Till some happy conjunction of the planets shall dispose our princes or ministers to make themselves immortal by such an academy, Minim contents himself to preside four nights in a week in a critical society selected by himself, where he is heard without contradiction, and whence his judgment is disseminated through the great vulgar and the small.
When he is placed in the chair of criticism, he declares loudly for the noble simplicity of our ancestors, in opposition to the petty refinements, and ornamental luxuriance. Sometimes he is sunk in despair, and perceives false delicacy daily gaining ground, and sometimes brightens his countenance with a gleam of hope, and predicts the revival of the true sublime. He then fulminates his loudest censures against the monkish barbarity of rhyme; wonders how beings that pretend to reason can be pleased with one line always ending like another; tells how unjustly and unnaturally sense is sacrificed to sound; how often the best thoughts are mangled by the necessity of confining or extending them to the dimensions of a couplet; and rejoices that genius has, in our days, shaken off the shackles which had encumbered it so long. Yet he allows that rhyme may sometimes be borne, if the lines be often broken, and the pauses judiciously diversified.
From blank verse he makes an easy transition to Milton, whom he produces as an example of the slow advance of lasting reputation. Milton is the only writer in whose books Minim can read for ever without weariness. What cause it is that exempts this pleasure from satiety he has long and diligently inquired, and believes it to consist in the perpetual variation of the numbers, by which the ear is gratified and the attention awakened. The lines that are commonly thought rugged and unmusical, he conceives to have been written to temper the melodious luxury of the rest, or to express things by a proper cadence: for he scarcely finds a verse that has not this favourite beauty; he declares that he could shiver in a hot-house when he reads that
“the ground Burns frore, and cold performs th’ effect of fire;”
and that, when Milton bewails his blindness, the verse,
“So thick a drop serene has quench’d these orbs,”
has, he knows not how, something that strikes him with an obscure sensation like that which he fancies would be felt from the sound of darkness.
Minim is not so confident of his rules of judgment as not very eagerly to catch new light from the name of the author. He is commonly so prudent as to spare those whom he cannot resist, unless, as will sometimes happen, he finds the publick combined against them. But a fresh pretender to fame he is strongly inclined to censure, till his own honour requires that he commend him. Till he knows the success of a composition, he intrenches himself in general terms; there are some new thoughts and beautiful passages, but there is likewise much which he would have advised the author to expunge. He has several favourite epithets, of which he has never settled the meaning, but which are very commodiously applied to books which he has not read, or cannot understand. One is manly, another is dry, another stiff, and another flimsy; sometimes he discovers delicacy of style, and sometimes meets with strange expressions.
He is never so great, or so happy, as when a youth of promising parts is brought to receive his directions for the prosecution of his studies. He then puts on a very serious air; he advises the pupil to read none but the best authors; and when he finds one congenial to his own mind, to study his beauties, but avoid his faults; and, when he sits down to write, to consider how his favourite author would think at the present time on the present occasion. He exhorts him to catch those moments when he finds his thoughts expanded and his genius exalted, but to take care lest imagination hurry him beyond the bounds of nature. He holds diligence the mother of success; yet enjoins him, with great earnestness, not to read more than he can digest, and not to confuse his mind by pursuing studies of contrary tendencies. He tells him, that every man has his genius, and that Cicero could never be a poet. The boy retires illuminated, resolves to follow his genius, and to think how Milton would have thought: and Minim feasts upon his own beneficence till another day brings another pupil.
No. 62. SATURDAY, JUNE 23, 1759.
Quid faciam, proescribe. Quiescas. — HOR. Lib. ii. Sat. i. 5.
TO THE IDLER.
Sir,
An opinion prevails almost universally in the world, that he who has money has every thing. This is not a modern paradox, or the tenet of a small and obscure sect, but a persuasion which appears to have operated upon most minds in all ages, and which is supported by authorities so numerous and so cogent, that nothing but long experience could have given me confidence to question its truth.
But experience is the test by which all the philosophers of the present age agree, that speculation must be tried; and I may be, therefore, allowed to doubt the power of money, since I have been a long time rich, and have not yet found that riches can make me happy.
My father was a farmer neither wealthy nor indigent, who gave me a better education than was suitable to my birth, because my uncle in the city designed me for his heir, and desired that I might be bred a gentleman. My uncle’s wealth was the perpetual subject of conversation in the house; and when any little misfortune befell us, or any mortification dejected us, my father always exhorted me to hold up my head, for my uncle would never marry.
My uncle, indeed, kept his promise. Having his mind completely busied between his warehouse and the ’Change, he felt no tediousness of life, nor any want of domestick amusements. When my father died, he received me kindly; but, after a few months, finding no great pleasure in the conversation of each other, we parted; and he remitted me a small annuity, on which I lived a quiet and studious life, without any wish to grow great by the death of my benefactor.
But though I never suffered any malignant impatience to take hold on my mind, I could not forbear sometimes to imagine to myself the pleasure of being rich; and, when I read of diversions and magnificence, resolved to try, when time should put the trial in my power, what pleasure they could afford.
My uncle, in the latter spring of his life, when his ruddy cheek and his firm nerves promised him a long and healthy age, died of an apoplexy. His death gave me neither joy nor sorrow. He did me good, and I regarded him with gratitude; but I could not please him, and, therefore, could not love him.
He had the policy of little minds, who love to surprise; and, having always represented his fortune as less than it was, had, I suppose, often gratified himself with thinking, how I should be delighted to find myself twice as rich as I expected. My wealth was such as exceeded all the schemes of expense which I had formed; and I soon began to expand my thoughts, and look round for some purchase of felicity.
The most striking effect of riches is the splendour of dress, which every man has observed to enforce respect, and facilitate reception; and my first desire was to be fine. I sent for a tailor who was employed by the nobility, and ordered such a suit of clothes as I had often looked on with involuntary submission, and am ashamed to remember with what flutters of expectation I waited for the hour, when I should issue forth in all the splendour of embroidery. The clothes were brought, and for three days I observed many eyes turned towards me as I passed: but I felt myself obstructed in the common intercourse of civility by an uneasy consciousness of my new appearance; as I thought myself more observed, I was more anxious about my mien and behaviour; and the mien which is formed by care is commonly ridiculous. A short time accustomed me to myself, and my dress was without pain, and without pleasure.
For a little while I tried to be a rake, but I began too late; and having by nature no turn for a frolick, was in great danger of ending in a drunkard. A fever, in which not one of my companions paid me a visit, gave me time for reflection. I found that there was no great pleasure in breaking windows and lying in the round-house; and resolved to associate no longer with those whom, though I had treated and bailed them, I could not make friends.
I then changed my measures, kept running horses, and had the comfort of seeing my name very often in the news. I had a chesn
ut horse, the grandson of Childers, who won four plates, and ten by-matches; and a bay filly, who carried off the five years’ old plate, and was expected to perform much greater exploits, when my groom broke her wind, because I happened to catch him selling oats for beer. This happiness was soon at an end; there was no pleasure when I lost, and, when I won, I could not much exalt myself by the virtues of my horse. I grew ashamed of the company of jockey-lords, and resolved to spend no more of my time in the stable.
It was now known that I had money, and would spend it, and I passed four months in the company of architects, whose whole business was to persuade me to build a house. I told them that I had more room than I wanted, but could not get rid of their importunities. A new plan was brought me every morning; till at last my constancy was overpowered, and I began to build. The happiness of building lasted but a little while, for though I love to spend, I hate to be cheated; and I soon found, that to build is to be robbed.
How I proceed in the pursuit of happiness, you shall hear when I find myself disposed to write.
I am, Sir, &c.
TIM. RANGER.
No. 63. SATURDAY, JUNE 30, 1759.
The natural progress of the works of men is from rudeness to convenience, from convenience to elegance, and from elegance to nicety.
The first labour is enforced by necessity. The savage finds himself incommoded by heat and cold, by rain and wind; he shelters himself in the hollow of a rock, and learns to dig a cave where there was none before. He finds the sun and the wind excluded by the thicket; and when the accidents of the chase, or the convenience of pasturage, leads him into more open places, he forms a thicket for himself, by planting stakes at proper distances, and laying branches from one to another.
The next gradation of skill and industry produces a house closed with doors, and divided by partitions; and apartments are multiplied and disposed according to the various degrees of power or invention; improvement succeeds improvement, as he that is freed from a greater evil grows impatient of a less, till ease in time is advanced to pleasure.
The mind, set free from the importunities of natural want, gains leisure to go in search of superfluous gratifications, and adds to the uses of habitation the delights of prospect. Then begins the reign of symmetry; orders of architecture are invented, and one part of the edifice is conformed to another, without any other reason, than that the eye may not be offended.
The passage is very short from elegance to luxury, Ionick and Corinthian columns are soon succeeded by gilt cornices, inlaid floors and petty ornaments, which show rather the wealth than the taste of the possessour.
Language proceeds, like every thing else, through improvement to degeneracy. The rovers who first took possession of a country, having not many ideas, and those not nicely modified or discriminated, were contented, if by general terms and abrupt sentences they could make their thoughts known to one another: as life begins to be more regulated, and property to become limited, disputes must be decided, and claims adjusted; the differences of things are noted, and distinctness and propriety of expression become necessary. In time, happiness and plenty give rise to curiosity, and the sciences are cultivated for ease and pleasure; to the arts, which are now to be taught, emulation soon adds the art of teaching; and the studious and ambitious contend not only who shall think best, but who shall tell their thoughts in the most pleasing manner.
Then begin the arts of rhetorick and poetry, the regulation of figures, the selection of words, the modulation of periods, the graces of transition, the complication of clauses, and all the delicacies of style and subtilties of composition, useful while they advance perspicuity, and laudable while they increase pleasure, but easy to be refined by needless scrupulosity till they shall more embarrass the writer than assist the reader or delight him.
The first state is commonly antecedent to the practice of writing; the ignorant essays of imperfect diction pass away with the savage generation that uttered them. No nation can trace their language beyond the second period, and even of that it does not often happen that many monuments remain.
The fate of the English tongue is like that of others. We know nothing of the scanty jargon of our barbarous ancestors; but we have specimens of our language when it began to be adapted to civil and religious purposes, and find it such as might naturally be expected, artless and simple, unconnected and concise. The writers seem to have desired little more than to be understood, and, perhaps, seldom aspired to the praise of pleasing. Their verses were considered chiefly as memorial, and, therefore, did not differ from prose but by the measure or the rhyme.
In this state, varied a little according to the different purposes or abilities of writers, our language may be said to have continued to the time of Gower, whom Chaucer calls his master, and who, however obscured by his scholar’s popularity, seems justly to claim the honour which has been hitherto denied him, of showing his countrymen that something more was to be desired, and that English verse might be exalted into poetry.
From the time of Gower and Chaucer, the English writers have studied elegance, and advanced their language, by successive improvements, to as much harmony as it can easily receive, and as much copiousness as human knowledge has hitherto required. These advances have not been made at all times with the same diligence or the same success. Negligence has suspended the course of improvement, or affectation turned it aside; time has elapsed with little change, or change has been made without amendment. But elegance has been long kept in view with attention as near to constancy as life permits, till every man now endeavours to excel others in accuracy, or outshine them in splendour of style, and the danger is, lest care should too soon pass to affectation.
No. 64. SATURDAY, JULY 1, 1759.
Quid faciam, praescribe. Quiescas. — HOR. Lib. ii. Sat. i. 5.
TO THE IDLER.
Sir,
As nature has made every man desirous of happiness, I flatter myself, that you and your readers cannot but feel some curiosity to know the sequel of my story; for though, by trying the different schemes of pleasure, I have yet found nothing in which I could finally acquiesce; yet the narrative of my attempts will not be wholly without use, since we always approach nearer to truth as we detect more and more varieties of errour.
When I had sold my racers, and put the orders of architecture out of my head, my next resolution was to be a fine gentleman. I frequented the polite coffee-houses, grew acquainted with all the men of humour, and gained the right of bowing familiarly to half the nobility. In this new scene of life my great labour was to learn to laugh. I had been used to consider laughter as the effect of merriment; but I soon learned that it is one of the arts of adulation, and, from laughing only to show that I was pleased, I now began to laugh when I wished to please. This was at first very difficult. I sometimes heard the story with dull indifference, and, not exalting myself to merriment by due gradations, burst out suddenly into an awkward noise, which was not always favourably interpreted. Sometimes I was behind the rest of the company, and lost the grace of laughing by delay, and sometimes, when I began at the right time, was deficient in loudness or in length. But, by diligent imitation of the best models, I attained at last such flexibility of muscles, that I was always a welcome auditor of a story, and got the reputation of a good-natured fellow.
This was something; but much more was to be done, that I might be universally allowed to be a fine gentleman. I appeared at court on all publick days; betted at gaming-tables; and played at all the routs of eminence. I went every night to the opera, took a fiddler of disputed merit under my protection, became the head of a musical faction, and had sometimes concerts at my own house. I once thought to have attained the highest rank of elegance, by taking a foreign singer into keeping. But my favourite fiddler contrived to be arrested, on the night of a concert, for a finer suit of clothes than I had ever presumed to wear, and I lost all the fame of patronage by refusing to bail him.
My next ambition was to sit for my picture. I
spent a whole winter in going from painter to painter, to bespeak a whole length of one, and a half length of another; I talked of nothing but attitudes, draperies and proper lights; took my friends to see the pictures after every sitting; heard every day of a wonderful performer in crayons and miniature, and sent my pictures to be copied; was told by the judges that they were not like, and was recommended to other artists. At length, being not able to please my friends, I grew less pleased myself, and at last resolved to think no more about it.
It was impossible to live in total idleness: and wandering about in search of something to do, I was invited to a weekly meeting of virtuosos, and felt myself instantaneously seized with an unextinguishable ardour for all natural curiosities. I ran from auction to auction, became a critick in shells and fossils, bought a Hortus siccus of inestimable value, and purchased a secret art of preserving insects, which made my collection the envy of the other philosophers. I found this pleasure mingled with much vexation. All the faults of my life were for nine months circulated through the town with the most active malignity, because I happened to catch a moth of peculiar variegation; and because I once out-bid all the lovers of shells, and carried off a nautilus, it was hinted that the validity of my uncle’s will ought to be disputed. I will not deny that I was very proud both of the moth and of the shell, and gratified myself with the envy of my companions, perhaps, more than became a benevolent being. But in time I grew weary of being hated for that which produced no advantage, gave my shells to children that wanted play-things, and suppressed the art of drying butterflies, because I would not tempt idleness and cruelty to kill them.
I now began to feel life tedious, and wished to store myself with friends, with whom I might grow old in the interchange of benevolence. I had observed that popularity was most easily gained by an open table, and, therefore, hired a French cook, furnished my sideboard with great magnificence, filled my cellar with wines of pompous appellations, bought every thing that was dear before it was good, and invited all those who were most famous for judging of a dinner. In three weeks my cook gave me warning, and, upon inquiry, told me that Lord Queasy, who dined with me the day before, had sent him an offer of double wages. My pride prevailed; I raised his wages, and invited his lordship to another feast. I love plain meat, and was, therefore, soon weary of spreading a table of which I could not partake. I found that my guests, when they went away, criticised their entertainment, and censured my profusion; my cook thought himself necessary, and took upon him the direction of the house; and I could not rid myself of flatterers, or break from slavery, but by shutting up my house, and declaring my resolution to live in lodgings.
Complete Works of Samuel Johnson Page 155