by Alan Furst
In the valley between winter and spring, old friends often reappeared. Maybe chance, or the stars, or ancient human something, but, whatever the reason, it was especially so that year. Helmut Bach, for instance, had left two messages at the IRU, the first week in March, and two more at Serebin’s hotel, the second a brief note. Where was Serebin? Bach very much wanted to see him, they had some things to talk over. So, please get in touch. At this number, or at this one—the protocol office of the German administration—he was sure to get the message.
Des choses à discuter. A German writing in French to a Russian—what couldn’t go wrong! But friends—even “friends,” a cloaked term for a cloaked relationship—did not have “things to talk over.” That was a threat. A warm little threat, maybe, but a threat nonetheless. Bach had invested time and concentration on him, now it had to pay off. The moment had come, was, likely, past due, for Serebin to give the occupation authority what it wanted—“a talk,” or appearance at a cultural event, whatever might imply approval of the new German Europe.
That was to look on the bright side.
Because it did occur to Serebin that these affections from his German pal might have been provoked by the same source that had sent Jean Marc to buy him drinks. Not a direct denunciation to the Gestapo, merely a word with a diplomat or an urbane, sympathetic Abwehr officer. Because this wasn’t force majeure, this was its close cousin, pressure. Which meant, to Serebin, that the unseen hand—mailed fist in a velvet glove—was, for some complex reason, working cautiously.
He thought.
Polanyi’s courier had left him a perfect set of documents for departure from Paris on 25 March. A new name—a Russian name, and a new job: director of the Paris office of a Roumanian company, Enterprise Marasz-Gulian, who was approved for travel to Belgrade, on business, via first-class wagon-lit. This meant two things: Serebin did not have to apply for permission to leave the occupied city—it crossed his mind that they might well be waiting for him, at that office—and, with his train leaving in four days, he could probably avoid responding to Helmut Bach.
Four days. And premonitions. He found himself taking inventory of his life at the Winchester, his life in Paris. Poking through notes and sketches for unwritten work, addresses and telephone numbers, books, letters. He’d known, when the Germans had marched into Paris nine months earlier, that he might not stay there forever. So he’d been rather Parisian about the occupation; try a day of it, see if you survive, then try another. Sooner or later, the French told each other, they’ll go away, because they always did. And he’d imagined that, if it happened that he was the one who had to leave, he would be able to make a civilized exit.
But now he had a bad feeling. Clearly, Bach, which meant the Third Reich, was not going to leave him in peace, they were going to make him pay to live in their city. So, as the French put it, fini. That was that. He found himself anxious to see, one last time, certain places; streets he liked, gardens, alleys, a few secret corners of the city where its medieval heart still beat. It would be a long time before he saw them again.
Two sad days. The photograph of Annette, Mai ’38 scrawled on the back, taken in the garden of a house by the sea. A print dress, a pained smile—why must you take my picture? A letter from Warsaw, dated August of ’39, mailed just before the invasion by a Polish friend from Odessa. A photograph of his father as a young man, hair like brushed wheat, standing stiffly beside an older, unknown, woman. The only picture of him that survived. Put it all in a box and find a place to hide it. He almost did that—he found a good box, from a stationery store, but he was too late.
When he entered the lobby of the Winchester, just after seven, box in hand, the clerk beckoned to him. This was the same clerk, an old man with white hair, who had watched as he’d led Kubalsky upstairs. Now, when Serebin reached the desk, he said, “Ah monsieur, some good news for you.”
“Yes?”
The other clerk behind the desk, a heavy man with a dark, lustrous pompadour who kept the hotel books, looked up attentively, it was always interesting to hear about good news.
“Madame at the crémerie—in the rue Mabillon? Has a grand Cantal. If you go over there you can still get some.”
Serebin thanked him. Nothing like this had ever happened before, but the French character was dependably eccentric and sudden changes of weather were no surprise. He started to turn away from the desk, headed up to his room, when the man grabbed him by the wrist.
“Now, monsieur. Right away. For the Cantal.” The clerk’s hand was gripping him so hard it trembled.
Serebin went cold. The envelope from the courier was in the inside pocket of his jacket. To carry two identities was a cardinal sin of clandestine practice, but Serebin had meant to hide the envelope at the IRU office.
“Now, please.” A glance and a nod at the ceiling—they’re up in your room.
A few feet away, the bookkeeper put his hand on the telephone—the one used to call the rooms. The clerk saw him do it, turned toward him, and, for a long time, the two men stared at each other. This was nothing less than a struggle for Serebin’s life, and Serebin knew it. A fierce, silent struggle, no sound in the lobby, not a word spoken out loud. Finally, the bookkeeper cleared his throat, a small self-conscious gesture, and took his hand off the phone.
“I’ll show you where it is,” the clerk said. “The crémerie.” He let go of Serebin’s wrist and walked around the end of the desk. Turning to the bookkeeper, he said, “Keep an eye on things, will you?” Then added, “Monsieur Henri.” His first name, spoken in a normal tone of voice, dry and pleasant, but there was anathema in it, clear as a bell.
The clerk took Serebin by the elbow—he’d fought for this prize and he wasn’t going to let it get away—and walked him to a door that led off the lobby and down a stairway to the cellar of the hotel. This was bravado, Serebin thought, profoundly French bravado. The old man knew the bookkeeper wouldn’t pick up the phone once he’d left, and so virtually dared him to do it.
At the foot of the stairs, a dark passage, past ruined furniture and abandoned trunks, past carriage-horse harness and a rack of unlabeled wine bottles sealed with wax, the Winchester’s private history. Another stairway led up to street level and a heavy door. The clerk took a ring of keys from his pocket, asked Serebin to light a match, finally found the right one, and opened the door.
Outside, an alley. Serebin could see a street at the far end.
“Take care, monsieur,” the clerk said to him.
“Who were they?”
A Gallic gesture—shoulders, face, hands. Meaning who knows, to begin with, but more than that: they are who they always are. “Three of them, not in uniform. One in your room. Two nearby.”
“Well, thank you, my friend.”
“Je vous en prie, monsieur.” My pleasure.
He was at Anya Zak’s apartment an hour later. He’d gone first to Ulzhen, but the concierge said they were out for the evening. “So,” she said, when she opened the door, “now you see the truth.” The real Anya. Who wore two heavy nightgowns, a pair of French army socks, and wool gloves, one green, the other gray.
Serebin sat on the couch, the empty box on his lap. Anya Zak stood over a hot plate and began to boil water for tea.
“I should tell you,” he said, “that I am a fugitive.”
“You?”
“Yes.”
“Really. What have you done?”
“Nothing much.”
“Well, whatever it is, I hope it’s very bad. Reprehensible.”
“Can I stay here, Anya?”
She nodded yes, and measured out tea from a canister as she waited for the water to boil. “There are people, you know, who say you do things.”
“People are wrong.”
“Are they? Well, even so, I’m proud of you.”
He slept on the couch, under his overcoat—she insisted he take the blanket but he wouldn’t. Neither of them really slept. They talked in the darkness, once the lights w
ere out, about countries and cities, about what had happened to people they knew. Then he thought she’d fallen asleep. But he could see her shape beneath the covers, restless, moving around, turning over. At one point, when it was very late, she whispered, “Are you asleep?” He almost answered, then didn’t, and breathed as though he were.
THE EMPRESS OF SZEGED
26 MARCH. BELGRADE.
Or so the British cartographers called it. To the local residents it was Beograd, the White City, the capital of Serbia, as it had always been, and not of a place called Yugoslavia, a country which, in 1918, some diplomats made up for them to live in. Still, when that was done, the Serbs were in no shape to object to anything. They’d lost a million and a half people, siding with Britain and France in the Great War, and the Austro-Hungarian army had looted the city. Real, old-fashioned, neoclassical looting—none of this prissy filching of the national art and gold. They took everything. Everything that wasn’t hidden and much that was. Local residents were seen in the street wearing curtains, and carpets. And, ten years later, some of them, going up to see friends in Budapest, were served dinner on their own plates.
Serebin’s train arrived at dawn, a flock of crows rising to a pink sky from the station roof. His departure from Paris had turned into something quite like an escape—effected with the aid of Kacherin, of all people, the world’s worst poet. Because Kacherin, who wrote saccharine verse about his mother, was also Kacherin the émigré taxi driver, and for Serebin, once he declared himself a fugitive, the Gare de Lyon was out of the question—everybody was arrested there. So he gave Anya Zak money to buy him a valise and some clothes to put in it, and Kacherin drove him all the way to Bourges—he’d only asked for Etampes—the demarcation line for the Unoccupied Zone. An unexpectedly useful accomplice, Kacherin, who eased them through checkpoint after checkpoint with a hesitant smile and a nervous laugh. “Missed his train,” Kacherin told the Germans, making a bottle of his fist, thumb out, pinkie raised, and tilting it up to his mouth, while Serebin accommodated the fiction by holding his head in his hands. Oh those Russians.
Thus Kacherin did, in the end, turn out to have talent, it just wasn’t what he wanted it to be. They talked all the way to Bourges—that was at least, Serebin speculated, part of the reason Kacherin agreed to take him. Talked and talked. About poetry, about history, stars, bugs, tarot, Roosevelt. The man had a passion for the minutiae of the world—should he perhaps consider writing about that? No, shut up and be nice, Serebin told himself, an admonition delivered in the voice of his own mother.
Not so good in Belgrade.
The bar at the Srbski Kralj—King of Serbia, the hotel in town—was throbbing, mobbed with every predator in the Balkans, anonymous men with their blondes mixed in among knots of foreign correspondents. Serebin counted four different languages, all in undertones of various volumes, on his way across the room.
“Ah, Serebin, salut.”
Here you are, at last. Marrano was glad, relieved, to see him. Introduced him to the two pale Serbs, in air force uniform, who shared his table, “Captain Draza and Captain Jovan,” smoking feverishly and radiating conspiracy from every pore. Ranks and first names? This was either sinister or endearing, Serebin couldn’t decide which. Maybe both. Russians and Serbs, Slavs who spoke Slavic languages, could understand each other, and Captain Draza asked him where he’d come from.
“Paris.”
“How can you live there?” They practically spit—living under German occupation was clearly outside their definition of manhood.
“Maybe I can’t.”
“That cocksucker thinks he’s coming down here,” Jovan said.
“He won’t like it,” Draza said.
It was evening by the time Marrano and Serebin walked toward the docks, through mud streets lined by little shacks that served as cafés. Inside, fires glowed in open brick ovens, the patrons laughed, shouted, cursed, and somebody played a mandolin or a balalaika. Where the street curved downhill, Marrano stumbled over a pig on a rope, which gave a single, irritated snort, then went back to rooting in the dirt. Somewhere above them, a woman was singing. Serebin stopped to listen. “Only the moon shines on the heights/And lights up the graves of the soldiers.”
Marrano asked him what it was.
“A Russian army song, ‘The Hills of Manchuria,’ from the 1905 war with Japan.”
“A lot of émigrés, here?”
“Thirty-five thousand. From Denikin’s army, and Wrangel’s. Cossacks and doctors and professors, you name it. There was a big IRU chapter in Belgrade but they broke away from the Paris organization. Our politics—you know how that goes.”
Now they could see the docks, where the river Sava met the Danube—lanterns fore and aft on barges and tugs, and their shimmering reflections in the water. A few flood lamps, where work went on at night, a shower of blue sparks from a welder’s torch, red lights on buoys that marked a channel out in the river.
“Peaceful, isn’t it,” Marrano said. “Too bad it won’t last.”
Serebin knew that was true. Another city on fire.
“The Balkans are a problem now, for Herr Hitler. Italian army pushed all the way up into Albania and the Greeks not about to quit fighting. So, he’s got to send a serious force, thirty divisions, say, to calm things down, and they’ve got to go through Yugoslavia to get where they’re going. Which means the Belgrade government had better sign up with the Axis, or else. Right now, Hitler’s at the edge of his patience; ultimatums, bribed ministers, a fifth column—Croatia, and what comes next is invasion. The Yugoslavs know it, and they’ll give in, the government will, but the word at the Srbski Kralj is that the military, particularly the air force, won’t stand for it.”
As they neared the harbor they had to wait while a man came and got his dog, some kind of immense Balkan mastiff, so black he was almost invisible, who stood his ground and growled to let them know they were not allowed to go down his street. “A thousand pardons,” the man said, from the darkness.
“The two captains,” Serebin said. “They’re working for us?”
“For London, technically,” Marrano said. “But the simple answer is yes. There is now a second operation, an alternative plan in case the barges don’t work. In a way, it’s a better idea, but it will require digging and drilling, will require overt cooperation from the Yugoslavs, and it took Hitler to press Belgrade very hard before we got the answer we wanted.”
“What will they do?”
“Take the cliff on the Yugoslav side of the river and drop it in the Danube.”
“By digging and drilling?”
“That’s just to set explosive charges. Once we leave the freight business, we go into mining.”
They circled the harbor on an old wooden catwalk until Marrano found the dock he was looking for. At the far end, past river families cooking over charcoal braziers, past bargeloads of lumber and tar barrels and heavy rope, there was a small machine shop in a rusted tin shed. Inside, a workman at a bench was taking a carburetor apart, dipping each piece in a pan of gasoline to clean it. The shop smelled good to Serebin, oil and burnt iron, scents of the Odessa waterfront.
“Tell him we’re Captain Draza’s friends,” Marrano said.
Serebin translated, and the workman said, “Then you’re welcome here.”
“The magic formula,” Serebin said.
“In some places, yes. Others, I wouldn’t try it.”
“Who are they?”
“Oh, Serbian nationalists. Ultranationalists? Fascists? Anyhow they’re on our side, for the moment, so the name doesn’t matter.”
Beyond politics, Serebin knew exactly who they were. They reminded him of a few of the men who’d served with him in the civil war, and in the Ukraine, during the war with Poland. When you needed somebody to go crawling around in the enemy camp, when you needed somebody to deal with the sniper in the bell tower, it was Draza and Jovan who went. And, not always but surprisingly often, did the job and came back alive. You
saw it in their eyes, in the way they carried themselves. They were good at fighting, it was just that simple, and Serebin, the officer Serebin, had quickly learned to tell them apart from the others.
Marrano strolled out to the end of the wharf. “Come and have a look.”
Serebin joined him. Roped to the dock were four barges, riding low in the filthy water, with tarpaulins tied down over high, bulky shapes. Serebin stepped over onto the first in line, put a hand on the canvas, and felt a round iron wall. All that time in Bucharest, this was what they got for it.
“There should be three more,” Marrano said. “Two from Germany, one here in Belgrade, but it looks like the German shipment isn’t coming.”
“What happened?”
“According to Gulian, the honorable gentlemen at the Zollweig factory are having difficulties. They refer, in their wire, to ‘an anomaly in the application for export license.’”
“What does that mean?”
“I would say it means, in German commercial terminology, something akin to fuck you.”
“They were paid.”
“Oh yes.”
“So it’s robbery. When all the nice language is peeled away, they stole the money.” He paused, then said, “Or, if it isn’t that, it is,” he looked for the right word, “intervention.”
“That’s a possibility. Very, very unappetizing, if true. Polanyi and I spent time on that, in Istanbul.”
“And?”
“Who knows.”
“Well then, four barges will just have to be enough.”
Marrano looked at his watch. “Five, maybe. And, while we’re waiting, let me tell you how we’re going to do this.”
The workman finished his carburetor, drew a shutter down over the entry, snapped a padlock on it, and left for the evening. The weather was warm, it was almost a spring night in the harbor, so Marrano and Serebin sat on the wooden pier and leaned back against the metal shed. Marrano produced a page of typescript and gave Serebin a pad and pencil.