The Tourist

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The Tourist Page 29

by Robert Dickinson


  Cowards. They thought it would save them. Instead the Number Cities refused to believe you had acted alone and without authorisation. They put you back in the cell and destroyed your city, just as Riemann told you they would.

  You note the position of the sun and walk around the building until you’re in the shade. If anybody walked from here they’ll have headed west. You travelled south-east to reach this place: your paths won’t have crossed. Next he has to follow the setting sun. Find his people, and account for them.

  You wonder how far you can throw the box. Your arm is weaker than it was: you can imagine trying as hard as you can, only to have the box fall at your feet. But your throw is a good one, and it falls far enough away to be hidden by the grass. Riemann won’t find it unless you tell him what you’ve done. It might lie there undisturbed. Rain will fall, the box will sink into the mud. Given enough time it will start to disintegrate and whatever was once considered important will become as worthless as Picon’s instructions. Riemann can still carry out his official orders. He won’t have this, whatever it is.

  It’s a small victory. You walk back to the entrance and look out at the yellow band on the horizon. The others will be there, if they aren’t already dead. The nausea you felt in the back room has subsided. You take more deep breaths and step down to the corridor. You can hear Riemann vainly trying to interrogate a dying man. Where are the others? When did they leave? Which direction?

  I don’t answer. I’ve been rescued too many times before: Li, Edda, Erquist, even Hayek. I’ve seen them all leaning over me and telling me I was now safe, how it was a chance in a thousand, a chance in ten thousand, a chance in a million. Riemann is surely no different. I blink and he disappears.

  The hall is full. The conversation dies to a whisper, a faint hiss. I flex the toes of my left foot. The woollen stockings offer little protection against the chill of the hall (it is already getting colder) and, despite everything I’ve read, I hadn’t realised how uncomfortable the seats would be. These are small prices to pay. The orchestra waits for the signal from the composer. He turns his back to us and raises his arms. The music can finally begin.

  Acknowledgements

  Thanks are due to numerous people: to Tim Holman, Anne Clarke, Joanna Kramer and the rest of the team at Orbit for making this book possible; to Oli Munson at A. M. Heath for knowing where to send the manuscript; and to Candida Lacy, Holly Ainley and Vicky Blunden at Myriad for early support and encouragement.

  About the author

  Robert Dickinson lives in Brighton, England, and his life to date has been shockingly uneventful. His two previous novels were published by a small press. The Tourist is his third novel.

  Thank you for buying this ebook, published by Hachette Digital.

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  Contents

  Cover

  Title Page

  Welcome

  ’88

  Typical 21st

  A good subordinate

  Happiness Executive

  Kat

  Bar Five

  Spad

  Official official

  The truth about travel

  The machines are always listening

  The state of the road

  DomeWatch

  Welcome to the anterior

  Mish talk

  You’re not Picon

  Geneva is very deep

  Edge of the territory

  Traditional native

  It’s not she

  Resort Six

  Long walk home

  Millies

  Overlap

  The case for war

  The man who collapsed

  Panic response

  Loose ends

  The Richardson expedition

  The wrong place

  An der Wien

  Acknowledgements

  About the author

  Newsletters

  Copyright

  Copyright

  This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

  Copyright © 2016 by Robert Dickinson

  Cover design by Lauren Panepinto

  Cover photos © Shutterstock

  Cover copyright © 2016 by Hachette Book Group, Inc.

  Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

  The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights.

  Redhook Books/Orbit

  Hachette Book Group

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  First ebook edition: October 2016

  Redhook is an imprint of Orbit, a division of Hachette Book Group.

  The Redhook name and logo are trademarks of Hachette Book Group, Inc.

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  ISBN 978-0-316-39943-2

  E3-20160825-JV-NF

 

 

 


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