WMC - First to Die

Home > Literature > WMC - First to Die > Page 15
WMC - First to Die Page 15

by James Patterson


  Chapter 74

  I WAS DRIVING HOME, really pleased at having brought Jill into the group, but it didn't take long for the thought to worm its way in that I was still withholding from my friends. My beeper sounded. "What're you doin'?" Raleigh asked when I buzzed him back. "I was headed home. Beat." "You up for talking just a little? I'm at Mahoney's." Ma honey's was a dark, crowded bar near the Hall that was usually thick with off-duty cops. "Already ate," I told him. "Meet me anyway," Raleigh said. "It's about the case." I was only a few minutes away. Mahoney's was on Bran nan. To get to Potrero, I had to go right by it. I found myself a little nervous again. I was scared we were no longer playing things by the book. The book was, part255 ners didn't get involved. Nor people with their lives ebbing away. I knew that if I let things go, anything could happen. This wasn't some casual fling we could go at for a night and try to rationalize away the next day. As much as I wanted him, I was holding back. Scared to let it all come out. Of letting myself go. Of dragging him in. I was relieved when I saw Raleigh waiting for me outside the bar. He came up to my car. I couldn't help noticing that he looked good, as usual. "Thanks for not making me go in," I said. He leaned on the edge of my open window. "I looked into Nicholas Jenks," he said. "And?" "The guy's forty-eight. Went to law school but never finished. Started writing novels his first year. Wrote two books that didn't go anywhere. Then this twisted thriller, Crossed Wire, hit. "There's something you should know. Maybe seven years ago, give or take a few, cops were called out to his home in a domestic dispute." "Who made the call?" "His wife. His first wife." Raleigh leaned in closer. "I pulled up the report. First-on-the-scene described her as pretty beat-up. Bruises up and down her arms. Large bruise on her face." A thought flashed in my head- Merrill Shortley, on Kathy's boyfriend: He was into intense sex games. "Did the wife file?" I asked. Chris shook his head. "That's as far as it went. Never pressed charges. Since then, he's cashed in big-time. Six huge bestsellers. Movies, screenplays. New wife, too." "That means there's an old one out there who might be willing to talk." He had a satisfied expression on his face. "So, can I buy you a meal, Lindsay?" A hot bead of sweat burned a slow path down my neck. I didn't know whether to get out or stay in. I thought, If I got out… "Chris, I already ate. Had a commitment." "Jacobi." He grinned. He could always get me with that smile of his. "Sort of a women's thing, a group of us. We meet once a month. Go over our lives. You know, nanny problems, personal trainers, country homes. Affairs, things like that." "Anyone I know?" Raleigh raised his eyebrows. "Maybe one day I'll introduce you." We sort of hung there, my blood slowly throbbing in my chest. The hair on Raleigh's forearm gently grazed against mine. This was driving me insane. I had to say something. "Why'd you call me out here, Chris?" "Jenks," he replied. "I didn't tell you everything. We ran a firearms check on him with Sacramento." He looked at me with a glint in his eye. "He's got several registered. A Browning twenty-two-caliber hunting rifle, a Renfield thirty-thirty. A Remington forty-point-five." He was leading me on. I knew he had struck pay dirt. "There's also a Glock Special, Lindsay. Nineteen-ninety issue. Nine millimeter." A rush of validation shot through my veins. Chris frowned. "He has the weapon of choice, Lindsay. We we got to find that gun." I made a fist and brought it down against Raleigh's in triumph. My mind was racing. Sparrow Ridge, the phone calls,

  11 i

  now a Clock Special. It was all still circumstantial, but it was falling into place. "What're you doing tomorrow, Raleigh?" I asked with a smile. "Wide open. Why?" "I think it's time we talked to this guy face-to-face."

  Chapter 75

  HIGH ON THE CLIFFS above the Golden Gate Bridge, 20 El Camino del Mar was a stucco, Spanish-style home with an iron gate guarding the terra-cotta driveway. Red Beard lived here- Nicholas Jenks. Jenks's home was low, stately, surrounded by decoratively trimmed hedges and bright, blossoming azaleas. In the driveway's circle, there was a large iron sculpture, Bolero's Madonna and Child. "Fiction must be good." Raleigh let out a whistle, as we stepped up to the front door. We had made an appointment through Jenks's personal assistant to meet him at noon. I had been warned by Sam Roth not to come on too hard. A pleasant housekeeper greeted us at the door and took us back to a spacious sunroom, informing us that Mr. Jenks would be down in a short while. The lavish room seemed straight out of some designer magazine- with rich jacquard wallpaper, Oriental chairs, a mahogany coffee table, shelves of mementos and photographs. It opened onto a field stone patio overlooking the Pacific. I had lived in San Francisco all my life but never knew you could come home every night to this kind of spectacular view. While we waited, I examined photos arranged on a side table. Jenks with a series of well-known faces: Michael Douglas, the top guy from Disney, Bill Walsh from the 49ers. Others were with an attractive woman I took to be his new wife- sunny, smiling, strawberry-blond hair- in various exotic locations: beaches, skiing, a Mediterranean isle. In a silver frame, there was a four-by-six of the two of them in the center of an enormous lit-up rotunda. The dome of the Palace of Fine Arts. It was a wedding photo. It was then that Nicholas Jenks walked in. I recognized him immediately from his photographs. He was slighter than I had imagined. Trim, well-built, no more than five-ten, wearing an open white dress shirt over well-worn jeans. My eyes were drawn immediately to the reddish, gray-flecked beard. Red Beard, it's good to meet you, finally. "Sorry to put you off, inspectors," he said with an easy smile, "but I'm afraid I get cranky if I can't get my morning pages in." He held out his hand, noticing the photograph I was still holding. "A bit like the set of Marriage of Figaro, wasn't it? Myself, I would've gone for a small civil ceremony, but Chessy said if she could snare me in a tux, she'd never, ever doubt my commitment to her." I wasn't interested in being charmed by this man, but he was handsome and immediately in control. I could see what some women found attractive about him. He motioned us to the couch. "We were hoping," I said, "to ask you a few questions." "About the bride and groom killings… My assistant advised me. Crazy… terrible. But these acts, so incredibly desperate, cry out for at least a small measure of sympathy." "For the victims," I said, placing his wedding photograph back on the table. "Everyone always goes to the plight of the victims," Jenks said. "But it's what's inside the killer's head that puts cash in the account. Most people figure these acts are simply about revenge. The sick est kind of revenge… Or even subjugation, like most rapes. But I'm not so sure." "What's your theory, Mr. Jenks?" Chris asked. He made it sound as if he were a fan. Jenks held out a pitcher of iced tea. "Something to drink? I know it's a hot one, though I've been holed up in the study since eight." We shook our heads. I took a manila folder out of my bag and placed it on my lap. I remembered Cheery's admonition: "Keep it light. Jenks is a VIE You're not." Nicholas Jenks poured himself a tall glass of tea and went on. "From what I've read, these killings appear to be a form of rape, rape of innocence. The killer is acting in a way that no one can forgive. In the most sacred setting of our society. To me, these killings are the ultimate act of purification." "Unfortunately, Mr. Jenks," I said, ignoring his bullshit, "we didn't come up here seeking your professional advice. I have some questions related to these killings we'd like to run by you." Jenks sat back in his chair. He looked surprised. "You make that sound awfully official." "That's entirely up to you," I said. I took out a portable cassette tape player from my bag. "You mind if I turn this on?" He stared at me, his eyes shifting suspiciously, then he waved his hand as if it were of no concern. "So where I'd like to start, Mr. Jenks, is, these killings… Do you have any specific knowledge of any of the crimes other than what you've read in the papers?" "Knowledge?" Jenks took a breath, nominally reflecting. Then he shook his head. "No. None at all." "You read there was a third killing? Last week. In Cleveland." "I did see that. I read five or six papers every day." "And did you also read who the victims were?" "From Seattle, weren't they? One of them, I remember, was some kind of concert promoter." "The groom." I nodded. "James Voskuhl. The bride actually lived for a while in town, here. Her maiden name was Kath
y Kogut. Do either of those names mean anything to you?" "No. Should they?" "So you never met either of them? Any interest you had in this case was just like anyone's… morbid curiosity?" He fixed his eyes on me. "That's right. Morbid curiosity's my business." I opened my manila folder and took out the top photo. He was playing us, just as he had been playing us by leaving dead-ending clues along the way. I slid the photo across the table. "This might sharpen your memory," I said. "That's Kathy Kogut, the bride who was murdered the other night. The man next to her, I believe, is you."

  Chapter 76

  SLOWLY, RED BEARD PICKED UP THE PHOTO

  and stared at it. "It is me," he declared. "But the lady, though quite beautiful, I don't recognize. If I can ask, where's this picture from?" "The San Francisco opening of Crossed Wire." "Ah," he sighed, as if that classified something for him. I watched the gears in his brain start to shift for the right response. He was definitely smart, and a pretty good actor. "I meet a lot of people at these events. It's why I try to avoid them. You say this was that girl who was killed in Cleveland?" "We were hoping this was someone you might've remembered," I replied. Jenks shook his head. "Too many fans, not much appetite to meet them, even the really pretty ones, Inspector." "The price of fame, I imagine…" I took the photo back, thumbed it for a moment, then slid it back in front of him. "Nevertheless, I have to come back to this particular fan. I'm curious why she doesn't stick out for you. From all those other fans." I withdrew a copy of a Northwest Bell phone bill from my folder and handed it to him. On it were several highlighted calls. "This is your private number?" Jenks held the copy of the bill. His eyes dimmed. "It is." "She called you, Mr. Jenks. Three times in just the past few weeks. Once… here, I circled it for you, for twelve minutes only last week. Three days before she was married, then killed." Jenks blinked. Then he picked up the photo again. This time he was different: somber, apologetic. "Truth is, Inspector," he took a breath and said, "I was so, so sorry to hear what had taken place. She seemed, in the last month, so full of anticipation, hope. I was wrong to mislead you. It was foolish. I did know Kathy. I met her the night of the photo there. Sometimes, my fans are rather impressionable. And attractive. At times I, to my detriment, can be an impressionable man." I wanted to lunge across the table and rip Nicholas Jenks's impressionable face off. I was certain he was responsible for six vicious murders. Now he was mocking us, and the victims. Goddamn him. "So you're admitting," Raleigh interjected, "that you did have a relationship with this woman." "Not in the way you're insinuating," Jenks replied. "Kathy was a woman who hoped to satisfy her own vague artistic aspirations through an association with someone engaged in the act of creating. She wanted to write herself. It's not exactly brain surgery, but I guess if it was so damn easy we'd all have a book on the bestseller list, right?" Neither of us responded. "We spoke, maybe met, a few times over a few years. It never went beyond that. That's the truth." "Sort of mentoring?" Raleigh suggested. "Yes, that's right. Good choice of words." "By any chance" -- I leaned forward, no longer able to control my tone" were you mentoring Kathy in Cleveland last Saturday, the night she was killed?" Jenks's face turned granite like "That's ridiculous. What an inappropriate thing to say." I reached into the folder one more time, this time taking out a copy of the security photo of the killer arriving at the Hall of Fame. "This is a security photo from the night she was killed. Is that you, Mr. Jenks?" Jenks didn't even blink. "It might be, Inspector, if I had been there. Which I categorically was not." "Where were you last Saturday night?" "Just so I understand," he said, stonily, "are you suggesting I'm a suspect in these crimes?" "Kathy Kogut talked, Mr. Jenks." I glared at him. "To her sister. To her friends. We know how you treated her. We know she left the Bay Area to try to get away from your domination. We know things were going on between you right up to the wedding night." I wouldn't take my eyes off Jenks. There was nothing in the room but him and me. "I wasn't in Cleveland," he said. "I was right here that night." I ran the whole body of evidence by him. From the bottle of Clos du Mesnil left behind at the Hyatt, to his involvement in the real-estate trust that owned Sparrow Ridge Vineyards, to the fact that two of the murders had been committed with nine-millimeter guns and according to the state, he owned one. He laughed at me. "This is not what you're basing your assumptions on, I hope. "I got that champagne ages ago." He shrugged. "I don't even recall where it is." "You can locate it, I assume?" Raleigh asked, then explained that it was a sign of respect that we were asking him to turn it over voluntarily. "Would you mind supplying us with a hair sample from your beard?" I asked. "What!" His eyes met mine with a churlish defiance. I imagined the look Melanie Brandt might have seen as he attacked her. What Kathy Kogut saw as he raised his gun to her head. "I think," Nicholas Jenks finally answered, "that this fascinating interview has come to an end." He held out his wrists. "Unless you're intent on taking me away, my lunch is waiting." I nodded. "We'll need to follow up. On your whereabouts. And on the gun." "Of course," Jenks said, standing up. "And should you need any further cooperation- feel free to request it through my attorney." I assembled the photographs and put them back into the folder. Raleigh and I got up. At that moment, the attractive strawberry blonde from the photographs walked into the room. She was undeniably pretty, with gentle, aquamarine eyes, a pale complexion, long, free-flowing hair. She had a tall dancer's body, and was dressed in thigh-length leggings and a Nike T-shirt. "Chessy!" Jenks exclaimed. "These are officers from the San Francisco Police Department. My wife, inspectors." "Sorry, Nicky," Chessy Jenks apologized. "Susan's coming over. I didn't know you had guests." "They were just leaving." We nodded stiffly, moved toward the door. "If you could locate what we talked about," I said to him, "we'll send someone by to pick it up." He gazed right through me. I hated to leave without taking him in, and to have treated him with kid gloves. But we were still a few steps away from an arrest. "So," Chessy Jenks smiled and said, "has my husband finally gone homicidal?" She went up to Jenks, clasped his arm in a teasing way. "I always told him, with those creepy crawler characters he writes about, it was inevitable." Could she know? I wondered. She lived with him, slept with him. How could she not be aware of what was going on inside his head? "I truly hope not, Ms. Jenks," was all I said.

  Chapter 77

  "WHAT DID SHE MEAN BY THAT?" ChessyJenks asked her husband, confused, after the police inspectors left the house. Jenks brushed her away. He paced over to the large French doors leading out to the Pacific. "Idiots," he muttered. "Amateurs. Who the hell do they think they're dealing with?" He felt a prickly, stabbing heat racing over his shoulders and back. They were stupid, tiny-minded. Beetles. That's why they were cops. If they had any brains, they'd be doing what he was doing. Living high over the Pacific. "That's why they dig landfills," he replied distractedly. "A place for cops to feel at home." Chessy picked up the wedding photo from the coffee table and set it back in its rightful spot. "What did you do now, Nick?" Why did she always drive him to this? Why did she always need to know? She came over, looked at him with those lucid, patient eyes. As always, his anger leaped up in a flash. He didn't even realize he had hit her. It was just that suddenly his hand hurt and Chessy was sprawled on the floor- and the bamboo table on which the pictures were had toppled over- and she was holding her mouth. He shouted, "Don't you know when to keep away from me? What do you need, a road map?" "Uh-uh, Nick," Chessy said. "Not here… not now." "Not here what?" he was shouting. He knew he was shouting, losing control. That the staff might hear. "Please, Nick," Chessy said, pulling herself off the floor. "Susan will be here soon. We're going to lunch." It was the notion that Chessy thought she could just sit there and judge him that really set him off. Didn't she see who she really was? Just some blonde with freckles he had picked out of a cattle call and turned into God's gift to Martha Stewart. He grabbed her by the arm and put his face inches from her beautiful, terrified eyes. "Say it!" The arm he held was trembling. A tiny stream of mucus ran out of her nose. "Jesus, Nick…" That's what he liked, her fear of him, eve
n though she never showed it in public. "I said say it, Chessy." He twisted her arm behind her back. She was breathing heavily now, sweat forming under her T-shirt. Her little tits poked through. When she glared back at him with her paltry defiance, he twisted harder, digging his fingers into her arm. He shoved her toward the bedroom, her bare feet stumbling along. In the bedroom he kicked the door shut. Who did the lead cop think she was? Coming in here… accusing him like that. In her cheap Gap ensemble. What a fucking insolent bitch. He dragged Chessy into the clothes closet. Hers. It was dark in there. Only the dark and her sobs and the pervasive smell of her perfume. He pushed her forward against the wall, rubbed himself against her buttocks. He pulled Chessy's gym shorts down, her panties along with them. "Please," she cried. "Nicky?" He found the familiar place where her small cheeks parted. He was very hard, and he pushed himself in deep. He was driving himself inside Chessy. "Say it," he gasped. "You know how to make it stop. Say it." "Ruff…," she finally murmured in a tiny whisper. Now she was loving it, as she always did. It wasn't bad- it was good. They all ended up wanting and loving it. He always picked them so well. "Ruff," she whimpered. "Ruff, ruff. Is that what you want, Nick?" Yes, that was part of what he needed. It was all he expected from Chessy. "You love it, Chessy," he whispered back. "That's why you're here."

 

‹ Prev