enough, my stranger guest, or shall I show thee more of the wonders of these tombs that are my palace halls? If thou wilt, I can lead thee to where Tisno, the mightiest and most valorous King of Kôr, in whose day these caves were ended, lies in a pomp that seems to mock at nothingness, and bid the empty shadows of the past do homage to his sculptured vanity!"
"I have seen enough, oh Queen," I answered. "My heart is overwhelmed by the power of the present Death. Mortality is weak, and easily broken down by a sense of the companionship that waits upon its end. Take me hence, oh Ayesha!"
XVII
THE BALANCE TURNS
In a few minutes, following the lamps of the mutes, which, held out from the body as a bearer holds water in a vessel, had the appearance of floating down the darkness by themselves, we came to a stair which led us to She's ante-room, the same that Billali had crept up upon on all fours on the previous day. Here I would have bid the Queen adieu, but she would not.
"Nay," she said, "enter with me, oh Holly, for of a truth thy conversation pleaseth me. Think, oh Holly: for two thousand years have I had none to converse with save slaves and my own thoughts, and though of all this thinking hath much wisdom come, and many secrets been made plain, yet am I weary of my thoughts, and have come to loathe mine own society, for surely the food that memory gives to eat is bitter to the taste, and it is only with the teeth of hope that we can bear to bite it. Now, though thy thoughts are green and tender, as becometh one so young, yet are they those of a thinking brain, and in truth thou dost bring back to my mind certain of those old philosophers with whom in days bygone I have disputed at Athens, and at Becca in Arabia, for thou hast the same crabbed air and dusty look, as though thou hadst passed thy days in reading ill-writ Greek, and been stained dark with the grime of manuscripts. So draw the curtain, and sit here by my side, and we will eat fruit, and talk of pleasant things. See, I will again unveil to thee. Thou hast brought it on thyself, oh Holly; fairly have I warned thee - and thou shalt call me beautiful as even those old philosophers were wont to do. Fie upon them, forgetting their philosophy!"
And without more ado she stood up and shook the white wrappings from her, and came forth shining and splendid like some glittering snake when she has cast her slough; ay, and fixed her wonderful eyes upon me - more deadly than any Basilisk's - and pierced me through and through with their beauty, and sent her light laugh ringing through the air like chimes of silver bells.
A new mood was on her, and the very colour of her mind seemed to change beneath it. It was no longer torture-torn and hateful, as I had seen it when she was cursing her dead rival by the leaping flames, no longer icily terrible as in the judgment-hall, no longer rich, and sombre, and splendid, like a Tyrian cloth, as in the dwellings of the dead. No, her mood now was that of Aphrodité triumphing. Life - radiant, ecstatic, wonderful - seemed to flow from her and
around her. Softly she laughed and sighed, and swift her glances flew. She shook her heavy tresses, and their perfume filled the place; she struck her little sandalled foot upon the floor, and hummed a snatch of some old Greek epithalamium. All the majesty was gone, or did but lurk and faintly flicker through her laughing eyes, like lightning seen through sunlight. She had cast off the terror of the leaping flame, the cold power of judgment that was even now being done, and the wise sadness of the tombs - cast them off and put them behind her, like the white shroud she wore, and now stood out the incarnation of lovely tempting womanhood, made more perfect - and in a way more spiritual - than ever woman was before.
"So, my Holly, sit there where thou canst see me. It is by thine own wish, remember - again I say, blame me not if thou dost wear away thy little span with such a sick pain at the heart that thou wouldst fain have died before ever thy curious eyes were set upon me. There, sit so, and tell me, for in truth I am inclined for praises - tell me, am I not beautiful? Nay, speak not so hastily; consider well the point; take me feature by feature, forgetting not my form, and my hands and feet, and my hair, and the whiteness of my skin, and then tell me truly, hast thou ever known a woman who in aught, ay, in one little portion of her beauty, in the curve of an eyelash even, or the modelling of a shell-like ear, is justified to hold a light before my loveliness? Now, my waist! Perchance thou thinkest it too large, but of a truth it is not so; it is this golden snake that is too large, and doth not bind it as it should. It is a wide snake, and knoweth that it is ill to tie in the waist. But see, give me thy hands - so - now press them round me, and there, with but a little force, thy fingers touch, oh Holly."
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