Table of Contents
About the Author
By the Same Author
Title Page
Copyright Page
PART I The Secret Affinity with Leads CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 24
PART II The Navigable Channel CHAPTER 25
CHAPTER 26
CHAPTER 27
CHAPTER 28
CHAPTER 29
CHAPTER 30
CHAPTER 31
CHAPTER 32
CHAPTER 33
CHAPTER 34
CHAPTER 35
CHAPTER 36
CHAPTER 37
CHAPTER 38
CHAPTER 39
PART III Fog CHAPTER 40
CHAPTER 41
CHAPTER 42
CHAPTER 43
CHAPTER 44
CHAPTER 45
CHAPTER 46
CHAPTER 47
CHAPTER 48
CHAPTER 49
CHAPTER 50
CHAPTER 51
CHAPTER 52
CHAPTER 53
CHAPTER 54
CHAPTER 55
CHAPTER 56
CHAPTER 57
PART IV Autumn, Winter, Loneliness CHAPTER 58
CHAPTER 59
CHAPTER 60
CHAPTER 61
CHAPTER 62
CHAPTER 63
CHAPTER 64
CHAPTER 65
CHAPTER 66
CHAPTER 67
CHAPTER 68
PART V The Dead Eyes of China Figurines CHAPTER 69
CHAPTER 70
CHAPTER 71
CHAPTER 72
CHAPTER 73
CHAPTER 74
CHAPTER 75
CHAPTER 76
CHAPTER 77
CHAPTER 78
CHAPTER 79
CHAPTER 80
CHAPTER 81
CHAPTER 82
CHAPTER 83
CHAPTER 84
CHAPTER 85
CHAPTER 86
CHAPTER 87
CHAPTER 88
CHAPTER 89
CHAPTER 90
CHAPTER 91
CHAPTER 92
PART VI The Adder Game CHAPTER 93
CHAPTER 94
CHAPTER 95
CHAPTER 96
CHAPTER 97
CHAPTER 98
CHAPTER 99
CHAPTER 100
CHAPTER 101
CHAPTER 102
CHAPTER 103
CHAPTER 104
CHAPTER 105
CHAPTER 106
CHAPTER 107
CHAPTER 108
CHAPTER 109
PART VII Capture CHAPTER 110
CHAPTER 111
CHAPTER 112
CHAPTER 113
CHAPTER 114
CHAPTER 115
CHAPTER 116
CHAPTER 117
CHAPTER 118
CHAPTER 119
CHAPTER 120
CHAPTER 121
CHAPTER 122
CHAPTER 123
CHAPTER 124
CHAPTER 125
CHAPTER 126
CHAPTER 127
CHAPTER 128
CHAPTER 129
CHAPTER 130
CHAPTER 131
CHAPTER 132
CHAPTER 133
CHAPTER 134
PART VIII Measuring Lighthouse Beams CHAPTER 135
CHAPTER 136
CHAPTER 137
CHAPTER 138
CHAPTER 139
CHAPTER 140
CHAPTER 141
CHAPTER 142
CHAPTER 143
CHAPTER 144
CHAPTER 145
CHAPTER 146
CHAPTER 147
CHAPTER 148
CHAPTER 149
CHAPTER 150
CHAPTER 151
CHAPTER 152
CHAPTER 153
CHAPTER 154
CHAPTER 155
CHAPTER 156
CHAPTER 157
CHAPTER 158
CHAPTER 159
PART IX The Imprint of the German Deserter CHAPTER 160
CHAPTER 161
CHAPTER 162
CHAPTER 163
CHAPTER 164
CHAPTER 165
CHAPTER 166
CHAPTER 167
CHAPTER 168
CHAPTER 169
CHAPTER 170
CHAPTER 171
CHAPTER 172
CHAPTER 173
CHAPTER 174
CHAPTER 175
CHAPTER 176
CHAPTER 177
CHAPTER 178
CHAPTER 179
CHAPTER 180
CHAPTER 181
CHAPTER 182
CHAPTER 183
CHAPTER 184
CHAPTER 185
PART X Angel's Message CHAPTER 186
CHAPTER 187
CHAPTER 188
CHAPTER 189
CHAPTER 190
CHAPTER 191
CHAPTER 192
CHAPTER 193
CHAPTER 194
CHAPTER 195
CHAPTER 196
CHAPTER 197
CHAPTER 198
CHAPTER 199
CHAPTER 200
CHAPTER 201
CHAPTER 202
CHAPTER 203
CHAPTER 204
CHAPTER 205
CHAPTER 206
Afterword
Harvill Crime in Vintage The Fifth Woman
Sidetracked
www.vintage-books.co.uk
DEPTHS
Henning Mankell is the prize-winning and internationally acclaimed author of the Inspector Wallander Mysteries, now dominating bestseller lists throughout Europe. He devotes much of his time to working with Aids charities in Africa, where he is director of Teatro Avenida in Maputo.
Laurie Thompson is the translator into English of five other books by Henning Mankell, as well as novels by Åke Edwardson, Hakan Nesser and Mikael Niemi.
ALSO BY HENNING MANKELL
Fiction
Faceless Killers
The Dogs of Riga
The White Lioness
The Man Who Smiled
Sidetracked
The Fifth Woman
One Step Behind
Firewall
The Return of the Dancing Master
Before the Frost
Chronicler of the Winds
Children's Fiction
A Bridge to the Stars
Non-fiction
I Die, but the Memory Lives on
HENNING MANKELL
Depths
TRANSLATED
FROM THE SWEDISH
BY
Laurie Thompson
This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author's and publisher's rights and those responsible may be liable in law accordingly.
ISBN 9781407017532
Version 1.0
www.randomhouse.co.uk
Published by Vintage 2007
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Copyright © Henning Mankell, 2004
English translation copyright © Laurie Thompson, 2006
Henning Mankell has asserted his right under the Copyright, Designs
and Patents Act 1988 to be identified as the author of this work
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First published with the title Djup by Leopard Förlag, Stockholm
First published in Great Britain in 2006 by Harvill Secker
Vintage
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ISBN: 9781407017532
Version 1.0
PART I
The Secret Affinity with Leads
CHAPTER 1
They used to say that when there was no wind the cries of the lunatics could be heard on the other side of the lake.
Especially in autumn. The cries belonged to autumn.
Autumn is when this story begins. In a damp fog, with the temperature hovering just above freezing, and a woman who suddenly realises that freedom is at hand. She has found a hole in a fence.
It is the autumn of 1937. The woman is called Kristina Tacker and for many years she has been locked away in the big asylum near Säter. All thoughts of time have lost their meaning for her.
She stares at the hole for ages, as if she does not grasp its significance. The fence has always been a barrier she should not get too close to. It is a boundary with a quite specific significance.
But this sudden change? This gap that has appeared in the fence? A door has been opened by an unknown hand, leading to what was until now forbidden territory. It takes a long time for it to sink in. Then, cautiously, she crawls through the hole and finds herself on the other side. She stands, motionless, listening, her head hunched down between her tense shoulders, waiting for somebody to come and take hold of her.
For all the twenty-two years she has been shut away in the asylum she has never felt surrounded by people, only by puffs of breath. Puffs of breath are her invisible warders.
The big, heavy buildings are behind her, like sleeping beasts, ready to pounce. She waits. Time has stood still. Nobody comes to take her back.
Only after prolonged hesitation does she take a first step, then another, until she disappears into the trees.
She is in a coniferous forest There is an acrid smell, reminiscent of rutting horses. She thinks she can make out a path. She makes slow progress, and only when she notices that the heavy breathing which surrounded her in the asylum is no longer there can she bring herself to turn round.
Nothing but trees on every side. She does not worry about the path having been a figment of her imagination and no longer discernible, as she is not going anywhere in particular. She is like scaffolding surrounding an empty space. She does not exist. Within the scaffolding there has never been a building, or a person.
Now she is moving very quickly through the forest, as if she did have an objective beyond the pine trees after all. From time to time she stands, stock-still, as if by degrees turning into a tree herself.
Time does not exist in the forest. Only trunks of trees, mostly pine, the occasional spruce, and sunbeams tumbling noiselessly to the damp earth.
She starts trembling. A pain comes creeping under her skin. At first she thinks it is that awful itchy feeling that affects her sometimes and forces the warders to strap her down to prevent her from scratching herself raw. Then it comes to her that there is another reason for her trembling.
She remembers that, once upon a time, she had a husband.
She has no idea what has prompted that memory. But she recalls very clearly having been married. His name was Lars, she remembers that. He had a scar over his left eye and was twenty-three centimetres taller than she was. That is all she can remember for the moment. Everything else has been repressed and banished into the darkness that fills her being.
But her memory is reviving. She stares round at the tree trunks in confusion. Why should she start thinking about her husband just here? A man who hated forests and was always drawn to the sea? A midshipman, and eventually a hydrographic survey engineer with the rank of Commander, employed on secret military missions?
The fog starts to disperse, melting away.
She stands rooted to the spot. A bird takes off, clattering somewhere out of sight. Then all is silent again.
My husband, Kristina Tacker thinks. I once had a husband, our lives were intertwined. Why do I remember him now, when I have found a hole in the fence and left all those watchful predators behind?
She searches her mind and among the trees for an answer.
There is none. There is nothing.
CHAPTER 2
Late in the night the warders find Kristina Tacker.
It is frosty, the ground creaks under their feet. She is standing in the darkness, not moving, staring at a tree trunk. What she sees is not a pine tree but a remote lighthouse in a barren and deserted archipelago at the edge of the open sea. She scarcely notices that she is no longer alone with the silent tree trunks.
That day in the autumn of 1937 Kristina Tacker is fifty-seven years old. There is a trace of her former beauty lingering in her face. It is twelve years since she last uttered a word. Her hospital records repeat the phrase, day after day, year after year:
The patient is still beyond reach.
That same night: it is dark in her room in the rambling mental hospital. She is awake. A lighthouse beam sweeps past, time after time, like a silent tolling of light inside her head.
CHAPTER 3
Twenty-three years earlier, also on an autumn day, her husband was contemplating the destroyer Svea, moored at the Galärvarv Quay in Stockholm. Lars Tobiasson-Svartman was a naval officer and cast a critical eye over the vessel. Beyond her soot-stained funnels he could make out Kastellet and Skeppsholm Church. The light was grey, forcing him to screw up his eyes.
It was the middle of October 1914, the Great War had been raging for exactly two months and nineteen days. Lars Tobiasson-Svartman did not have unqualified faith in these new armoured warships. The older wooden ships always gave him the feeling of entering a warm room. The new ones, with hulls comprising sheets of armour-plating welded together, were cold rooms, unpredictable rooms. He felt deep down that these vessels would not allow themselves to be tamed. Beyond the coal-fired steam engines or the new oil-driven ones were other forces that could not be controlled.
Now and then came a gust of wind from Saltsjön.
* * *
He stood by the steep gangplank, hesitating. It made him feel confused. Where did this insecurity come from? Ought he to abandon his voyage before it had even begun? He searched for an explanation, but all his thoughts had vanished, swallowed up by a bank of mist sweeping along inside him.
A sailor hurried down the gangplank. That brought Tobiasson-Svartman down to earth. Not being in control of himself was a weakness it was essential to conceal. The rating took his suitcases, his rolled-up sea charts and the brown, specially made bag containing his most treasured measuring instrument. He was surprised to find that the rating could manage all the cumbersome luggage without assistance.
The gangplank swayed under his feet. He could just mak
e out the water between the quay and the hull of the ship, dark, distant.
He thought about what his wife had said when they said goodbye in their flat in Wallingatan.
'Now you're embarking on something you've been aching to do for so long.'
They were standing in their dimly lit hall. She had intended to accompany him to his ship before saying goodbye, but as she started to put on her gloves she hesitated, just as he had done at the foot of the gangplank.
She did not explain why the leave-taking had suddenly become too much for her. That was not necessary. She did not want to start crying. After nine years of marriage he knew it was harder for her to let him see her crying than to be naked before him.
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