The Final Victim

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by that's me


  Face it, Phylli­da. You want to bre­ak it to him over the pho­ne right now so you won't ha­ve to wa­it and do it in per­son. That way, you won't ha­ve to see his fa­ce when you tell him.

  All right, that's true.

  But what's wrong with that? This is easi­er, on both of them. She'll just de­li­ver the news gently.

  Yeah, su­re.

  How do you gently drop a bom­b­s­hell on yo­ur hus­band that you're plan­ning to le­ave him, sell the ho­use and cars and every ma­te­ri­al pos­ses­si­on you own, and then ta­ke yo­ur yo­ung son and mo­ve to the op­po­si­te end of the co­untry?

  I ha­ve to do it. That's all the­re is to it, she as­su­res her­self yet aga­in.

  It's the only pos­sib­le so­lu­ti­on to her pre­di­ca­ment.

  This way, she can le­ave be­hind the mess in Ca­li­for­nia, aban­do­ning on­ce and for all her dre­ams that we­ren't me­ant to co­me true. She'll start a new li­fe in Rho­de Is­land; her mot­her can help her with Wills whi­le she go­es to scho­ol, or gets a job, or do­es wha­te­ver it ta­kes to get back on her fe­et.

  As she tos­sed and tur­ned in her bed, thin­king things thro­ugh, she bri­efly en­ter­ta­ined the tho­ught of as­king Bri­an to co­me back East with them. But the­re's no way he'd ag­ree to that. He's a na­ti­ve Ca­li­for­ni­an; he ha­tes the very no­ti­on of cold win­ters as much as he ha­tes sum­mer hu­mi­dity. Not to men­ti­on the fact that he al­so ha­tes her mot­her.

  He's bo­und to ma­ke a fuss when she first tells him her plan, but she has a fe­eling he'll get over it pretty qu­ickly in the end. He'll co­me to re­ali­ze what she al­re­ady has: that he'll be free to golf whe­ne­ver he wants, and lo­un­ge aro­und wat­c­hing te­le­vi­si­on, and spend his mo­ney on ex­pen­si­ve clot­hes and toys. He'll see that she and Wills will be bet­ter off wit­ho­ut him-and that he'll be hap­pi­er wit­ho­ut the bur­den of a wi­fe and child.

  Eager to ma­ke her call now that her mind is ma­de up, Phylli­da le­aves the kit­c­hen.

  Back in the sha­dowy hall, she re­ali­zes she's still clut­c­hing the flas­h­light. Rat­her than put­ting it back, she flicks it on and uses its be­am to gu­ide her thro­ugh ro­oms that open on­to each ot­her from the cen­ter hall. That way, she won't ha­ve to le­ave a tra­il of lam­p­light that Nydia might fol­low if she awa­kens.

  The flo­or plan is fa­irly fa­mi­li­ar; the clut­te­red fur­ni­tu­re la­yo­ut, not as much. She mo­ves slowly, ta­king ste­alth ca­re to shi­ne the light on every tab­le and cha­ir in her path. Out­si­de, she can he­ar the pat­ter of ra­in­d­rops and the rus­hing so­und as it po­urs from the dow­n­s­po­uts along the por­ti­co. A co­ol gust stirs the la­ce cur­ta­ins at the open win­dows in the first par­lor as she mo­ves past.

  It's a go­od night for sle­eping. May­be, af­ter she's ma­de her call, she'll ac­tu­al­ly be ab­le to do just that.

  Yawning, Phylli­da re­ac­hes the clo­sed French do­ors to the se­cond par­lor.

  She opens one and slips no­ise­les­sly in­to the ro­om.

  There, Phylli­da Re­min­g­ton Har­per is jol­ted, in one stun­ning, fle­eting, yet un­mis­ta­kab­le glim­p­se, by the big­gest shock of her li­fe.

  PART IV

  THE FOURTH VICTIM

  CHAPTER 14

  Sunday mor­ning, the sun ri­ses brightly on a world scrub­bed cle­an in yes­ter­day's dow­n­po­ur. Char­lot­te is glad she de­ci­ded to set the alarm for an early ho­ur. It's a be­a­uti­ful day to get up and mo­ving.

  If she co­uld just se­em to get mo­ving, that is.

  Rather than ref­res­hing her and scrub­bing the ex­ha­us­ti­on from her so­ul, a sho­wer se­ems to le­ave her only mo­re tem­p­ted to crawl back in­to bed. Of co­ur­se, if she had ma­de it bra­cing and qu­ick-rat­her than long, lan­gu­id, and hot-she might be mo­re ca­pab­le of sprin­ging in­to ac­ti­on.

  She yawns re­pe­atedly as she dres­ses, put­ting on a con­ser­va­ti­ve navy dress with whi­te pi­ping, a mat­c­hing bro­ad-brim­med hat, and spec­ta­tor pumps with a co­or­di­na­ting han­d­bag. Aro­und her neck, she fas­tens a sim­p­le gold-cross nec­k­la­ce her Gran­dad­dy ga­ve her for her six­te­enth bir­t­h­day.

  It's ti­me she went back to the lit­tle whi­te Bap­tist church over­lo­oking the sea, ac­ross the hig­h­way from Ti­de­wa­ter Me­adow. She used to go every Sun­day with Gran­dad­dy-and so­me­ti­mes Roy­ce, and Li­an­na when she was for­ced-but Char­lot­te hasn't be­en the­re at all in the we­eks sin­ce he pas­sed away.

  Reverend Snow­don vi­si­ted the hos­pi­tal in Sa­van­nah this we­ek to pray with her and Roy­ce, than­king God for spa­ring his li­fe. When he left, she pro­mi­sed she'd see him at Sun­day ser­vi­ces.

  "Stay for our cof­fee ho­ur af­ter," he in­vi­ted. "You'll see lots of fa­mi­li­ar fa­ces, and they'll cer­ta­inly want to see you. Ever­yo­ne has be­en pra­ying for y'all."

  She pro­mi­sed to try, but she knows that she won't lin­ger.

  It wo­uld be pu­re tor­tu­re to fa­ce all tho­se pe­op­le wan­ting to know how Roy­ce is, and won­de­ring how Gib co­uld ha­ve do­ne such a thing, and tel­ling her that her po­or de­ad Gran­dad­dy wo­uld ha­ve be­en simply de­vas­ta­ted by this turn of events and the sha­me bro­ught to the fa­mily na­me.

  No, she do­esn't ne­ed that at all.

  And an­y­way, she has ot­her things to do on the so­uth end be­fo­re hur­rying back up he­re to Roy­ce. She wants to fi­nal­ly stop at the su­per­mar­ket to get the in­g­re­di­ents for that se­afo­od dish she's ma­king. The pros­pect of all that work and the busy day ahe­ad is da­un­ting now, but of co­ur­se she'll be fi­ne on­ce she's on a roll.

  Oh, and she ne­eds to ta­ke that ra­dio to Mr. Gol­d­berg to be fi­xed. She'd ha­ve go­ne yes­ter­day, but she cal­led ahe­ad in the mor­ning and le­ar­ned that his lit­tle shop was clo­sed for the Jewish Sab­bath.

  Which wor­ked out bet­ter in the end, be­ca­use she felt just as ti­red and lazy yes­ter­day. Plus the ra­in per­sis­ted well in­to the af­ter­no­on, and it was a go­od day to stay in and cud­dle with Roy­ce on his first day ho­me.

  He's still grum­b­ling abo­ut the hos­pi­tal bed, which was de­li­ve­red la­te Fri­day night and set up in the par­lor.

  But he re­fu­sed to ag­ree to let Char­lot­te sle­ep down the­re with him, on the co­uch. She ha­ted to le­ave him alo­ne, fe­eling the al­most com­pul­si­ve ne­ed to ke­ep watch over him, lest so­met­hing ter­rib­le hap­pen aga­in.

  This an­xi­ety is pro­bably per­fectly nor­mal. All the be­re­ave­ment co­un­se­ling she en­du­red told her that. But sho­uldn't it be les­se­ning with ti­me and dis­tan­ce from the tra­uma, rat­her than gro­wing in in­ten­sity?

  She can't qu­ite con­vin­ce her­self that Roy­ce isn't in dan­ger, even now that he's ho­me and Gib is in cus­tody.

  But she didn't tell her hus­band of her une­asi­ness- just that she knew he might not be ab­le to get aro­und unas­sis­ted if he ne­eded so­met­hing in the mid­dle of the night.

  "I won't ne­ed an­y­t­hing, be­li­eve me," he sa­id, yaw­ning pro­fu­sely be­fo­re tur­ning in. "But if I do, I'll hol­ler."

  As she and Aimee ma­de the­ir way to the kit­c­hen with the dis­hes and cups from the tea-swe­et for her, hot for Roy­ce and Aimee-and ho­ney to­ast they sha­red ear­li­er, Char­lot­te com­men­ted in a low vo­ice, 'The thing is, I'm so ti­red I'm af­ra­id I wo­uldn't he­ar him if he did hol­ler."

  "Don't worry," Aimee sa­id. "I'm not that ti­red. I'll de­fi­ni­tely he­ar. An­y­way, trust me-with tho­se pa­in­kil­lers he's on, he's not go­ing to bud­ge. I just ga­ve him a slightly big­ger do­se so he'll be out li­ke a light all night."

  "Is that a go­od idea?" Char­lot­te as­ked, con­cer­ned.

  A
imee la­ug­hed. "Oh, don't worry. I didn't gi­ve him that much, al­t­ho­ugh it was tem­p­ting, what with the way he was go­ing on and on abo­ut you and me trying to baby him too much, and then he turns right aro­und and calls me 'Baby Girl.' But that's Daddy. He's al­ways li­ked to be the manly man. He thinks me­di­ci­ne is for wimps, you know?"

  "Do I ever." Char­lot­te la­ug­hed, then fo­ught anot­her enor­mo­us yawn, over­co­me by the ne­ed for sle­ep. "I'm so wi­ped out I fe­el li­ke I've be­en drug­ged myself. But I'll try and check on him a few ti­mes in the night."

  "I'm su­re he'll sle­ep thro­ugh, with no pa­in. That's why I up­ped the do­se a lit­tle. He pro­bably wo­uldn't stir if a tra­in went thro­ugh the­re."

  As far as Char­lot­te knows, he didn't stir-not Fri­day night, or last night, eit­her. Af­ter the first go­od night's sle­ep, he wan­ted to try the sta­irs last night, but she and Aimee ha­ve con­vin­ced him to gi­ve it a few mo­re days.

  Whenever he's alo­ne with Char­lot­te, he li­kes to ta­ke her in his arms to tell her-and show her-exactly why he's so an­xi­o­us to get back up to the­ir bed­ro­om with her so­on.

  She fe­els the sa­me way, and not just for ro­man­tic re­asons.

  Even with her nig­ht-light, she isn't com­for­tab­le be­ing alo­ne in that ro­om all night.

  Then aga­in, it's not as tho­ugh she's be­en lying awa­ke wor­rying. Her own ex­ha­us­ti­on is cat­c­hing up with hen the­se last two nights, she's slept bet­ter than she has in we­eks.

  Which wo­uld be gre­at if she didn't fe­el li­ke she co­uld ha­ve go­ne on sle­eping for ho­urs af­ter the alarm went off.

  "Good mor­ning, Mrs. Ma­it­land," Nydia says from the sink as Char­lot­te steps in­to the kit­c­hen, now frag­rant with fresh cof­fee and ba­con gre­ase.

  "Good mor­ning, Nydia." She pats a yawn from her lips. "You ha­ven't se­en my co­usin Phylli­da sin­ce yes­ter­day, ha­ve you?"

  The wo­man turns back to her sudsy wa­ter, but not be­fo­re Char­lot­te glim­p­ses a de­ci­dedly di­sag­re­e­ab­le ex­p­res­si­on on her fa­ce. "No."

  Just no?

  Irritated by the curt reply, Char­lot­te pres­ses, "She hasn't be­en down for bre­ak­fast at all? Not yes­ter­day, not to­day?" '’When do­es she ever co­me down for bre­ak­fast? She's lucky if she's up in ti­me for lunch."

  All right. It's no sur­p­ri­se that Nydia is less than fond of the re­si­dent pri­ma don­na. Still, she might be a lit­tle mo­re ple­asant abo­ut it.

  Charlotte ta­kes a tra­vel mug from the ca­bi­net, de­ci­ding a do­se of caf­fe­ine is in or­der if she's go­ing to co­me fully awa­ke for the dri­ve down so­uth.

  As she po­urs it, Nydia com­ments, "Anyway… I tho­ught she was le­aving be­fo­re the big storm."

  "No, she wasn't sup­po­sed to un­til last night."

  "Not yes­ter­day's storm. The­re's a big one co­ming in a day or two, Tro­pi­cal Storm Do­ug­las. She wan­ted to get out be­fo­re that. Did she go last night, then?"

  "I don't know. I didn't see her all day. I was go­ing to ma­ke su­re she had ar­ran­ged for a ri­de to the air­port, but I… didn't want to bot­her her in her ro­om."

  The truth was, Char­lot­te was too busy lying aro­und wat­c­hing te­le­vi­si­on with Roy­ce to gi­ve her co­usin much tho­ught un­til they saw a story on the eve­ning news abo­ut re­si­du­al de­lays at the air­port be­ca­use of the we­at­her.

  "I just won­de­red if her flight was can­ce­led in ad­van­ce and she didn't bot­her to go," Char­lot­te says now, as she stirs mo­re su­gar than usu­al in­to her cof­fee. "I fi­gu­red she might not ha­ve left the ho­use if she knew abo­ut the de­lays, or that may­be she wo­uld ha­ve co­me back if she co­uldn't get out."

  Nydia shrugs. "Ha­ven't se­en her," she re­ite­ra­tes, "but if she's go­ne, I'll go ma­ke up her ro­om aga­in be­fo­re I le­ave."

  "Leave?"

  "It's Sun­day, my day off."

  Oh, that's right. Nydia al­ways le­aves Oak­ga­te af­ter bre­ak­fast and do­esn't re­turn un­til Mon­day mor­ning. Whe­re she go­es, Char­lot­te has no idea-not that she's ever gi­ven the to­pic much tho­ught. She sup­po­ses the ho­use­ke­eper must ha­ve an apar­t­ment so­mew­he­re, or may­be a fri­end she stays with.

  She has to ha­ve so­me kind of li­fe be­yond Oak­ga­te. Char­lot­te cer­ta­inly ho­pes she do­es.

  That way, it'll be easi­er for her to mo­ve on af­ter the pla­ce is sold.

  "Well, then," she tells Nydia, as she opens the wo­oden fi­le box whe­re she ke­eps the se­afo­od re­ci­pe, "you sho­uld just go ahe­ad, and don't worry abo­ut the gu­est ro­om now. The­re's no rush."

  "No, re­al­ly, let me get it re­ady. That way, yo­ur vi­si­tor can mo­ve right in the­re this mor­ning."

  "You me­an Aimee?"

  Nydia nods.

  Charlotte sha­kes her he­ad in res­pon­se, rif­ling thro­ugh her re­ci­pe cards with gro­wing ir­ri­ta­ti­on.

  Earlier this we­ek, the wo­man al­so wan­ted to mo­ve Aimee in­to Gib's va­ca­ted, ran­sac­ked pre­mi­ses-and wo­uld ha­ve pro­bably tran­s­fer­red her things sin­g­le-han­dedly if the po­li­ce hadn't cor­do­ned off the ro­om and as­ked them to le­ave it un­to­uc­hed for the ti­me be­ing.

  Sensing she's abo­ut to get an ar­gu­ment now, Char­lot­te in­forms Nydia firmly, as she plucks the re­ci­pe card from the box and slams it clo­sed, "I'd ha­te to ma­ke Aimee mo­ve now that she's set­tled in. And the ro­om she's in"-your gran­dad­dy's ro­om, Nydia's di­sap­pro­ving lo­ok re­minds her-"has its own pri­va­te bat­h­ro­om."

  Yes. The bat­h­ro­om whe­re he di­ed.

  The un­s­po­ken words dan­g­le bet­we­en them as Nydia says only, "Yo­ur gran­d­fat­her's things are still the­re. I ne­ver had the chan­ce to cle­an them out be­fo­re she sho­wed up."

  She says it with a de­li­be­ra­te em­p­ha­sis on the pro­no­un, as tho­ugh Aimee has no right to be he­re… and, co­me to think of it, as tho­ugh it's up to Nydia, and not Char­lot­te, to go thro­ugh Gran­dad­dy's pos­ses­si­ons.

  She sup­po­ses the ho­use­ke­eper do­es ha­ve a cer­ta­in prop­ri­etary sen­se, ha­ving li­ved he­re sin­ce be­fo­re Char­lot­te was even born. Still…

  The wo­man is ho­use­hold help, not fa­mily.

  "I'll go thro­ugh Gran­dad­dy's things af­ter Aimee le­aves," she tells Nydia, a bit coldly.

  And Aimee, by the way, is fa­mily.

  Before Nydia can com­ment, she adds, "No­body's go­ing to dis­turb an­y­t­hing in the me­an­ti­me, so don't worry."

  The ho­use­ke­eper me­ets her ga­ze he­ad on. "I wo­uld ho­pe not," is all she says, be­fo­re tur­ning back to the sink.

  Charlotte sets the re­ci­pe card on the co­un­ter, con­sults it, and opens the cup­bo­ard do­or to check for dri­ed tar­ra­gon.

  "Can I help you find so­met­hing?" Nydia asks, star­t­ling her, ha­ving co­me up right be­hind her.

  "Tarragon… Do you know if we ha­ve any?"

  "No, I don't. Why don't you let me check?"

  Sensing that the wo­man's of­fer stems mo­re from re­luc­tan­ce to see her pre­ci­o­us cup­bo­ards dis­tur­bed than from ge­nu­ine hel­p­ful­ness, Char­lot­te says, "Ne­ver mind:"

  Forget abo­ut chec­king for the herbs and spi­ces she'll ne­ed. Un­wil­ling to spend anot­her mo­ment in Nydia's com­pany, Char­lot­te la­kes her cof­fee and her pur­se and le­aves the ro­om.

  The ho­use­ke­eper usu­al­ly isn't this un­p­le­asant-but then, Char­lot­te usu­al­ly do­esn't de­al with her at this ho­ur. May­be she, li­ke Li­an­na, just isn't a mor­ning per­son.

  No prob­lem. Char­lot­te can buy ever­y­t­hing she ne­eds at the su­per­mar­ket, in­c­lu­ding the herbs and spi­ces. Fresh wo­uld be bet­ter an­y­way.<
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  The lon­ger she ta­kes to shop and drop off the ra­dio af­ter church, the bet­ter the chan­ces that Nydia will be go­ne for the day by the ti­me she gets back.

  She mo­ves qu­i­etly thro­ugh the ho­use to the clo­sed French do­ors to the par­lor, whe­re Roy­ce is still as­le­ep.

  Darn it. She sho­uld ha­ve tho­ught to get the ra­dio from the man­tel be­fo­re she went to bed last night, so she wo­uldn't ha­ve to dis­turb him. Why didn't she do that?

  Because you we­re too ca­ught up in ha­ving Roy­ce ho­me to gi­ve an­y­t­hing el­se, in­c­lu­ding Phylli­da, a se­cond tho­ught.

 

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