Copenhagen Tales

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Copenhagen Tales Page 24

by Helen Constantine


  ‘In all likelihood you’ll barely be able to see that the

  little lady and her apple have had their life prolonged,

  when we meet again.’

  ‘It’s an orange.’

  The restorer looked down at the picture. Turned it this

  way and that with minimal movements.

  ‘You are quite right. A rather pale orange. I promise

  you—it will continue to be an orange! But the eyes. Such a

  little girl’s eyes should be white, isn’t that so? She wasn’t

  painted with advanced conjunctivitis. You know what—

  perhaps you’re thinking this will be expensive, but in

  actual fact I’ll do it for free, for I have quite lost my heart

  to our little friend, and frankly we can let the public purse

  pay for the hours I put in.’

  ‘I hadn’t thought about the money’, Jytte heard herself

  reply. Halfway through the sentence she tried to make it

  sound less angry. The restorer nodded slowly, glancing a

  couple of times from the picture he held in his hands to

  Jytte, as though comparing the two.

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  282 n Anders Bodelsen

  ‘No need to worry’, he said.

  He placed the picture on the table and pulled it towards

  him.

  ‘What do you think the painter was paid by the hour

  for this picture?’

  Jytte shook her head uncertainly. His hands now

  grasped the picture frame in a very possessive way. The

  smell of the chemicals made her nostrils itch, but the

  expected sneeze failed to come. It would be impossible

  now for her to take the picture away from him and put it

  back in the plastic bag, she thought.

  ‘Whereas the little girl’, said the restorer. ‘It’s not hard

  to guess what the little girl’s reward was for sitting days on

  end for the painter. Isn’t that so?’

  Jytte found she had got to her feet, but her legs weren’t

  supporting her as they should.

  ‘She got the orange of course, and ate it!’ said the

  restorer without letting go of Jytte with his smiling eyes.

  It would be more than a month before Jytte was to see

  her great-great-grandmother again. Not until one day in

  August did the restorer call to say the picture was ready for

  collection. He said no more than that on the phone, and

  Jytte couldn’t bring herself to ask the relevant question.

  Instead she drove into town to collect the picture.

  He received her in the museum foyer with a completely

  neutral expression, and she followed after him down the

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  Amelie’s Eyes n 283

  corridors, down the narrow perforated metal spiral stair-

  case which again snapped at her heels. Then into his

  workshop, where the whiff of chemicals once again made

  her nostrils itch.

  ‘Now where has the little lady got to?’ he said, and went

  around lifting up any number of pictures. Then he found

  her, and laid her on the table between them so that for the

  present she faced his way. He put a magnifying glass to his

  eye and pulled a lamp down over the picture, apparently to

  check one last time that he had not been mistaken.

  Then he turned the picture round, pushing it towards

  Jytte with one hand and passing her the magnifying glass

  with the other. Jytte accepted the magnifying glass, but

  immediately put it down on the table.

  ‘What’s happened to the picture?’ she said.

  ‘Happened?’

  ‘You cleaned it?’

  ‘Not really. Just what we agreed. The very worst of the

  dirt.’

  ‘But the eyes.’

  ‘Yes?’

  ‘Aren’t they completely wrong?’

  ‘Perhaps they are a tiny bit more how the painter

  painted them. Do you really think they’ve changed?’

  Jytte stared at the hard eyes.

  ‘It just isn’t the same girl’, she said.

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  284 n Anders Bodelsen

  The restorer sat there regarding her for a bit in silence.

  ‘Normally one would remove more’, he said. ‘Seeing

  one was doing it anyway. But as for the signature, because

  that after all was what we wanted to throw a little more

  light on . . . have a look for yourself with the magnifying

  glass.’

  Jytte delayed the moment. She tried to meet her great-

  great-grandmother’s new and strangely indignant gaze.

  Then she held the magnifying glass to her eye and studied

  the signature.

  ‘I make it out to be Conrad Hansen’, said the restorer.

  ‘And who is he?’ Jytte heard herself ask. Conrad was

  not something he ‘made out’, but very definitely the name

  now written in the corner.

  ‘If you ask me—an absolutely brilliant artist.’

  ‘But . . . ’

  ‘I haven’t been able to find out a thing about him. But

  that doesn’t make him any the worse. Of course I’m a

  restorer, not an arbiter of taste, but personally I think—’

  He smiled at Jytte.

  ‘Personally I think this picture is rather too good to be a

  Constantin Hansen. Personally I’ve always found his por-

  traits a little wooden. Over the years there were a lot of

  commissions, bread-and-butter work, and at times quite a

  bit of assembly line production. And the man got old and

  tired. While this unknown artist . . . ’

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  Amelie’s Eyes n 285

  The restorer turned the picture round so that he could

  again admire it for himself.

  ‘This man certainly wasn’t tired.’

  ‘But what have you done to her eyes?’

  ‘Just gone over them with the minutest amount of

  cleaning fluid on the brush. I honestly believe at the very

  most it’s the strong light from the lamp here.’

  He pushed the lamp away and got up. But little Ame-

  lie’s eyes did not change; they continued to gaze up at Jytte,

  angry and indignant, until she preferred to look away.

  ‘Will you still send it to auction?’ asked the restorer

  quietly.

  ‘It was never meant to go to auction. It’s a family

  portrait.’

  ‘It’s definitely not without value. It’s certainly worth

  something—on the open market as well. You don’t need to

  get angry just because I tell you so!’

  ‘Can you make it look like it did before?’ asked Jytte.

  The restorer slowly shook his head.

  Of course he couldn’t do that.

  ‘How much do I owe you?’ said Jytte.

  ‘Not a penny. As I told you before. It’s been a pleasure

  to work with the little girl. And I believe it won’t be long

  before you get used to the fact she is free of the worst of the

  tobacco smoke and varnish.’

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  286 n Anders Bodelsen

  He wrapped the picture and Jytte went off with it. At

  home she left it in its packaging until Leif got back from

  work. Then they both studied it under the di
ning table

  lamp.

  ‘Conrad!’ said Leif and laughed. ‘Just a couple of letters

  out, what?’

  ‘That’s not the point. It’s the eyes. Look how she’s

  staring at us!’

  ‘If you hadn’t told me it had been cleaned, I simply

  wouldn’t have noticed.’

  ‘Can’t you see—she’s totally changed?’

  ‘Oh lord. Let’s look on the positive side. We avoid

  raising the insurance and having to put burglar alarms

  all over the house. Should we put her back again?’

  Jytte hesitated. But of course they should. Amelie went

  back over the sewing table which had once been hers. Leif

  stood for a moment, looking at her.

  ‘Welcome back,’ he said gently and turned away.

  As she hung there, between the two west windows, not

  much light fell on her. But even in the twilight, before they

  lit the lamps in the living room, Jytte felt that her eyes were

  following the people in the room with a new attention,

  which all the time bordered on hostility.

  ‘We could move her’, she said while they were laying

  the table.

  ‘Where to?’

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  Amelie’s Eyes n 287

  That was the nub. Preferably gone altogether. Leif

  stopped in the middle of laying the table and looked over

  at her.

  ‘Now I can’t see any difference at all’, he said. He lifted

  a glass. ‘Welcome back where you belong’, he saluted her.

  But Jytte did see a difference. And the next day too, and

  the day after that. The little girl had been given new eyes,

  and she kept them. Angry, suspicious eyes, as though she

  would never again feel safe amongst her descendants.

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  Conversation

  One Night in

  Copenhagen

  Karen Blixen

  It was raining in Copenhagen one November night of the

  year 1767. The moon was up and well into its second

  quarter—at intervals, when the rain abated as though

  pausing between two verses of an endless song, its pale,

  painfully upended mask showed high in the sky behind

  layer upon layer of shifting copper-green vapours. Then

  the rain’s dirge resumed, the moon mask would retreat

  deep into space, and only the lamps in the streets and an

  odd window here and there would be discernible amid the

  dark mass of houses, like phosphorescent jellyfish at the

  bottom of the sea.

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  290 n Karen Blixen

  There was still some sporadic night traffic in the

  streets. Out to sea, a few solid solitary barques headed

  homewards, and restless privateers and buccaneers on

  dubious errands beat upwind between black crags stream-

  ing with wet. A chaise was hailed, took aboard its load and

  lurched off toward a destination deep in the city and the

  night. A heavily gilded coach with winking torches, a

  coachman high up on the box, footmen behind and pre-

  cious contents inside, pulled away from a reception,

  wheels spraying rain water and street filth to all sides as

  the spirited horses’ trotting hooves struck long sparks

  from the cobblestones.

  In the narrow streets and lanes Copenhagen night

  life continued in high spirits. Music and song filled the

  air to the steady accompaniment of revelry and rowdy

  disputation.

  Suddenly the hubbub increased, a brawl had broken

  out like a fire. Many voices were raised, smashed window

  panes tinkled on the pavement, and heavy objects hurled

  from one or two storeys above crashed and thumped down

  on top of them. Shouts and gales of laughter mingled in a

  whirling maelstrom from the middle of which women’s

  cascading shrieks soared high into the air.

  Two Copenhagen burghers, one tall and thin, the other

  shorter and big-bellied, with their greatcoat collars turned

  up and their hats pulled down over their ears and a lad

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  Conversation One Night in Copenhagen n 291

  with a lantern preceding them, paused a little way into the

  alley. The rain had driven them to take this short cut

  home, and they had become so absorbed in talk of vessels

  rounding Africa laden with spices for Copenhagen that a

  thin sweet wake of cinnamon and vanilla seemed to trail

  after them through the alleyway’s restless swell of stenches.

  As the uproar ahead grew louder and nearer they had told

  the lad with the lantern to halt, and now together they

  peered pensively down the lane in the direction of a house

  whose door stood open and around which pressed a howl-

  ing wrestling mass; and at the spectacle their faces grew

  longer and their limbs heavier. But they said not a word.

  For it was by no means certain that this time the

  disturbance ahead of them was one more late-night riot

  for which one could call upon the forces of law and order,

  and the wrath of God. On the contrary, it almost certainly

  spelled their shame and sorrow. The mob down there in

  the alley was no rabble—these were important folk, fine

  gentlemen from the court bent on wreaking havoc. And it

  was not impossible, sadly all too likely, that the country’s

  young king himself, still barely more than a boy, was

  running around at the head of them.

  Aye, still barely more than a boy, and one whom it was

  rumoured had been raised excessively severely. Loyal sub-

  jects could be expected to turn a blind eye to a royal

  youth’s excesses. All the same, he did after all have his

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  292 n Karen Blixen

  creamy pink young English queen back home in the pal-

  ace, who within but two months would be delivered, God

  willing, of a crown prince for his father’s two hereditary

  realms. Yet here he was, raving in the night, fuddled and

  wild with wine, helping his mistress wreak revenge on

  other women of her profession with whom she had old

  scores to settle. What evil folk they all were, these servants

  and favourites of the king, these counts and equerries and

  royal councillors, leading astray the Lord’s anointed, a

  beloved dead mother’s son. The two Copenhageners called

  to mind, as their feet froze where they stood, the story of

  how only recently on a night such as this in a scuffle with

  the city’s watchmen this young king by the grace of God

  had collected a black eye and in return had personally

  borne off to his palace a spiked mace by way of a trophy.

  What was said abroad these days about Denmark and

  Norway’s sovereign? As for his own people who over

  many hundreds of years had prided themselves on their

  loyalty to their King and his house, how in the humility of

  their hearts were they to put up with such a wretched state

  of affairs?

  Still not uttering a word, b
oth mutely swallowed their

  own and their country’s disgrace. They, at least, would

  remain silent as the grave.

  A long authoritative blast from a watchman’s whistle

  cut through the din. The brawl broke up, and within two

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  Conversation One Night in Copenhagen n 293

  minutes had dispersed in all directions. Some crashes and

  shouts, the sound of a yard door banging to, and a rush of

  running feet followed the flare-up. Light from a window

  for an instant caught the rose lining of a cape and caressed

  a speeding turquoise silk ribbon, and a moment later the

  street lamp lit up the braid on a naval officer’s uniform

  which appeared to enclose very round young limbs.

  A laughing exclamation in French was flung over a re-

  treating shoulder, and a handful of biting saucy Danish

  oaths were hurled back in return. Then colours and voices

  spilled into the side lanes, and the adventure was over.

  Now only a pair of heavy watchmen’s cloaks were outlined

  against the hazy radiance of the open street door.

  The two burghers continued on their way, directing

  their steps around the nearest corner and their thoughts

  back to happier waters, to the Cape of Good Hope and the

  price of pepper and nutmeg. The faint stream of fragrance

  behind them acquired a dash of stoical self-righteousness.

  A very young man, a fine little figure in a heavy cloak,

  who in the confusion had become separated from his

  companions, had lost his way in a long series of back

  yards, passageways, and steps. He looked round him,

  ran, looked round again, and finally fetched up on the

  topmost landing of a steep, narrow, mouldering staircase.

  Here he halted, breathless from the ascent, remaining on

  his feet with his small person pressed into a corner. After

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  294 n Karen Blixen

  regaining his breath a little, his hands went to his throat to

  undo the clasp of his cloak. In one hand he held a naked

  rapier, the sheath was gone and the weapon was in his way.

  He set it down, reeling a little as he did so. Still unable to

  loosen the clasp, he groped about for a while with out-

  spread fingers on the filthy floor before retrieving the hilt.

  Once it was back in his hand, he made a few passes in the

  air with the blade. During all this he remained as silent as a

  fish, no complaints or oaths, no sound at all escaped him.

 

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