The Oracle

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The Oracle Page 2

by Valerio Massimo Manfredi


  Claudio Setti returned to the epigraphy files he had been working on. He stood up and walked over to the shelves to check a volume; as he was pulling it out a smaller booklet fell to his feet. He bent down to pick it up and gave it a look. The heading on the title page was:

  PERIKLIS HARVATIS

  Hypothesis on the necromantic rite in the Odyssey, Book XI

  He started to read the first pages with growing interest, forgetting the files he was working on for his thesis, while a strange uneasiness crept up on him, a sense of confusion and solitude.

  The phone rang. He stared at it at length before putting down the book and picking up the receiver.

  ‘Claudio?’

  ‘Heleni, honey, is that you?’

  ‘Agapimou, you’re still studying! Have you had dinner?’

  ‘I thought I’d grab a sandwich and keep working.’

  ‘I need to see you. I’m going back to the University tonight.’

  ‘Heleni, please . . . don’t go.’

  ‘Can’t you meet me here? I’m not far, at the Tò Vounò tavern. Please?’

  ‘All right. I’ll come. Have them fix me something to eat.’

  He gathered up his notes to put them into his backpack. As he was about to close it, his gaze fell on the little book he’d left on the table. Too bad he couldn’t finish it. He put it back on the shelf, switched off the lights and left, throwing his military-style jacket with the fake fur lining over his shoulders.

  The streets were nearly deserted. He passed alongside the agora, where the ancient marble gleamed unnaturally white in the moonlight, and slipped down one of the roads in the intricate maze of the Plaka district. Every now and then, between the rooftops and terraces, the Parthenon loomed on his right, like a vessel of the gods shipwrecked on a cliff between the sky and the houses of men. He reached the old Wind Tower square where the tavern was.

  He could see Heleni’s black hair through the misty window. She was sitting alone with her elbows on the table and seemed to be watching the thin thread of smoke rising from her cigarette as it sat in the ashtray.

  He walked in behind her and put his hand on her hair. Without turning, she took his hand and kissed it. ‘I really wanted you to come.’

  ‘You know I want to see you. It’s just that I have to get this work done. I want to get my degree. I’m serious about that.’

  ‘I know you’re serious. They have dolmades tonight. I’ve told them to heat some up. Is that okay?’

  ‘Sure, dolmades are fine.’

  The girl nodded and a waiter brought two plates and a pan with the stuffed grape leaves.

  ‘It’s about tomorrow.’

  ‘Heleni, what do you mean, it’s about tomorrow? What’s that supposed to mean?’

  ‘We’re going to make a proclamation on the University radio asking for a general strike. This government will have to drop their mask and show who they really are. Students at the universities of Salonika and Patras are going to rise up with us. We’ll make such a racket that they’ll hear us all over Europe!’

  ‘Oh, Christ. Now she wants a revolution. “Darling, there’s a revolution tomorrow.” What time? Have you decided what time it’s going to be?’

  ‘Stop that. You’re Italian, you’re going to finish your thesis and go back home. You’ll find a job. It’s hell here. Those pigs are strangling this country. They’re selling it piece by piece, they’re prostituting it. You know how many of my friends have suddenly dropped out of circulation because they took part in a protest or because they signed up for a political party—’

  ‘Heleni, love, it’ll never work, there’s no hope. It’s like South America here; the US don’t want to run any risks, so they back the military and squash the left. There’s no way out. It’s useless, believe me.’

  ‘Probably. Anyway, it’s been decided. At least we can say we tried.’

  ‘I suppose that the revolution can’t do without you.’

  ‘Claudio, what’s wrong with you? Where have all your fine speeches about freedom and democracy gone? The inheritance of the ancient Greeks, Socrates and Pericles and all that other shit? You sound like you’re on the state payroll, for God’s sake!’ She was excited. Claudio looked at her for a moment without speaking: God, she was as beautiful as Helen of Troy, scornful and proud. Small, slender hands and eyes as deep and black as the night sky, her T-shirt draped on her breasts like a sculpture by Phidias. He’d rather take her prisoner than let her be exposed to any danger.

  ‘Heleni, what would I do if something happened to you? You know . . . you know I feel the same way you do . . . but I can’t stand the thought of you risking your life in there. You’ve been occupying the University for three days now; the prime minister won’t be able to keep the military out of it for much longer, even if he wanted to. They’re going to strike hard, and fast, and the people won’t be backing you up. They’re too afraid, they have jobs and families to worry about, a long past and not much of a future . . .’

  The girl smiled: ‘Come on. There’s nothing they can do to us. It’s not like they’re animals; they’re not going to tear us to pieces! I told you, it’s going to be a peaceful demonstration. No one will be carrying weapons.’

  A street musician entered just then and started to play his bouzouki. Some of the regulars joined in to sing ‘Aspra, kòchina, kìtrina . . .’, a melody that Claudio and Heleni had sung many times with their friends and which seemed very touching to them just then. Heleni’s eyes glistened: ‘How often we’ve sung this one! It’s still lovely, isn’t it?’

  ‘Heleni, listen, come away with me. We’ll leave everything behind and go to Italy. We’ll get married, find work, anything will do . . .’

  The girl shook her head and her hair shaded her eyes, tossed lightly on her cheeks and neck. ‘I’ve got a more exciting idea. Let’s go to my house. Maria’s at the movies with her boyfriend, they won’t be back till after midnight. Let’s make love, Claudio, and then you’ll take me to the University. I can’t miss tomorrow. It will be a great day, all the young people of this country rising up together. And I know our people are behind us; I haven’t lost hope.’

  They walked out on to the street and Heleni raised her eyes to the starry sky: ‘It’s going to be a beautiful day tomorrow.’

  SHE STRIPPED IN front of him without hesitation and with none of the innate modesty she’d always shown. She let him look at her and desire her, proud of her beauty and her courage, sitting on the edge of the bed, illuminated by the soft light of the table lamp. Claudio knelt, nude and trembling, at her feet. He kissed her knees and lay his head on her lap as he caressed her hips. He leaned her back on to the bed and wrapped his arms around her, covered her with his broad chest and wide shoulders as if he wanted to make her part of his own body. But he felt the darkness of the night weighing on his back, crushing as a boulder, cold as a knife.

  And he heard a distant sound like thunder, and the pealing of a bell.

  His heart felt as though it would burst, and Heleni’s heart beat against his, between her superb breasts, beautiful Heleni, amazing and gentle, more precious to him than life and as warm as the sun. No one could dissolve their embrace, no one could hurt her. She would always be his, no matter what happened.

  They dressed sitting on opposite sides of the bed and then embraced again as if they could not bear to leave one another.

  ‘Now take me,’ said the girl. She had already prepared a bag with some clothes and a little food. Claudio helped her on with her jacket.

  THE ENORMOUS VEHICLE surged forward, tracks biting into the asphalt, spewing out a dense cloud of black smoke from its exhaust pipes. It headed off roaring and clattering down the dark streets. From the wide gate of the barracks other tanks followed the first, turrets bristling with machine guns. They were dark and gleaming and they reflected the street lights. Behind the tanks were trucks loaded with soldiers in fighting order. They hunched silently on the benches, their helmets down over their eyes and guns on th
eir laps. The officers wore taut expressions as they mutely inspected their soldiers’ uniforms and equipment, eyes on their watches. Orders crackled over the radio, to be answered in monosyllables. They were setting out for a mission without glory.

  They passed Eleusis and Piraeus and headed towards the city in two groups: one would arrive from the south, from Odòs Pirèos and Omonia Square, the other from the north, turning down Leofòros Patissìon at full speed and passing in front of the National Museum. A gust of wind blew the pages of a newspaper over the white stairs, between the tall Doric columns.

  The last tank hauled up sideways at the Leofòros Alexandras intersection to block off traffic. The tank commander opened the turret and stretched out to take stock of the situation. His radio headset hung around his neck and his hands were stuck in his belt. Suddenly a car sped around the corner, headlights high and blinding. He pulled out his handgun in a split second and took aim. The car stopped just a few steps from the tank and a man got out, unshaven and haggard. He looked around, bewildered.

  ‘Stop! Go no further!’ shouted the officer. ‘The centre of the city is blocked off. Turn back immediately.’

  The man held his ground. ‘Please,’ he shouted back, ‘let us pass. I have a very sick man in the car, I have to take him to the hospital.’

  ‘Not this way. Take him to Abelokipi or Kifissìa.’

  ‘But what’s happening? What are you doing here?’

  ‘I told you to get out of here. Don’t make me repeat it,’ the officer shouted irritably.

  The man went back to his car and opened the back door: ‘Professor . . . Professor, we can’t get by. Soldiers are blocking off the whole area. Professor Harvatis, can you hear me? Answer me, please.’

  Periklis Harvatis was lying on the back seat, his face half hidden by the collar of his jacket. He seemed to be in a deep sleep. Ari took his hand: it was icy cold.

  ‘Professor, we can’t go any further. It’s all been useless. Oh my God . . . I’ll take you to the hospital.’

  He got back into the car and set off towards Kifissìa at full speed. He pulled up in front of the hospital there and ran over to the night-duty attendant’s station. ‘Hurry, hurry! For the love of God, there’s a man in my car who is sick, very sick. Hurry, please, he may be dying.’

  Two nurses followed him with a stretcher and they loaded the apparently lifeless professor on to it.

  ‘It was no use coming to Athens,’ Ari muttered disconsolately. ‘Why did I listen to you?’ But the old man could no longer hear him.

  Ari went back to the car, took the letter out of his pocket and read the address: it was inside the area blocked off by the military, but he suddenly knew he couldn’t hold on to it another minute. His watch said 2 a.m.; he was worn out with exhaustion and devastated by the futility of their journey through the night. But he had to see this through to the end.

  He turned down Acharnòn Street in an attempt to proceed parallel to Patissìon Street where the tank garrison was. He had to get as close as possible without getting noticed. He parked in a little square and continued on foot, hiding in a doorway or behind the corner of a house when he saw a search patrol approaching. He couldn’t understand what was happening. He finally got to the address written on the letter: 17 Dionysìou Street. It was an old building with chipped plaster and green blinds, but there didn’t seem to be a living soul there. The shutter was completely lowered and padlocked at the bottom. The name of a print shop was displayed on the sign above. He felt like he was dreaming.

  ‘Are you looking for someone?’ A deep, hoarse voice behind him made him jump. He spun around and found a man of about fifty in a grey coat with a felt hat worn low over his eyes. He tried to make out the man’s features, but the halo of a street light behind him made that impossible.

  ‘I’m . . . looking for a man named Stàvros Kouras. I have to give him a letter. I thought he lived here, but all I can see is this closed shutter . . . it seems to be a print shop. Maybe you know . . .’

  The man watched him silently, hands deep in his pockets. Ari felt his blood run cold.

  ‘Stàvros Kouras doesn’t exist, sir.’ He took his right hand from his pocket and stretched it out. ‘If you like, you can give me that letter.’

  Ari backed up and banged against the shutter, shaking his head, then started to run as fast as he could, without once looking back. He reached his car and jumped in, switching on the ignition, but the car wouldn’t start. He turned around to look at the street he’d come from but it was empty. He tried the key again and flooded the engine. The smell of gasoline was strong; he’d have to let it evaporate. He waited a couple of minutes and tried again. On his third try the engine finally spurted to life. He took a look at the rear-view mirror as he was backing up to turn into the street: just at that moment, far off down the road, the stranger he had spoken to turned the corner. He was walking slowly, his hands in his pockets.

  CLAUDIO HUGGED HELENI again, then stepped back and looked her in the eye: ‘There’s nothing I can say to change your mind, is there? I have no influence over you at all.’

  Heleni smiled and her eyes seemed to light up the night: ‘Silly, you’re the only one I care about.’

  ‘And the revolution.’

  ‘We’ve already discussed this whole thing and I’ve demonstrated that your objections don’t hold water. Go home, honey, and go to sleep. Don’t worry about me. If everything goes well, I’ll come out again tomorrow night and we’ll have an ouzo together at Nikos’s.’

  Claudio scowled: ‘And what if things don’t go well?’

  ‘I’ll find you, don’t worry. You’ll never be able to get away from me, for the rest of your days . . . you know that a Greek girl from a good family only gives herself to the man of her life.’

  ‘I’ve made a decision. I’m coming in with you.’

  ‘Claudio, stop that! Tomorrow you’ve got to turn in your paper. And this isn’t your place anyway – you’re not enrolled in this university, and you’re not even Greek. Really, you should go now. I promise you that nothing will happen. I’ll be careful. I won’t do anything foolish. We’ll have security people posted at the gates. I’ll be inside with the committee working on our proclamation for the press.’

  ‘Swear to me that you’ll take care of yourself and that tomorrow night you’ll be at Nikos’s.’

  ‘Promise. I swear.’ She gave him a last kiss.

  ‘And listen, I’ll be at the Institute, right near the phone. Call me once in a while, if you can.’

  ‘If they don’t cut us off.’

  ‘Right.’

  ‘Ghià sou, krisèmou.’

  ‘Ciao, my love.’

  Heleni ran towards the University gates. Two boys and a girl were on guard duty near a little bivouac. They opened the gates to let her in. Heleni turned to wave and the fire lit up her excited face. She looked as if she were going to a party.

  Claudio pulled up the collar of his jacket to ward off the cold wind blowing light and sharp from the north, and walked straight down Patissìon Street. The sky was clear and full of stars and it was already Saturday morning. Heleni was right: what could happen on such a beautiful night, just a day before Sunday?

  He didn’t feel like sleeping, and thought he’d walk over to Omonia Square where there was always a café open. Find a freshly printed newspaper and drink a good cup of Turkish coffee. Maybe he’d even find an Italian newspaper, like La Stampa – they’d been covering the student uprising on the front page, while Il Corriere hadn’t even made mention of it yet.

  He took a new pack of Rigas from his pocket and stopped behind a street lamp to light a cigarette. When he raised his eyes, the quiet night air was suddenly rent by a roar, and a monstrous tank erupted rumbling from a side street, blinding him with its headlights. It made a complete turn, digging at the asphalt with its heavy tracks, and headed off roaring towards the University, followed by two trucks. Another tank was advancing fast from the other direction; a minute later it s
topped in front of the Polytechnic, revolving the gun on its turret towards the colonnade of the atrium.

  Claudio fell against the lamp-post, beating his fist against the icy metal, again and again until it hurt. Heleni was their prisoner.

  He started running until his heart was close to bursting, racing down the maze of streets at the foot of Mount Licavittòs. He stopped, gasping for breath, and then started running again, aimlessly, until he found himself in the huge deserted space of Sintàgmatos Square. The Greek parliament: two evzones guards marched back and forth before the tomb of the unknown soldier. The gold and black of their jackets shone in the night and their white skirts fluttered in the wind. From this distance they seemed like puppets, like the toys crowding the tourist stalls in the Plaka. Behind them, the great marble warrior slept, naked, the sleep of death, and the words of a great man from the past engraved on the stone above him seemed blasphemous on that wretched night.

  2

  Athens, Municipal Hospital of Kifissìa, 17 November, 3 a.m.

  ‘I’M THE DOCTOR on duty. Who is it that you’re looking for?’

  ‘My name’s Aristotelis Malidis. I’d like to know how the man I brought in an hour ago is doing. His name is Periklis Harvatis.’

  The doctor picked up the phone and called up to the ward. ‘I’m sorry,’ he told him a short time later, ‘the patient has passed away.’

  Ari bowed his head and made the triple sign of the cross in the Greek Orthodox manner. ‘May I speak with the doctor who admitted him? The professor had no relatives; I’m his assistant. He didn’t have anyone else in the world.’

  The doctor called up again. ‘Yes, go on up. Ask for Dr Psarros, second floor.’

  Ari took the elevator. He glanced at himself in the mirror inside: the bright light of the bulb rained on him from above, deeply carving his tired face and making him look very much older than he was. The door opened on to a long, neon-lit corridor. Two nurses were playing cards in a smoke-filled glass room, in front of an ashtray overflowing with butts. Ari asked for Dr Psarros and was brought to his office. On the doctor’s desk was a radio playing classical music.

 

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