“That’s all right. Sometimes I do, too,” I replied. Then I noticed Solis motioning for me to go with him.
Ximena gave me a trembling smile. “You do?”
I nodded and she nodded back, her smile strengthening. Then she said, “Go on. You and Rey have work to do. The kids will help me clean up.”
Feeling a little guilty, I went with Solis, heading back up the stairs to the office in the attic. On the final steps I asked, “What was that about with your mother-in-law?”
“I apologize. She’s very rude when she gets like this.”
“Like what?”
“She is taken with strange ideas, with visions. And as an artist she refuses to constrain her mind, and, to our frustration, her mouth as well.”
He paused to unlock the office door.
“That’s not quite what I meant. She may be a little nuts, but that wasn’t the crazy talking at dinner. She was trying to get a reaction out of you.”
“Her feelings about me are . . . unstable.” He opened the door and waved me inside, then shut the door behind us before he continued in a low, intense voice. “She knows how I love Ximena and our children, that I will do anything to keep them safe. Sometimes that means keeping them safe from her, which she doesn’t like. And sometimes she hates me for being blind to the world as she sees it—the world, perhaps, as you see it.”
I frowned at him. “As I see it?”
“Yes. I . . . have begun wondering if there is something I don’t see. For years I’ve thought Maria del Carmen was mad. And she is, but not all of her madness is lies. And Ximena . . . I fear she is becoming like her mother.”
“You’re afraid she’s going crazy?” I asked.
He nodded. “When we met I knew she was . . . fragile. I had no idea . . . what she might become. Now I see it in her mother and I know she will get worse. But”—he turned his face to me suddenly—“if there is something else—something that is true, even though it is hidden from the world—then perhaps she isn’t doomed to madness.”
“And that’s why you wanted to work with me. Because you think I’m like them and that gives you some kind of hope.”
“Yes. And you are not insane. I may not agree with all you say, I may find it hard to believe everything you’ve been telling me and even some of the things I experienced today—even in the face of proof, it can be difficult to change the”—his eyes darted around and he made a frustrated gesture, rolling his hands in the air as if trying to grasp something incorporeal—“the habit of mind. But if there are more things to see than I can see, then perhaps a way can be found to manage the difference between us and I . . . won’t lose her.”
I blinked at him and found I’d been holding my breath. I drew in a shaking lungful, but it didn’t help much. I still didn’t know what to say even when I had the breath to say it. “I—I’m not— That is, what we experience is not the same.”
“You and Maria del Carmen?”
“Me and . . . anyone. It’s different for each of us. What you experienced in the engine room on board Seawitch wasn’t the same as what I experienced—similar, related, but not the same. Even what Ximena and her mother both . . . see won’t be identical.”
“It is a matter of depth, then?”
“No. It’s not. Or not just that. It’s not all vision and it’s not all just a matter of what you see. There’s the intensity and kind of experience, what you can do with it or what you can’t do, and whether you can turn it off or not. . . .” I could tell he wasn’t quite getting it. “Look, I can see things and touch them, experience them pretty intensely, but I can’t do anything with them. Nothing significant. I can’t work magic—” I cut myself off as Solis made a sour face.
I sighed. “Now, don’t tell me you’re starting to believe in ghosts but you can’t make yourself believe in magic. What we saw in the lower cabin on Seawitch and what we saw in the fountain at Reeve’s house were spell circles. I don’t know what they did—”
“Why not? If you know they were magical, why don’t you know what magic they did? And why can’t you do it, too?”
“I just can’t. It’s a talent I don’t have. Like I can’t draw, or sing, or play an instrument, or . . . do high-level math functions in my head, but I can dance. It’s all different, even where they’re related. Like . . . circuit boards. I know one when I see one, but I can’t tell you what it does. The board for a microwave is not the same as the board for a blender, but I couldn’t tell you which one was which, just that they aren’t the same. Magic comes in a lot of specializations, and I can tell some from others but I can’t cast a spell or tell you what a spell circle was meant to do after it’s burned out.”
Solis scowled and walked to the desk to sit down. I could see the telltale glimmer of gold around him that I’d seen before; he was shifting mental gears, putting away the intimacy of his situation with his family to concentrate on the case, distancing himself from the personal discomfort of the discussion. “So . . . how are the two circles related?”
I crossed slowly to the desk myself. I wasn’t as ready to put aside the other subject as he was, but I knew it wouldn’t help my cause to pester him. “They’re the same . . . school of magic, I guess you’d say. But not drawn by the same person. The wave figures were the same symbol but the handwriting—for lack of a better word—was different. The big circle on the boat was complex, which implies a complicated or complex spell. The one at Reeve’s was small and pretty simple, so I’d say it was a specific and simple spell—which doesn’t mean it wasn’t dangerous.”
“Could the spell on board Seawitch have had anything to do with Odile Carson’s death? And I don’t say I believe it, but if the possibility exists . . .”
“You mean could she have been killed by magic? At that distance it’s not likely, especially since she killed herself.”
“Could she have been influenced to it?”
“Possible, but, again, not very likely. It’s hard to magically convince someone to do something they are mentally opposed to. If she’d already been suicidal, though . . . the possibility would be better. But it could explain how Les Carson knew his wife was dead before the cops called him.”
“What about the spell circle at Reeve’s?”
“I’d guess a rudimentary trap of some kind. If it were keyed to him personally it wouldn’t go off except when he was near it. And since he’s an old man with health problems it wouldn’t have to be a spell that could kill someone, just one that would cause a lot of distress.”
“Is it likely the person who drew the symbols at Reeve’s house would be completely unrelated to whoever drew the symbols on Seawitch?”
“No. That particular strain of magic is relatively rare—thank your lucky stars—and it tends to run in families, like a genetic disease. The only other person I’ve met who does that particular kind of magic doesn’t tolerate others of her kind nearby and she’s nasty enough to enforce the distance. So whoever drew those spell circles was either far enough away to be ignored or more dangerous than she is.”
“But who were these people, how are they related, and what is the connection to Seawitch?”
“Your guess is as good as mine.”
Solis grunted to himself and turned his attention to the papers on the desk. “Perhaps there is more in the log. . . .”
We resumed our places, reading through all the available log pages. Solis started with the ones I’d already perused and printed while I looked at the newer ones on the screen, waiting for the printer to finish spitting them out on paper. The last page stopped me. It was blotched with red and brown stains and numerous small slashes and tears and a single rambling paragraph of poor penmanship:
. . . she cursed me and now this! I didn’t stop him from forcing himself on her, so I guess I’m just as guilty as he is. Now it’s too late to be sorry. She won’t stop. The storm is going to wreck us unless I can make the cove and even then I may have doomed us all. I think Starrett is dying—that’s my fault, t
oo. When people say “hostile waters” they don’t know what that can mean. I do. Now I do. I don’t know how I’ll live if I survive. My skin feels like it’s on fire and this hair is everywhere. And the blood. My hands ache—
The words ended in a red-blotted scrawl, and a long location number and heading were written below, large and messy, as if drawn by a child with a leaky pen. I swung away from the monitor and waved Solis’s attention to it.
“Hey,” I said. “Read this. It’s the last entry in the log.”
Solis turned and took my place at the monitor as I stood up to pace.
“A strange thing to say,” he commented.
I stopped pacing and turned back. “What is?”
“The writer says ‘I don’t know how I’ll live if I survive.’ Not if he will survive or if he will live, but how he will live. As if there’s something beyond survival that is just as frightening as death.”
“Interesting. You focus on that. What jumps out at me is he says someone is guilty of forcing himself on a woman—and that Castor Starrett’s death is also his fault. Sounds like a rape and a homicide, though the writer almost seems confused by it all. He also mentions a cove. But where? Are the numbers and heading at the bottom an indication of where he was going or where he was at the time?”
Solis gave me a wry look. “I did not ignore the rest of the statement; I merely found the one sentence very odd. It should be telling, but what does it tell? I agree that the writer seems upset and confused. He almost seems to imply that the storm was caused by the lady in question. . . .”
“Which one of the three?” I asked, not wanting to think about the question Solis was really raising.
Solis made his half shrug. “Who knows?”
“What’s the statute of limitation on rape in Washington?” I asked.
“Ten years, but if a death results, none.”
“What if the rape victim survived the wreck?”
“Why would you imagine she did or that she would not reveal herself?”
“I’m just thinking . . . someone had to bring the boat back to port, someone who knew where it had been and what had happened on board, or they would have come forward. If the victim did it, maybe it’s because she knows her rapist also survived. But it’s been too long for her to file a legal complaint so . . . she plays dead and waits to see if the reappearance of Seawitch will bring her rapist—now apparently her murderer—to light.”
Solis shook his head. “It seems woefully complicated.”
I frowned. “Possibly, but regardless, the writer—probably Gary Fielding, since the handwriting looks about the same as the entry we know he wrote, even though it’s deteriorating here—says he’s taking the boat somewhere. If he made it, the odds are good the boat stayed there all this time.”
“The whole twenty-seven years?”
“You saw its condition. That boat didn’t move from the time it docked after whatever happened on board until the day it turned up at Shilshole. Nothing had been disturbed enough for the boat to have moved under its own power. No one’s started those engines in years.
“Maybe, if we can find the place where it’s been sitting all this time, we may be able to find a witness to say who brought it and kept it there, at least. They might even have information about what happened aboard, who survived, and who died. Because I’m still betting that whoever brought the boat back to Seattle was aboard it when it was lost.”
Solis looked thoughtful and started to say something but was interrupted by the bleating of his cell phone. He answered it and listened for a moment, then killed the connection with a bitter expression on his face. “John Reeve is dead and it may be a homicide.”
THIRTEEN
Reeve had died at Highline Hospital, which made his death a Seattle PD matter, but not Solis’s case. He wasn’t “on deck” when the call came in and the connection to the Seawitch investigation was tenuous, so it had been assigned to someone else. Still, the circumstances were strange enough that the detective on the case wanted to talk to Solis and me once he’d heard we’d been on the scene when Reeve had the heart attack that brought him to the hospital in the first place. We drove down separately and I found myself annoyed at the lost opportunity to pursue the discussions we’d begun at Solis’s house.
My disgruntlement took a backseat when we arrived at the hospital. Crime scenes at hospitals aren’t managed in quite the same way as they are anywhere else, since the place is always busy and space is generally at a premium and you don’t usually get to leave the body in situ for long. Reeve had already been removed from his cubicle in cardiac ICU and the area was screened off for privacy while a pair of technicians finished picking up what they could in the way of forensic evidence. Other patients had been rearranged to optimize the isolation of the scene, and we met with Detective Julian Plant in the cafeteria downstairs—it was empty since the regular meal service had already closed and no one seemed to be raiding the vending machines at the moment, though we could hear the patient nutritional services crew clattering away in the kitchen behind the metal curtain barrier.
I’d met Plant before. He was one of those tall, pale, lanky guys who always looks like he’s in desperate need of some sun, sandwiches, and sleep. Competent enough, but I’d never been overly impressed. He didn’t seem to go any further than he had to with anything and I had the impression he was marking time until he could retire. He wasn’t sloppy or a bad cop, but he was one of those aging, old-school detectives who’d gone the route of no longer caring rather than care too much. He gave us both a basset-eyed stare as we came and sat at his table.
“You two want some coffee?” he asked. “They’ve still got some in the patient services hatch round the corner if you don’t like the vending machine kind.”
We both shook our heads and sat, facing Plant at the awkward round table.
“Well,” Plant started, curving his hands around his dented paper coffee cup on the table. “So. Here’s the thing: seawater.”
I made the “Huh?” face at him, and Solis said, “Clarify, please. Seawater?”
Plant nodded. “Yeah. Mr. Reeve was either smothered with a wet something or he died of drowning. In seawater. In his bed. Now, they would have said pneumonia—which I guess they considered—except the bed was wet. Not that they aren’t wet a lot of the time when folks die, ’cause you know what happens. And there was the dog. So we’re waiting for confirmation from the coroner, but the attending medical team is saying Mr. Reeve was attacked by a dog that smothered him with a wet pillow. What do you think? Any connection to your case?”
Solis and I exchanged incredulous glances. “A . . . dog?” I asked.
“Yeah. Big dog, they said. Brown with a white stripe on its back. Mr. Reeve was resting and they’d pulled his curtains closed for privacy when the monitors started going crazy, and the first nurse through the curtain sees this big, wet, brown dog wrestling with a pillow on Reeve’s chest. The nurse said there was a stink in the room like”—he flipped open his notebook and paged around a bit—“like rotten vegetables. And the dog was sitting on Reeve’s chest, shaking the crap outta this wet pillow that was covering Reeve’s face. So the medical team can’t get near the guy and they call security to come shoot the dog, but Reeve’s already dead and the dog takes off. They couldn’t revive him and the attending physician called it at”—he looked at his book again—“six forty-one. Well, technically they’re saying cardiac arrest due to animal assault, but the amount of water in his mouth and on the bed is making the ME want a deeper look. So, what do you two think?”
“Are they sure it was a dog?” I asked again.
“Yeah, though they can’t decide on what breed. One guy said it was a German shepherd. Another said it was an otter hound. Another said it was . . . umm . . . a Portuguese water spaniel—you know, like the president’s dog. And one said it was a pit bull. A fat pit bull.”
“Fat chance.”
Solis smirked—there was nothing else to call it.
Plant made a sour face at me.
“Oh, come on,” I said. “No one can seriously believe a dog was trained to run in here, find Reeve, jump on his bed, and smother him with a wet pillow. When we saw Reeve he was afraid of something, and we saw something or someone moving at the back of the property. But if anyone did kill him—”
“Someone did,” Plant said, cutting me off. “He sure didn’t die of smothering himself or inducing his own heart attack.” He looked at both of us, then focused on Solis. “What do you think, Rey?”
Solis lowered his gaze to the tabletop, his brow creasing, then drew a slow breath before he looked back at Plant. “I think Mr. Reeve may have been frightened by a stray dog that got into the hospital. Or he may have been smothered by an attacker who was frightened off by a service dog, but that’s all I can imagine, if Reeve didn’t die of a simple heart attack, which seems far more likely. Doesn’t it, Plant?”
Plant sat back, closing his basset-hound eyes. “Yeah. And I hope that’s how the coroner will rule when he’s done. But if not . . . I guess I’m going to be looking for people who had it in for the old man and made a habit of carrying pillows soaked in seawater and training dogs to smother people with them.” He shook his head in disgust. “You two can go. I’m sorry I bothered you.”
We stood and Solis bent down to ask Plant to keep him in the loop; then we walked toward the exit together.
“Who murdered Reeve?” Solis whispered to me as we neared the door.
“Why ask me?”
“I hoped you had seen something.”
“Nothing you didn’t. We got only a glimpse at the scene before we had to go down to see Plant.”
“But what did you see that I did not? You have that look on your face, so no evasions. We are partners on this case, remember.”
“All right. I saw the same gray-green color around Reeve’s bed that I saw around him when he had the original heart attack, and I’d bet the description of the dog people claim to have seen here would match the thing I saw at Reeve’s place. Whoever killed Reeve is involved with Seawitch.”
Seawitch: A Greywalker Novel Page 15