by Orhan Pamuk
The White Castle
Orhan Pamuk
For Nilgun Darvinoglu
a loving sister
(1961-1980)
To imagine that a person who intrigues us has access to a way of life unknown and all the more attractive for its mystery, to believe that we will begin to live only through the love of that person – what else is this but the birth of great passion?
Marcel Proust, from the mistranslation
of Y.K. Karaosmanoğlu
Contents
DEDICATION
PREFACE
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
Preface
I found this manuscript in 1982 in that forgotten ‘archive’ attached to the governor’s office in Gebze that I used to rummage through for a week each summer, at the bottom of a dusty chest stuffed to overflowing with imperial decrees, title deeds, court registers and tax rolls. The dreamlike blue of its delicate, marbled binding, its bright calligraphy, shining among the faded government documents, immediately caught my eye. I guessed from the difference in handwriting that someone other than the original calligrapher had later on, as if to arouse my interest further, penned a title on the first page of the book: ‘The Quilter’s Stepson’. There was no other heading. The margins and blank pages were filled with pictures of people with tiny heads dressed in costumes studded with buttons, all drawn in a childish hand. I read the book at once, with immense pleasure. Delighted, but too lazy to transcribe the manuscript, I stole it from the dump that even the young governor dared not call an ‘archive’, taking advantage of the trust of a custodian who was so deferential as to leave me unsupervised, and slipped it, in the twinkling of an eye, into my case.
At first I didn’t quite know what I would do with the book, other than to read it over and over again. My distrust of history then was still strong, and I wanted to concentrate on the story for its own sake, rather than on the manuscript’s scientific, cultural, anthropological, or ‘historical’ value. I was drawn to the author himself. Since my friends and I had been forced to withdraw from the university, I had taken up my grandfather’s profession of encyclopaedist: it was then that it occurred to me to include an entry on the author in the history section – my responsibility – of an encyclopaedia of famous men.
To this task I devoted what spare time remained to me after the encyclopaedia and my drinking. When I consulted the basic sources for the period, I saw right away that some events described in the story bore little resemblance to fact: for example, I confirmed that at one point during the five years Koprulu served as Grand Vizier a great fire had ravaged Istanbul, but there was no evidence at all of an outbreak of disease worth recording, let alone of a widespread plague like the one in the book. Some of the names of viziers of the period had been misspelled, some were confused with one another, some had even been changed. The names of imperial astrologers did not match those in the palace records, but since I thought this discrepancy had a special place in the story I didn’t dwell upon it. On the other hand, our ‘knowledge’ of history generally verified the events in the book. Sometimes I saw this ‘realism’ even in small details: for example, the historian Naima described in similar fashion the Imperial Astrologer Huseyn Efendi’s execution and Mehmet IV’s rabbit hunt at Mirahor Palace. It occurred to me that the author, who clearly enjoyed reading and fantasizing, may have been familiar with such sources and a great many other books – such as the memoirs of European travellers or emancipated slaves – and gleaned material for his story from them. He may have merely read the travel journals of Evliya Chelebi, whom he said he knew. Thinking the reverse might just as well be true, as other examples could show, I kept trying to track down the author of my story, but the research I did in Istanbul libraries dashed most of my hopes. I wasn’t able to find a single one of all those treatises and books presented to Mehmet IV between 1652 and 1680, neither in the library of Topkapi Palace nor in other public and private libraries where I thought they might have strayed. I came across only one clue: there were other works in these libraries by the ‘left-handed calligrapher’ mentioned in the story. I chased after them for a while, but only disappointing replies came back from the Italian universities I’d besieged with a torrent of letters; my wanderings among the tombstones of Gebze, Jennethisar, and Uskudar graveyards in search of the name of the author (revealed in the book itself though not on the title-page) were also unsuccessful, and by then I’d had enough: I gave up following possible leads and wrote the encyclopaedia article solely on the basis of the story itself. As I feared, they didn’t print this article, not, however, for lack of scientific evidence, but because its subject was not deemed to be famous enough.
My fascination with the story increased even more perhaps for this reason. I even thought of resigning in protest, but I loved my work and my friends. For a time I told my story to everyone I met, as passionately as though I had written it myself rather than discovered it. To make it seem more interesting I talked about its symbolic value, its fundamental relevance to our contemporary realities, how through this tale I had come to understand our own time, etc. When I made these claims, young people usually more absorbed in issues like politics, activism, East-West relations, or democracy were at first intrigued, but like my drinking friends, they too soon forgot my story. A professor friend, returning the manuscript he’d thumbed through at my insistence, said that in the old wooden houses on the back streets of Istanbul there were tens of thousands of manuscripts filled with stories of this kind. If the simple people living in those houses hadn’t mistaken them, with their old Ottoman script, for Arabic Korans and kept them in a place of honour high up on top of their cupboards, they were probably ripping them up page by page to light their stoves.
So I decided, encouraged by a certain girl in glasses from whose hand a cigarette was never absent, to publish the story which I returned to read over and over again. My readers will see that I nourished no pretensions to style while revising the book into contemporary Turkish: after reading a couple of sentences from the manuscript I kept on one table, I’d go to another table in the other room where I kept my papers and try to narrate in today’s idiom the sense of what remained in my mind. It was not I who chose the title of the book, but the publishing house that agreed to print it. Readers seeing the dedication at the beginning may ask if it has a personal significance. I suppose that to see everything as connected with everything else is the addiction of our time. It is because I too have succumbed to this disease that I publish this tale.
FARUK DARVINOGLU
1
We were sailing from Venice to Naples when the Turkish fleet appeared. We numbered three ships all told, but the file of their galleys emerging from the fog seemed to have no end. We lost our nerve; fear and confusion instantly broke out on our ship, and our oarsmen, most of them Turks and Moors, were screaming with joy. Our vessel turned its bow landward, westward, like the other two, but unlike them we could not gather speed. Our captain, fearing punishment should he be captured, could not bring himself to give the command to whip the captives at the oars. In later years I often thought that this moment of cowardice changed my whole life.
But now it seems to me that my life would have been changed if our captain had not suddenly been overcome by fear. Many men believe that no life is determined in advance, that all stories are essentially a chain of coincidences. And yet, even those who believe this come to the conclusion, when they look back, that events they once took for chance wer
e really inevitable. I have reached that moment now, as I sit at an old table writing my book, visualizing the colours of the Turkish ships appearing like phantoms in the fog; this seems the best of times to tell a tale.
Our captain took heart when he saw the other two ships slip away from the Turkish vessels and disappear into the fog, and at last he dared to beat the oarsmen, but we were too late; even whips could not make the slaves obey once they had been aroused by the passion for freedom. Cutting the unnerving wall of fog into waves of colour, more than ten Turkish galleys were upon us at once. Now at last our captain decided to fight, trying to overcome, I believe, not the enemy, but his own fear and shame; he had the slaves flogged mercilessly and ordered the cannons made ready, but the passion for battle, late to flame, was also quick to burn out. We were caught in a violent broadside volley – our ship would surely sink if we did not give up at once – we decided to raise the flag of surrender.
While we waited on a calm sea for the Turkish ships to draw alongside, I went to my cabin, put my things in order as if expecting not arch-enemies who would change my whole life, but a few friends paying a visit, and opening my little trunk rummaged through my books, lost in thought. My eyes filled with tears as I turned the pages of a volume I’d paid dearly for in Florence; I heard shrieks, footsteps rushing back and forth, an uproar going on outside, I knew that at any moment the book would be snatched from my hand, yet I wanted to think not of that but of what was written on its pages. It was as if the thoughts, the sentences, the equations in the book contained the whole of my past life which I dreaded to lose; while I read random phrases under my breath, as though reciting a prayer. I desperately wanted to engrave the entire volume on my memory so that when they did come, I would not think of them and what they would make me suffer, but would remember the colours of my past as if recalling the cherished words of a book I had memorized with pleasure.
In those days I was a different person, even called a different name by mother, fiancée and friends. Once in a while I still see in my dreams that person who used to be me, or who I now believe was me, and wake up drenched in sweat. This person who brings to mind now the faded colours, the dream-like shades of those lands that never were, the animals that never existed, the incredible weapons we later invented year after year, was twenty-three years old then, had studied ‘science and art’ in Florence and Venice, believed he knew something of astronomy, mathematics, physics, painting. Of course he was conceited: having devoured most of what had been accomplished before his time, he turned up his nose at it all; he had no doubt he’d do better; he had no equal; he knew he was more intelligent and creative than anyone else. In short, he was an average youth. It pains me to think, when I have to invent a past for myself, that this youth who talked with his beloved about his passions, his plans, about the world and science, who found it natural that his fiancée adored him, was actually me. But I comfort myself with the thought that one day a few people will patiently read to the end what I write here and understand that I was not that youth. And perhaps those patient readers will think, as I do now, that the story of that youth who let go of his life while reading his precious books continued later from where it broke off.
When the Turkish sailors threw down their ramps and came on board I put the books in my trunk and peered outside. Pandemonium had broken out on the vessel. They were gathering everyone together on deck and stripping them naked. For a moment it passed through my mind that I could jump overboard in the confusion, but I thought they would shoot me in the water, or capture and kill me immediately, and anyway, I didn’t know how close we were to land. At first no one bothered with me. The Muslim slaves, loosed from their chains, were shouting with joy, and a gang of them set about taking vengeance right away on the men who had whipped them. Soon they found me in my cabin, came inside, ransacked my possessions. They rifled through my trunks searching for gold, and after they took away some of my books and all of my clothes, someone grabbed me as I distractedly pored over the couple of books left and took me to one of the captains.
The captain, who as I learned later was a Genoese convert, treated me well; he asked what my profession was. Wanting to avoid being put to the oars, I declared right away that I had knowledge of astronomy and nocturnal navigation, but this made no impression. I then claimed I was a doctor, counting on the anatomy book they’d left me. When I was showed a man who’d lost an arm, I protested that I was not a surgeon. This angered them, and they were about to put me to the oars when the captain, noticing my books, asked if I knew anything of urine and pulses. When I said I did I was saved from the oar and even managed to salvage a few of my books.
But this privilege cost me dear. The other Christians who were put to the oars despised me instantly. They would have killed me in the hold where we were locked up at night if they could have but they were afraid to, because I had so quickly established relations with the Turks. Our cowardly captain had just died at the stake, and as a warning to others they’d cut off the noses and ears of the sailors who’d lashed the slaves, then set them adrift on a raft. After I’d treated a few Turks, using my common sense rather than a knowledge of anatomy, and their wounds had healed by themselves, everyone believed I was a doctor. Even some of those who, moved by envy, had told the Turks I was no doctor at all showed me their wounds at night in the hold.
We sailed into Istanbul with spectacular ceremony. It was said that the child sultan was watching the celebrations. They hoisted their banners on every mast and at the bottom hung our flags, our icons of the Virgin Mary and crucifixes upside down, letting hotheads from the city who jumped aboard shoot at them. Cannon fire burst across the sky. The ceremony, like many I would watch from land in later years with a mixture of sorrow, disgust, and pleasure, lasted such a long time that many spectators fainted in the sun. Towards evening we dropped anchor at Kasimpasha. Before bringing us before the sultan they put us in chains, made our soldiers wear their armour back to front in ridicule, put iron hoops around the necks of our officers, and blasting away on the horns and trumpets they’d taken from our ship, raucously, triumphantly, brought us to the palace. The people of the city were lined up along the avenues, watching us with amusement and curiosity. The sultan, hidden from our view, selected his share of slaves and had them separated from the others. They transported us across the Golden Horn to Galata on caiques and crammed us into Sadik Pasha’s prison.
The gaol was a miserable place. Hundreds of captives rotted away in filth inside the tiny, damp cells. I found plenty of people there to practise my new profession on, and I actually cured some of them. I wrote prescriptions for guards with aching backs or legs. So here, too, they treated me differently from the rest, and gave me a better cell that caught the sunlight. Seeing how it was for the others, I tried to be thankful for my own circumstances, but one morning they woke me along with the rest of the prisoners and told me I was going out to work. When I protested that I was a doctor, with knowledge of medicine and science, they just laughed: there were walls to be built around the pasha’s garden, men were needed. We were chained together each morning before the sun rose and taken outside the city. While we trudged back to our prison in the evenings, still chained to one another after gathering stones all day, I reflected that Istanbul was indeed a beautiful city, but that here one must be a master, not a slave.
Yet still I was no ordinary slave. People had heard I was a doctor, so now I was not just looking after the slaves rotting away in the prison, but others as well. I had to give a large part of the fees I earned for doctoring to the guards who smuggled me outside. With the money I was able to hide from them, I paid for lessons in Turkish. My teacher was an agreeable, elderly fellow who looked after the pasha’s petty affairs. It pleased him to see I was quick to learn Turkish and he’d say I would soon become a Muslim. I had to press him to take his fee after each lesson. I also gave him money to bring me food, for I was determined to look after myself well.
One foggy evening an officer ca
me to my cell, saying that the pasha wished to see me. Surprised and excited, I prepared myself at once. I thought that one of my resourceful relatives at home, perhaps my father, perhaps my future father-in-law, must have sent money for my ransom. As I walked through the fog down the twisting, narrow streets, I felt as if I would suddenly come upon my house, or find myself face to face with my loved ones as though awakening from a dream. Perhaps they had managed to send someone to negotiate my release, perhaps this very night in this same fog I’d be put on a ship and sent back home. When I entered the pasha’s mansion I realized I could not be rescued so easily. The people here walked around on tiptoe.
First they led me into a long hall where I waited until I was shown into one of the rooms. An affable little man was stretched out under a blanket on a small divan. There was another, powerfully built man standing at his side. The one lying down was the pasha, who beckoned me to him. We spoke. He asked me a few questions. I said my real fields of study had been astronomy, mathematics, and to a lesser extent engineering, but that I also had knowledge of medicine and had treated a number of patients. He continued to question me and I was about to tell him more when, saying I must be an intelligent man to have learned Turkish so quickly, he added that he had a problem with his health which none of the other doctors had been able to cure, and, hearing of me, he’d wanted to put me to the test.