by Tami Hoag
Table of Contents
Title Page
Copyright Page
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
ABOUT THE AUTHOR
Also by Tami Hoag
Also by Tami Hoag
Secrets to the Grave
Deeper Than the Dead
The Alibi Man
Prior Bad Acts
Kill the Messenger
Dark Horse
Dust to Dust
Ashes to Ashes
A Thin Dark Line
Guilty as Sin
Night Sins
Dark Paradise
Cry Wolf
Still Waters
Lucky’s Lady
Sarah’s Sin
Magic
DUTTON
Published by Penguin Group (USA) Inc.
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Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
Published by Dutton, a member of Penguin Group (USA) Inc.
First printing, January 2012
Copyright © 2012 by Indelible Ink, Inc.
All rights reserved
REGISTERED TRADEMARK—MARCA REGISTRADA
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Hoag, Tami.
Down the darkest road /Tami Hoag.
p. cm.
ISBN : 978-1-101-55362-6
1. Abduction—Fiction. 2. Missing persons—Fiction. 3. Children—Crimes against—Fiction. 4. Santa
Barbara (Calif.)—Fiction. I. Title.
PS3558.O333D69 2012
813’.54—dc23
2011039928
PUBLISHER’S NOTE
This book is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
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ALWAYS LEARNING PEARSON
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To the survivors.
Resources to help or support victims and survivors of crime:
The National Center for Victims of Crime
www.ncvc.org
National Organization of Parents Of Murdered Children
www.pomc.com
National Center for Missing & Exploited Children
www.missingkids.com
AUTHOR’S NOTE
In 1990 George H. W. Bush was president of the United States. That year was considered the last of the Cold War era and the year of the first Gulf War. East and West Germany had yet to reunite. Driving Miss Daisy won the Academy Award for Best Picture.
In 1990 the World Wide Web was still two years away. Widespread public access to e-mail was still a thing of the future. Tweeting was something that came from birds. Facebook cocreator Mark Zuckerberg was barely out of kindergarten. Cell phones were still considered more novelty than necessity.
In the area of forensic science, DNA analysis was becoming more sophisticated but was still light-years behind the technology available to us today. Today, minuscule samples of genetic material can yield the DNA profile of a perpetrator or a victim due to our ability to amplify samples in the lab. In 1990, testing a small sample meant running the risk of the destruction of the sample without guarantee of results.
In 1990 the FBI’s Violent Criminal Apprehension Program (ViCAP), originally created to gather data on transient serial killers who crossed jurisdictional lines, had just begun to expand its scope to include kidnappings and sexual assaults, but was still accessible at that time only to FBI personnel. ViCAP is now available to all law enforcement agencies across the country, making the process of connecting the dots between the crimes of serial offenders much faster.
When I sat down to write Deeper Than the Dead several years ago, I had no real intention of writing an ongoing series that would follow the advances in modern technology and forensic sciences from 1985 on. Queen of the Short Attention Span, I’m usually ready to move on from characters by the time I finish a project. As for technology, I can barely set the DVR. Yet Down the Darkest Road is number three for the characters of Oak Knoll, California. They’ve become old friends to me. Old friends I want to continue to visit—at least until they have cell phones and can “friend” me on Facebook.
1
Once upon a time I had the perfect family. I had the perfect husband: handsome, loving, successful. I had the perfect children: Leslie and Leah—beautiful, brilliant, precious girls. I had the perfect life in the perfect home, in the perfect place. We were one of those sickeningly perfect families with matching monograms. The Lawtons: Lance, Lauren, Leslie, and Leah. The Lawtons of Sa
nta Barbara, California.
And then, as in all fairy tales, evil came into our lives and destroyed us.
I remember when Leslie was small and loved to have us read to her. Fairy tales were the obvious choice. Our parents had read fairy tales to us when we were children. I remembered the books as being filled with beautiful pictures and happy endings. But fairy tales aren’t happy stories. Only from a distance are they beautiful. In reality they are dark tales of abuse, neglect, violence, and murder.
Cinderella is held as a prisoner and treated as a slave in her own family home, abandoned by the death of her father to the physical and psychological torment of her stepmother and stepsisters.
Hansel and Gretel are abducted by a sadistic maniac who holds them captive in the woods, fattening them with the intent of roasting them alive and cannibalizing them.
Red Riding Hood goes into the forest to visit her elderly grandmother only to find the woman has been savaged and eaten alive by a wild animal.
These are fairy tales.
So is my story.
Leslie was—is—our firstborn. Headstrong and charming, a little rebellious. She loved to dance, she loved music.
Loves music.
Who would ever think a person could be tormented by the choice of verb tense? Past? Present? A choice of little consequence to most people, that choice can bring me to tears, to the point of collapse, to the brink of suicide.
Leslie was. Leslie is. The difference to me is literally one of life or death.
Leslie is alive.
Leslie was my daughter.
My daughter went missing May 28, 1986. Four years have passed. She has not been seen or heard from. I don’t know if she is alive or dead, if she is or was.
If I settle on the past tense, I admit my child is gone forever. If I grasp on to the present tense, I subject myself to the endless torment of hope.
I live in limbo. It’s not a pleasant neighborhood. I would give anything to move out, or at least to remove the pall of it from my soul.
I crave some kind of cleansing, some kind of catharsis, an elimination of the toxic waste left behind in the wake of a bad experience. The idea of catharsis sparked me to begin this book. The idea—that by sharing my experience with the world, the poison of these memories might somehow be diluted—was like throwing a lifeline to someone being swept away by the raging waters of a flood.
The catch, however, is that I can’t escape the torrent no matter how strong that lifeline might be. I am the mother of a missing child.
Writing just that much had exhausted Lauren. It had taken six hours to finish three pages, feeling as if she had to pluck and pull each word from the thick black tar of her emotions. She felt as if she had run a marathon and now needed to strip off her sweaty clothes and shower off the road grime. She saved her work, such as it was, to a floppy disk and shut down the computer.
She and her younger daughter, Leah, had moved to Oak Knoll more than a month past. It had taken her that long to stop procrastinating and sit down in front of the computer. And still a part of her had risen up in panic, screaming that it was too soon, that she wasn’t ready. Every day of her life was a constant struggle within herself between the need to move forward and the fear of it, between sympathy for herself and disgust at her need for it.
The whole idea of this move was to retreat from the scene of all crimes in order to gain distance both literally and figuratively. And with distance perhaps would come some kind of perspective. She had the same hope for writing about what had happened: that through the telling of her story she would gain some kind of perspective and, if not peace, some kind of—what? Calm? Quiet? Acceptance? None of those words really fit. They all seemed too much to hope for.
Bump and Sissy Bristol—old friends from Santa Barbara—had embraced her idea—both of the book and of the change of venue—and had offered the use of their second home in Oak Knoll as a refuge.
The Bristols were like family—like older siblings to Lance and Lauren, and godparents to the girls. Bump played the annual role of Santa Claus at Christmas and helped coach the girls’ sport teams. Sissy was the fashion fairy godmother who delighted in taking the girls shopping and treating them to manicures and pedicures.
Bump’s real name was Bob. He had earned his nickname decades ago for his aggressive style of play on the polo field—which was where he and Lance had become fast friends, despite a twelve-year age difference. As couples, they had run in some of the same social circles. Bump was in finance; Lance, an architect. They had numerous clients in common over the years. Sissy owned an antiques shop on Lillie Avenue in Summerland, south of Montecito. Lauren had a small business as a decorator.
Lance had designed the remodeling of the Bristols’ Oak Knoll getaway in eighty-four. Lauren had kidded them about the project, even as she and Sissy worked on ideas for the interior. “You live in paradise. What’s there to get away from?”
A beautiful picture-postcard town, Santa Barbara overlooked the Pacific Ocean, while mountains rose up behind it. Celebrities walked the streets there, ate in the trendy restaurants, had mansions in neighboring Montecito. Tourists flocked to the area every summer. There was never a shortage of things to do. The arts flourished there. It was a city of festivals and concerts.
Lauren had thrived in Santa Barbara. She and Lance had lived there for nearly twenty years—their entire married lives. Lance had grown up there. The girls had been born there. The Lawtons had been fixtures on the social scene, active in the schools.
Leslie had been abducted there.
Lance had died on a mountain road just north of town two years later.
Lauren couldn’t go to the supermarket without being stared at, talked about. She had been a constant presence on the television news there and in the newspaper as she tried to keep her daughter’s case in the public eye year after year. Every store owner in town knew her from the many times she had come by with a new poster for Leslie.
MISSING.
ABDUCTED.
HAVE YOU SEEN THIS GIRL?
People had cringed at meeting her, first because they didn’t know what to say, then later because they didn’t know how to get rid of her. Over the years they had grown tired of seeing her, of hearing about the case. They couldn’t—didn’t want to—sustain the sympathy or the guilt that went with it. Unsolicited advice had gone from “hang in there” to “time to move on.”
Even the best of friends had suggested the latter. “It’s been so long, Lauren. Leslie is gone. You need to let go.”
Easy for them to say. Leslie wasn’t their daughter.
Sissy and Bump had been kinder. They had offered the house, supporting her plan to get away from Santa Barbara for a while. Or maybe they had wanted rid of her too. Out of sight, out of mind.
Whatever their motive, Lauren was grateful.
The house was located at the end of a dead-end road that reached out of town like a long finger pointing toward the purple hills to the west. It was a quiet, eclectic neighborhood. Most of the houses were older, and half-hidden from the road by overgrown bougainvillea and oleander bushes. The residents minded their own business. They had their own things going on. They lived on that street at least in part for the privacy.
A metal artist lived in a bungalow two houses down on the left with a front yard full of junk. An old hippie couple across the street from him had a huge vegetable garden and a clothesline full of tie-dyed T-shirts. Lauren’s nearest neighbor was a retired teacher from McAster College who liked to leave his windows open and played a lot of classical chamber music that drifted up the road on the cool evening breeze.
The Bristols’ house was the end of the line, a place designed for rest and peace. Behind the house, an open field of golden grass rambled down a little hill to an arroyo trimmed with a fringe of green trees. Beyond that rose the bony-backed range that separated the valley from the Santa Barbara vineyards and the coast. Lauren sometimes thought of the mountains as a wall, a wall that could hol
d the memories of the past few years away from her.
Or so she wished.
Tired of thinking, she left the second-floor study and went down the hall to the master suite to take a shower.
Bump and Sissy had spared no expense in the renovation of the house. In fact, there was little of the original house to be found, the job had been so extensive.
Lance had taken the unimaginative white clapboard box and transformed it for them into a whimsical California take on a New England Cape Cod style. Wings and additions had been attached in such a way to suggest the house had grown over the course of time. Four en suite bedrooms in one wing housed the Bristols’ grown children and grandchildren during vacations and holidays. The dining room accommodated a huge antique table that could seat a dozen friends for dinner.
The rooms rambled one to another, each overflowing with the treasures Sissy and Lauren had ferreted out together at flea markets and estate sales. The floors were done in wide, dark-stained reclaimed boards shipped in from the East Coast. The fireplaces in the living room and great room were made of river rock that might have come from the creek that ran behind the property.
In contrast to the rustic touches, the master bathroom was done in Carrara marble with fresh white beadboard cabinetry and pale blue walls. Lauren and Sissy had worked together to make the room into a sanctuary, a place to soak in the deep tub, have a glass of wine, read a book.
Lauren felt too tense to relax in the bath. If she started to drink this early in the afternoon, she would never make it to the supermarket to pick up something for dinner. She hadn’t read a book for pleasure in years. The idea of pleasure made her feel guilty.
She showered quickly, hating touching her own body. She had always been lean and athletic. Now she was so thin she could read her ribs through her skin with her fingertips, like a blind person reading Braille. And yet she could hardly bring herself to eat. The idea of a real meal made her nauseous. She lived on protein bars and sports drinks. As soon as she was out of the shower, she pulled on a thick robe and closed it up to her chin.