In the coffin was someone no one had ever seen before: a heavily built, rather light-skinned native with a neatly stitched scar on his forehead – perhaps from a blow in a brawl that had also dealt him some other, slower-working injury, which had killed him.
I wrangled with the authorities for a week over that body. I had the feeling that they were shocked, in a laconic fashion, by their own mistake, but that in the confusion of their anonymous dead they were helpless to put it right. They said to me, ‘We are trying to find out,’ and ‘We are still making inquiries.’ It was as if at any moment they might conduct me into their mortuary and say, ‘There! Lift up the sheets; look for him – your poultry boy’s brother. There are so many black faces – surely one will do?’
And every evening when I got home, Petrus was waiting in the kitchen. ‘Well, they’re trying. They’re still looking. The baas is seeing to it for you, Petrus,’ I would tell him. ‘God, half the time I should be in the office I’m driving around the back end of the town chasing after this affair,’ I added aside, to Lerice, one night.
She and Petrus both kept their eyes turned on me as I spoke, and, oddly, for those moments they looked exactly alike, though it sounds impossible: my wife, with her high, white forehead and her attenuated Englishwoman’s body, and the poultry boy, with his horny bare feet below khaki trousers tied at the knee with string and the peculiar rankness of his nervous sweat coming from his skin.
‘What makes you so indignant, so determined about this now?’ said Lerice suddenly.
I stared at her. ‘It’s a matter of principle. Why should they get away with a swindle? It’s time these officials had a jolt from someone who’ll bother to take the trouble.’
She said, ‘Oh.’ And as Petrus slowly opened the kitchen door to leave, sensing that the talk had gone beyond him, she turned away, too.
I continued to pass on assurances to Petrus every evening, but although what I said was the same and the voice in which I said it was the same, every evening it sounded weaker. At last, it became clear that we would never get Petrus’s brother back, because nobody really knew where he was. Somewhere in a graveyard as uniform as a housing scheme, somewhere under a number that didn’t belong to him, or in the medical school, perhaps, laboriously reduced to layers of muscle and strings of nerve? Goodness knows. He had no identity in this world anyway.
It was only then, and in a voice of shame, that Petrus asked me to try and get the money back.
‘From the way he asks, you’d think he was robbing his dead brother,’ I said to Lerice later. But as I’ve said, Lerice had got so intense about this business that she couldn’t even appreciate a little ironic smile.
I tried to get the money; Lerice tried. We both telephoned and wrote and argued, but nothing came of it. It appeared that the main expense had been the undertaker, and after all he had done his job. So the whole thing was a complete waste, even more of a waste for the poor devils than I had thought it would be.
The old man from Rhodesia was about Lerice’s father’s size, so she gave him one of her father’s old suits, and he went back home rather better off, for the winter, than he had come.
Face from Atlantis
Somehow it wasn’t altogether a surprise when Waldeck Brand and his wife bumped into Carlitta at a theatre in New York in 1953. The Brands were six thousand miles away from their home in South Africa, and everywhere they had visited in England and Europe before they came to America they had met Waldeck’s contemporaries from Heidelberg whom he hadn’t seen for twenty years and never had expected to see ever again. It had seemed a miracle to Waldeck that all these people, who had had to leave Germany because they were liberals (like himself), or Jews, or both, not only had survived transplantation but had thrived, and not only had thrived but had managed to do so each in the manner and custom of the country which had given him sanctuary.
Of course, Waldeck Brand did not think it a miracle that he had survived and conformed to a pattern of life lived at the other end of the world to which he had belonged. (Perhaps it is true, after all, that no man can believe in the possibility of his own failure or death.) It seemed quite natural that the gay young man destined primarily for a good time and, secondly, for the inheritance of his wealthy father’s publishing house in Berlin should have become a director of an important group of gold mines in southernmost Africa, a world away from medieval German university towns where he had marched at the head of the student socialist group, and the Swiss Alps where he had skied and shared his log cabin with a different free-thinking girl every winter, and the Kurfürstendamm where he had strolled with his friends, wearing elegant clothes specially ordered from England. Yet to him – and to his South African wife, who had been born and had spent the twenty-seven years of her life in Cape Town, looking out, often and often, over the sea which she had now crossed for the first time – it was a small miracle that his Heidelberg friend, Siggie Bentheim, was to be found at the foreign editor’s desk of a famous right-of-centre newspaper in London, and another university friend, Stefan Rosovsky, now become Stefan Raines, was president of a public utility company in New York and had a finger or two dipped comfortably in oil, too. To Waldeck, Siggie was the leader of a Communist cell, an ugly little chap, best student in the Institut fur Sozialwissenschaften, whose tiny hands were dry-skinned and shrunken, as if political fervour had used up his blood like fuel. Stefan was the soulful-eyed Russian boy with the soft voice and the calm delivery of dry wit who tutored in economics and obviously was fitted for nothing but an academic career as an economist.
And to Eileen, Waldeck Brand’s wife, both were people who lived, changeless, young, enviable, in a world that existed only in Waldeck’s three green leather photograph albums. Siggie was the one who sat reading the Arbeiterpolitik, oblivious of the fact that a picture was being taken, in the photograph where a whole dim, underexposed room (Waldeck’s at Heidelberg) was full of students. Eileen had been to a university in South Africa, but she had never seen students like that: such good-looking, happy, bold-eyed boys, such beautiful girls, smoking cigarettes in long holders and stretching out their legs in pointed-toed shoes beneath their short skirts. Someone was playing a guitar in that picture. But Siggie Bentheim (you could notice those hands, around the edges of the pages) read a paper.
Stefan was not in that picture, but in dozens of others. In particular, there was one taken in Budapest. A flashlight picture, taken in a night club. Stefan holds up a glass of champagne, resigned in his dinner suit, dignified in a silly paper cap. New Year in Budapest, before Hitler, before the war. Can you imagine it? Eileen was fascinated by those photograph albums and those faces. Since she had met and married Waldeck in 1952, she had spent many hours looking at the albums. When she did so, a great yawning envy opened through her whole body. She was young, and the people pictured in those albums were all, even if they were alive, over forty by now. But that did not matter; that did not count. That world of the photograph albums was not lost only by those who had outgrown it into middle age. It was lost. Gone. It did not belong to a new youth. It was not hers, although she was young. It was no use being young, now, in the forties and fifties. She thought of the green albums as the record of an Atlantis.
Waldeck had never been back to Europe since he came as a refugee to South Africa twenty years before. He had not kept up a regular correspondence with his scattered student friends, though one or two had written, at intervals of four or five years, and so for some, when Waldeck took his wife to Europe and America, he had the address-before-the-last, and for others the vaguest ideas of their whereabouts. Yet he found them all, or they found him. It was astonishing. The letters he wrote to old addresses were forwarded; the friends whom he saw knew where other friends lived, or at least what jobs they were doing, so that they could be traced that way, simply by a telephone call. In London there were dinner parties and plain drinking parties, and there they were – the faces from Atlantis, gathered together in a Strand pub. One of the women was a g
randmother; most of the men were no longer married to women Waldeck remembered them marrying, and had shed their old political faiths along with their hair. But all were alive, and living variously, and in them was still the peculiar vigour that showed vividly in those faces, caught in the act of life long ago, in the photograph albums.
Once or twice in London, Waldeck had asked one old friend or another, ‘What happened to Carlitta? Does anyone know where Carlitta is?’
Siggie Bentheim, eating Scotch salmon at Rules, like any other English journalist who can afford to, couldn’t remember Carlitta. Who was she? Then Waldeck remembered that the year when everyone got to know Carlitta was the year that Siggie spent in Lausanne.
Another old friend remembered her very well. ‘Carlitta! Not in England, at any rate. Carlitta!’
Someone else caught the name, and called across the table, ‘Carlitta was in London, oh, before the war. She went to America thirteen or fourteen years ago.’
‘Did she ever marry poor old Klaus Schultz? My God, he was mad about the girl!’
‘Marry him! No-o-o! Carlitta wouldn’t marry him.’
‘Carlitta was a collector of scalps, all right,’ said Waldeck, laughing.
‘Well, do you wonder?’ said the friend.
Eileen knew Carlitta well, in picture and anecdote. Eileen had a favourite among the photographs of her, too, just as she had the one of Stefan in Budapest on New Year’s Eve. The photograph was taken in Austria, on one of Waldeck’s skiing holidays. It was a clear print and the snow was blindingly white. In the middle of the whiteness stood a young girl, laughing away from the camera in the direction of something or someone outside the picture. Her little face, burnished by the sun, shone dark against the snow. There was a highlight on each firm, round cheekbone, accentuated in laughter. She was beautiful in the pictures of groups, too – in boats on the Neckar, in the gardens of the Schloss, in cafés and at student dances; even, once, at Deauville, even in the unbecoming bathing dress of the time. In none of the pictures did she face the camera. If, as in the ski picture, she was smiling, it was at someone in the group, and if she was not, her black pensive eyes, her beautiful little firm-fleshed face with the short chin, stared at the toes of her shoes, or at the smoke of her cigarette, arrested in its climbing arabesque by the click of the camera. The total impression of all these photographs of the young German girl was one of arrogance. She did not participate in the taking of a photograph; she was simply there, a thing of beauty which you could attempt to record if you wished.
One of the anecdotes about the girl was something that had happened on that skiing holiday. Carlitta and Klaus Schultz, Waldeck and one of his girls had gone together to the mountains. (‘Oh, the luck of it!’ Eileen had said to Waldeck at this point in his story, the first time he related it. ‘You were eighteen? Nineteen? And you were allowed to go off on your first love affair to the mountains. Can you imagine what would have happened if I had announced to my parents that I was going off on a holiday with a young lover? And in Austria, and skiing . . .’ Poor Eileen, who had gone, every year, on a five-day cruise along the coast to stay at a ‘family hotel’ in Durban, accompanied by her parents and young brother and sister, or had been sent, in the winter vacation, with an uncle and cousins to hear the lions roar outside a dusty camp in the Kruger Park. She did not know which to envy Waldeck, Carlitta and Klaus most – the sexual freedom or the steep mountain snows.) Anyway, it was on the one really long and arduous climb of that delightful holiday that Carlitta, who for some hours had been less talkative than usual and had fallen back a little, sat down in the snow and refused to move. Waldeck had lagged behind the rest of the party to mend a broken strap on his rucksack, and so it was that he noticed her. When he asked her why she did not hurry on with him to catch up with the other members of the party, she said, perfectly calm, ‘I want to sit here in the shade and rest. I’ll wait here till you all come back.’
There was no shade. The party intended to sleep in a rest hut up the mountain, and would not pass that way again till next day. At first Waldeck laughed; Carlitta was famous for her gaiety and caprice. Then he saw that in addition to being perfectly calm, Carlitta was also perfectly serious. She was not joking, but suffering from some kind of peculiar hysteria. He begged and begged her to get up, but she would not. ‘I am going to rest in the shade’ was all she would answer.
The rest of the party was out of sight and he began to feel nervous. There was only one thing he could try. He went up kindly to the beautiful little girl and struck her sharply, twice, in the face. The small head swung violently this way, then that. Carlitta got up, dusted the snow from her trousers, and said to Waldeck, ‘For God’s sake, what are we waiting for? The others must be miles ahead.’
‘And when Klaus heard what had happened,’ Waldeck’s story always ended, ‘he could scarcely keep himself from crying, he was so angry that he had not been the one to revive Carlitta, and Carlitta saw his nose pinken and swell slightly with the effort of keeping back the tears, and she noted how very much he must be in love with her and how easy it would be to torment him.’
Wretched Klaus! He was the blond boy with the square jaw who always frowned and smiled directly into the camera. Eileen had a theory that young people didn’t even fall in love like that any more. That, too, had gone down under the waves.
Waldeck and his young wife arrived in New York on a Tuesday. Stefan Raines came to take them out to dinner that very first night. Eileen, who had never seen him before in her life, was even more overjoyed than Waldeck to find that he had not changed. As soon as they came out of the elevator and saw him standing in the hotel lobby with a muffler hanging down untied on the lapels of his dark coat, they knew he had not changed. He wore the presidency of the public utility company, the wealth and the Fifth Avenue apartment just as he had worn the paper cap in the Budapest night club on New Year’s Eve long ago. Stefan’s American wife was not able to accompany them that night, so the three dined alone at the Pierre. After dinner Stefan wanted to know if he should drive them to Times Square and along Broadway or anywhere else they’d read about, but they told him that he was the only sight they wanted to see so soon after their arrival. They talked for two hours over dinner, Stefan asking and Waldeck answering eager questions about the old Heidelberg friends whom Waldeck and Eileen had seen in London. Stefan went to London sometimes, and he had seen one or two, but many whom he hadn’t been able to find for years seemed to have appeared out of their hiding places for Waldeck. In fact, there were several old Berlin and Heidelberg friends living in New York whom Stefan had seen once, or not at all, but who, on the Brands’ first day in New York, had already telephoned their hotel. ‘We love Waldeck. Better than we love each other,’ said Stefan to his friend’s wife, his black eyes looking quietly out over the room, the corners of his mouth indenting in his serious smile that took a long time to open out, brightening his eyes as it did until they shone like the dark water beneath a lamplight on a Venetian canal where Eileen had stood with her husband a few weeks before.
Eileen seemed to feel her blood warm in the palms of her hands, as if some balm had been poured over them. No man in South Africa could say a thing like that! The right thing, the thing from the heart. You had to have the assurance of Europe, of an old world of civilised human relationships behind you before you could say, simply and truthfully, a thing like that.
It was the moment for the mood of the conversation to take a turn. Waldeck said curiously, suddenly remembering, ‘And whatever became of Carlitta? Did you ever see Carlitta? Peter told me, in London, that she had come to live in America.’
‘Now that’s interesting that you should ask,’ said Stefan. ‘I’ve wondered about her, too. I saw her once, twelve – more – thirteen years back. When first she arrived in America. She was staying quite near the hotel where you’re living now. I took her out to lunch – not very sumptuous; I was rather poor at the time – and I never saw her again. She was beautiful. You remember? She w
as always beautiful—’ he crinkled his eyes to dark slits, as if to narrow down the aperture of memory upon her – ‘even in a bad restaurant in New York, she was – well, the word my son would use is the best for her – she was terrific. Minute and terrific.’
‘That’s it. That’s it.’ Waldeck spoke around the cigar he held between his teeth, trying to draw up a light.
‘We adored her,’ said Stefan, shaking his head slowly at the wonder of it.
‘So you too, Stefan, you too?’ said Eileen with a laugh.
‘Oh, none of us was in love with Carlitta. Only Klaus, and he was too stupid. He doesn’t count. We only adored. We knew it was useless to fall in love with her. Neither she nor we believed any one of us was good enough for her.’
‘So you don’t think she’s in New York?’ asked Waldeck.
Stefan shook his head. ‘I did hear, from someone who knew her sister, that she had married an American and gone to live in Ohio.’ He stopped and chuckled congestedly. ‘Carlitta in Ohio. I don’t believe it . . . Well, we should move along from here now, you know. Sure there isn’t anywhere you’d like to go before bedtime?’
The girl from South Africa remembered that one of the things she’d always wanted to do if ever she came to New York was to hear a really fat Negro woman singing torch songs, so Stefan took them to a place where the air-conditioning apparatus kept the fog of smoke and perfume and liquor fumes moving around the tables while an enormous yellow blubber of a woman accompanied her own voice, quakingly with her flesh and thunderously on the piano.
It was only two nights later that Eileen came out of the ladies’ room to join her husband in a theatre foyer during the interval and found him embracing a woman in a brown coat. As Waldeck held the woman away from him, by the shoulders, as if to take a good look at her after he had kissed her, Eileen saw a small face with a wide grin and really enormous eyes. As Eileen approached she noticed a tall, sandy-haired man standing by indulgently. When she reached the three, Waldeck turned to her with the pent-up, excited air he always had when he had secretly bought her a present, and he held out his hand to draw her into the company. In the moment before he spoke, Eileen felt a stir of recognition at the sight of the woman’s hair, smooth brown hair in which here and there a grey filament of a coarser texture showed, refusing to conform to the classic style, centre-parted and drawn back in a bun, in which the hair was worn.
Life Times Page 4