Kiss of Broken Glass

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Kiss of Broken Glass Page 1

by Kuderick,Madeleine




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  Advance Reader’s e-proof

  courtesy of HarperCollins Publishers

  This is an advance reader’s e-proof made from digital files of the uncorrected proofs. Readers are reminded that changes may be made prior to publication, including to the type, design, layout, or content, that are not reflected in this e-proof, and that this e-pub may not reflect the final edition. Any material to be quoted or excerpted in a review should be checked against the final published edition. Dates, prices, and manufacturing details are subject to change or cancellation without notice.

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  CONTENTS

  Cover

  Disclaimer

  Title

  Dedication

  Tuesday 3:22 p.m.

  A Pruned-up Old Nurse Comes Over

  And Here’s the Other Thing You Need to Know about the Baker Act

  On My Way to the Ward

  When the Door Opens

  Then

  But I Guess that Figures

  Instead

  Inside the Ward

  The Whole Time I’m Getting Ready for Bed

  I’m Having a Nightmare

  Wednesday 8:00 a.m.

  Have You Ever Tried to Quit?

  A Girl Peeps Up from across the Room

  Skylar Flits Out of Her Seat

  I Get Thirty Minutes of Free Time

  Day Nurse Flaps Her Big Bullhorn Lips

  Room Check

  Drawing for Distraction

  I Decide to Draw Instead

  My Favorite Place at School

  If Only

  Oh, and by the Way

  One Phone Call a Day

  Sometimes I Wish Dad Wasn’t So Clueless

  Dad Used To Have A Little Superman In Him

  That Was the Last Time

  At Least Sean Still Has Dreams

  Wednesday 11:30 a.m.

  Wednesday After Lunch

  Which One Did You Pick?

  She Notices Me Staring

  Rennie

  Six Months Later

  And Then

  Afterward

  I Guess That’s Why I Picked the Word

  Wednesday 3:22 p.m.

  Donya Catches Me in the Hallway

  Speaking of Being Screwed

  I Wonder What Rennie Thinks

  If Sean Was a Shape

  Wednesday 4 p.m.

  Tap, Tap, Tap . . .

  Waiting and More Waiting

  It’s Almost Time

  Visiting Hour

  Deep, Dark Secret

  And That Makes It a Billion Times Worse

  But at Least I’m Not an Idiot

  By the Time My Mother Leaves

  Skylar Notices Me

  Skylar Shows Me Her Poem

  Jag is Sitting on the Windowsill Nearby

  Donya’s Staring at the Moon Too

  Jag Hops off the Window Sill

  Lights Out

  My Dream on the Second Night

  Dreams Are Just a Body’s Way of Sorting Things Out

  Thursday 7:16 a.m.

  Skylar’s Nervous Breakdown

  There’s So Much Drama

  Before Group Therapy

  The Three C’s of Addiction

  What I Find in Skylar’s Empty Room

  The Rubber Room

  I Need to Chill

  My One Phone Call

  Shower Escape

  All I Want To Do

  Ten Things Rennie Never Told Me

  Bullhorn Brings a Tray to My Room

  As If Things Weren’t Bad Enough

  Some Friend I Am

  I Hate It When People Say

  Roger Must Have Some Kind of Radar

  Things to Do Instead of Cutting

  How Did You Do It?

  Thing to Do #826

  Ding Dong Tells Me—No Visitors Today

  Small Talk

  Skylar’s Being Transferred

  Skylar’s Confession

  There’s a Battle Going On inside My Head

  Before Bed, I Make Two Lists

  Five Facts that Prove I’m Not Addicted

  Five Reasons That’s Total Bullshit

  First Prayer in Forever

  My Dream on the Third Night

  I Wake Up

  Friday 8 a.m.

  Jag Says He Doesn’t Have Much Choice

  It’s So Empty

  One Hour Before

  Five Minutes Before

  The Family Meeting

  It All Comes down to This

  Friday 3:22 p.m.

  Resources

  Acknowledgements

  About the Author

  Author’s Notes

  Copyright

  About the Publisher

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  DEDICATION

  To everybody out there

  who is aching for the kiss

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  Tuesday 3:22 p.m.

  So here’s the thing about being Baker Acted.

  You lose everything—

  your belt,

  your shoelaces,

  the perfume bottles in your purse.

  They take it all away in the emergency room

  and make you sit in the aisle with a box of Kleenex

  and a gown that doesn’t close in the back.

  There’s nothing to do except watch the clock

  on the wall and wonder how pissed your mom’s

  gonna be when she gets there.

  Tick.

  Tick.

  Tick.

  A cop guards you the whole time,

  picks his teeth with a toothpick,

  scratches his dandruff,

  stares at you like a real creeper.

  He talks about you too,

  like you’re not even there.

  To the nurses and orderlies.

  “They caught her in the school bathroom,” he says,

  “using a blade from her pencil sharpener.”

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  A Pruned-up Old Nurse Comes Over

  She looks at your wrists and ankles

  and the places high on your hips

  where it’s easy to hide the dark cut lines

  even when you’re wearing short-shorts.

  She’s holding a sheet of paper,

  with an outline on it,

  like a paper doll with no clothes.

  She marks up the paper doll

  with her fine-point Sharpie,

  across the wrists,

  through the ankles,

  on each hip.

  Slash.

  Slash.

  Slash.

  You watch that nurse,

  and while you’re watching

  you wish a thousand times

  that you’d just waited till you got home

  instead of doing it at school where that

  Two-Face Tara caught you by the sink—

  red drops running down the drain.

  You think about the tap of Tara’s heels

  as she ran to get M
r. Lane and the whoosh

  of the bathroom door as he shoved it open wide,

  and the look on faces peeking from the hallway—

  smirking,

  mouthing,

  busted!

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  And Here’s the Other Thing

  You Need to Know about the Baker Act

  Even if

  the principal promises

  you’ll be home before dinner—

  Even if

  the guidance counselor says

  they’ll release you right after the ER—

  Even if

  your teary-eyed mother rushes in

  and begs the doctor not to admit you—

  “She’s only fifteen for heaven’s sake!”

  It doesn’t matter.

  You’re not going anywhere.

  They’re gonna lock you up,

  in a psych ward

  for 72 hours.

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  On My Way to the Ward

  Creeper clamps his hand on my elbow,

  and it feels rough and prickly as steel wool.

  He swipes his badge through keyless locks

  and steers me down a pale green hall

  where everything smells like fake pine,

  and the lights that flicker all look gray.

  Then we stop.

  It takes half a century for the elevator

  doors to open and the whole time we’re

  waiting I have to lean away so Creeper’s

  disgusting chunks of dandruff don’t

  flake off on me.

  Inside the elevator it’s smaller than a

  coffin and even though I’ve never been

  claustrophobic before, this torpedo of

  panic launches in my chest and I try to

  yank my arm away and say,

  Get your freaking hands off me!

  But instead, this stupid sob spills out

  and a tear rolls down my cheek,

  and there’s nothing I can do but

  stand there in that flimsy gown

  with all my feelings hanging out.

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  When the Door Opens

  I see a sign overhead:

  Adler Boyce Pediatric Stabilization Facility

  Someone’s scribbled on the wall:

  Attaboys Prehistoric Sycho Farm

  Creeper pushes an intercom button.

  “New patient,” he grunts. “Kenna Keagan.”

  An old woman comes out,

  white hair in a bun,

  lips tight,

  shoulders stiff.

  She nods at Creeper

  and signs for me on the dotted line

  like I’m a package being delivered by UPS.

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  Then

  I step into the ward.

  I thought it was gonna look like jail inside,

  with steel bars and silver toilets.

  But it doesn’t.

  It’s all rainbows and angelfish instead,

  painted on the turquoise walls,

  glued to the ceiling,

  just like kindergarten.

  And right away I think,

  it’s a good thing Avery can’t see me now.

  This is just the kind of thing my older sister

  likes to shove in my face to prove that she’s superior.

  That—

  and the way she looks like

  a runway model even in sweatpants.

  That—

  and the fact she aces every test

  with her freakazoid memory.

  That—

  and the promise that someday

  she’ll score 2,400 on her SAT,

  go to Harvard,

  and win the Miss Universe Pageant,

  while I stay home and scoop out

  my basic B existence

  like the plain vanilla,

  no topping,

  community-college material

  that I am.

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  But I Guess that Figures

  Because Avery’s only my half sister.

  Her dad was some kind of med-school prodigy

  who graduated from Johns Hopkins

  and probably would’ve discovered

  the cure for cancer if he hadn’t died.

  My dad’s just the backup dad.

  The one Mom married afterward

  so she wouldn’t lose the house on Long Boat Key.

  He’s an accountant for PwC, which means

  he makes good money doing boring stuff

  and is hardly ever home.

  But I remember this one time

  when Dad’s client was in Chicago,

  he brought me and my little brother, Sean, with him

  to the top of the Sears Tower—103 floors up.

  We climbed into this solid glass skybox

  and Sean giggled and danced on the invisible floor.

  “Look at me,” he shouted. “I’m walking on air!”

  And for a minute, I felt like I was too.

  We gazed out over the city

  where the blue sky meets Lake Michigan

  and the sun reflects between buildings

  like a cat’s cradle of light.

  Then my dad knelt down

  and pointed toward Lakeshore Drive

  and I wanted so badly for him to say,

  “See that building?

  The one over there?

  That’s our new home.

  Just for me and you and Sean.”

  Then we’d be so overjoyed

  we’d turn into kites

  and we’d glide down 1,353 feet

  into our new lives.

  But that’s not what happened.

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  Instead

  Dad muttered something like,

  “Too bad your mother and Avery missed this.”

  Then a cloud passed across the sun

  and the city grew suddenly gray

  and the cat’s cradle fizzled like

  a spent candlewick.

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  Inside the Ward

  The nurse who works night shift

  waves me over to the counter

  with her roly-poly arms.

  She’s eaten way too many Ding Dongs.

  “You’re in three B with Donya,” she says.

  “But don’t you act like that rotten girl.

  Not if you want to get outta here.”

  I see a purple Mohawk poke out of the bedroom

  followed by Donya’s pale blue eyes.

  She waits for Ding Dong to turn her back

  then flicks her middle fingers,

  two at once,

  double-barreled.

  Donya’s the kind of girl I like right away.

  She slips down the hall and I follow her

  to a room where kids are squished in beanbag chairs

  watching a flat-screen TV bolted behind thick plastic.

  They turn to look at me and
I can feel their eyes

  crawling on my skin like red ants,

  measuring,

  judging,

  labeling,

  just like at school.

  The Donya pulls me aside

  and tells me how she’s been

  committed five times

  and that the Baker Act

  is a giant Epic Fail

  just like everything else in Florida.

  “I can’t wait till I’m eighteen,” she says.

  “So I can ditch this moron state.”

  I ask her why she’s here—at Attaboys,

  and she gives me one of those

  zigzag answers that don’t say anything specific.

  Just that she hates life.

  In general.

  “You can see how that’s a problem, right?” she says.

  Then she tells me how easy it is

  to hide your feelings around here.

  “All you gotta do is pretend to be happy.

  These Sunshine Suckers eat it up.”

  Then she tells me to say:

  Yes

  I’ll eat their slimy green Jell-O.

  No

  I don’t mind sharing my life story

  with total strangers.

  Yes

  I’m feeling so much better now.

  No

  I’ve never heard voices.

  She looks at the bandages on my arm.

  “And for God’s sakes,

  don’t say anything stupid

  like algebra homework

  makes you want to kill yourself.

  Not even as a joke.

  There’s no jokes in here.

  Just reasons for them to keep you longer.”

  Donya shuts up and motions toward the door.

  The night nurse is walking in.

  “Lights out, my little bandulus,” Ding Dong says.

  And it’s kind of sick,

  but everyone gets up,

  without saying a word,

  and we follow her down the hall.

  Like the good little Baker Actors that we are.

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  The Whole Time I’m Getting Ready for Bed

  Ding Dong stands in the doorway

 

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