by Eudora Welty
"That she gets from her father," said Mama. "The Siracusano!"
"Ah," replied Nonna. "Daughter, where is my little fan? Somewhere in my skirts, thank you. With the years he has calmed himself, Achille? You no longer tremble to cross him?"
Gabriella said absently, "She should've seen him hit the ceiling when I flunked old typewriting."
"Per favore!" cried Mama to her. "Quiet about things you know nothing about, yet! Say good-by to Mr. Scampo."
Aldo had pulled a disreputable raincoat over his thick, new brown suit; even now he wore no hat, and his hair was down in his eyes. In addition to two suitcases he was carrying something as tall, bulky, and toppling as a man. It towered above his head.
Mama said, "If you think this fellow looks strong, mamma mia, I tell you now it is an illusion. He is delicate!"
"Only on Gala Night," protested Gabriella, "That's the one and only time he faded out of the picture. And so did you, Mama."
"We stop first thing at Santa Maria, to thank Holy Mother for one fate she saved you from!" Mama said. She shook her head one way, Nonna nodded hers in another.
"Hey! What you got in that thing, a dead body?" cried Gabriella to Aldo in good old English. She went bounding out to meet him.
"Watch out!" said Aldo, who seemed to have to walk in a straight line, by now, or fall. "You got nothing but just one trunk and those suitcases? You're luckier than you know."
"You watch out who you bump with that funeral coffin."
"You watch out how you talk about what I got. This is a musical instrument." With Gabriella there in his path, Aldo had to come to a full stop. The porters closed in in fresh circles of hope. "A cello," Aldo said, embracing it. Even one ear was being used to help hold it. "And after I rode it all the way in the bed over mine on the boat, the Naples Customs grabbed it right out the cover and banged the strings and took a stick and knocked all around inside it! I bet you heard it out here."
"What did you have in it?" called Mama.
"My socks!" Aldo shouted to Gabriella. "All my socks that my aunt knitted! It's going to be cold in Italy this winter!"
"Aldo, don't yell," said Gabriella. "That's my grandmother."
"Oh, yeah. She looks pretty well to me," said Aldo. "She ought not to've tried to meet a boat in Naples, though."
"Mother—excuse me—Mr. Scampo, a shipboard acquaintance," said Mama.
"Il Romeo? Il pellegrino, Signore Scampo?" murmured Nonna serenely. She moved a glistening black silk fan back and forth in front of her now, in a way that seemed to invite any confidence.
"I'm just saying good-by to Mrs. Serto and Gabriella, ma'am," said Aldo.
Gabriella had clapped her hand over her mouth. She cried, "Aldo! Did you hear her? Romeo! First Mama thought you were Dick Tracy or somebody, the time you spent studying crime the whole way over—now Nonna is asking if you're not a pilgrim!"
"And what did you ever think I was?" Aldo stared at her rudely, clasping his burden round in that clumsy and painful way that made him look as though he were the one to wonder how people ever parted.
"Yes, Signore?" said Nonna. "Perhaps you will tell us?"
"Well, ma'am, what I came to Italy for, since somebody really asks me, is study cello in Rome under the G.I. Bill," said Aldo. "Musicista, Signora."
"Sfortunato!" exclaimed Nonna, and gave a familiar-sounding click of the tongue.
"I already have a son-in-law in Buffalo the same!" cried Mama.
There Aldo stood before the three of them.
"Hey, Aldo. Want to see our trunk real quick?" asked Gabriella gently. She moved over to it, and the porter swept off the coats, unveiling it. The Serto trunk stood there—its size, shape, and weight all apparent, also the rope that went around it and the original lock that nobody trusted, and the name "Serto" painted on the lid in the confident lettering of a pharmacist. It did not matter that the hand of Customs had gone romping through it—it was restored now to the miracle of ownership.
"It's full of presents, I can tell you," said Gabriella.
Advice arrived almost like gratitude upon Aldo's face, as pride had come upon hers. "Then keep your eye on it till you get it home," he told her. "A fellow in New York told me they'll steal them even from over your head, in Naples. With a kind of tongs, very nifty. Running around over the rafters of the Customs shed, or even hanging over the gate as you go out. Everybody here knows about it, and don't even try to stop it."
"Shame," said Mama. "That's not talking nice about Naples."
And again, as Nonna spoke to him too, he was pulled around in a daze.
"My mother is telling you, Mr. Scampo, the human voice alone is divine," said Mama with her little chin up. "Not the screeching of cats. She is telling you there still may be time to set right your mistake—she sees you so young. Of course, in Napoli, she once sang with Caruso."
Nonna was looking up at Aldo. No two smiles were the same in her face. Aldo had now turned dark red, and his head hung.
"Well, good-by, Aldo," said Gabriella in English, and he looked up already startled, as if to see someone he had never expected to see again.
"Be good," he replied formally, and momentarily setting the suitcases down, he shook hands with them all, even their porter, who joined the circle.
"Good-by, Mr. Scampo! Maybe we all meet at St. Peter's Ognissanti—who knows?" said Mama. That was what she'd said to everybody.
As Aldo staggered away, Gabriella reached out her hand and with her fingertips touched his cello—or rather its wrinkled outer covering, at once soft and imperious. It was like touching the forehead of an animal, from which horns might even start; but indeed, the old lady's withered and feminine cheek had felt just as mysterious to Gabriella's kiss. Aldo's back grew less and less familiar with every step, while the porters like a family of acrobats were leaping and crying in chorus, "Stazione! Stazione!" all around him. They all saw him pass, unrobbed and unaided, through the archway into the big Piazzf md away into the sliding life of the streets, and then Mama brought her handkerchief up to her face like a little nosegay of tears. She was being the daughter—the better daughter.
But Nonna was still the mother. Her brown face might be creased like a fig-skin, but her eyes were brighter now. Surely they knew everything. They had taken Gabriella for granted.
"Come now," Nonna said.
She stood up. She was smaller than Mama, she came only to Gabriella's shoulder. But as she turned around, a motion of her hand, folding shut the little fan and pointing away with it, told them they were none of them any too soon. She stood perfectly straight, and could have walked by herself, though Mama, with a cry of remembrance, seized hold of her. Gabriella took her place a step behind. The porter once more—he, one man, all alone, and possibly for nothing—shouldered the backbreaking luggage of women, to which now something extra was added—the little rush-bottomed fireside stool on which the old lady had been sitting. They all set off toward the gate.
Only for the space of a breath did Gabriella feel she would rather lie down on that melon cart pulled by a donkey, that she could see just disappearing around the corner ahead. Then the melons and the arch of the gate, the grandmother's folding of the fan and Mama's tears, the volcano of early morning, and even the long, dangerous voyage behind her—all seemed caught up and held in something: the golden moment of touch, just given, just taken, in saying good-by. The moment—bright and effortless of making, in the end, as a bubble—seemed to go ahead of them as they walked, to tap without sound across the dust of the emptying courtyard, and alight in the grandmother's homely buggy, filling it. The yellow leaves of the plane trees came down before their feet; and just beyond the gate the black country horse that would draw the buggy shivered and tossed his mane, which fell like one long silver wave as the first of the bells in the still-hidden heart of Naples began to strike the hour.
"And the nightingale," Mama's voice just ahead was beseeching, "is the nightingale with us yet?"
Uncollected Stories
> WHERE IS THE VOICE COMING FROM?
1963
I says to my wife, "You can reach and turn it off. You don't have to set and look at a black nigger face no longer than you want to, or listen to what you don't want to hear. It's still a free country."
I reckon that's how I give myself the idea.
I says, I could find right exactly where in Thermopylae that nigger's living that's asking for equal time. And without a bit of trouble to me.
And I ain't saying it might not be because that's pretty close to where I live. The other hand, there could be reasons you might have yourself for knowing how to get there in the dark. It's where you all go for the thing you want when you want it the most. Ain't that right?
The Branch Bank sign tells you in lights, all night long even, what time it is and how hot. When it was quarter to four, and 92, that was me going by in my brother-in-law's truck. He don't deliver nothing at that hour of the morning.
So you leave Four Corners and head west on Nathan B. Forrest Road, past the Surplus & Salvage, not much beyond the Kum Back Drive-In and Trailer Camp, not as far as where the signs starts saying "Live Bait," "Used Parts," "Fireworks," "Peaches," and "Sister Peebles Reader and Adviser." Turn before you hit the city limits and duck back towards the I.C. tracks. And his street's been paved.
And there was his light on, waiting for me. In his garage, if you please. His car's gone. He's out planning still some other ways to do what we tell 'em they can't. I thought I'd beat him home. All I had to do was pick my tree and walk in close behind it.
I didn't come expecting not to wait. But it was so hot, all I did was hope and pray one or the other of us wouldn't melt before it was over.
Now, it wasn't no bargain I'd struck.
I've heard what you've heard about Goat Dykeman, in Mississippi. Sure, everybody knows about Goat Dykeman. Goat he got word to the Governor's Mansion he'd go up yonder and shoot that nigger Meredith clean out of school, if he's let out of the pen to do it. Old Ross turned that over in his mind before saying him nay, it stands to reason.
I ain't no Goat Dykeman, I ain't in no pen, and I ain't ask no Governor Barnett to give me one thing. Unless he wants to give me a pat on the back for the trouble I took this morning. But he don't have to if he don't want to. I done what I done for my own pure-D satisfaction.
As soon as I heard wheels, I knowed who was coming. That was him and bound to be him. It was the right nigger heading in a new white car up his driveway towards his garage with the light shining, but stopping before he got there, maybe not to wake 'em. That was him. I knowed it when he cut off the car lights and put his foot out and I knowed him standing dark against the light. I knowed him then like I know me now. I knowed him even by his still, listening back.
Never seen him before, never seen him since, never seen anything of his black face but his picture, never seen his face alive, any time at all, or anywheres, and didn't want to, need to, never hope to see that face and never will. As long as there was no question in my mind.
He had to be the one. He stood right still and waited against the light, his back was fixed, fixed on me like a preacher's eyeballs when he's yelling "Are you saved?" He's the one.
I'd already brought up my rifle, I'd already taken my sights. And I'd already got him, because it was too late then for him or me to turn by one hair.
Something darker than him, like the wings of a bird, spread on his back and pulled him down. He climbed up once, like a man under bad claws, and like just blood could weigh a ton he walked with it on his back to better light. Didn't get no further than his door. And fell to stay.
He was down. He was down, and a ton load of bricks on his back wouldn't have laid any heavier. There on his paved driveway, yes sir.
And it wasn't till the minute before, that the mockingbird had quit singing. He'd been singing up my sassafras tree. Either he was up early, or he hadn't never gone to bed, he was like me. And the mocker he'd stayed right with me, filling the air till come the crack, till I turned loose of my load. I was like him. I was on top of the world myself. For once.
I stepped to the edge of his light there, where he's laying flat. I says, "Roland? There was one way left, for me to be ahead of you and stay ahead of you, by Dad, and I just taken it. Now I'm alive and you ain't. We ain't never now, never going to be equals and you know why? One of us is dead. What about that, Roland?" I said. "Well, you seen to it, didn't you?"
I stood a minute—just to see would somebody inside come out long enough to pick him up. And there she comes, the woman. I doubt she'd been to sleep. Because it seemed to me she'd been in there keeping awake all along.
It was mighty green where I skint over the yard getting back. That nigger wife of his, she wanted nice grass! I bet my wife would hate to pay her water bill. And for burning her electricity. And there's my brother-in-law's truck, still waiting with the door open. "No Riders"—that didn't mean me.
There wasn't a thing I been able to think of since would have made it to go any nicer. Except a chair to my back while I was putting in my waiting. But going home, I seen what little time it takes after all to get a thing done like you really want it. It was 4:34, and while I was looking it moved to 35. And the temperature stuck where it was. All that night I guarantee you it had stood without dropping, a good 92.
My wife says, "What? Didn't the skeeters bite you?" She said, "Well, they been asking that—why somebody didn't trouble to load a rifle and get some of these agitators out of Thermopylae. Didn't the fella keep drumming it in, what a good idea? The one that writes a column ever' day?"
I says to my wife, "Find some way I don't get the credit."
"He says do it for Thermopylae," she says. "Don't you ever skim the paper?"
I says, "Thermopylae never done nothing for me. And I don't owe nothing to Thermopylae. Didn't do it for you. Hell, any more'n I'd do something or other for them Kennedys! I done it for my own pure-D satisfaction."
"It's going to get him right back on TV," says my wife. "You watch for the funeral."
I says, "You didn't even leave a light burning when you went to bed. So how was I supposed to even get me home or pull Buddy's truck up safe in our front yard?"
"Well, hear another good joke on you," my wife says next. "Didn't you hear the news? The N. double A.C.P. is fixing to send somebody to Thermopylae. Why couldn't you waited? You might could have got you somebody better. Listen and hear 'em say so."
I ain't but one. I reckon you have to tell somebody.
"Where's the gun, then?" my wife says. "What did you do with our protection?"
I says, "It was scorching! It was scorching!" I told her, "It's laying out on the ground in rank weeds, trying to cool off, that's what it's doing now."
"You dropped it," she says. "Back there."
And I told her, "Because I'm so tired of ever'thing in the world being just that hot to the touch! The keys to the truck, the doorknob, the bed-sheet, ever'thing, it's all like a stove lid. There just ain't much going that's worth holding on to it no more," I says, "when it's a hundred and two in the shade by day and by night not too much difference. I wish you'd laid your finger to that gun."
"Trust you to come off and leave it," my wife says.
"Is that how no-'count I am?" she makes me ask. "You want to go back and get it?"
"You're the one they'll catch. I say it's so hot that even if you get to sleep you wake up feeling like you cried all night!" says my wife. "Cheer up, here's one more joke before time to get up. Heard what Caroline said? Caroline said, 'Daddy, I just can't wait to grow up big, so I can marry James Meredith.' I heard that where I work. One rich-bitch to another one, to make her cackle."
"At least I kept some dern teen-ager from North Thermopylae getting there and doing it first," I says. "Driving his own car."
On TV and in the paper, they don't know but half of it. They know who Roland Summers was without knowing who I am. His face was in front of the public before I got rid of him, and after I got rid of
him there it is again—the same picture. And none of me. I ain't ever had one made. Not ever! The best that newspaper could do for me was offer a five-hundred-dollar reward for finding out who I am. For as long as they don't know who that is, whoever shot Roland is worth a good deal more right now than Roland is.
But by the time I was moving around uptown, it was hotter still. That pavement in the middle of Main Street was so hot to my feet I might've been walking the barrel of my gun. If the whole world could've just felt Main Street this morning through the soles of my shoes, maybe it would've helped some.
Then the first thing I heard 'em say was the N. double A. C. P. done it themselves, killed Roland Summers, and proved it by saying the shooting was done by a expert (I hope to tell you it was!) and at just the right hour and minute to get the whites in trouble.
You can't win.
"They'll never find him," the old man trying to sell roasted peanuts tells me to my face.
And it's so hot.
It looks like the town's on fire already, whichever ways you turn, ever' street you strike, because there's those trees hanging them pones of bloom like split watermelon. And a thousand cops crowding ever'where you go, half of 'em too young to start shaving, hut all streaming sweat alike. I'm getting tired of 'em.
I was already tired of seeing a hundred cops getting us white people nowheres. Back at the beginning, I stood on the corner and I watched them new babyface cops loading nothing but nigger children into the paddy wagon and they come marching out of a little parade and into the paddy wagon singing. And they got in and sat down without providing a speck of trouble, and their hands held little new American flags, and all the cops could do was knock them flagsticks a-loose from their hands, and not let 'em pick 'em up, that was all, and give 'em a free ride. And children can just get 'em more flags.
Everybody: It don't get you nowhere to take nothing from nobody unless you make sure it's for keeps, for good and all, for ever and amen.