by Riley Sager
ALSO BY RILEY SAGER
Final Girls
The Last Time I Lied
Lock Every Door
An imprint of Penguin Random House LLC
penguinrandomhouse.com
Copyright © 2020 by Todd Ritter
Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.
DUTTON and the D colophon are registered trademarks of Penguin Random House LLC.
“Sixteen Going on Seventeen,” from The Sound of Music. Lyrics by Oscar Hammerstein II. Music by Richard Rodgers. Copyright © 1959 Williamson Music Company c/o Concord Music Publishing. Copyright renewed. All Rights Reserved. Used by permission. Reprinted by permission of Hal Leonard LLC.
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Names: Sager, Riley, author.
Title: Home before dark : a novel / Riley Sager.
Identifiers: LCCN 2019059645 | ISBN 9781524745172 (hardback) | ISBN 9781524745189 (ebook)
Subjects: LCSH: Psychological fiction. | GSAFD: Suspense fiction. | Horror fiction.
Classification: LCC PS3618.I79 H66 2020 | DDC 813/.6—dc23
LC record available at https://lccn.loc.gov/2019059645
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
pid_prh_5.5.0_c0_r0
For those who tell ghost stories . . . and those who believe them.
CONTENTS
Cover
Also by Riley Sager
Title Page
Copyright
Dedication
House of Horrors by Ewan Holt
Prologue: July 1
One
May 20: The Tour
Two
June 25: The Closing
Three
June 26: Day 1
Four
June 27: Day 2
Five
June 28: Day 3
Six
June 29: Day 4
Seven
June 30: Day 5
Eight
July 1: Day 6
Nine
July 2: Day 7
Ten
July 3: Day 8
Eleven
July 4: Day 9
Twelve
July 5: Day 10
Thirteen
July 6: Day 11
Fourteen
July 7: Day 12
Fifteen
July 8: Day 13
Sixteen
July 9: Day 14
Seventeen
July 10: Day 15
Eighteen
July 11: Day 16
Nineteen
July 12: Day 17
Twenty
July 13: Day 18
Twenty-One
July 14: Day 19
Twenty-Two
July 15: Day 20—Before Dark
Twenty-Three
July 15: Day 20—After Dark
Twenty-Four
Twenty-Five
Twenty-Six
Epilogue
House of Secrets by Maggie Holt
Acknowledgments
About the Author
Every house has a story to tell and a secret to share.
The dining room wallpaper might hide pencil marks charting the growth of children who lived there decades before. Under that sun-faded linoleum could be wood once trod by soldiers from the Revolutionary War.
Houses are always changing. Coats of paint. Rows of laminate. Rolls of carpet. They cover up a home’s stories and secrets, rendering them silent until someone comes along to reveal them.
That’s what I do.
My name is Maggie Holt. I’m a designer and, in many ways, a historian. I look for each house’s story and attempt to coax it out. I’m proud of the work I do. I’m good at it.
I listen.
I learn.
I use that knowledge to design an interior that, while fully modern, always speaks to the home’s past.
Every house has a story.
Ours is a ghost story.
It’s also a lie.
And now that yet another person has died within these walls, it’s finally time to tell the truth.
HOUSE OF HORRORS
A TRUE STORY
Ewan Holt
MURRAY-HAMILTON, INC.,
NEW YORK, NY
PROLOGUE
JULY 1
“Daddy, you need to check for ghosts.”
I paused in the doorway of my daughter’s bedroom, startled in that way all parents get when their child says something truly confounding. Since Maggie was five, I suppose I should have been used to it. I wasn’t. Especially with a request so unexpectedly odd.
“I do?”
“Yes,” Maggie said, insistent. “I don’t want them in my room.”
Until that moment, I had no idea my daughter even knew what a ghost was, let alone feared one was occupying her bedroom. More than one, apparently. I noticed her word choice.
Them.
I blamed this new development on the house. We had been in Baneberry Hall almost a week by then—ample time to have noted its eccentricities but not long enough to have gotten used to them. The sudden shifting of the walls. The noises in the night. A ceiling fan that, when it spun at full speed, sounded like the clicking of teeth.
Maggie, as sensitive as any girl her age, was clearly having trouble adjusting to it all. At bedtime the night before, she’d asked me when we’d be returning to our old home, a sad and dim two-bedroom apartment in Burlington. Now there were ghosts to contend with.
“I suppose it can’t hurt,” I said, humoring her. “Where should I look first?”
“Under the bed.”
No surprise there. I had had the same fear when I was Maggie’s age, certain something awful hid in the darkness inches below where I slept. I dropped to my hands and knees and took a quick glance under the bed. All that lurked there was a thin coat of dust and a single pink sock.
“All clear,” I announced. “Where next?”
“The closet,” Maggie said.
I’d assumed as much and was already making my way to the bedroom closet. This section of the house—dubbed “Maggie’s wing” because it contained not just her bedroom but also an adjoining playroom—was located on the second floor, under the eaves of the sloped roof. Because of the room’s slanted ceiling, one half of the closet’s old oak door slanted as well. Opening it made me think of a storybook cottage, which was one of the reasons we decided the space should belong to Maggie.
“Nothing in the closet,” I said, making a show of yanking the chain dangling from the closet’s single lightbulb and peering between hangers draped with clothes. “Anywhere else?”
Maggie aimed a trembling index finger at the massive armoire that stood sentinel a few feet from the closet. It was a relic from the house’s past. An odd one. Over eight feet tall. Its narrow base gradually widened to a formidable midsection before suddenly tapering off again at the top. Crowning it were carvings of cherubs, birds, and strands of ivy that climbed the corners. I
thought that, much like the closet door, it gave Maggie’s room a touch of literary magic. It brought to mind voyages to Narnia.
But when I cracked open the armoire’s double doors, Maggie sucked in a breath, steeling herself for whatever terror she thought waited inside.
“Are you sure you want me to open it?” I asked.
“No.” Maggie paused, and then changed her mind. “Yes.”
I pulled the armoire doors wide open, exposing a space occupied by only a few frilly dresses my wife had bought with the hopeful notion that our tomboy daughter might someday wear them.
“It’s empty,” I said. “See?”
From her spot in bed, Maggie peered into the armoire before letting out a relieved sigh.
“You know there’s no such thing as ghosts, right?” I said.
“You’re wrong.” Maggie slid deeper under the covers. “I’ve seen them.”
I looked at my daughter, trying not to appear startled, even though I was. I knew she had an active imagination, but I didn’t think it was that vivid. So vivid that she saw things that weren’t there and believed them to be real.
And she did believe. I could tell from the way she stared back at me, tears pooling in the corners of her wide eyes. She believed, and it terrified her.
I sat on the edge of her bed. “Ghosts aren’t real, Mags. If you don’t believe me, ask your mother. She’ll tell you the same thing.”
“But they are,” Maggie insisted. “I see them all the time. And one of them talks to me. Mister Shadow.”
A chill swept up my spine. “Mister Shadow?”
Maggie gave a single, fearful nod.
“What does Mister Shadow say?”
“He says—” Maggie gulped, trying hard to hold back her tears. “He says we’re going to die here.”
One
From the moment I enter the office, I know how things are going to go. It’s happened before. Too many times to count. And although each incident has its slight variations, the outcome is always the same. I expect nothing less this go-round, especially when the receptionist offers me a knowing smile as recognition flashes in her eyes. It’s clear she’s well-acquainted with the Book.
My family’s greatest blessing.
Also our biggest curse.
“I have an appointment with Arthur Rosenfeld,” I say. “The name is Maggie Holt.”
“Of course, Miss Holt.” The receptionist gives me a quick once-over, comparing and contrasting the little girl she’s read about with the woman standing before her in scuffed boots, green cargo pants, and a flannel shirt speckled with sawdust. “Mr. Rosenfeld is on a call right now. He’ll be with you in just a minute.”
The receptionist—identified as Wendy Davenport by the nameplate on her desk—gestures to a chair by the wall. I sit as she continues to glance my way. I assume she’s checking out the scar on my left cheek—a pale slash about an inch long. It’s fairly famous, as scars go.
“I read your book,” she says, stating the obvious.
I can’t help but correct her. “You mean my father’s book.”
It’s a common misconception. Even though my father is credited as the sole author, everyone assumes we all had something to do with it. And while that may be true of my mother, I played absolutely no part in the Book, despite being one of its main characters.
“I loved it,” Wendy continues. “When I wasn’t scared out of my mind, of course.”
She pauses, and I cringe internally, knowing what’s about to come next. It always does. Every damn time.
“What was it like?” Wendy leans forward until her ample bosom is squished against the desk. “Living in that house?”
The question that’s inevitably asked whenever someone connects me to the Book. By now, I have a stock answer at the ready. I learned early on that one is necessary, and so I always keep it handy, like something carried in my toolbox.
“I don’t really remember anything about that time.”
The receptionist arches an overplucked brow. “Nothing at all?”
“I was five,” I say. “How much do you remember from that age?”
In my experience, this ends the conversation about 50 percent of the time. The merely curious get the hint and move on. The morbidly interested don’t give up so easily. I thought Wendy Davenport, with her apple cheeks and Banana Republic outfit, would be the former. Turns out I’m wrong.
“But the experience was so terrifying for your family,” she says. “I’d surely remember at least something about it.”
There are several ways I can go with this, depending on my mood. If I was at a party, relaxed and generous after a few drinks, I’d probably indulge her and say, “I remember being afraid all the time but not knowing why.”
Or, “I suppose it was so scary I blocked it all out.”
Or, a perennial favorite, “Some things are too frightening to remember.”
But I’m not at a party. Nor am I relaxed and generous. I’m in a lawyer’s office, about to be handed the estate of my recently dead father. My only choice is to be blunt.
“None of it happened,” I tell Wendy. “My father made it all up. And when I say all of it, I mean all of it. Everything in that book is a lie.”
Wendy’s expression switches from wide-eyed curiosity to something harder and darker. I’ve disappointed her, even though she should feel grateful I’m being honest with her. It’s something my father never felt was necessary.
His version of the truth differed greatly from mine, although he, too, had a stock answer, the script of which never wavered no matter who he was talking to.
“I’ve lied about a great many things in my life,” he would have told Wendy Davenport, oozing charm. “But what happened at Baneberry Hall isn’t one of them. Every word of that book is true. I swear to the Great Almighty.”
That’s in line with the public version of events, which goes something like this: Twenty-five years ago, my family lived in a house named Baneberry Hall, situated just outside the village of Bartleby, Vermont.
We moved in on June 26.
We fled in the dead of night on July 15.
Twenty days.
That’s how long we lived in that house before we became too terrified to stay a minute longer.
It wasn’t safe, my father told police. Something was wrong with Baneberry Hall. Unaccountable things had happened there. Dangerous things.
The house was, he reluctantly admitted, haunted by a malevolent spirit.
We vowed never to return.
Ever.
This admission—detailed in the official police report—was noticed by a reporter for the local newspaper, a glorified pamphlet known as the Bartleby Gazette. The ensuing article, including plenty of quotes from my father, was soon picked up by the state’s wire service and found its way into bigger newspapers in larger towns. Burlington and Essex and Colchester. From there it spread like a pernicious cold, hopping from town to town, city to city, state to state. Roughly two weeks after our retreat, an editor in New York called with an offer to tell our story in book form.
Since we were living in a motel room that smelled of stale smoke and lemon air freshener, my father jumped at the offer. He wrote the book in a month, turning the motel room’s tiny bathroom into a makeshift office. One of my earliest memories is of him seated sideways on the toilet, banging away at a typewriter perched atop the bathroom vanity.
The rest is publishing history.
Instant bestseller.
Worldwide phenomenon.
The most popular “real-life” account of the paranormal since The Amityville Horror.
For a time, Baneberry Hall was the most famous house in America. Magazines wrote about it. News shows did reports on it. Tourists gathered outside the estate’s wrought-iron gate, angling for a glimpse of rooftop or a glint of sunlight bouncin
g off the windows. It even made The New Yorker, in a cartoon that ran two months after the Book hit stores. It shows a couple standing with their Realtor outside a dilapidated house. “We love it,” the wife says. “But is it haunted enough for a book deal?”
As for me and my family, well, we were everywhere. In People magazine, the three of us looking somber in front of a house we refused to enter. In Time, my father seated in a veil of shadow, giving him a distinctly sinister look. On TV, my parents being either coddled or interrogated, depending on the interviewer.
Right now, anyone can go to YouTube and watch a clip of us being interviewed on 60 Minutes. There we are, a picture-perfect family. My father, shaggy but handsome, sporting the kind of beard that wouldn’t come back in style until a decade later. My mother, pretty but looking slightly severe, the tightness at the corners of her mouth hinting that she’s not completely on board with the situation. Then there’s me. Frilly blue dress. Patent leather shoes. A black headband and very regrettable bangs.
I didn’t say much during the interview. I merely nodded or shook my head or acted shy by shrinking close to my mother. I think my only words during the entire segment were “I was scared,” even though I can’t remember being scared. I can’t remember anything about our twenty days at Baneberry Hall. What I do recall is colored by what’s in the Book. Instead of memories, I have excerpts. It’s like looking at a photograph of a photograph. The framing is off. The colors are dulled. The image is slightly dark.
Murky.
That’s the perfect word to describe our time at Baneberry Hall.
It should come as no surprise that many people doubt my father’s story. Yes, there are those like Wendy Davenport who think the Book is real. They believe—or want to believe—that our time at Baneberry Hall unfolded exactly the way my father described it. But thousands more adamantly think it was all a hoax.
I’ve seen all the websites and Reddit threads debunking the Book. I’ve read all the theories. Most of them surmise my parents quickly realized they’d bought more house than they could afford and needed an excuse to get out of it. Others suggest they were con artists who purposefully bought a house where something tragic happened in order to exploit it.