by Riley Sager
“As you can see, Mrs. Ditmer gets confused sometimes,” Chief Alcott says. “Has a tendency to wander off.”
“I was told she wasn’t well,” I say.
“She has Alzheimer’s.” This is spoken by her daughter, who’s suddenly at our side. “Sometimes she’s fine. Almost as if nothing is wrong. And at other times her mind gets cloudy. She forgets what year it is, or else wanders off. I thought she was asleep. But when I saw the chief drive by, I knew she had come here.”
“Does she do that a lot?”
“No,” she says. “Usually the gate is closed.”
“Well, it’s all over now,” Chief Alcott says. “No harm meant, and no harm done. I think it’s best if Elsa gets home and back into bed.”
Mrs. Ditmer’s daughter doesn’t move. “You’re Maggie Holt,” she says, in a way that makes it sound like an accusation.
“I am.”
When I offer my hand, she pointedly refuses to shake it.
“Hannah,” she says, even though I’d already inferred that. “We’ve met before.”
I know, only because it was in the Book. Although my father had written that Hannah was six at the time, she looks a good decade older than me. She’s got a rawboned appearance. A woman whose soft edges had been scraped away by life. The past twenty-five years must have been a bitch.
“I’m sorry about your mother,” I say.
Hannah shrugs. A gesture that seems to say, Yeah, you and me both.
“Petra’s your sister, right?”
“Was my sister,” Hannah says. “Sorry if my mom scared you. It won’t happen again.”
She helps her mother out of the chair and guides her carefully to the door. On their way out, Elsa Ditmer turns and gives me one last look, just in case I’ve magically turned into her other daughter. But I’m still me, a fact that’s met with another crestfallen look on Mrs. Ditmer’s face.
After they’re gone, Chief Alcott lingers in the vestibule. Above her, the moth in the light fixture has gone still. Maybe just for a moment. Maybe forever.
“Maggie Holt.” The chief shakes her head in disbelief. “I guess I shouldn’t be surprised you’re here. Not with your father’s passing and all. My condolences, by the way.”
She notices my bags, still on the vestibule floor.
“Looks like you intend to stay awhile.”
“Just long enough to fix this place up and sell it.”
“Ambitious,” Chief Alcott says. “You plan on turning it into a vacation home for some Wall Street type? Or maybe a bed-and-breakfast? Something like that?”
“I haven’t decided yet.”
She sighs. “That’s a shame. I was hoping you’d come to demolish the place. Baneberry Hall deserves to be nothing but rubble.”
The pause that follows suggests she’s expecting me to be offended. I’m not.
“I assume my father’s book has been a problem,” I say.
“It was. For a year or so, we had to post officers outside the front gate. That was a hoot. Some of those guys weren’t so tough once they realized they had to spend a shift outside the house of horrors. I didn’t mind it, though. Someone had to keep the ghouls away.”
“Ghouls?”
“Ghost tourists. That was our name for them. All those folks coming by, trying to climb the gate or hop the wall and sneak into the house. I won’t lie—some of them made it pretty far.”
My back and shoulders tense with unease. “They got inside?”
“A few,” the chief says nonchalantly, as if it’s nothing to be concerned about. “But those days are long gone. Sure, a couple of drunk kids try to sneak onto the property every so often. It’s never a big deal. Dane Hibbets or Hannah Ditmer usually sees them coming and gives me a ring. It’s mostly quiet now, which is just the way I like it.”
Chief Alcott fixes me with a hard stare. It feels like a warning.
“Like I said, my time here is temporary. But I do have a question. What happened to Petra Ditmer?”
“She ran away,” the chief says. “That’s the theory, at least. No one’s been able to track her down to confirm it.”
“When?”
“Twenty-five years ago.” Chief Alcott narrows her eyes into suspicious slits. “I remember because it was around the same time your father told me this place was haunted.”
So she’s the one. The cop who filed the report that started the whole House of Horrors phenomenon. I don’t know whether to thank her or curse her. The only thing I do know is that one of the Book’s original sources is idling in the vestibule, and I’d be a fool not to press her for information.
“Since you’re here, Chief,” I say, “would you like a cup of coffee?”
* * *
—
It turns out that despite the many things still left inside Baneberry Hall, coffee isn’t among them. We have to settle for tea made from bags so old I suspect they were here before my parents bought the place. The tea is terrible—those leaves had long ago lost their punch—but Chief Alcott doesn’t seem to mind. As she sits in the kitchen, her earlier annoyance softens into a state of bemused patience. I even catch her smiling when she sees me grimace after tasting my tea.
“I gotta admit, when I started my shift, I never expected I’d end up here,” she says. “But when the call came through saying something was going on at Baneberry Hall, I knew I needed to be the one to check it out.”
I arch a brow. “For old times’ sake?”
“Old times indeed.” She removes her hat and sets it on the table. Her hair is silver and cut close to her scalp. “God, that feels like ages ago. It was ages ago. Hard to believe I was once that young and naive.”
“In his book, my father referred to you as Officer Alcott. Were you new to the force back then?”
“A total rookie. Green in every way. So green that when a man started talking about how his house was haunted, I wrote down every word.”
“I’m assuming you didn’t believe him.”
“A story like that?” Chief Alcott lifts her mug to her lips, thinks better of it, and places it next to her hat. “Hell no, I didn’t believe him. But I took his statement, because that was my job. Also, I figured something weird had gone on here if you were all staying in the Two Pines.”
The Two Pines was the motel just outside town. I’d passed it on my way here, the twin trees on the neon sign out front blinking into brightness as I drove by. I remember thinking it was a sad little place, with its L-shaped row of sun-bleached doors and a parking lot that contained more weeds than cars. I have a hard time picturing my family and Chief Alcott crammed inside one of those boxlike rooms, talking about ghosts.
“What exactly did my father tell you that night?”
“Pretty much what’s in that book of his.”
“You read it?”
“Of course,” the chief says. “It’s Bartleby. Everybody here has read it. If someone says they haven’t, then they’re lying.”
As I listen to the chief, I look to the wall opposite the bells. It’s partially painted, with streaks of gray primer covering up the green.
I’m hit with a memory—one as sudden as it is surprising.
Me and my father. Side by side at that very wall. Dipping our rollers into a pan of gloppy gray and using it to erase the green. I can even remember accidentally putting my hand in the primer, and my father telling me to make a handprint on the wall.
That way you’ll always be part of this place, he said.
I know it’s an actual memory and not something from the Book because my father never wrote such a scene. It’s also vivid. So much so that I half expect my father to stroll into the kitchen, wielding a paintbrush and saying, “You ready to finish this, Mags?”
Another crack of grief forms in my heart.
“You okay there, Maggie?”
I tear my gaze away from the wall and back to Chief Alcott, who regards me with concern.
“Yeah,” I say, even though I’m now dizzy and slightly unmoored. Not just by the memory and its accompanying grief but from the fact that I’m able to remember anything at all about this place. I didn’t think that was possible, and it leaves me wondering—in equal parts anticipation and dread—what I might recall next. Because that memory of my father isn’t entirely warm and fuzzy. It’s tainted by all the years of deceit that came after it.
“Have you ever—” I turn the mug of tea in my hands, trying to think of the best way to pose my question to Chief Alcott. “Have you ever wondered why my father told you those things that night? You said yourself you didn’t believe him. So why do you think he did it?”
The chief gives the question ample consideration. With her head tilted back and an index finger tapping her angular chin, she brings to mind a quiz show contestant reaching for an answer that’s just beyond her grasp.
“I think it was a long con,” she finally says. “That your father—maybe your mother, too—was laying the groundwork for what was to come. And naive me was their patsy. I’m not saying they knew it was going to become as popular as it did. No one could have predicted that. But I do think they hoped that tall tale of theirs would get noticed. If I had blown them off, they probably would have gone straight to the Bartleby Gazette next. Thanks to me, that rag went straight to them.”
“After you talked to my parents, did you come out here to investigate?”
“Sure I did. The gate was wide open, and the front door was unlocked.”
“Did you see anything strange?”
“You mean ghosts?” The chief lets out a low chuckle, making it clear she finds the very idea ridiculous. “All I saw was a house with no one in it. Your things were still here, making it clear you’d left in a hurry. But there were no signs of struggle. Nothing to suggest something had attacked you or your parents. You’d cut yourself, though. There was a Band-Aid on your cheek, just under your eye. I remember because I said it made you look like a football player.”
I absently touch my left cheek, my index finger sliding along the inch of raised skin there.
“What happened after you checked the house?”
“I went back to the Two Pines and told your parents that everything was in order,” Chief Alcott says. “I said whatever was there had left and that you all were free to return. That’s when your father told me he had no intention of coming back here. I gave Walt Hibbets a call, asked him to lock up the place, and took my leave.”
“And that was it?”
“You’re asking an awful lot of questions for someone who lived through it,” the chief says. “Care to tell me why?”
I take a gulp of foul-tasting tea and tell her everything. No, I don’t remember my time here. No, I don’t think Baneberry Hall is haunted. Yes, I think my parents were lying. No, I don’t know why. Yes, I definitely think they’ve been hiding something from me for the past twenty-five years. And, yes, I completely intend on finding out what it is.
The only thing I leave out are my father’s dying words. They’re too personal to share.
When I’m finished, Chief Alcott runs a hand through her silver hair and says, “So that’s why you wanted to sit and chat.”
“It is,” I admit. “I want to talk to as many people mentioned in my father’s book as possible. I want to hear their version of things, not his. Maybe then I’ll have a better idea of why my parents did it and what they’re hiding.”
“Call me crazy,” the chief says, “but did you ask your parents?”
“I tried. It wasn’t helpful.”
“Well, getting folks here to tell their story isn’t going to be easy, seeing how some of them are dead.”
“I already heard about Walt Hibbets,” I say.
“And Janie June,” Chief Alcott adds. “Brian Prince is still around, though.”
I know that name. It’s hard to forget the man who wrote the article that changed the course of your family’s life.
“He still writes for the Bartleby Gazette?”
“He does. Only now he’s the owner, editor, and sole reporter. I have a feeling you’ll be hearing from him the moment he learns you’re back here.”
“Is there anything else you can remember from that night?” I say. “Anything you think I should know?”
“I’m afraid that’s all I’ve got.” Chief Alcott grabs her hat. “Sometimes, though, I think about that night. How your dad looked. How all of you looked. You know that phrase? ‘You look like you’ve just seen a ghost’? That applied to all three of you. And from time to time I wonder if there’s a kernel of truth to that book of his.”
My hands go numb with surprise, forcing me to set my mug on the table. “You think Baneberry Hall is really haunted?”
“I wouldn’t go that far,” she says. “I don’t know what went on in this house that night. But whatever it was, it scared the shit out of you.”
With that, Chief Alcott takes her leave. I walk her to the door and lock it behind her. Between Elsa Ditmer’s surprise appearance and hearing that House of Horrors fanatics had actually gotten inside, it seems like a good idea.
Alone again, I resume the tour that had been so suddenly interrupted. I notice something strange as soon as I return to the parlor. The winglike doors in the top half of the secretary desk are closed, even though I’m almost certain I left them open.
But that’s not the only thing that’s weird.
The letter opener—the one with William Garson’s initials that I’d lain atop the desk—is now gone.
JUNE 27
Day 2
Our first full day at Baneberry Hall began bright and early, mostly because none of us slept well the night before. I chalked it up to being in a new place with its own set of night noises. The clicking of the ceiling fan. The eerie scratching of a tree branch against the bedroom window. An endless chorus of shifts and creaks as a summer storm rocked the house.
I even heard noises in my dreams. Strange ones that seemed to be coming from both above and below. I dreamed of doors slamming shut, drawers being yanked opened, cupboards closing and opening and closing again. I knew they were dreams because every time I woke up, certain there was an intruder in the house, the noises would end.
Maggie had them, too, although I suspect it was more her imagination than actual dreams. She entered our room a little past midnight, clutching her pillow as though it were a beloved teddy bear.
“I heard something,” she said.
“So did I, sweetie,” I said. “It’s just the house. Remember how I told you the apartment sings a song at night? This house does, too. It’s just a different song than the one we’re used to.”
“I don’t like this song,” Maggie said. “Can I sleep here tonight?”
Jess and I had already discussed the likely possibility that Maggie wouldn’t want to sleep in her room. She was young and unaccustomed to change.
“We’ll allow one night in our bed,” Jess had said. “I know it sounds a little harsh, but she’ll need to learn to sleep in her own room.”
Since Jess was sound asleep—my wife could sleep through an earthquake and an alien invasion happening at the same time—the decision was mine. Tonight would be the night.
“Sure you can,” I said. “But just for tonight. Tomorrow you’ve got to stay in your own room.”
Maggie snuggled in next to me, and I tried once more to sleep. But the dreams returned. All those noises. I couldn’t tell where they were coming from. And they’d always be gone when I woke.
The only instance when the noise seemed to be more than a dream happened just as dawn was beginning to break. I was fast asleep when I heard it.
Thud.
It came from the floor above. So loud that the ceiling sho
ok. And forceful. Like something heavy hitting the floor.
Jolted from sleep, I sat up, gasping. I cocked my head, my ear aimed at the ceiling, listening for any additional sounds. All was silent. It had been a dream after all, just like the others.
Just to make sure, I looked to Maggie and Jess, wondering if they, too, had heard it. Both were still fast asleep, Jess curled around our daughter, their hair intertwined.
I looked at the clock. It was 4:54 a.m.
I tried to go back to sleep, but the dreams had made me jittery and fearful that, as soon as I closed my eyes, the noises would begin again. By the time five a.m. rolled around, I gave up and went downstairs.
As I descended the staircase to the first floor, I saw that the chandelier had been left on overnight and was glowing oppressively bright in the faint grayness of early morning. So there was a wiring problem. I made a mental note to ask Hibbs if he could take a look.
Reaching the first floor, I went to the light switch just off the vestibule and flicked it off.
That was better.
I continued on my way to the kitchen, where I made coffee. Jess was up an hour later, groggily kissing me on the cheek before going straight for the pot of java.
“You wouldn’t believe the strange dreams I had last night,” she said.
“I would,” I said. “I had them, too.”
“And Maggie? I assume there’s a good reason she’s still in our bed.”
“She was scared.”
“We can’t let her make a habit of it,” Jess reminded me.
“I know, I know. But this is a huge change for her. Think about it—that cramped apartment is all she’s ever known. Now we bring her here, to a place with ten times the space. Think how intimidating that must be for her. Even I’m intimidated. All night, I dreamed that I was hearing things.”
Jess looked up from her mug, suddenly uneasy. “What kind of things?”