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Home Before Dark Page 15

by Riley Sager


  “—be canny—”

  I turned it off, the song mutating as the turntable slowed to a stop. I then examined the study, wondering where the intruder had gone.

  And how he had caused those taps.

  And if it was going to happen again.

  Because it had already happened once before. Two nights ago, when I’d first heard the record player. That hadn’t been Jess or Maggie or a goddamn mouse.

  The realization that our home had been broken into twice now rattled me. With shaking hands, I removed the record from the turntable and stuffed it into its cardboard sleeve. I saw no need to give the intruder a chance to play it a third time. I then unplugged the record player and put it back inside its case. Both cases were then put back in the closet where I found them.

  Then I went downstairs to call the police.

  * * *

  • • •

  The policewoman who came to our house, Officer Tess Alcott, was so young I at first didn’t believe she was a cop. She looked like she had barely finished Girl Scouts, let alone a police academy. Officer Alcott probably got that a lot, for she presented herself with a gruffness that felt forced.

  “Was anything taken?” she asked, her pen pressed to the tiny notebook in her hands. “Any missing valuables? Any cash that’s unaccounted for?”

  “Not that we know of,” I said. “But a lot of this stuff wasn’t ours. We inherited it when we bought the house. So something could be missing that we didn’t know about.”

  The three of us were in the parlor, me and Jess perched on the edge of the couch, too nervous to relax. Officer Alcott sat across from us, surveying the room.

  “Curtis Carver and his wife owned this place before you, didn’t they?” she said.

  “Yes,” Jess said. “Do you think that could have something to do with the break-in?”

  “I don’t see any reason why it would.”

  I squinted at her, curious. “Then why did you ask?”

  “So I can comb our records and see if there were any break-ins when they lived here. How did the intruder get inside? I’m assuming the front door was unlocked.”

  “It wasn’t,” I said. “I locked it before I went upstairs to tuck my daughter into bed, and it was still locked after the intruder had left.”

  “So, they came in through a window?”

  “They were all closed,” Jess said.

  Officer Alcott, who had been writing this all down in her notebook, suddenly looked up, her pen paused against paper. “Are you certain there even was an intruder?”

  “We heard noises,” I said, understanding in that moment just how ridiculous I sounded. Like a child. Someone as scared and imaginative as Maggie.

  “Lots of houses make noises,” Officer Alcott said.

  “Not this kind of noise.” I tried to describe the tapping sound that had moved down the hallway, going so far as to knock on the parlor floor in an attempt to replicate it. When the officer seemed unconvinced, I added, “There was also music. Someone had turned on the record player in my study. That’s happened twice now.”

  Officer Alcott turned to Jess. “Did you hear the record player?”

  “I didn’t.” Jess gave me an apologetic look. “Neither of the times it was on.”

  The notebook and pen went back into the front pocket of Officer Alcott’s uniform. “Listen, folks,” she said. “If nothing was taken and there are no signs of a break-in and only one of you heard things—”

  “We both heard the tapping,” I interjected.

  Officer Alcott raised a hand, trying to calm me. “I’m not sure what it is you want me to do here.”

  “You can believe us,” I said testily.

  “Sir, I do believe you. I believe you heard something and thought it was an intruder. But this sounds to me like whatever you heard wasn’t what you thought you’d heard.”

  I understood then a little bit of Maggie’s frustration whenever we talked about her imaginary friends. Not being believed was maddening. Only in my case, what I was saying was real. Those things happened.

  “So we’re just supposed to let it happen again?”

  “No,” Officer Alcott said. “You’re supposed to be smart and vigilant and call us the next time you see anything suspicious.”

  Her choice of words didn’t go unnoticed.

  See anything suspicious. Not hear.

  Officer Alcott departed with a tip of her hat and a nod of her head, leaving Jess and me to fend for ourselves. I did it the only way I knew how—by raiding the house for supplies to create a makeshift security system.

  A pack of index cards.

  Several spools of thread.

  A box of chalk.

  “What’s all this for again?” Jess asked as I tore off a piece of index card.

  “To see if someone’s sneaking into the house.” I stuffed the paper sliver between the door and its frame so that it would fall out if the door was opened. “If they are, this will tell us where he’s getting inside.”

  I used the chalk to draw a thin line across the floor in front of the door. After that, I stretched the thread across the doorway, keeping it ankle-height. If anyone entered, I’d be able to tell. The thread would be snapped, and the chalk would be smudged.

  “How many places are you going to do this?” Jess asked.

  “The front door and every window,” I replied.

  By the time I went to bed, every openable window in the house had a length of thread across it and a small slip of index card stuck under its sill.

  Whoever the intruder was, I was prepared for his next visit.

  Or so I thought.

  It turned out I wasn’t prepared for anything that lay in store for us.

  Nine

  I’m still looking at that empty patch of desk when something else catches my attention. On the extreme edge of my vision, I detect motion outside one of the study windows. Rushing to the glass, I glimpse a dark figure vanishing into the woods behind the house.

  In an instant, I’m on the run again, reversing my route up here. Down the steps, across the hall, down more steps. On my way to the front door, I pause long enough to grab a flashlight from a box of supplies sitting in the great room.

  Then I’m outside, sprinting around the house and crashing into the forest. It’s pitch-black here, the moonlight eclipsed by the trees. I turn on the flashlight. The beam jitters across the ground before me, catching random clusters of baneberries.

  “I know you’re out here!” I shout into the darkness. “I saw you!”

  There’s no response. Not that I’m expecting one. I just want whoever it is to know I’ve seen them. Hopefully that alone will prevent a return visit.

  I continue to move through the woods, the downward slope of the hill making me go faster. Soon I’m at the pet cemetery, the lumpy gravestones blurs of white in the flashlight’s beam. Then I’m past the graves and approaching the stone wall at the base of the hill. It’s intimidating in the darkness—ten feet high and as thick as a castle wall.

  It dwarfs me when I stand next to it, which should be reassuring. No one’s getting over that baby. Not without a ladder. But that realization prompts an uneasy question: How did this ghoul get on the property?

  An answer arrives a minute later, when I decide to exit the woods by following the wall to the front gate. I get only about fifty yards before seeing a section of wall that has crumbled away. It’s not a big gap. Just a foot-wide space cut through the wall, like someone using a finger to slice a stick of butter. To pass through it, I need to turn and sidestep my way across. Once I’m on the other side—and no longer officially on Baneberry Hall property—I glimpse the back of a cottage through the trees. Its exterior, yellow in the daytime, looks whitish in the moonlight. One window is aglow. Beyond it flickers the green-blue screen of a television set.


  The cottage belongs either to Dane or the Ditmers. I’m not sure who lives on either side of the road. I suppose it’s something I should find out, since an accidental side entrance to my property sits not far from their backyard.

  Not that Dane or Hannah Ditmer would need to sneak onto the property. Each has keys to both the gate and the front door. They could walk right in whenever they wanted.

  Which suggests that whoever was in the house had come and gone this way. All they needed to do was pass through the gap in the wall. The hardest part, as far as I can tell, is knowing about it. And it wouldn’t surprise me if a lot of people in Bartleby and beyond had that knowledge.

  I head back to the house, my pace hurried, suddenly convinced there are more ghouls on the way and that I need to head them off at the pass. Back inside, I grab the knife and do a search of Baneberry Hall. It’s a nerve-shredding task. Opening each door, not knowing what I’ll find behind it. Flicking each switch and anticipating the worst in that nanosecond of darkness before the lights come on.

  Baneberry Hall ends up being empty.

  For how long, I have no idea.

  Which is why I take a page from my father’s book.

  Literally.

  I rip the page straight out of the copy on the kitchen table and tear it into small pieces. It feels good. I’ve never defaced a copy of the Book before, and the satisfaction I get in doing so now makes me wish I’d started years ago.

  I think of my father as I slip a scrap of paper into the crack of the front door, wondering if he’d be amused to see me doing something he wrote about in the Book. Probably not. If anything, I suspect he’d be disappointed that I broke my promise about never returning to Baneberry Hall.

  I tried mightily not to disappoint him. Even though by age nine I’d pegged him as a liar, I still sought his approval at every turn. Maybe it stemmed from a sense that if I proved myself enough, he’d eventually deem me worthy of knowing the truth about the Book. Or maybe it was just typical broken-family rebellion. Since I knew I’d never live up to my mother’s lofty standards, I aimed for the much-lower bar set by my father.

  That doesn’t mean he wasn’t a good father. He was, in many ways, a terrific dad, and not just because he spoiled me rotten. He was attentive and kind. He never talked down to me, like my mother did. And he never, ever underestimated me.

  Growing up, I was given lists of books to read, movies to see, albums to listen to. Things no one would suggest for a teenager. Bergman films. Miles Davis records. Tolstoy and Joyce and Pynchon. Each one was a sign he thought I was capable of opening my mind and expanding my horizons. And even though I had zero interest in jazz or Gravity’s Rainbow, I tried my best to appreciate his tastes. My father believed in me, and I didn’t want to let him down.

  I disappointed him anyway. When I went to college and decided to study design and not journalism or English lit, dashing his dreams of having another writer in the family. When I quit the boring-but-stable design job I had since graduation to start the company with Allie.

  That one began a period of ups and downs that lasted until my father’s death. He once told me our relationship was like a rose. Beautiful, yes, but it came with thorns. I liken it to the weather. It was always changing. Icy seasons. Warm spells. Months when we’d talk almost every day and long sections of radio silence.

  Most of it was my doing, each phase dictated by my relationship to the Book. If I made it through a few months without being associated with House of Horrors, I’d treat my father like he was my best friend. But the moment the Book and I would inevitably be pushed together again—like the time I was ambushed by a tabloid reporter on its twentieth anniversary—I’d turn cool, even bitter.

  Meanwhile, my father began his retreat from the world, cloistering himself in his apartment with his beloved books and classic films. Once a ubiquitous interview subject, willing to be quoted about anything from the supernatural to the publishing industry, he cut himself off from all media. For a long time, I thought he’d grown tired of living with the lie he had created and no longer wanted anything to do with it. His correspondence with Brian Prince suggests otherwise.

  Our relationship changed when he got sick. His cancer was aggressive, sinking its teeth into him quickly and without reprieve. There wasn’t time for any more pettiness on my part. I needed to be there for him, and I was, right to the very end.

  By midnight, there’s a scrap of the Book tucked into the front door and every window.

  I go to my room.

  I lock the door.

  I put the knife I’ve been carrying on the nightstand next to the bed.

  My final act for the night is to take a Valium, crawl under the covers, and try to sleep, even though I already know it’s not going to arrive easily, if at all.

  JULY 2

  Day 7

  I didn’t sleep all night. As the minutes ticked by, accumulating into hours, I lay awake, staring at the ceiling, wondering if, when, how someone could get inside. The night was full of noises, all of them innocent. Yet that didn’t keep me from thinking each one was the intruder returning for another round. I thought about the stone wall and wrought-iron gate at the end of the driveway and how I had once scoffed at their existence. Now I wished they were higher.

  By the time the darkness of night had started to soften into dawn, my thoughts turned to something else.

  Thud.

  There it was.

  I looked at the clock: 4:54 a.m. Right on schedule.

  Abandoning the notion of getting any sleep, I slipped out of bed—quietly, so as not to wake Jess and Maggie, who had spent another night with us. I crept downstairs and was immediately greeted by the site of the chandelier at full glow, a fact that seemed impossible. I’d made a point of making sure it was off before going to bed the night before.

  Fearing an intruder had once again been inside the house, I hurried to the front door. The thread remained taut across it. The chalk line on the floor was undisturbed. The bit of index card was still wedged between door and frame.

  Secure in the knowledge the door hadn’t been breached, I went down to the kitchen, made a pot of extra-strong coffee, and poured it into a mug roughly the size of a soup bowl. After taking a few eye-opening gulps, I returned to the rest of the house and methodically checked all the windows. They were the same as the door—completely undisturbed.

  No one was there.

  No one but us chickens.

  My grandmother had used that phrase, back when I was a boy and my cousins would play hide-and-seek in the hulking barn behind her house. Because I was the youngest and smallest, it was Gram who’d hide with me, pulling me into her arms and shrinking her surprisingly spry body behind hay bales or in dark cubbyholes that always smelled of leather and motor oil. When one of my cousins came looking, calling out to see if anyone was there, Gram would always reply, “No one but us chickens!”

  Security check complete, I returned to the kitchen and grabbed my coffee mug. As I took a sip, I noticed white dust sprinkling the tabletop. Sitting among it were small chunks of gray rubble.

  Then I felt it.

  Something inside the mug.

  Small and whip thin.

  It lashed against my upper lip before scraping my front teeth, slimy and foul-tasting.

  I jerked the mug away from my mouth. The coffee I hadn’t been able to swallow streamed down my chin. The liquid I did swallow came back up in a gurgling, choking cough.

  I peered into the mug. A circular ripple spread across the coffee’s surface and splashed against the mug’s rim. I tilted the mug, and the thing inside breached the surface—a slick shimmer of gray rising and falling in the mud-brown liquid.

  I dropped the mug and backed away from the table as coffee rushed across its surface. Riding the wave, like some small sea serpent washing ashore, was a baby snake.

  It squirme
d along the table, tracing a sinuous path through the spilled coffee. I stared at it, dumbfounded and disgusted. My stomach roiled so much I had to clamp a hand over my mouth.

  Looking up, I saw a hole in the ceiling’s plaster that was roughly the size of a shot glass. Two more baby snakes slipped through it and fell onto the table. Their landing sounded like two fat raindrops hitting a windshield.

  I scrambled to find something to contain them. A bowl. Tupperware. Anything. I was rooting through a cupboard, my back turned to the table, when something else landed with a sickening splat.

  I turned around slowly, dreading to see what I already knew I’d find there.

  A fourth snake.

  Not a baby.

  Fully grown and more than a foot long, it had landed on its back, exposing a belly as red as baneberries. It flipped over, and I saw twin stripes the color of rust running down its back, just like the snake I’d found in the Indigo Room the day we moved in.

  This bigger snake slithered past the babies and went straight to the upturned coffee mug, trying to coil itself inside. It hissed. In anger or fear, I couldn’t tell.

  I was still staring at it, paralyzed with horror, when two more baby snakes rained down onto the table.

  I looked to the hole in the ceiling, where a seventh snake—another adult—was winnowing its way out, headfirst. It tried to reverse course by bending its body back toward the ceiling, which only hastened its slide from the hole.

  When it landed—another splat, like a water balloon hitting its target—the table shimmied. Flecks of plaster from the ceiling fluttered like confetti. By then, most of the baby snakes had dropped off the table’s edge and were slithering in all directions. One came right toward me, prompting me to scramble onto the counter.

  Above, a mighty tearing sound emanated from the ceiling. Cracks spread across its surface, zigzagging like lightning bolts. Standing on the counter, I threw myself against the row of cupboards as a massive chunk of ceiling smashed onto the table.

 

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