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Cambridge Studies in Medieval Literature
1 Robin Kirkpatrick Dante’s Inferno: Difficulty and Dead Poetry
2 Jeremy Tambling Dante and Difference: Writing in the “Commedia”
3 Simon Gaunt Troubadours and Irony
4 Wendy Scase “Piers Plowman” and the New Anticlericalism
5 Joseph Duggan The “Cantar De Mio Cid”: Poetic Creation in its Economic and
Social Contexts
6 Roderick Beaton The Medieval Greek Romance
7 Kathryn Kerby-Fulton Reformist Apocalypticism and “Piers Plowman”
8 Alison Morgan Dante & the Medieval Other World
9 Eckehard Simon (ed.) The Theatre of Medieval Europe: New Research in Early
Drama
10 Mary Carruthers The Book of Memory: A Study of Memory in Medieval Culture
11 Rita Copeland Rhetoric, Hermeneutics and Translation in the Middle Ages: Academic Traditions and Vernacular Texts
12 Donald Maddox The Arthurian Romances of Chr´etien de Troyes: Once and Future
Fictions
13 Nicholas Watson Richard Rolle and the Invention of Authority
14 Steven F. Kruger Dreaming in the Middle Ages
15 Barbara Nolan Chaucer and the Tradition of the “Roman Antique”
16 Sylvia Huot The “Romance of the Rose” and its Medieval Readers: Interpretations, Reception, Manuscript Transmission
17 Carol M. Meale (ed.) Women and Literature in Britain, 1150–1500
18 Henry Ansgar Kelly Ideas and Forms of Tragedy from Aristotle to the Middle Ages
19 Martin Irvine The Making of Textual Culture: Grammatica and Literary Theory,
350–1100
20 Larry Scanlon Narrative, Authority and Power: The Medieval Exemplum and the
Chaucerian Tradition
21 Erik Kooper Medieval Dutch Literature in its European Context
22 Steven Botterill Dante and the Mystical Tradition: Bernard of Clairvaux in the
“Commedia”
23 Peter Biller and Anne Hudson (eds.) Heresy and Literacy, 1000–1530
24 Christopher Baswell Virgil in Medieval England: Figuring the “Aeneid” from the
Twelfth Century to Chaucer
25 James Simpson Sciences and Self in Medieval Poetry: Alan of Lille’s “Anticlaudi- anus” and John Gower’s “Confessio Amantis”
26 Joyce Coleman Public Reading and the Reading Public in Late Medieval England and France
27 Suzanne Reynolds Medieval Reading: Grammar, Rhetoric and the Classical Text
28 Charlotte Brewer Editing “Piers Plowman”: The Evolution of the Text29 Walter Haug Vernacular Literary Theory in the Middle Ages: The German
Tradition in its European Context
30 Sarah Spence Texts and the Self in the Twelfth Century
31 Edwin Craun Lies, Slander and Obscenity in Medieval English Literature: Pastoral
Rhetoric and the Deviant Speaker
32 Patricia E. Grieve “Floire and Blancheflor” and the European Romance
33 Huw Pryce (ed.) Literacy in Medieval Celtic Societies
34 Mary Carruthers The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400–1200
35 Beate Schmolke-Hasselman The Evolution of Arthurian Romance: The Verse
Tradition from Chr´etien to Froissart
36 Siaˆn Echard Arthurian Narrative in the Latin Tradition
37 Fiona Somerset Clerical Discourse and Lay Audience in Late Medieval England
38 Florence Percival Chaucer’s Legendary Good Women
39 Christopher Cannon The Making of Chaucer’s English: A Study of Words
40 Rosalind Brown-Grant Christine de Pizan and the Moral Defence of Women: Reading Beyond Gender
41 Richard Newhauser The Early History of Greed: The Sin of Avarice in Early
Medieval Thought and Literature
42 Margaret Clunies Ross Old Icelandic Literature and Society
43 Donald Maddox Fictions of Identity in Medieval France
44 Rita Copeland Pedagogy, Intellectuals, and Dissent in the Later Middle Ages: Lollardy and Ideas of Learning
45 Kantik Ghosh The Wycliffite Heresy: Authority and the Interpretation of Texts
46 Mary C. Erler Women, Reading, and Piety in Late Medieval England
47 D. H. Green The Beginnings of Medieval Romance: Fact and Fiction 1150–1220
48 J. A. Burrow Gestures and Looks in Medieval Narrative
49 Ardis Butterfield Poetry and Music in Medieval France: From Jean Renart to
Guillaume de Machaut
50 Emily Steiner Documentary Culture and the Making of Medieval English
Literature
Sodomy, Masculinity, and Law in Medieval Literature Page 42