The Final Victim

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by that's me


  "What abo­ut Jed?" Mi­mi as­ked, unab­le to for­get her hus­band's omi­no­us com­ment abo­ut hur­t­ling him­self in­to the At­lan­tic du­ring a storm.

  Her mot­her told her that he'd be­en sle­eping all af­ter­no­on. Mi­mi ma­de her go check him aga­in, and held her bre­ath un­til her mot­her ca­me back on the li­ne to say that he was the­re, in bed, sno­ring.

  So he­re Mi­mi sits, mul­ling over the la­test in­c­re­dib­le turn of events in­vol­ving Gib's fa­mily, and then no­ti­cing an agi­ta­ted el­derly man tal­king to the desk ser­ge­ant.

  He's a dis­tin­gu­is­hed-lo­oking fel­low, des­pi­te a shock of wet, win­d­b­lown whi­te ha­ir and a so­aked trench co­at.

  Intrigued when she over­he­ars him say, "Re­min­g­ton," Mi­mi ca­su­al­ly gets up and go­es to get a drink of wa­ter at a fo­un­ta­in wit­hin ear­s­hot of the con­ver­sa­ti­on.

  "No, it isn't li­fe or de­ath this very mo­ment," she he­ars him sa­ying, "but it is li­fe or de­ath for an­yo­ne who-" He bre­aks off, glan­cing at her.

  She re­ali­zes she's for­got­ten the wa­ter fo­un­ta­in and is sta­ring di­rectly at him.

  Embarrassed, she sto­ops over the spo­ut and pres­ses the le­ver.

  The man re­su­mes his con­ver­sa­ti­on with the ser­ge­ant in a strin­gent whis­per, all but drow­ned out by the run­ning wa­ter.

  But Mi­mi re­le­ases the le­ver just in ti­me to he­ar the one phra­se that com­pels her to in­s­tantly gi­ve up all pre­ten­se of go­od man­ners: Kep­ton-Man­ning Syndro­me.

  "Stop! Hey!"

  Charlotte ig­no­res the angry sho­ut of the po­li­ce of­fi­cer be­hind her; ig­no­res the black-and-whi­te car with the flas­hing light as she sprints past it, on­to the ca­use­way.

  It's abo­ut a mi­le, she cal­cu­la­tes as she hur­t­les her­self for­ward, dri­ven by she­er pa­nic.

  Thank God she had jam­med her fe­et in­to sne­akers, and not her usu­al san­dals this mor­ning.

  Each fo­ot­s­tep that lands in the stre­aming ro­ad­way sends up a spat­ter of spray; she's be­ing so­aked and bat­te­red from every di­rec­ti­on by stin­ging ra­in and a wind so strong it's all she can do to stay cen­te­red on the ca­use­way.

  I've got to get to Oak­ga­te.

  Got to get to Li­an­na.

  Got to get to-

  No, not Roy­ce!

  He isn't-

  Yes, he is. He has to be.

  He's her hus­band. She lo­ves him.

  And Aimee-Aimee is his da­ug­h­ter. Her step­da­ug­h­ter.

  Aimee wasn't lying. De­tec­ti­ve Do­ra­do sa­id it him­self.

  Aimee was tel­ling the truth… You we­re right abo­ut her be­ing in­no­cent all along.

  Yes, she was right.

  Aimee is in­no­cent.

  I knew she wo­uldn't hurt Roy­ce. I knew it.

  So what in the world is De­tec­ti­ve Do­ra­do tal­king abo­ut?

  Maybe that wasn't him on the pho­ne right now. May­be it was so­me­body who re­ad so­met­hing in the me­dia and de­ci­ded to play a cru­el prank…

  A sharp stitch pi­er­ces Char­lot­te's left si­de.

  Panting, she slows her pa­ce.

  Just a lit­tle.

  Just eno­ugh to re­li­eve the pa­in in her si­de.

  She can't stop al­to­get­her.

  She's only a third of the way ac­ross the brid­ge. She can see the to­we­ring whi­te fo­am hur­led re­pe­atedly aga­inst the man-ma­de rock re­ta­ining wall on the dis­tant sho­re.

  Turning her he­ad to lo­ok down for the first ti­me, she re­ali­zes that angry gre­en-black wa­ves are bre­aking clo­se to the ro­ad's sur­fa­ce, held back only by a low con­c­re­te bar­ri­er.

  If that was­hes away, so will she.

  And she'll be over­co­me qu­ic­k­ly-no do­ubt abo­ut it.

  The stron­gest swim­mer co­uldn't sur­vi­ve mo­re than a few mi­nu­tes in that chur­ning vor­tex.

  She'll drown, just li­ke her son.

  Oh, Adam.

  Oh, baby…

  Maybe that's what is me­ant to hap­pen.

  Maybe she, too, is me­ant for a wa­tery gra­ve. May­be-

  No! Li­an­na. Li­an­na ne­eds me. I can't die.

  There's not­hing to do but go on. Ke­ep her fe­et mo­ving, one splas­hing down right af­ter the ot­her. Get to the is­land. Get to Oak­ga­te. Get to Li­an­na.

  And Roy­ce?

  What abo­ut Roy­ce?

  Royce is as much a vic­tim as she is.

  Somebody tri­ed to kill Roy­ce… Or we­re they trying to kill her?

  Well, it co­uldn't ha­ve be­en Aimee. She was in New Or­le­ans.

  And ob­vi­o­usly it co­uldn't ha­ve be­en Roy­ce. He was the one who got shot. He didn't do the sho­oting.

  So who was the phan­tom fi­gu­re that Char­lot­te saw lur­king among the tom­b­s­to­nes in the ce­me­tery?

  Who shot her hus­band?

  "Excuse me? Hel­lo?"

  Jeanne stif­fens, he­aring the do­or open at the fo­ot of the sta­irs le­ading up to the third flo­or.

  "Is an­y­body up the­re? Je­an­ne?"

  She do­esn't an­s­wer.

  She just sits in her whe­el­c­ha­ir, and she wa­its, her hands clut­c­hing the mot­her-of-pe­arl han­d­le be­ne­ath the wo­olen shawl on her lap.

  Footsteps cre­ak on the worn wo­oden tre­ads.

  Tentative fo­ot­s­teps, clim­bing to­ward Je­an­ne's pri­va­te ro­ost-the only part of this old ho­use that is hers… if any part of it ever re­al­ly was.

  The top of a blond he­ad gra­zes the bot­tom of her li­ne of vi­si­on down the steps.

  "Jeanne? Are you okay up he­re? I'm lo­oking for Li­an­na. Is she up he­re with you?"

  Jeanne do­esn't reply.

  The next sta­ir tre­ad cre­aks; mo­re of the blond he­ad ap­pe­ars.

  The bangs, Je­an­ne no­ti­ces, are still damp from whe­re they pe­eked out from the ho­od of the black ra­in clo­ak.

  This is in­sa­ne, Char­lot­te tells her­self, ne­aring ex­ha­us­ti­on. She sto­ops in­to the wind, drag­ging each fo­ot for­ward as the fu­ri­o­us sea spits ve­he­ment wa­ves over the con­c­re­te bar­ri­er on eit­her si­de of her.

  What is she do­ing he­re?

  What is she trying to pro­ve?

  Dorado's vo­ice re­ver­be­ra­tes thro­ugh her mind.

  Aimee was tel­ling the truth…

  Yes! She was!

  So why is Char­lot­te ris­king her li­fe out he­re?

  Rising wa­ter is be­gin­ning to lap at her fe­et. She's al­most ac­ross. Just a few mo­re yards, and she'll be the­re.

  She just has to ke­ep on go­ing.

  We con­fir­med ever­y­t­hing with the air­li­ne. She went thro­ugh At­lan­ta, just li­ke you sa­id…

  Why did Do­ra­do call?

  It had to be Do­ra­do; it co­uldn't be a prank. He knew J too much…

  But then, why wo­uld he say what he did?

  Royce Ma­it­land and his da­ug­h­ter Aimee we­re kil­led…

  Who's lying? Roy­ce? Or De­tec­ti­ve Do­ra­do?

  Not Aimee.

  Aimee was tel­ling the truth…

  "… just ba­rely ma­de the con­nec­ti­on to Sa­van­nah be­ca­use the first flight was way be­hind sche­du­le…"

  Yes, she was on that sa­me flight Roy­ce ta­kes.

  Of co­ur­se she wasn't lying.

  I he­ard the air­port in the bac­k­g­ro­und. I he­ard the flight an­no­un­ce­ment. Del­ta Flight 6- What was it?

  Six-something.

  Royce ta­kes it whe­ne­ver he co­mes ho­me from New Or­le­ans.

  Delta…

  Delta Air­li­nes Flight 640.

  Yes, that's it. Flight 640. The one that's al­ways on ti­me.<
br />
  "Delta Air­li­nes Flight 640 to At­lan­ta is now at the ga­te and will be­gin bo­ar­ding mo­men­ta­rily. "

  Yes!

  Yes…

  There it is.

  At last, the fi­ref­ly-tho­ught alights, ba­rely wit­hin her grasp, flic­ke­ring fa­intly li­ke a bir­t­h­day can­d­le in a bre­eze.

  No… Don't…

  Charlotte des­pe­ra­tely lun­ges for the me­mory be­fo­re it can be ex­tin­gu­is­hed.

  "Please ha­ve yo­ur tic­kets re­ady so we can bo­ard the pla­ne for an on-ti­me de­par­tu­re…"

  Yes, that's it.

  The tho­ught fully ig­ni­tes, bur­ning in­to her li­ke a fla­me to scorch her wor­ld-her pre­ci­o­us new li­fe-to as­hes.

  An ima­ge flas­hes in­to her bra­in. Her­self and Roy­ce, se­emingly stan­ding at the ed­ge of the Grand Can­yon on a pic­tu­re-per­fect day.

  The so­uve­nir pho­to was a sta­ged vi­su­al bac­k­d­rop.

  Is it pos­sib­le that the air­port an­no­un­ce­ment co­uld ha­ve be­en a sta­ged audio one?

  Come on, Char­lot­te, think. Think abo­ut it.

  She he­ard the air­port an­no­un­ce­ment with her own ears, the pla­ne was at the ga­te and they wo­uld be ma­king an on-ti­me de­par­tu­re. Aimee la­ter men­ti­oned it went smo­othly.

  But on that day, the first flight was la­te get­ting in­to New Or­le­ans and back out aga­in to At­lan­ta. Do­ra­do sa­id so him­self.

  Charlotte co­vers the last few yards to­ward the end of the ca­use­way.

  Somebody's lying.

  But not Roy­ce. Roy­ce was shot. Roy­ce has be­en her lo­ne ally in this mess over the will. Roy­ce do­esn't ca­re abo­ut mo­ney. He told her to go ahe­ad and gi­ve it away.

  But did he re­al­ly think you wo­uld?

  Was it all an act, her hus­band's ut­terly ref­res­hing lack of gre­ed?

  No. It co­uldn't ha­ve be­en. Wha­te­ver the ex­p­la­na­ti­on for this cha­os, Roy­ce wo­uldn't lie to her. She be­li­eves in him. She be­li­eves him.

  So who el­se are you go­ing to be­li­eve?

  Detective Do­ra­do or Aimee?

  Hearing a ro­ar, she turns to see a to­we­ring wall of se­awa­ter co­ming at her.

  It slams in­to her, swe­eping her to blac­k­ness.

  CHAPTER 18

  Mimi wat­c­hes as De­tec­ti­ve Ta­li­bah Jones, a stun­ning Af­ri­can-Ame­ri­can wo­man with a no-non­sen­se at­ti­tu­de, im­pa­ti­ently rif­les thro­ugh the she­af of damp pa­pers she just re­mo­ved from the en­ve­lo­pe the el­derly gen­t­le­man tos­sed on the tab­le.

  "Start at the be­gin­ning, Mr. Haw­t­hor­ne. I'm not fol­lo­wing what you're trying to tell me."

  "It's all the­re, li­ke I sa­id," res­ponds the man who ear­li­er, and has­tily, in­t­ro­du­ced him­self to Mi­mi as the Re­min­g­tons's at­tor­ney, Tyler Haw­t­hor­ne.

  "But what, exactly, is 'it'?" The de­tec­ti­ve lo­oks qu­es-ti­oningly from him to Mi­mi, who shrugs.

  Hawthorne rep­li­es, "You're hol­ding per­ti­nent me­di­cal re­cords and le­gal con­t­racts-"

  "Which wo­uld ta­ke me ho­urs to go thro­ugh. And be­li­eve me, Mr. Haw­t­hor­ne, I don't ha­ve ho­urs to spa­re."

  "When you find out what I'm tel­ling you, De­tec­ti­ve Jones, I'm su­re you'll ag­ree that it's worth yo­ur whi­le."

  "I ho­pe so. But tell me. Don't show me." She wa­ves the pa­pers at him. "What's go­ing on with this? And how; is Mrs. Joh­n­s­ton he­re in­vol­ved?"

  "She isn't. She hap­pe­ned to be he­re de­aling with anot­her is­sue al­to­get­her and she over­he­ard me. It turns! out that her hus­band has be­en stric­ken by the sa­me ter­mi­nal il­lness-Kep­ton-Man­ning Syndro­me, an in­c­re­dibly ra­re con­di­ti­on for which the­re is no cu­re-that & re­fer­red to in the­se fi­les."

  No cu­re.

  That isn't news to Mi­mi. Yet he­aring her hus­band's ines­ca­pab­le do­om af­fir­med aga­in ma­kes her want to stick her fin­gers in­to her ears and scre­am.

  She ref­ra­ins. That isn't go­ing to help an­y­body. Cer­ta­inly not Jed.

  Nor is her be­ing a part of this dis­c­lo­su­re li­kely to help him, but she ma­na­ges to ma­in­ta­in con­t­rol of her emo­ti­ons, just as she did when she re­ve­aled Gib Re­min­g­ton's in­c­ri­mi­na­ting com­ment the day of the sho­oting.

  That was even mo­re dif­fi­cult. Gib might ha­ve com­mit­ted far wor­se cri­mes than she, but that do­esn't al­le­vi­ate the gu­ilt she's li­ved with for three ye­ars.

  The night of Theo Ma­it­land's drow­ning, Jed was wor­king a do­ub­le shift.

  But Gib was the­re, on the be­ach, wat­c­hing the se­arch for the boy's body. He was the one who com­for­ted Mi­mi when they ga­ve up lo­oking-com­for­ted her with bo­ur­bon from his sil­ver flask, then with kis­ses that qu­ickly led to pas­si­on.

  It was just that one night. And Jed ne­ver knew.

  But Mi­mi will fo­re­ver be ha­un­ted by the con­se­qu­en­ces of that day, for re­asons that go well be­yond the drow­ning on her watch.

  "Kepton-Manning Syndro­me?" De­tec­ti­ve Jones frowns. "I've ne­ver he­ard of it."

  Mimi in­forms her, "That's be­ca­use it's so ra­re. Chan­ces of co­ming down with this di­se­ase are one in a mil­li­on-"

  "They're much lo­wer than that," Haw­t­hor­ne in­ter­rupts. "Sta­tis­ti­cal­ly spe­aking, the­re's a re­la­ti­ve han­d­ful of do­cu­men­ted Kep­ton-Man­ning ca­ses wor­l­d­wi­de each ye­ar."

  "And…?" Jones lo­oks from Haw­t­hor­ne to Mi­mi, and back aga­in.

  "And the­re ha­ve be­en mo­re than half a do­zen ca­ses on Ac­ho­co Is­land."

  Jones nods, ste­ep­ling her hands as if in pra­yer. "What do­es this ha­ve to do with the Re­min­g­tons?"

  Tyler Haw­t­hor­ne cle­ars his thro­at. "For one thing, Con­nie June Re­min­g­ton, Char­lot­te's mot­her, di­ed of this di­se­ase, but no­body ever knew it. Not even Con­nie June her­self."

  "She didn't know she was ill?"

  "Oh, she knew she was ill." Tyler's ab­rupt la­ugh is ut­terly de­vo­id of mirth. 'The­re was no do­ubt abo­ut that."

  Fists clen­c­hing in her lap, Mi­mi pic­tu­res Jed, ga­unt and hel­p­less, was­ting away be­fo­re her eyes.'

  Tyler le­ans for­ward, res­ting his fo­re­arms on the tab­le. "But her physi­ci­an told her it was can­cer."

  Both Mi­mi and Jones ga­pe at the at­tor­ney, who go­es on to re­ve­al, "The physi­ci­an's na­me was Si­las Ne­vil­le."

  Silas Ne­vil­le…

  Yes. Old Doc Ne­vil­le. He tre­ated Mi­mi's fa­mily for as long as she can re­mem­ber; it was he who re­fer­red Daddy to a lung spe­ci­alist in At­lan­ta.

  Daddy-

  "That's it!"

  Mimi do­esn't re­ali­ze she'd spo­ken alo­ud un­til both Jones and Haw­t­hor­ne lo­ok over at her, star­t­led.

  "I'm sorry," she mur­murs, sha­king her he­ad, brows knit. "I just re­mem­be­red so­met­hing."

  She knows whe­re she's se­en that nur­se be­fo­re-the one she en­co­un­te­red in the hall at Oak­ga­te this mor­ning: at the Bay­wa­ter Hos­pi­ce of­fi­ce on the ma­in­land.

  She was the­re on that aw­ful, me­mo­rab­le day when Mi­mi went to set up her fat­her's ca­re, when he first be­ca­me ill three ye­ars ago.

  Only back then, the nur­se was a go­od thirty po­unds he­avi­er, her ha­ir was short and dark…

  And her eyes we­re brown, not gre­en.

  Plunged in­to the ra­ging ti­de at the ca­use­way's is­land ed­ge, Char­lot­te nar­rowly mis­ses stri­king a con­c­re­te pi­ling that juts from the fren­zi­ed wa­ter.

 

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