But nursery reminiscences would not do. Zacharias’s countenance wore a stubborn look with which Sir Stephen was intimately familiar. So had Zacharias frowned when he was four, and did not wish to eat his porridge. So he looked now, twenty years later, when prevented from doing what he believed to be right.
“I might be persuaded to release you from your promise, if you agreed to tell Maria of your complaint,” said Sir Stephen. “She might be able to help relieve your distress.”
“My complaint is not such as any mortal can remedy,” said Zacharias, but he said no more. His battle was lost, as Sir Stephen knew it would be the moment he referred to Zacharias’s illness. That was an aspect of the secret of Sir Stephen’s death that Zacharias would not willingly speak of, however highly he valued honesty.
Zacharias proceeded to busy himself with preparations for the next day’s work, as though he had not already begun to feel unwell—a pretence that would not have deceived Sir Stephen even before he possessed the intuition of the dead.
“Does it hurt you much?” said Sir Stephen.
“Not much,” said Zacharias. This line of inquiry made him uneasy, and when he spoke again it was to divert the conversation:
“Do you have any notion what Edgeworth desires of me on Wednesday?”
It was not necessary to explain to Sir Stephen anything that had happened, now that he hovered between the mortal and celestial realms. He seemed to know every detail of Zacharias’s days as well as Zacharias did himself.
“I expect he will want a spell,” said Sir Stephen. “It will be some outrageous overturning of nature that he wants—a tripling of the Navy’s ships, or the undoing of some military reversal. The Government can never ask for a simple chantment—an illumination, say, or a glamour to enable Members of Parliament to doze unnoticed in the Commons.”
“I shall have to decline to assist, then,” said Zacharias. He paused, glancing sideways at Sir Stephen. “What ought I to say to him? The Government has habitually overestimated our powers, but it cannot be wished that it should be disabused of its notions of our abilities.”
“No, indeed!” said Sir Stephen. “No monarch has ever liked a sorcerer, and it is only wariness of how we might revenge ourselves for any incivility that has kept our Government in line. It is a delicate point, and will require finesse.”
But he cast a knowing look at Zacharias, who had assumed an ingenuous air of attention.
“Very well!” said Sir Stephen. “You know I like nothing so well as to be asked my opinion. But mark, Zacharias, your reprieve is but temporary. I shall not forget our quarrel!”
Praise for the Invisible Library series
‘I absolutely loved this . . . flavoured with truly unique mythology and a dash of the eldritch. Such clever, creepy, elaborate worldbuilding’
N. K. Jemisin
‘Brilliant and so much fun. Skulduggery, Librarians, and Dragons – Cogman keeps upping the ante on this delightful series!’
Charles Stross
‘Cogman fills a captivating story with animated characters and propels the narrative at a cracking pace, planting perfectly timed plot twists and reversals of fortune along the way’
Guardian
‘Written in a similar vein to Deborah Harkness’s All Souls trilogy . . . Contemporary meets fairy-tale in this novel’
Big Issue
‘Cogman’s writing is fresh, with a rich tonality ranging from the whimsical and witty to the suspenseful . . . the story is buoyed by the fast action scenes, and readers will be fascinated by the ever-growing complexities of Cogman’s world’
Publishers Weekly
‘The Masked City is a joy to read and Cogman makes it look effortless. She knows her characters, understands how to pace the action and the world she has built is intricate and compelling . . . an adventurous, fun and exhilarating read that will leave you immediately wanting the next instalment’
SciFiNow
‘Surrender to the sheer volume of fun that appears on every page . . . thoroughly entertaining’
Starburst
‘This excellent series has traces of the satire of Terry Pratchett, the breadth of imagination of Jasper Fforde, and the wonderful ability of Neil Gaiman to mix reality and fantasy in one satisfying whole, but make no mistake: it feels in all senses original and engrossing’
The Book Bag
‘If you’re looking for a swift, clever and witty read, look no further’
Fantasy Faction
‘One of those rare fantasies that seems to arrive fully formed within the first few pages of the book . . . Irene herself is a fantastic central character, a capable, intelligent female lead who seems to have one of the best, if dangerous, jobs in fiction’
Den of Geek
‘The author writes with a speed and verve that keeps you on the edge of your seat through a rollicking good adventure . . . The Burning Page is not only hard to put down, it’s hard to walk away from’
Fantasy Book Review
‘A book that was a sheer joy to spend time with . . . solid prose alongside great pace’
Falcata Times
‘An adventure story to delight the heart . . . The characters of Irene, her companion and those they encounter are vividly drawn, and the story moves along at breakneck speed to a thoroughly satisfying conclusion’
SciFi Bulletin
‘It’s fun. It’s packed with chaotic and dramatic adventures and is witty to boot’
Speculative Herald
Genevieve Cogman started on Tolkien and Sherlock Holmes at an early age, and has never looked back. But on a perhaps more prosaic note, she has an MSc in Statistics with Medical Applications and has wielded this in an assortment of jobs: clinical coder, data analyst and classifications specialist. She has also previously worked as a freelance roleplaying game writer. Her hobbies include patchwork, beading, knitting and gaming, and she lives in the north of England. The Secret Chapter is the sixth novel in her Invisible Library series.
By Genevieve Cogman
The Invisible Library
The Masked City
The Burning Page
The Lost Plot
The Mortal Word
The Secret Chapter
First published 2019 by Pan Books
This electronic edition first published 2019 by Pan Books
an imprint of Pan Macmillan
The Smithson, 6 Briset Street, London EC1M 5NR
Associated companies throughout the world
www.panmacmillan.com
ISBN 978-1-5290-0058-0
Copyright © Genevieve Cogman 2019
Cover Images © Shutterstock
The right of Genevieve Cogman to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.
You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damage.
A CIP catalogue record for this book is available from the British Library.
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