Copenhagen Tales

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Copenhagen Tales Page 15

by Helen Constantine


  book. Instantly Heinz wonders what she can be reading.

  A novel? A manual? Heinz inspects the shop from one end

  to the other. Now he’s here, he might as well make a

  thorough job of it. He picks up various gadgets, handcuffs,

  and whips, pondering and appraising them. Then he flips

  through the naughty underwear, but it makes him oddly

  depressed. It sickens him. The shop assistant clears her

  throat. Heinz assumes it means she wants him to pay up.

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  174 n Katrine Marie Guldager

  On his way home he passes a 7-Eleven and sees some-

  thing is going on inside. He halts in front of the automatic

  doors which fail to open. Two people who look like drug

  addicts have been apprehended with their pockets full of

  all sorts, from packets of ham to sweets. The staff are

  trying to restrain them until the police arrive. The situa-

  tion is at once desperate and utterly routine. People stand

  and stare, but not for much more than a couple of seconds.

  The customers are queuing up again already. The world

  doesn’t come to a stop on account of a pair of junkies.

  When Heinz gets home he chucks the magazines into

  his car and drives out to Vestskoven. He finds a place to

  park up and masturbates over a picture of a blonde in

  chains. He collects the semen in a handkerchief which he

  later throws away.

  Heinz lives in a small flat near the Café Intime, not far

  from Frederiksberg town hall. He is a professional painter

  and decorator, but in recent years he has been cleaning in a

  bar on Frederiksberg Allé. When he comes off work he

  generally goes home and takes the dog for a walk, but

  lately he has taken to going to Tivoli. He has invested in a

  season ticket. A couple of days ago he chanced to meet a

  nice lady who happened to be sitting by the fountain

  opposite the concert hall drinking a mug of coffee from a

  flask she had brought along. Heinz sat down on the bench

  next to hers and asked,

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  A Bench in Tivoli n 175

  ‘Do you have a season ticket?’

  The lady smiled and gave an elaborate answer, and her

  answer opened so many doors that it was easy to carry on

  the conversation. Heinz told her he was a professional

  decorator, but for the past couple of years he had switched

  to cleaning. Funnily enough the lady had been married to a

  decorator and knew quite a number of the union people

  out at Lygten. In fact she had been there several times

  herself. The lady offered him a coffee and passed him a

  mug. In her lap lay a napkin with a check pattern, and she

  asked if he wanted a bit of powdered milk. Heinz smiled,

  convinced that the coffee would taste horrendous but he

  was pleasantly surprised. They were both surprised. In no

  time they realized they had been chatting for several hours,

  and Heinz offered to see the lady home. But the lady said

  she’d prefer to meet up with him the following day.

  Next day, when Heinz enters Tivoli he fears he is too

  smartly turned out. He is freshly washed and shaved and

  has put his best clothes on, but then instead just as he is

  passing the Pantomime Theatre a picture from one of his

  magazines eats into his brain. A picture of a red-haired

  woman in leathers, down on all fours. Heinz halts right in

  front of the Pantomime Theatre and thinks:

  Have I destroyed myself?

  The lady is late. Heinz fidgets impatiently on the bench

  outside the Concert Hall. He falls into conversation with a

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  176 n Katrine Marie Guldager

  young mother and her baby which keeps crawling off into

  the flower bed. The mother asks him to take a photo of the

  pair together. In the background is a balloon seller. After

  an hour the lady still hasn’t shown up, and finally Heinz

  realizes he might as well leave. She isn’t going to come.

  When he gets home he collects the dog and takes a

  walk in Søndermarken. He can’t get the lady from Tivoli

  out of his mind. Maybe he could find out where she lives.

  Maybe he could visit her privately in her home, just for a

  coffee together, some chat. But that might seem forward.

  That would seem much too desperate. He would look like

  the loneliest person on earth, and she his only salvation.

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  As the Angels

  Fly

  Naja Marie Aidt

  ‘ Part me from the angel, and I shall be well

  Part the angel from me, and I shall sicken

  Easy and hard is my life with him.’

  ——Gunnar Ekelof

  No one could deny that that winter was frost-clear and

  very cold, and we felt deliriously special as we sailed over

  the ice-bound streets in the late dawn light, thin and

  dressed all in black. Only the street lamps showed our

  piercing pupils, and in actual fact we were not sailing.

  We flew. But otherwise all was dark. Dark all the time.

  All we saw was each other’s shadow, and every day our

  movements traced new patterns—gliding towards each

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  180 n Naja Marie Aidt

  other we hugged hard and tight, and pulled back to find

  new release in another encounter, a new body.

  We did so want to fly. It lasted all winter, and that year

  the winter felt endlessly long. Long and white and cold.

  The house was meant to be pulled down in the spring.

  Its rooms were big and dank, with paint peeling off the

  walls; lone words and phrases stood out from the masonry,

  sprayed on with black paint. An almost constant acoustic

  echo rang through the tall empty rooms.

  The house was uninhabited. But people lived there.

  Creepy lived there, and several others. They lived on scat-

  tered mattresses, with their guitars and reptiles, their full

  and empty bottles rolling around the floor, their little white

  stashes of speed and cocaine and stuff in plastic bags and

  corked tubes, hidden in pockets and locked away in cash

  boxes. Mirrors and razor blades. Jewelry hung heavy from

  thin wrists and young tense necks.

  We dyed our hair black or white or red, and dressed in

  tight rubber and leather. The girls’ stockings were torn and

  finished half way up the thigh, because that was the look.

  That was how we wanted it; deeper and darker and more

  endless with each passing day. With each windy night.

  Letting our brains explode and seeing the light that always

  comes after. When visions and demons take over and the

  body follows those secret paths which are so full of painful

  desire.

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  As the Angels Fly n 181

  Creepy was the only fixture in the house; the rest of

  us came and went. His room
was at the very top of the

  building, you had to crawl up a narrow stepladder, and the

  only light he had was an ultraviolet neon tube suspended

  over a big cage. A kind of heat lamp. In the cage lived

  Plexus, a four-metre-long anaconda boa constrictor, fully

  grown and yellow with intricate black markings. Creepy

  fed it on rats and young guinea pigs. He never forgot its

  mealtimes, and didn’t disturb it when it was digesting.

  In the centre of the room lay a long black coffin lined

  with white satin, stained from years of use. For Creepy

  slept in the coffin, and he fucked in the coffin. He had

  drilled five or six holes in the lid, so you could breathe

  when you lowered it over you. The holes looked like small

  stars in a dark sky, because light came through when you

  saw them from below: a freaky purple light from the neon

  tube. A length of black material covered the small attic

  window in Creepy’s room. It smelled in a special way

  of Creepy, his clothes and his semen and his skin, and of

  Plexus, the sand at the bottom of the cage, the remnants of

  its meals. Of dust and meat. From a nail in the ceiling

  dangled a white mask with a big red mouth, swaying.

  Clothes and shoes were heaped all over the floor. Apart

  from the coffin there was only one other piece of furniture:

  a low bookcase along one wall. It held a dead bird in

  formaldehyde and a little shrine made of dark wood.

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  182 n Naja Marie Aidt

  That was where Creepy hid his gear. The click of the lock

  when he opened it and picked out a little bag. The sweet

  shivers you felt at the back of your neck.

  All the girls were wild about Creepy, he was so ugly and

  so sweet and so brutal with us in the coffin, and we loved

  that too, for it was as though the madness lifted us all the

  way up to God when we lay there under the stars, naked on

  cool satin, and let ourselves be split apart. By Creepy’s

  violent and desperate thrusts and the ferocity of his sharp

  nails raking red tracks across our skin. Creepy loved only

  Plexus, but he needed us. That’s what he said. He said we

  were his dolls, and couldn’t tell our names apart. But we

  were after all nameless that winter, so it wasn’t an issue.

  Creepy on the other hand had his name, and his own

  room, and he had Plexus. And he even had, alone of all of

  us, a job. He made rubber masks for horror films, and was

  so in demand he produced them for abroad too. The

  money he made was for the most part sugar white, and

  he earned a lot. He could snort as many lines as he liked,

  and that too was quite a bit. Even so he wasn’t mean when

  it came to sharing the goodies; you could always count on

  a great fix if you went in the coffin with Creepy. We were

  really pretty crazy about him.

  In the evening and all through the night loud, loud

  music boomed from the speakers and made the walls

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  As the Angels Fly n 183

  shake. We shook too, we danced and danced and banged

  our heads against each others’ ringing skulls.

  Our noses were dry and irritable from snorting up

  heaven. Our genitals were full of small scratches and

  sores, for we put the cocaine straight on them, and

  I have to admit it works. As a supplement to the real

  ecstasy. The restive rattling of handcuffs and chains grew

  out of the dark; when the music was over short shuddering

  shrieks broke the morning stillness. Crosses were torn off

  their chains and left marks on throbbing necks. We bit

  each other till we drew blood.

  That was when spring was on the way with its harsh

  light. In the end only the sight and smell of blood could get

  us high enough. And we did so want to fly. Wings nearly

  sprouted from our backs when teeth and sharp little knives

  marked us out for each other. Allowed us to feel.

  I saw myself in the mirror as I scraped together neat

  lines of snow with shaking hands, and I felt very beautiful

  and invulnerable. I looked up at Creepy. He was sitting

  watching me in the twilight like a black shadow with his

  smooth shaven head cocked to one side. He smiled at me.

  I was really pretty crazy about him.

  Winter was starting to break up, melting snow dripped

  off the roof, the first buds swelled longingly on the bare

  branches of the trees. Under Creepy’s heaven the purple

  stars winked enchantingly, and exploded in a sea of light

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  184 n Naja Marie Aidt

  which filled the entire coffin. ‘You look like a Barbie doll

  who wants to die’, Creepy whispered hoarsely, moaning as

  he grabbed my nipples between his nails in a long

  excruciating grip. I laughed aloud, rocking on the padded

  satin. I thought the bird was flapping its wings in its

  formaldehyde.

  No one could deny the winter had been long, we were

  so lacerated by all the cold.

  *

  She said she was on a good trip. One that lasted. She said

  I should mind my own business and leave her alone. Her

  laughter was soft and full of contempt and derision. She

  did laugh a lot that winter, more than normal, shrill and

  bright, while her hands flew nervously all over her arms

  and her chest. She rubbed her skin, smoothed and stroked

  and scratched her white skin, and she tossed her head so

  her long hair was in constant movement. From under her

  hair her eyes flickered, she snuffled and moistened her lips

  with her tongue.

  Our mother had long since given up. Only when she

  dug out old polaroid photos of us from when we were little

  girls with our hair in plaits and our party dresses on did

  she cry. Her tears put out the fag-end of her Cecil dangling

  from the corner of her mouth. Otherwise nothing. As

  though Sisse was already dead. Yet she was very alive

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  As the Angels Fly n 185

  that winter, very restless and alive. For fuck’s sake Sisse,

  I said, trying to pin her gaze. She just laughed.

  Soon I gave up saying anything much, and did no more

  than open the door to her when she rang my bell at all

  hours of the day. Of course she wanted money. And of

  course I couldn’t stop myself giving it to her. She begged as

  though it was sweets she wanted, as though we were

  children and she’d emptied her sweetie bag much too

  fast, while I had saved up a whole supply in the desk

  drawer—anxious as I am.

  She was a greedy child, my little sister, and very charm-

  ing. That winter too. Terribly charming, with the most

  seductive peals of laughter imaginable. She had no idea

  how tired she had got. I put her to bed and slept with my

  arms round her to be sure she didn’t disappear while I was

  dreaming. But she always disappeared. When I woke she

  would be gone, only the crumpled bedclothes and h
er

  smell in the room showed she had been there. For a long

  time I didn’t know where she went to so early in the

  morning, and I felt lonely when she took off like that

  without saying goodbye. But at Christmas she came home.

  Our mum and her fellow Kaj and I tripped rather than

  danced round the small over-decorated Christmas tree in

  the flat they shared on Gammel Køge Landevej. It was a

  pretty sorry show, three grown-up people and the whole

  Christmas spiel. Our mum had hidden two cases of beer

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  186 n Naja Marie Aidt

  under the kitchen sink. I’m always discovering these

  things. Kaj was already plastered when he arrived, though

  we pretended not to notice. And we were in the middle of

  coffee when suddenly she stood in the doorway. With stars

  in her eyes and far too few clothes on.

  ‘No presents for me?’ she asked in a little baby voice,

  dropping into an arm chair.

  Our mum lit a Cecil and glanced nervously at Kaj. But

  he didn’t care. He started a game of solitaire on the coffee

  table. She got a plateful of lukewarm roast duck and one of

  my presents. I had removed the ‘to’ and ‘from’ label in the

  kitchen. Then she flung her hair back and rubbed her bare

  arms. Got up quickly and put her jacket on.

  ‘I’ve got to go now,’ she said and kissed us both on the

  cheek. Her bracelets jingled, her feet hardly touched the

  stairs as she ran down. As though she was flying.

  Then our mum got quite openly drunk, fetched the

  photo album and started snivelling. I stroked her dry

  permed hair and turned off the lights on the Christmas

  tree. Kaj went to the pub. And that was that Christmas.

  ‘Don’t say anything to Kaj’, our mum said before she

  fell asleep on the pull-out bed, ‘but I slipped her a five-

  hundred kroner note. Seeing there were no presents for

  her . . . ’

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  As the Angels Fly n 187

  I took a taxi home; Christmas night was foggy, with a

  bit of sparse wet snow falling which melted almost before

  it reached the ground.

  It was soon after New Year when one day I felt I had to

  find Sisse. Or was it the beginning of February? I rang

  round some of her girlfriends; it was the usual charade

  with them covering for her and not wanting to say any-

  thing and acting all innocent. I had a huge desire to punch

 

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