by Jill Bergman
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Contributors
Jill Bergman is a professor emerita at the University of Montana, where she taught courses in Ameri can literature and women’s studies. She is the author of The Motherless Child in the Novels of Pauline Hopkins (2012) and the coeditor of Our Sisters’ Keepers: Nineteenth- Century Benevolence Literature by Ameri can Women (2005). Her work on Ameri can female writers has also appeared in numerous journals and collections.
Peter Betjemann is an associate professor and the director of the master’s program in English at Oregon State University; since 2009 he has served as the executive director of the Charlotte Perkins Gilman Society. His work, Talking Shop: The Language of Craft in an Age of Consumption (2011), reads nineteenth-and early twentieth- century literature in its decorative, material, and visual contexts. He publishes on authors in clud ing Charlotte Perkins Gilman, Willa Cather, Henry James, and Nathaniel Hawthorne in such journals as Word and Image, Ameri can Literary Realism, Nineteenth- Century Prose, and The Journal of Design History, and he is currently writing a book about nineteenth- century paintings that depict s
cenes from literature.
Sari Edelstein is an assistant professor of English at the University of Massachusetts Boston. She is the author of Between the Novel and the News: The Emergence of Ameri can Women’s Writing (2014), and her essays have appeared in journals, in clud ing Studies in Ameri can Fiction, Legacy, ESQ: A Journal of the Ameri can Renaissance, and Ameri can Literature. She is currently writing a book about Ameri can literature and the making of age.
Catherine J. Golden is a professor of English at Skidmore College in Sara-toga Springs, New York, where she specializes in Victorian literature and cul-
220 / Contributors
ture. She is the author of Posting It: The Victorian Revolution in Letter Writing, the winner of the 2010 DeLong Book History Prize from the Society for the History of Authorship, Reading, and Publishing. She is also the author of Images of the Woman Reader in Victorian British and Ameri can Fiction (2003) and the editor or coeditor of five additional books, in clud ing Charlotte Perkins Gilman’s The Yellow Wall- Paper: A Sourcebook and Critical Edition (2004), and Book Illustrated: Text, Image, and Culture, 1770–1930 (2000). She is a founding member of the Charlotte Perkins Gilman Society and served as its executive
director from 1998 to 2002. She is currently writing a book on the Victorian
illustrated book from the serial to the graphic novel.
Brady Harrison is a professor of English at the University of Montana.
He is the author of Agent of Empire: William Walker and the Imperial Self in Ameri can Literature (2004) and the editor or coeditor of a number of books, most recently These Living Songs: Reading Montana Poetry (2014) and Punk Rock Warlord: The Life and Work of Joe Strummer (2014). His articles, essays, and fiction have appeared in journals and books in the United States, Canada, Mexico, Puerto Rico, England, France, Germany, and Australia.
Denise D. Knight is the distinguished teaching professor emerita of
nineteenth- century Ameri can literature at the State University of New York
College at Cortland. She is the author of Charlotte Perkins Gilman: A Study of the Short Fiction (1997), the editor of the two- volume The Diaries of Charlotte Perkins Gilman (1994), and the editor of collections of Gilman’s fiction and later poetry. She is the coeditor of The Selected Letters of Charlotte Perkins Gilman (2009) with Jennifer S. Tuttle, of Charlotte Perkins Gilman’s In This Our World and Uncollected Poems (2012) with Gary Scharnhorst, and of Charlotte Perkins Gilman and Her Contemporaries (2004) and Approaches to Teaching Charlotte Perkins Gilman’s “The Yellow Wall-Paper” (2003) with Cynthia J.