The house was clean and tidy, the bed as neat as a marriage bed, the kitchen bright as a new pin, the bathroom exuding detergent odors, a sort of lemon smell, which one had only to breathe in for one's body to be purified and one's soul to be exalted. On the days when the upstairs neighbor comes to bring order to this single man's apartment, the occupier eats supper out, he feels it would show a lack of respect to soil plates, light matches, peel potatoes, open cans, and then put a frying pan on the stove, that would be unthinkable, the oil would spurt everywhere. The restaurant is close by, last time he was there he ate meat, this evening he will eat fish, it's good to make changes, if we're not careful, life can quickly become predictable, monotonous, a drag. Tertuliano Máximo Afonso has always been a very careful man. The thirty-six videos he brought from the shop are piled up on the small coffee table in the living room, the three remaining from the previous visit, and which have not yet been seen, are in a drawer in the desk, the magnitude of the task ahead is quite simply overwhelming, Tertuliano Máximo Afonso would not wish it on his worst enemy, not that he knows who that might be, perhaps because he is still young, perhaps because he has always been so careful with life. To pass the time until supper, he started putting the videos in order according to the dates when the original film was issued, and since they would not fit on the table or on the desk, he decided to line them up on the floor, at the bottom of one of the bookshelves, the oldest, on the left, is called A Man Like Any Other, the most recent, on the right, The Goddess of the Stage. If Tertuliano Máximo Afonso had been consistent with the ideas he has been defending about the teaching of history to the point of applying them, insofar as this was possible, to his everyday activities, he would watch this row of videos from front to back, that is, he would begin with The Goddess of the Stage and end with A Man Like Any Other. We all know, however, that the enormous weight of tradition, habit, and custom that occupies the greater part of our brain bears down pitilessly on the more brilliant and innovative ideas of which the remaining part is capable, and although it is true that, in some cases, this weight can balance the excesses and extravagances of the imagination that would lead us God knows where were they given free rein, it is equally true that it often has a way of subtly submitting what we believed to be our free will to unconscious tropisms, like a plant that does not know why it will always have to lean toward the side from which the light comes. The history teacher will therefore faithfully follow the teaching program placed in his hands and will therefore watch the videos from back to front, from the oldest to the most recent, from the days of effects that we did not need to call natural to these days of effects we call special and which, because we don't know how they are created, fabricated, or produced, should really be given a much more neutral name. Tertuliano Máximo Afonso has returned from supper, he did not, after all, have fish, the dish on offer was monkfish, and he does not like monkfish, that benthonic marine creature that lives on the sandy or muddy sea bottom, from inshore areas to depths greater than a thousand meters, that can measure up to two meters in length and weigh more than forty kilos, with a vast, flat head equipped with very strong teeth, which, in short, is a most disagreeable animal to look at and one that Tertuliano Máximo Afonso's palate, nose, and stomach have never been able to tolerate. He is gleaning all this information now from an encyclopedia, finally prompted by curiosity to find out something about this creature that he has detested since the first day he saw it. This curiosity dates from times past, from years back, but today, inexplicably, he is giving it due satisfaction. Inexplicably, we said, and yet we should know that this is not so, we should know that there is no logical, objective explanation for the fact that Tertuliano Máximo Afonso has spent years and years knowing nothing about the monkfish apart from its appearance and the taste and consistency of the pieces put on his plate, and then suddenly, at a certain moment on a certain day, as if he had nothing more urgent to do, he opens the encyclopedia and finds out more. We have an odd relationship with words. We learn a few when we are small, throughout our lives we collect others through education, conversation, our contact with books, and yet, in comparison, there are only a tiny number about whose meaning, sense, and denotation we would have absolutely no doubts if, one day, we were to ask ourselves seriously what they meant. Thus we affirm and deny, thus we convince and are convinced, thus we argue, deduce, and conclude, wandering fearlessly over the surface of concepts about which we have only the vaguest of ideas, and, despite the false air of confidence that we generally affect as we feel our way along the road in the verbal darkness, we manage, more or less, to understand each other and even, sometimes, to find each other. If we had time and if impatient curiosity were to prick us, we would always end up finding out exactly what a monkfish was. The next time the waiter at the restaurant suggests this inelegant member of the Lophiidae family, the history teacher will know what to say, What, that hideous benthonic creature that lives in the sand or on the muddy sea bottom, and will add firmly, Certainly not. Responsibility for this tedious piscine and linguistic digression lies entirely with Tertuliano Máximo Afonso for having taken such a long time to put A Man Like Any Other in the VCR, as if he were hesitating at the foot of a mountain, pondering the effort required to reach the summit. Like nature, they say, a narrative abhors a vacuum, which is why, since Tertuliano Máximo Afonso has, in this interval, done nothing worth telling, we had no option but to improvise some padding to more or less fill up the time required by the situation. Now that he has decided to take the video out of its box and put it in the VCR, we can relax.
After an hour, the actor still had not appeared, and it seemed likely that he was not in the film. Tertuliano Máximo Afonso fast-forwarded the tape to the end, carefully read the credits, and removed from his list of participants any names that were repeated. If we had asked him to explain in his own words what he had just watched, he would probably have shot us the angry glance one reserves for the impertinent and replied with another question, Do I look like someone who would be interested in such vulgarities. We would have to agree with him here, because the films he has so far seen clearly belong to the so-called B-movie category, films made quickly for quick consumption and which aspire only to help pass the time without troubling the spirit, as the mathematics teacher had so neatly put it, albeit in other words. Another video has been put in the VCR, this one is called A Merry Life, and Tertuliano Máximo Afonso's twin will appear in the role of doorman at a cabaret or nightclub, it will be impossible to gauge with any clarity which of the two definitions best suits this place of worldly delights that is the scene of jollities shamelessly copied from various versions of The Merry Widow. Tertuliano Máximo Afonso thought at first that it wasn't worth watching the whole film, he already knew what he needed to know, that is, whether his other self appeared in the story, but the plot was so gratuitously convoluted that he let himself be carried along until the end, surprised to notice stirrings inside him of compassion for the poor devil who, apart from opening and closing the doors of cars, did nothing but raise and lower his peaked cap to greet the elegant clientele as they came and went, with a grave though not always subtle blend of respect and complicity. At least I'm a teacher of history, he murmured. A statement like that, made with the overt intention of pointing up and emphasizing his superiority, not only professionally, but also morally and socially, compared with the insignificance of the character's role, was crying out for a response that would restore courtesy to its proper place, and this was supplied by his common sense with an unusual touch of irony, Beware of pride, Tertuliano, think of what you've missed by not being an actor, they could have made your character a headmaster, a teacher of mathematics, but since you obviously couldn't be an English teacher of the female sex, you'll just have to be a plain old male teacher. Pleased with the warning note it had sounded, common sense, deciding to strike while the iron was hot, again brought the hammer down hard, Obviously, you'd have to have some slight talent for acting, but apart from that, my frien
d, as sure as my name is Common Sense, they would be bound to make you change your name, no self-respecting actor would dare to appear in public with that ridiculous Tertuliano, you'd have no option but to adopt an attractive pseudonym, although, on second thoughts, that might not be necessary, Máximo Afonso wouldn't be bad, think about it. A Merry Life returned to its box, the next film appeared with an intriguing title, very promising in the circumstances, Tell Me Who You Are it was called, but it contributed nothing to Tertuliano Máximo Afonso's knowledge of himself and nothing to the research he is embroiled in. To amuse himself, he fast-forwarded it to the end, added a few crosses to his list, and, with a glance at the clock, decided to go to bed. His eyes were red, his temples throbbed, and he could feel a weight on his forehead. I'm not going to kill myself over this, he thought, the world won't end if I don't manage to watch all the videos this weekend, and if it did end, this wouldn't be the only mystery left unresolved. He was in bed, waiting for sleep to answer the call of the tablet he had taken, when something that might have been common sense again, but which did not announce itself as such, said that, quite frankly, in his opinion, the easiest route would be to telephone or to go in person to the production company and ask straight out for the name of the actor in this, this, and this film who played the parts of receptionist, bank clerk, medical auxiliary, and nightclub doorman, they must be used to it, they might find it odd that such a question should be about an insignificant, bit-part actor, little more than an extra, but at least it would make a change from having to talk about stars and superstars all the time. Vaguely, as the first tangled mesh of sleep was wrapping around him, Tertuliano Máximo Afonso replied that it was a stupid idea, far too simple, too humdrum, I didn't study history just to come up with ideas like that, he added. These last words had nothing to do with anything, they were just another display of pride, but we must forgive him, it's the sleeping tablet talking, not the person who took it. From Tertuliano Máximo Afonso, on the very threshold of sleep, came the final remark, as strangely lucid as the flame of a candle about to burn out, I want to find him without anyone knowing and without him suspecting. These were definitive words that brooked no argument. Sleep closed the door. And Tertuliano Máximo Afonso is now slumbering.
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