Copenhagen Tales

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Copenhagen Tales Page 10

by Helen Constantine


  plants belong in the window not on the dinner table.

  Just as the child released her fierce grip on the banister

  and sat down on the topmost step despairing of everything

  and crying out loud now as if to persuade fate she had been

  tried hard enough and deserved a little bit of good luck,

  she heard the street gate opening, and the faintest indefin-

  able little sound, perhaps only the scraping of a shoe on the

  yard cobbles, which made her jump up and run into the

  kitchen and switch on the light and turn off the potatoes,

  in a fever of indescribable exultation: Mum’s coming! Now

  she would be putting her bike in the shed, now running up

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  Eggnog n 109

  the stairs, nearer and nearer. The world filled with light,

  her heart with peace.

  She was standing with her back to the door, her hair

  down her cheeks like two black wings, engaged in tipping

  the steaming potatoes into a soup plate when the mother

  came in and banged the door shut behind her.

  ‘Brr—its freezing out there.’

  ‘I’ve fried the meatballs, Mum, they just need warming up.’

  Her voice was as husky as a boy’s in early puberty. She

  was almost as tall as her mother, but lean as a sick dog

  from having to look after herself all day long. Her face was

  small and perpetually worried, with a pointed chin and

  grey unhealthy skin. Only the eyes shone, large and deep

  blue and serious in the small ugly face.

  The mother made no comment on the mention of

  meatballs. In fact not another word passed between them

  before they sat down at the table, at which point the

  mother with a little wan smile on her painted face set the

  all-important begonia back in the window. As she sat back

  down she chanced to bump against the naked bulb which

  swung to and fro a while, sending shadows up and down

  the faded wallpaper.

  She ate quickly, with two deep furrows between her

  thin plucked eyebrows. Her peroxide hair had roots of

  some dark indeterminate colour without sparkle, like her

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  110 n Tove Ditlevsen

  tired near-sighted eyes. The days had been so much alike

  in the past dozen years that she had hardly noticed the

  changes wrought in her face. Red for cheeks and lips, a

  dirty powder puff passed across it, and a little black brush

  to rub over the sparse eyelashes: in front of a chipped

  mirror in the grey morning light time seemed to have

  stood still, each day identical to the one before. If the

  rouge ran out she could buy another box, and there was

  powder enough in the world to dust that ravaged face

  white for all eternity, and there were enough thirsty men

  in the world to ensure that the stream of empty bottles in

  need of rinsing kept flowing down the remorseless con-

  veyor belt for far longer than her nimble hands would be

  able to grab them and rinse them clean. It could be called a

  sad life, but when she complained it was less because she

  acknowledged its bleakness than simply out of habit, and

  because after all it was good form to complain about

  everything. In its own way it was a secure life, because of

  all the powder, and all those thirsty men, and sometimes

  it was good because of the child to whom she had so little

  to say.

  All the time she was eating the child’s gaze never left

  her face. The mother would be gone in the morning before

  she was awake, and it was only in these precious hours

  before bed they could be together.

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  Eggnog n 111

  The child didn’t remember the father. A sailor is always

  a visitor in his own home, and in any case she had been

  barely three when she last saw him. Inevitably she har-

  boured the same hatred for him as the mother. Perhaps

  that too was a matter of convention and habit: ‘The lousy

  swine’, said the women at Carlsberg and on the staircase,

  and ‘He’d never dare show his face here again’, said the

  mother, to go one better. But the child’s hatred was vaguer

  and arose from the protective tenderness she felt for the

  mother.

  When they had finished the meal she cleared the table

  and rinsed the plates. She always left the full washing up

  until the following day when she got back from school.

  Her mother’s purse lay open on the kitchen table, a few

  coins spilling from it. The child’s relationship to money

  was a mixture of awe and resentment. For the sake of this

  money the mother was gone all day long; it was to blame

  for the endless hours of work, fear, and loneliness. Each

  coin taxed the mother’s strength a little more, and her

  eyesight too, ruined as it was by constantly having to hold

  bottles up to the light to check they were clean.

  She hadn’t been so very old when she asked the mother

  why she went to work when it was after all so much nicer

  to be at home. So then she was told it was to be able to buy

  food and clothes for them both, and on the Sunday the

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  112 n Tove Ditlevsen

  child had asked anxiously if they would be getting any

  food that day, seeing the mother was home.

  She wondered a moment why the purse had been

  thrown down so carelessly on the kitchen table, and quickly

  went to pick it up. She was putting the coins back inside

  when suddenly she became aware that the mother was

  standing behind her. It made her start, because she hadn’t

  heard her coming. In her confusion she let go of the purse

  and brushed her hair away from her face with her forearm

  before meeting the mother’s hostile and suspicious gaze.

  She flushed a deep burning red and stared back wide-eyed

  and horrified, a look the mother returned with anger, then

  defiance and uncertainty, until a glimmer of shame passed

  across her face, and no longer able to bear that look of terror

  she turned away with a shrug of mingled embarrassment

  and irritation and went back into the living room.

  The child remained standing mute and motionless next

  to the purse and the dirty plates. Her breath came fast as

  her thoughts tumbled over each other behind the pale hot

  forehead: She thought I wanted to steal, she thought I was

  taking money from her—maybe she thinks I’ve done it

  before—as though I don’t cost her enough already—if only

  her purse hadn’t been there—if only everything would go

  back to normal—dear God, let everything be like it was

  before—let it never have happened.

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  Eggnog n 113

  ‘What are you standing gawping at out there?’ shouted

  the mother from inside the living room. Her voice was

  irritable and hostile like her eyes had been, with a brittle

  note of injury to guard against the self-reproach and

  tend
erness she had never learned to express. She got out

  a work bag from the sideboard behind the table and after a

  while arranged a cloth over the bright bulb before sitting

  down in front of the stained tablecloth and pulling a

  stocking full of holes from the bag, after which she fell to

  gazing at it as though baffled as to how a single stocking

  can have so many holes. She listened out anxiously for any

  sounds from the kitchen, with her coarse painted mouth

  set in a pained expression. She could not acknowledge that

  anything special had happened, but an unease grew in her

  heart, as when an animal lifts its head on scenting danger

  and cocks an ear in that direction.

  Then she called the child by name in a queer soft voice

  which sounded strange even to her own ears. The child

  came in and sat down opposite her with a vague glimmer

  of hope on her thin little face, not unlike when she stood

  on the back stairs in the dark trying to convince herself

  that the steps she heard were the mother’s, right up until a

  door banged shut somewhere else in the building.

  ‘Now she has to say something’, she thought to herself.

  The silence in the room was unbearable. She glanced

  nervously at the clock ticking heavily as though the noise it

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  114 n Tove Ditlevsen

  made could hold back the unknown redeeming words

  hovering on her mother’s lips. Obscurely, the child felt

  these strange words never uttered before had to come from

  the mother; not because it was she, the mother, who was in

  the wrong, but because she couldn’t manage it herself. She

  couldn’t say: I wasn’t stealing, partly because that would

  make the thing so tangible and never afterwards could you

  pretend that nothing had happened, and partly because

  those were the very words a thief would use—no one could

  prevent her using the same words if she really had stolen,

  or had wondered about it. It was this utterly new as yet

  unspoken truth which stopped her short and opened up

  terrifying visions of future injustices which could ever after

  be done to her.

  Open-mouthed, she hung on the mother’s lips. Those

  lips far too red and coarse which had seldom quivered with

  tears, and whose lines had never been softened by tender

  and loving words. A factory girl’s hastily kissed and for-

  gotten mouth.

  Still gazing at the stocking as though she has forgotten

  what she is supposed to be doing with it, she feels the

  child’s silence as a painful shattering of the established

  order of things. She doesn’t quite know what has hap-

  pened, but the child’s distress reaches her by unfamiliar,

  secret paths. Helplessly, thoughts cross each other in her

  brain. She doesn’t know we can always help the one we

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  Eggnog n 115

  love. She lifts her eyes and meets those of the child. And

  her own eyes are beseeching and scared in the way of a

  child whose clumsiness has toppled a precious vase to the

  floor. Then she clears her throat and says softly:

  ‘You could fix yourself an eggnog.’

  And she sees the pale pointed face relax and break into

  a smile as the child leaps up and runs into the kitchen with

  a bounce in her long straight legs:

  ‘I’ll make one for you as well, Mum, I’ll make one for

  each of us.’

  Then she calmly goes to work on the stocking.

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  The Maids

  Søren Kierkegaard

  When summer comes and the maidservants set out for the

  Deer Park, it is generally very little pleasure to behold. They

  go there only once a year, and therefore want to derive

  maximum enjoyment from it. They don hat and shawl

  and comport themselves dreadfully in every possible way.

  The merrymaking is wild, ugly, lascivious. No, then I far

  prefer Frederiksberg Gardens. They go there on a Sunday

  afternoon, and so do I. Here all is decorous and decent, the

  merrymaking itself more calm and dignified. Indeed, any

  member of the masculine gender who has no feeling for

  maids loses more hereby than they do. The mighty army

  of maidservants is really the handsomest militia we have

  in Denmark. Were I king, I know what I would do—I

  wouldn’t trouble to inspect the troops. Were I one of the

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  118 n Søren Kierkegaard

  32 members of the municipal council I would at once insist

  on forming a welfare committee, which, with insight,

  advice, admonition, suitable rewards, in every way endea-

  voured to encourage maidservants to attend to their appear-

  ance with good taste and care. Why squander beauty, why

  should it go unnoticed through life, let it at least show itself

  once a week in the best possible light! But above all, taste

  and restraint. A servant should not look like a lady, in this

  I agree with the esteemed paper Politivennen, though the

  reasons they give are quite fallacious. If one dared to pro-

  mote a desirable improvement within the class of maidser-

  vants, would this not in turn have a beneficial effect on the

  daughters in our homes? Or is it too bold of me to imagine a

  future for Denmark which in truth might be called won-

  drous? Would that I were granted the joy of being alive in

  that golden year, then in good conscience I could pass all

  day walking about the streets and lanes and delight in all

  that meets the eye. How broad and bold my thoughts do

  swarm, how patriotic! But that must be because I am out

  here in Frederiksberg, where the maidservants come every

  Sunday, and so do I.

  First come the peasant girls, hand in hand with their

  sweethearts, or in a different pattern, the girls all hand in

  hand in front, all the lads behind, or in another pattern,

  two girls and one lad. This company provides the picture

  frame, they like to stand or sit by the trees in the large

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  The Maids n 119

  square in front of the pavilion. They are all hale and

  hearty, their colours clashing only a little too strongly, in

  their skin as well as their clothes. Next pass the girls from

  Jutland and Funen. Tall, straight-backed, rather too stur-

  dily built, their attire somewhat mismatched. The commit-

  tee would have much work to do here. Never lacking is the

  odd representative of the Bornholm division: capable

  cooks, but it is not advisable to get close to them, whether

  in the kitchen or in Frederiksberg, their manner being

  rather haughtily forbidding. Their presence is therefore

  by contrast not without effect, I would not be without

  them out here, but rarely associate with them.—Ah, but

  now here come the troops to quicken the heart: our very

  own girls from Nyboder. Not as tall—buxom, fin
e skinned,

  gay, happy, vivacious, talkative, a little flirtatious, and

  above all bare-headed. Their attire aspires to that of a

  fine lady, with just two notable distinctions, they do not

  wear a shawl but a scarf, and no hat, at most a cocky little

  cap, but by preference they go bare-headed . . . Well, hello

  there Marie; fancy seeing you out here! It’s been a long

  time since we last met. Are you still at the privy council-

  lor’s?—‘Oh yes’—That must be an excellent position?—

  ‘Yes’—But you are here all on your own, no one to walk

  with . . . no sweetheart, did he not have time today, or are

  you expecting him? What, not engaged? That’s impossible.

  The most beautiful girl in all Copenhagen, a girl in

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  120 n Søren Kierkegaard

  service with a privy councillor, a girl who is an ornament

  and a model for all maidservants, a girl who knows how to

  make herself so pretty and so . . . elegant. What a delightful

  kerchief you have in your hand, made of the finest cam-

  bric . . . and what’s this I see, with embroidered edges too,

  I know it must have cost 10 marks . . . Many a highborn

  lady does not possess the like . . . French gloves . . . a silk

  umbrella . . . and a girl of that sort not engaged . . . It’s

  truly an absurdity. If I am not much mistaken Jens was

  rather taken with you, you know Jens, the broker’s Jens,

  the one from the second floor . . . See, I hit the mark . . .

  Why did you two not become engaged, Jens was a good-

  looking fellow, he had a good position, perhaps with the

  broker’s influence he might have made it to policeman or

  fireman in the course of time, it wouldn’t have been such a

  poor match . . . It must surely be your own fault, you must

  have been too hard on him . . . ‘No! But I got to hear Jens

  had been engaged once before to another girl, and they say

  he didn’t treat her very nicely . . . ’ What’s this I hear, who

  would have thought Jens such a bad chap . . . Yes, those

  hussars . . . those hussar lads, they can’t be trusted . . . You

  did absolutely right, a girl like you is really too good to

  be thrown away on just anyone . . . You are bound to make a

  better match, I vouch for that . . . Now how is Miss Juliane

  doing? I haven’t seen her for a long while. My pretty Marie

  can surely oblige me with some information . . . Just because

 

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