The Annotated Sense and Sensibility

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The Annotated Sense and Sensibility Page 11

by Jane Austen


  Elinor thought this generosity overstrained, considering her sister’s youth, and urged the matter farther, but in vain;10 common sense, common care, common prudence, were all sunk in Mrs. Dashwood’s romantic delicacy.

  It was several days before Willoughby’s name was mentioned before Marianne by any of her family; Sir John and Mrs. Jennings, indeed, were not so nice;11 their witticisms added pain to many a painful hour;—but one evening, Mrs. Dashwood, accidentally taking up a volume of Shakespeare, exclaimed,

  “We have never finished Hamlet, Marianne; our dear Willoughby went away before we could get through it.12 We will put it by, that when he comes again … But it may be months, perhaps, before that happens.”

  “Months!” cried Marianne, with strong surprise. “No—nor many weeks.”

  Mrs. Dashwood was sorry for what she had said; but it gave Elinor pleasure, as it produced a reply from Marianne so expressive of confidence in Willoughby and knowledge of his intentions.

  One morning, about a week after his leaving the country, Marianne was prevailed on to join her sisters in their usual walk, instead of wandering away by herself. Hitherto she had carefully avoided every companion in her rambles.13 If her sisters intended to walk on the downs, she directly14 stole away towards the lanes;15 if they talked of the valley, she was as speedy in climbing the hills, and could never be found when the others set off. But at length she was secured by the exertions of Elinor, who greatly disapproved such continual seclusion. They walked along the road through the valley, and chiefly in silence, for Marianne’s mind could not be controuled, and Elinor, satisfied with gaining one point, would not then attempt more. Beyond the entrance of the valley, where the country, though still rich, was less wild and more open,16 a long stretch of the road which they had travelled on first coming to Barton, lay before them; and on reaching that point, they stopped to look around them, and examine a prospect17 which formed the distance of their view from the cottage, from a spot which they had never happened to reach in any of their walks before.18

  Amongst the objects in the scene, they soon discovered an animated one; it was a man on horseback riding towards them.19 In a few minutes they could distinguish him to be a gentleman;20 and in a moment afterwards Marianne rapturously exclaimed,

  “It is he; it is indeed;—I know it is!”—And was hastening to meet him, when Elinor cried out,

  “Indeed, Marianne, I think you are mistaken. It is not Willoughby. The person is not tall enough for him, and has not his air.”21

  “He has, he has,” cried Marianne, “I am sure he has. His air, his coat, his horse. I knew how soon he would come.”

  She walked eagerly on as she spoke; and Elinor, to screen Marianne from particularity,22 as she felt almost certain of its not being Willoughby, quickened her pace and kept up with her. They were soon within thirty yards of the gentleman. Marianne looked again; her heart sunk within her; and abruptly turning round, she was hurrying back, when the voices of both her sisters were raised to detain her, a third, almost as well known as Willoughby’s, joined them in begging her to stop, and she turned round with surprise to see and welcome Edward Ferrars.

  He was the only person in the world who could at that moment be forgiven for not being Willoughby; the only one who could have gained a smile from her; but she dispersed her tears to smile on him, and in her sister’s happiness forgot for a time her own disappointment.

  He dismounted, and giving his horse to his servant,23 walked back with them to Barton, whither he was purposely coming to visit them.

  He was welcomed by them all with great cordiality, but especially by Marianne, who shewed more warmth of regard in her reception of him than even Elinor herself. To Marianne, indeed, the meeting between Edward and her sister was but a continuation of that unaccountable coldness which she had often observed at Norland in their mutual behaviour. On Edward’s side, more particularly, there was a deficiency of all that a lover ought to look and say on such an occasion. He was confused, seemed scarcely sensible of pleasure in seeing them, looked neither rapturous nor gay, said little but what was forced from him by questions, and distinguished Elinor by no mark of affection.24 Marianne saw and listened with increasing surprise. She began almost to feel a dislike of Edward; and it ended, as every feeling must end with her, by carrying back her thoughts to Willoughby, whose manners formed a contrast sufficiently striking to those of his brother elect.25

  After a short silence which succeeded the first surprise and inquiries of meeting, Marianne asked Edward if he came directly from London. No, he had been in Devonshire a fortnight.

  “A fortnight!” she repeated, surprised at his being so long in the same county with Elinor without seeing her before.

  He looked rather distressed as he added, that he had been staying with some friends near Plymouth.26

  “Have you been lately in Sussex?” said Elinor.

  “I was at Norland about a month ago.”

  “And how does dear, dear Norland look?” cried Marianne.

  “Dear, dear Norland,” said Elinor, “probably looks much as it always does at this time of year. The woods and walks thickly covered with dead leaves.”

  “Oh!” cried Marianne, “with what transporting27 sensations have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight.”28

  “It is not every one,” said Elinor, “who has your passion for dead leaves.”

  “No; my feelings are not often shared, not often understood. But sometimes they are.”29—As she said this, she sunk into a reverie for a few moments;—but rousing herself again, “Now, Edward,” said she, calling his attention to the prospect, “here is Barton valley. Look up it, and be tranquil if you can.30 Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations.31 You may see one end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage.”

  “It is a beautiful country,” he replied; “but these bottoms32 must be dirty in winter.”33

  “How can you think of dirt, with such objects before you?”

  “Because,” replied he, smiling, “among the rest of the objects before me, I see a very dirty lane.”

  “How strange!” said Marianne to herself as she walked on.

  “Have you an agreeable neighbourhood here? Are the Middletons pleasant people?”

  “No, not at all,” answered Marianne, “we could not be more unfortunately situated.”

  “Marianne,” cried her sister, “how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?”

  “No,” said Marianne in a low voice, “nor how many painful moments.”

  Elinor took no notice of this, and directing her attention to their visitor, endeavoured to support something like discourse with him by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry;34 but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection.35

  Chapter Seventeen

  Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expressions of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man c
ould not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits1 however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality2 in his mother, sat down to table indignant against all selfish parents.3

  “What are Mrs. Ferrars’s views for you at present, Edward?” said she, when dinner was over and they had drawn round the fire; “are you still to be a great orator in spite of yourself?”4

  “No. I hope my mother is now convinced that I have no more talents than inclination for a public life!”5

  “But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense,6 no affection for strangers, no profession, and no assurance,7 you may find it a difficult matter.”

  “I shall not attempt it. I have no wish to be distinguished; and I have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence.”

  “You have no ambition, I well know. Your wishes are all moderate.”

  “As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but like every body else it must be in my own way. Greatness8 will not make me so.”

  “Strange if it would!” cried Marianne. “What have wealth or grandeur to do with happiness?”

  “Grandeur has but little,” said Elinor, “but wealth has much to do with it.”9

  “Elinor, for shame!” said Marianne; “money can only give happiness where there is nothing else to give it. Beyond a competence,10 it can afford no real satisfaction, as far as mere self is concerned.”

  “Perhaps,” said Elinor, smiling, “we may come to the same point. Your competence and my wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine.11 Come, what is your competence?”

  “About eighteen hundred or two thousand a-year; not more than that.”12

  Elinor laughed. “Two thousand a-year! One is my wealth! I guessed how it would end.”13

  “And yet two thousand a-year is a very moderate income,” said Marianne. “A family14 cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants,15 a carriage, perhaps two,16 and hunters,17 cannot be supported on less.”18

  Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna.

  “Hunters!” repeated Edward—“But why must you have hunters? Every body does not hunt.”

  Marianne coloured as she replied, “But most people do.”19

  “I wish,” said Margaret, striking out a novel thought, “that somebody would give us all a large fortune apiece!”

  “Oh that they would!” cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.20

  “We are all unanimous in that wish, I suppose,” said Elinor, “in spite of the insufficiency of wealth.”

  “Oh dear!” cried Margaret, “how happy I should be! I wonder what I should do with it!”

  Marianne looked as if she had no doubt on that point.

  “I should be puzzled to spend a large fortune myself,” said Mrs. Dashwood, “if my children were all to be rich without my help.”

  “You must begin your improvements on this house,” observed Elinor, “and your difficulties will soon vanish.”

  “What magnificent orders would travel from this family to London,” said Edward, “in such an event!21 What a happy day for booksellers, music-sellers,22 and print-shops!23 You, Miss Dashwood, would give a general commission for every new print of merit to be sent you—and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books!—Thomson, Cowper, Scott24—she would buy them all over and over again; she would buy up every copy, I believe, to prevent their falling into unworthy hands;25 and she would have every book that tells her how to admire an old twisted tree.26 Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to shew you that I had not forgot our old disputes.”27

  “I love to be reminded of the past, Edward—whether it be melancholy or gay, I love to recall it—and you will never offend me by talking of former times.28 You are very right in supposing how my money would be spent—some of it, at least—my loose cash would certainly be employed in improving my collection of music and books.”

  “And the bulk of your fortune would be laid out29 in annuities on the authors or their heirs.”30

  “No, Edward, I should have something else to do with it.”31

  “Perhaps then you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life32—for your opinion on that point is unchanged, I presume?”

  “Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear anything to change them.”

  “Marianne is as stedfast as ever, you see,” said Elinor, “she is not at all altered.”33

  “She is only grown a little more grave than she was.”

  “Nay, Edward,” said Marianne, “you need not reproach me. You are not very gay yourself.”

  “Why should you think so!” replied he, with a sigh. “But gaiety never was a part of my character.”

  “Nor do I think it a part of Marianne’s,” said Elinor; “I should hardly call her a lively girl—she is very earnest, very eager in all she does—sometimes talks a great deal and always with animation—but she is not often really merry.”34

  “I believe you are right,” he replied, “and yet I have always set her down as35 as a lively girl.”

  “I have frequently detected myself in such kind of mistakes,” said Elinor, “in a total misapprehension of character in some point or other: fancying people so much more gay or grave, or ingenious36 or stupid37 than they really are, and I can hardly tell why, or in what the deception originated. Sometimes one is guided by what they say of themselves, and very frequently by what other people say of them, without giving oneself time to deliberate and judge.”38

  “But I thought it was right, Elinor,” said Marianne, “to be guided wholly by the opinion of other people. I thought our judgments were given us merely to be subservient to those of our neighbours. This has always been your doctrine, I am sure.”

  “No, Marianne, never. My doctrine has never aimed at the subjection of the understanding. All I have ever attempted to influence has been the behaviour. You must not confound my meaning. I am guilty, I confess, of having often wished you to treat our acquaintance in general with greater attention; but when have I advised you to adopt their sentiments or conform to their judgment in serious matters?”39

  “You have not been able then to bring your sister over to your plan of general civility,” said Edward to Elinor. “Do you gain no ground?”

  “Quite the contrary,” replied Elinor, looking expressively at Marianne.40

  “My judgment,” he returned, “is all on your side of the question; but I am afraid my practice is much more on your sister’s. I never wish to offend, but I am so foolishly shy, that I often seem negligent, when I am only kept back by my natural aukwardness. I have frequently thought that I must have been intended by nature to be fond of low41 company, I am so little at my ease among strangers of gentility!”42

  “Marianne has not shyness to excuse any inattention of hers,” said Elinor.

  “She knows her own worth too well for false shame,” replied Edward. “Shyness is only the effect of a sense of inferiority in some way or other. If I c
ould persuade myself that my manners were perfectly easy43 and graceful, I should not be shy.”

  “But you would still be reserved,” said Marianne, “and that is worse.”

  Edward stared—“Reserved! Am I reserved, Marianne?”

  “Yes, very.”

  “I do not understand you,” replied he, colouring. “Reserved!—how, in what manner? What am I to tell you? What can you suppose?”44

  Elinor looked surprised at his emotion, but trying to laugh off the subject, she said to him, “Do not you know my sister well enough to understand what she means? Do not you know she calls every one reserved who does not talk as fast, and admire what she admires as rapturously as herself?”

  Edward made no answer. His gravity and thoughtfulness returned on him in their fullest extent—and he sat for some time silent and dull.

  Two landscapes showing the irregular features and the distant haziness valued by advocates of the picturesque (for more, see next chapter).

  [From William Gilpin, Observations on the River Wye (London, 1800; 2005 reprint), pp. 32 and 75]

  [List of Illustrations]

  Landscapes with a blasted tree and a building in ruins, two other elements valued by advocates of the picturesque.

  [From William Gilpin, Observations on the River Wye (London, 1800; 2005 reprint), pp. 71 and 47]

  [List of Illustrations]

  Chapter Eighteen

  Elinor saw, with great uneasiness, the low spirits of her friend. His visit afforded her but a very partial satisfaction, while his own enjoyment in it appeared so imperfect. It was evident that he was unhappy; she wished it were equally evident that he still distinguished her by the same affection which once she had felt no doubt of inspiring; but hitherto the continuance of his preference seemed very uncertain; and the reservedness of his manner towards her contradicted one moment what a more animated look had intimated the preceding one.1

 

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