Inside his apartment he unfolded the coat and draped it over the back of a chair. Hideous indeed, and spotted in places with blood. He opened a bottle of wine and sat at his table with bread and cheese and ate, and watched the coat as if he thought it might suddenly leap up and run about the room. He discovered that what he had hated before about the coat, he still hated, but now the sight of it gave him pleasure with the memory of his deed, and the blood on it sweetened his thoughts.
His own father had worn a coat not too unlike that. It suddenly came to him, and the sweetness he had experienced soured somewhat. He thought of his father, the poor old bastard, working the fields and coming home covered in sod, the old coat stained with the dirt of the fields, the same dirt under the old man’s fingernails. And his mother, and himself, they had never worn anything but rags. No fashion there. None at all.
But through hard work and part-time jobs, he had finished school and finished his studies at the University, and gone on to study fashion. He found he was quite good at design, and as he became known, and was able to distance himself from his past; he changed his past. He made up his former life, and it was a better one than the one he had actually experienced. Cut himself off from his father and mother and their little dirt farm, and when he heard that the both of them had died, and were buried not far from where his father had turned up the dirt to plant the potatoes and the like, well, he only felt a minor pang of regret. He dove deeper into his work, deeper into design, deeper into fashion, until he hardly remembered his old self at all.
Though that coat, that damnable coat had reminded him. That was it. That was the whole matter of the thing. He had been reminded of his own father, not a tailor, but a farmer, a man for whom fashion did not exist, a man of the earth, a man with dirt under his nails. And his mother, always tired, always frumpy, a face that makeup had not touched, a back that had never felt the softness of silk. He tried not to think of the shapeless clothing he had once worn. Or the coat his father had worn, not too unlike that ugly thing on the back of the chair, a coat perhaps made by the very tailor who had made this. Tailor, a man who could design such a wart on the art of fashion should call himself a butcher, not a tailor.
By the time he went to bed, James felt quite pleased with himself. A man divorced from his old life, a man who had struck a blow for grace and poise, and the wearing of better material.
He lay in bed for awhile, ran the incident over and over in his head, and finally he turned to a book, lay in bed with the reading light behind him, but the words did not form thoughts, they were merely bugs that danced on the page.
Finally, he put the book aside and turned off the light, slowly drifted into sleep.
Until the noise.
It echoed from somewhere distant, and then the echo grew and thundered, and he sat up, only to find that it was raining and that thunder was banging and lightning was jumping, and a very cool and pleasant wind was slipping through his open window, making the curtains flap like gossip tongues. He slipped out of bed and went to the window, stuck his head out of it and looked down at the dark and empty street. He felt rain on his neck. He pulled back inside, considered closing the window, but decided against it. It was too hot to have the window closed. He hoped that the rain would soon pass, and with it the flashing of lightning and the rolling of thunder.
On his way back to bed, just as he passed the chair over which the coat was draped, he felt himself brush against the sleeve of the coat. He jerked away from it as if it were a serpent that had tried to coil itself around his wrist.
Glancing at the coat, he was surprised to find that the sleeves were hanging loose, and in fact, nothing was touching him but the sleeve of his own pajama top. He had felt certain that out of the corner of his eye he had seen the coat move, and that what he had felt was not the fine softness of his personally designed pajamas, but the coarseness of the coat.
He climbed back in bed, lay with his head propped up on his pillows, and studied the coat in the flashes of the lightning. When the lightning lit things up, it was as if the coat moved, a kind of strobe effect.
“Of course,” he said to himself. “That’s it. That’s what it was. An illusion. “
But that didn’t keep him from thinking about the touch on his wrist. He pushed himself down into his covers, like a product being dropped into a bag, and tried to sleep, and did, for a while.
He awoke to a rough feeling on his body. It was as if he were wearing the coat. He rose up quickly, kicking back the covers, only to find that he was in his pajamas, and that the coat was still in its place; one of the sleeves however had been blown by the wind and now it lay in the seat of the chair as if resting an invisible hand in an invisible lap.
James pulled off his pajama top and tossed it on the floor. Tomorrow he would throw the thing away. It had somehow grown stiff, perhaps in the wash, starch or some such thing. Fine pajamas were never to have starch. Fine cloth of any kind was never to have starch. He would have to speak to the maid about how she did laundry.
Punching his pillows, propping one on top of the other, he put his back to the headboard, and watched the lighting in the window, listened to the rain and the thunder, and then the coat moved.
James jerked his head to the chair. The coat sleeve that had been lying in the seat of the chair had fallen off to the side again. The wind, most likely, but it made him think of the man he had killed, how it had looked on the man as he walked, how it had been caught up in the wind, how the lapels had flapped, how the length of it had blown back behind him. He thought too of the man’s father, the poor tailor, working away to make himself a coat, and how he had proudly passed the horrible item onto his son, and then he thought of his own father, and his similar coat, and how it had been caked with dirt, and how the old man had had dirt beneath his nails, and then he thought of his worn-out mother, and how they had died, without him, out there on that god-forsaken property, and how they lay beneath that dirt, the grit of it seeping into their coffins and onto their ivory grins. He closed his eyes, saw the young man who had owned the coat falling down the stairs, remembered how he had stood on the steps, his hands out in front of him, frozen in position after the act.
The wind picked up and the sleeves of the coat were lifted and they flapped dramatically. James felt a cold chill wrap itself around him, and he knew it was not caused by the wind, and he knew then why he had pushed the man, and why he had taken the coat, because the coat had belonged to him; it was the sort of coat he had been born to wear. He had ran from such a thing all his life, but it was his burden, this coat, and it was his past, and it was his. The coat that should lie on his back, the sleeves that should hang on his arms.
The wind blew harder and the rain came in the window with it. The coat, perhaps caught on the wind, stirred, then seemed to leap off the chair, across the bed, and flapped around James, the sleeve of it catching about his neck.
James leaped from bed, screamed, ran wildly, tripped over a foot stool, clambered to his feet, slammed into a wall. The sleeve was tight around his neck, and the rest of the coat lay against his skin, and it was coarse, so coarse. It was his life, this coarse coat, and it wanted him in it, wanted him to claim what he deserved.
He charged into the chair at the foot of the bed, and stumbled over it, fell toward the window, hit it with tremendous force, went through head first, toward the street below, and then he was jerked upwards, his head snapping back, and then the rough, workingman’s sleeve squeezed tight against his throat and stole his breath.
Next morning, bright and early, a homeless man discovered him and pointed up, alerted others. The police came, gave him a look see. The sleeve of the coat was wrapped tight about his neck, had practically tied itself, and the rest of it had caught on a nail in the window, and though the coat had torn severely, the sturdiness of the material maintained, leaving James to hang there in his pajama bottoms which he had soiled in death.
It was most unfashionable.
THE COMPANION
by Joe, Keith, and Kasey Jo Lansdale
They weren't biting.
Harold sat on the bank with his fishing pole and watched the clear creek water turn dark as the sunlight faded. He knew he should pack up and go. This wonderful fishing spot he'd heard about was a dud, but the idea of going home without at least one fish for supper was not a happy one. He had spent a large part of the day before bragging to his friends about what a fisherman he was. He could hear them now, laughing and joking as he talked about the big one that got away.
And worse yet, he was out of bait.
He had used his little camp shovel to dig around the edge of the bank for worms. But he hadn't turned up so much as a grub or a doodlebug.
The best course of action, other than pack his gear on his bike and ride home, was to cross the bank. It was less wooded over there, and the ground might be softer. On the other side of the creek, through a thinning row of trees, he could see an old farm field. There were dried stalks of broken-down corn and tall dried weeds the plain brown color of a cardboard box.
Harold looked at his watch. He decided he had just enough time to find some bait and maybe catch one fish. He picked up his camp shovel and found a narrow place in the creek to leap across. After walking through the trees and out into the huge field, he noticed a large and odd-looking scarecrow on a post. Beyond the scarecrow, some stretch away, surrounded by saplings and weeds, he saw what had once been a fine two-story farmhouse. Now it was not much more than an abandoned shell of broken glass and aging lumber.
As Harold approached the scarecrow, he was even more taken with its unusual appearance. It was dressed in a stovepipe hat that was crunched and moth-eaten and leaned to one side. The body was constructed of hay, sticks, and vines, and the face was made of some sort of cloth, perhaps an old tow sack. It was dressed in a once expensive evening jacket and pants. Its arms were outstretched on a pole, and poking out of its sleeves were fingers made of sticks.
From a distance, the eyes looked like empty sockets in a skull. When Harold stood close to the scarecrow, he was even more surprised to discover it had teeth. They were animal teeth, still in the jawbone, and someone had fitted them into the cloth face, giving the scarecrow a wolflike countenance. Dark feathers had somehow gotten caught between the teeth.
But the most peculiar thing of all was found at the center of the scarecrow. Its black jacket hung open, its chest was torn apart, and Harold could see inside. He was startled to discover that there was a rib cage, and fastened to it by a cord was a large faded valentine heart. A long, thick stick was rammed directly through that heart.
The dirt beneath the scarecrow was soft, and Harold took his shovel and began to dig. As he did, he had a sensation of being watched. Then he saw a shadow, as if the scarecrow were nodding its head.
Harold glanced up and saw that the shadow was made by a large crow flying high overhead. The early rising moon had caught its shape and cast it on the ground. This gave Harold a sense of relief, but he realized that any plans to continue fishing were wasted. It was too late.
A grunting noise behind him caused him to jump up, leaving his camp shovel in the dirt. He grabbed at the first weapon he saw - the stick jammed through the scarecrow. He jerked it free and saw the source of the noise - a wild East Texas boar. A dangerous animal indeed.
It was a big one. Black and angry-looking, with eyes that caught the moonlight and burned back at him like coals. The beast's tusks shone like wet knives, and Harold knew those tusks could tear him apart as easily as he might rip wet construction paper with his hands.
The boar turned its head from side to side and snorted, taking in the boy's smell. Harold tried to maintain his ground. But then the moonlight shifted in the boar's eyes and made them seem even brighter than before. Harold panicked and began running toward the farmhouse.
He heard the boar running behind him. It sounded strange as it came, as if it were chasing him on padded feet. Harold reached the front door of the farmhouse and grabbed the door handle. In one swift motion, he swung inside and pushed it shut. The boar rammed the door, and the house rattled like dry bones.
The door had a bar lock, and Harold pushed it into place. He leaped back, holding the stick to use as a spear. The ramming continued for a moment, then everything went quiet.
Harold eased to a window and looked out. The boar was standing at the edge of the woods near where he had first seen it. The scarecrow was gone, and in its place there was only the post that had held it.
Harold was confused. How had the boar chased him to the house and returned to its original position so quickly? And what had happened to the scarecrow? Had the boar, thinking the scarecrow was a person, torn it from the post with its tusks?
The boar turned and disappeared into the woods. Harold decided to give the animal time to get far away He checked his watch, then waited a few minutes. While he waited, he looked around.
The house was a wreck. There were overturned chairs, a table, and books. Near the fireplace, a hatchet was stuck in a large log. Everything was coated in dust and spider webs, and the stairs that twisted up to the second landing were shaky and rotten.
Harold was about to return to his fishing gear and head for the bike when he heard a scraping noise. He wheeled around for a look. The wind was moving a clutch of weeds, causing them to scrape against the window. Harold felt like a fool. Everything was scaring him.
Then the weeds moved from view and he discovered they weren't weeds at all. In fact, they looked like sticks... or fingers.
Hadn't the scarecrow had sticks for fingers?
That was ridiculous. Scarecrows didn't move on their own.
Then again, Harold thought as he looked out the window at the scarecrow's post, where was it?
The doorknob turned slowly. The door moved slightly, but the bar lock held. Harold could feel the hair on the back of his neck bristling. Goose bumps moved along his neck and shoulders.
The knob turned again.
Then something pushed hard against the door. Harder.
Harold dropped the stick and wrenched the hatchet from the log.
At the bottom of the door was a space about an inch wide, and the moonlight shining through the windows made it possible for him to see something scuttling there - sticks, long and flexible.
They poked through the crack at the bottom of the door, tapped loudly on the floor, and stretched, stretched, stretched farther into the room. A flat hand made of hay, vines, and sticks appeared. It began to ascend on the end of a knotty vine of an arm, wiggling its fingers as it rose. It climbed along the door, and Harold realized, to his horror and astonishment, that it was trying to reach the bar lock.
Harold stood frozen, watching the fingers push and free the latch.
Harold came unfrozen long enough to leap forward and chop down on the knotty elbow, striking it in two. The hand flopped to the floor and clutched so hard at the floorboards that it scratched large strips of wood from them. Then it was still.
But Harold had moved too late. The doorknob was turning again. Harold darted for the stairway, bolted up the staircase. Behind him came a scuttling sound. He was almost to the top of the stairs when the step beneath him gave way and his foot went through with a screech of nails and a crash of rotten lumber.
Harold let out a scream as something grabbed hold of the back of his coat collar. He jerked loose, tearing his jacket and losing the hatchet in the process. He tugged his foot free and crawled rapidly on hands and knees to the top of the stairs.
He struggled to his feet and raced down the corridor. Moonlight shone through a hall window and projected his shadow and that of his capering pursuer onto the wall. Then the creature sprang onto Harold's back, sending both of them tumbling to the floor
They rolled and twisted down the hallway. Harold howled and clutched at the strong arm wrapped around his throat. As he turned over onto his back, he heard the crunching of sticks beneath him. The arm loosened its grip, and Harold was able
to free himself. He scuttled along the floor like a cockroach, regained his footing, then darted through an open door and slammed it.
Out in the hall he heard it moving. Sticks crackled. Hay swished. The thing was coming after him.
Harold checked over his shoulder, trying to find something to jam against the door, or some place to hide. He saw another doorway and sprinted for that. It led to another hall, and down its length were a series of doors. Harold quickly entered the room at the far end and closed the door quietly. He fumbled for a lock, but there was none. He saw a bed and rolled under it, sliding up against the wall where it was darkest.
The moon was rising, and its light was inching under the bed. Dust particles swam in the moonlight. The ancient bed smelled musty and wet. Outside in the hall, Harold could hear the thing scooting along as if it were sweeping the floor. Scooting closer.
A door opened. Closed.
A little later another door opened and closed.
Then another.
Moments later he could hear it in the room next to his. He knew he should try to escape, but to where? He was trapped. If he tried to rush out the door, he was certain to run right into it. Shivering like a frightened kitten, he pushed himself farther up against the wall, as close as possible.
The bedroom door creaked open. The scarecrow shuffled into the room. Harold could hear it moving from one side to the other, pulling things from shelves, tossing them onto the floor, smashing glass, trying to find his hiding place.
Rare Lansdale Page 11