On the following morning Ferdinand returned with his friends to Palermo, where he first disclosed the late fatal events of the castle. They now settled their future plans; and Ferdinand hastened to the castle of Mazzini to fetch Emilia, and to give orders for the removal of his household to his palace at Naples, where he designed to fix his future residence. The distress of Emilia, whom he found recovered from her indisposition, yielded to joy and wonder, when she heard of the existence of her mother, and the safety of her sister. She departed with Ferdinand for Palermo, where her friends awaited her, and where the joy of the meeting was considerably heightened by the appearance of Madame de Menon, for whom the marchioness had dispatched a messenger to St Augustin’s. Madame had quitted the abbey for another convent, to which, however, the messenger was directed. This happy party now embarked for Naples.
From this period the castle of Mazzini, which had been the theatre of a dreadful catastrophe; and whose scenes would have revived in the minds of the chief personages connected with it, painful and shocking reflections — was abandoned.
On their arrival at Naples, Ferdinand presented to the king a clear and satisfactory account of the late events at the castle, in consequence of which the marchioness was confirmed in her rank, and Ferdinand was received as the sixth Marquis de Mazzini.
The marchioness, thus restored to the world, and to happiness, resided with her children in the palace at Naples, where, after time had somewhat mellowed the remembrance of the late calamity, the nuptials of Hippolitus and Julia were celebrated. The recollection of the difficulties they had encountered, and of the distress they had endured for each other, now served only to heighten by contrast the happiness of the present period.
Ferdinand soon after accepted a command in the Neapolitan army; and amidst the many heroes of that warlike and turbulent age, distinguished himself for his valour and ability. The occupations of war engaged his mind, while his heart was solicitous in promoting the happiness of his family.
Madame de Menon, whose generous attachment to the marchioness had been fully proved, found in the restoration of her friend a living witness of her marriage, and thus recovered those estates which had been unjustly withheld from her. But the marchioness and her family, grateful to her friendship, and attached to her virtues, prevailed upon her to spend the remainder of her life at the palace of Mazzini.
Emilia, wholly attached to her family, continued to reside with the marchioness, who saw her race renewed in the children of Hippolitus and Julia. Thus surrounded by her children and friends, and engaged in forming the minds of the infant generation, she seemed to forget that she had ever been otherwise than happy.
*
Here the manuscript annals conclude. In reviewing this story, we perceive a singular and striking instance of moral retribution. We learn, also, that those who do only THAT WHICH IS RIGHT, endure nothing in misfortune but a trial of their virtue, and from trials well endured derive the surest claim to the protection of heaven.
FINIS
THE ROMANCE OF THE FOREST: INTERSPERSED WITH SOME PIECES OF POETRY
The Romance of the Forest: interspersed with some pieces of poetry was first published in 1791 and proved incredibly popular, going through four editions during the first three years of its publication. Radcliffe’s novel does not deviate greatly from her previous works and contains many of the Gothic tropes of the period: elements of the supernatural, ruined buildings, devilish aristocracy, an overly sensitive fainting heroine, hidden doors, family secrets, yellowed manuscripts, imprisoned women and murder. The heroine of the tale is Adeline who is sent into the forest by a mysterious captor to be with Monsieur de la Motte and his wife Madame Constance, who along with their servants are attempting to escape their creditors in Paris. The group settle into an old abbey which is appropriately occupied by owls and bats, before the owner of the abbey Marquis de Montalt appears at the residence.
The Marquis’ arrival signals the more sinister developments of the novel as imprisonment, forced marriage and the threat of sexual and physical violence emerge. Of course there is also the requisite ‘torn apart from her one-true-love’ plot line that is a staple feature of many early Gothic novels. There is little doubt about the type of conclusion to the work and the Catholic setting is once again a feature of the text, which serves in part as a distancing device for British readers. The figure of the malignant and depraved aristocrat is another repeated component of the genre. Adeline is very much the gothic heroine with a sweet disposition and love for poetry and nature, who is constantly placed in danger and must try to escape. The text highlights Radcliffe’s ability to weave the detailed descriptions of landscape with the supernatural and psychologically unnerving elements of the novel.
CONTENTS
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 24
CHAPTER 25
CHAPTER 26
Gothic convention - secluded castle
CHAPTER 1
“I am a man,
So weary with disasters, tugg’d with fortune,
That I would set my life on any chance,
To mend it, or be rid on’t.”
“When once sordid interest seizes on the heart, it freezes up the source of every warm and liberal feeling; it is an enemy alike to virtue and to taste — this it perverts, and that it annihilates. The time may come, my friend, when death shall dissolve the sinews of avarice, and justice be permitted to resume her rights.”
Such were the words of the Advocate Nemours to Pierre de la Motte, as the latter stept at midnight into the carriage which was to bear him far from Paris, from his creditors and the persecution of the laws. De la Motte thanked him for this last instance of his kindness; the assistance he had given him in escape; and, when the carriage drove away, uttered a sad adieu! The gloom of the hour, and the peculiar emergency of his circumstances, sunk him in silent reverie.
Whoever has read Guyot de Pitaval, the most faithful of those writers who record the proceedings in the Parliamentary Courts of Paris, during the seventeenth century, must surely remember the striking story of Pierre de la Motte, and the Marquis Phillipe de Montalt: let all such, therefore, be informed, that the person here introduced to their notice was that individual Pierre de la Motte.
As Madame de la Motte leaned from the coach window, and gave a last look to the walls of Paris — Paris, the scene of her former happiness, and the residence of many dear friends — the fortitude, which had till now supported her, yielded to the force of grief. “Farewell all!” sighed she, “this last look and we are separated for ever!” Tears followed her words, and, sinking back, she resigned herself to the stillness of sorrow. The recollection of former times pressed heavily upon her heart: a few months before and she was surrounded by friends, fortune, and consequence; now she was deprived of all, a miserable exile from her native place, without home, without comfort — almost without hope. It was not the least of her afflictions that she had been obliged to quit Paris without bidding adieu to her only son, who was now on duty with his regiment in Germany: and such had been the precipitancy of this removal, that had she even known where he was stationed, she had no time to inform him of it, or of the alteration in his father’s circumstances.
Pierre de la Motte was a gentleman, descended from an ancient house of France. He was a man whose passions often overcame his reason, and, for a time, silenced his conscience; but, through the image of virtue, which
Nature had impressed upon his heart, was sometimes obscured by the passing influence of vice, it was never wholly obliterated. With strength of mind sufficient to have withstood temptation, he would have been a good man; as it was, he was always a weak, and sometimes a vicious member of society: yet his mind was active, and his imagination vivid, which, co-operating with the force of passion, often dazzled his judgement and subdued principle. Thus he was a man, infirm in purpose and visionary in virtue: in a word, his conduct was suggested by feeling, rather than principle; and his virtue, such as it was, could not stand the pressure of occasion.
Early in life he had married Constance Valentia, a beautiful and elegant woman, attached to her family and beloved by them. Her birth was equal, her fortune superior to his; and their nuptials had been celebrated under the auspices of an approving and flattering world. Her heart was devoted to La Motte, and, for some time, she found in him an affectionate husband; but, allured by the gaieties of Paris, he was soon devoted to its luxuries, and in a few years his fortune and affection were equally lost in dissipation. A false pride had still operated against his interest, and withheld him from honourable retreat while it was yet in his power: the habits, which he had acquired, enchained him to the scene of his former pleasure; and thus he had continued an expensive stile of life till the means of prolonging it were exhausted. He at length awoke from this lethargy of security; but it was only to plunge into new error, and to attempt schemes for the reparation of his fortune, which served to sink him deeper in destruction. The consequence of a transaction, in which he thus engaged, now drove him, with the small wreck of his property, into dangerous and ignominious exile.
It was his design to pass into one of the Southern Provinces, and there seek, near the borders of the kingdom, an asylum in some obscure village. His family consisted of his wife, and two faithful domestics, a man and woman, who followed the fortunes of their master.
The night was dark and tempestuous, and, at about the distance of three leagues from Paris, Peter, who now acted as postillion, having drove for some time over a wild heath where many ways crossed, stopped, and acquainted De la Motte with his perplexity. The sudden stopping of the carriage roused the latter from his reverie, and filled the whole party with the terror of pursuit; he was unable to supply the necessary direction, and the extreme darkness made it dangerous to proceed without one. During this period of distress, a light was perceived at some distance, and after much doubt and hesitation, La Motte, in the hope of obtaining assistance, alighted and advanced towards it; he proceeded slowly, from the fear of unknown pits. The light issued from the window of a small and ancient house, which stood alone on the heath, at the distance of half a mile.
Having reached the door, he stopped for some moments, listening in apprehensive anxiety — no sound was heard but that of the wind, which swept in hollow gusts over the waste. At length he ventured to knock, and, having waited sometime, during which he indistinctly heard several voices in conversation, some one within inquired what he wanted? La Motte answered, that he was a traveller who had lost his way, and desired to be directed to the nearest town.
“That,” said the person, “is seven miles off, and the road bad enough, even if you could see it: if you only want a bed, you may have it here, and had better stay.”
“The “pitiless pelting” of the storm, which, at this time, beat with increasing fury upon La Motte, inclined him to give up the attempt of proceeding farther till daylight; but, desirous of seeing the person with whom he conversed, before he ventured to expose his family by calling up the carriage, he asked to be admitted. The door was now opened by a tall figure with a light, who invited La Motte to enter. He followed the man through a passage into a room almost unfurnished, in one corner of which a bed was spread upon the floor. The forlorn and desolate aspect of this apartment made La Motte shrink involuntarily, and he was turning to go out when the man suddenly pushed him back, and he heard the door locked upon him: his heart failed, yet he made a desperate, though vain, effort to force the door, and called loudly for release. No answer was returned; but he distinguished the voices of men in the room above, and, not doubting but their intention was to rob and murder him, his agitation, at first, overcame his reason. By the light of some almost-expiring embers, he perceived a window, but the hope, which this discovery revived, was quickly lost, when he found the aperture guarded by strong iron bars. Such preparation for security surprized him, and confirmed his worst apprehensions. — Alone, unarmed — beyond the chance of assistance, he saw himself in the power of people, whose trade was apparently rapine! — murder their means! — After revolving every possibility of escape, he endeavoured to await the event with fortitude; but La Motte could boast of no such virtue.
The voices had ceased, and all remained still for a quarter of an hour, when, between the pauses of the wind, he thought he distinguished the sobs and moaning of a female; he listened attentively and became confirmed in his conjecture; it was too evidently the accent of distress. At this conviction, the remains of his courage forsook him, and a terrible surmise darted, with the rapidity of lightning, cross his brain. It was probable that his carriage had been discovered by the people of the house, who, with a design of plunder, had secured his servant, and brought hither Madame de la Motte. he was the more inclined to believe this, by the stillness which had, for sometime, reigned in the house, previous to the sounds he now heard. Or it was possible that the inhabitants were not robbers, but persons to whom he had been betrayed by his friend or servant, and who were appointed to deliver him into the hands of justice. Yet he hardly dared to doubt the integrity of his friend, who had been entrusted with the secret of his flight and the plan of his route, and had procured him the carriage in which he had escaped. “Such depravity,” exclaimed La Motte, “cannot surely exist in human nature; much less in the heart of Nemours!”
This ejaculation was interrupted by a noise in the passage leading to the room: it approached — the door was unlocked — and the man who had admitted La Motte into the house entered, leading, or rather forcibly dragging along, a beautiful girl, who appeared to be about eighteen. Her features were bathed in tears, and she seemed to suffer the utmost distress. The man fastened the lock and put the key in his pocket. He then advanced to La Motte, who had before observed other persons in the passage, and pointing a pistol to his breast, “You are wholly in our power,” said he, “no assistance can reach you: if you wish to save your life, swear that you will convey this girl where I may never see her more; or rather consent to take her with you, for your oath I would not believe, and I can take care you shall not find me again. — Answer quickly, you have no time to lose.”
He now seized the trembling hand of the girl, who shrunk aghast with terror, and hurried her towards La Motte, whom surprize still kept silent. She sunk at his feet, and with supplicating eyes, that streamed with tears, implored him to have pity on her. Notwithstanding his present agitation, he found it impossible to contemplate the beauty and distress of the object before him with indifference. Her youth, her apparent innocence — the artless energy of her manner forcibly assailed his heart, and he was going to speak, when the ruffian, who mistook the silence of astonishment for that of hesitation, prevented him. “I have a horse ready to take you from hence,” said he, “and I will direct you over the heath. If you return within an hour, you die: after then, you are at liberty to come here when you please.”
La Motte, without answering, raised the lovely girl from the floor, and was so much relieved from his own apprehensions, that he had leisure to attempt dissipating hers. “Let us be gone,” said the ruffian, “and have no more of this nonsense; you may think yourself well off it’s no worse. I’ll go and get the horse ready.”
The last words roused La Motte, and perplexed him with new fears; he dreaded to discover his carriage, left its appearance might tempt the banditti to plunder; and to depart on horseback with this man might produce a consequence yet more to be dreaded. Madame La Motte, we
aried with apprehension, would, probably, send for her husband to the house, when all the former danger would be incurred, with the additional evil of being separated from his family, and the chance of being detected by the emissaries of justice in endeavouring to recover them. As these reflections passed over his mind in tumultuous rapidity, a noise was again heard in the passage, an uproar and scuffle ensued, and in the same moment he could distinguish the voice of his servant, who had been sent by Madame La Motte in search of him. Being now determined to disclose what could not long be concealed, he exclaimed aloud, that a horse was unnecessary, that he had a carriage at some distance which would convey them from the heath, the man, who was seized, being his servant.
The ruffian, speaking through the door, bid him be patient awhile and he should hear more from him. La Motte now turned his eyes upon his unfortunate companion, who, pale and exhausted, leaned for support against the wall. Her features, which were delicately beautiful, had gained from distress an expression of captivating sweetness: she had
“An eye
As when the blue sky trembles thro’ a cloud
Of purest white.”
A habit of grey camlet, with short flashed sleeves, shewed, but did not adorn, her figure: it was thrown open at the bosom, upon which part of her hair had fallen in disorder, while the light veil hastily thrown on, had, in her confusion, been suffered to fall back. Every moment of farther observation heightened the surprize of La Motte, and interested him more warmly in her favour. Such elegance and apparent resinement, contrasted with the desolation of the house, and the savage manners of its inhabitants, seemed to him like a romance of imagination, rather than an occurrence of real life. He endeavoured to comfort her, and his sense of compassion was too sincere to be misunderstood. Her terror gradually subsided into gratitude and grief. “Ah, Sir,” said she, “Heaven has sent you to my relief, and will surely reward you for your protection: I have no friend in the world, if I do not find one in you.”
Delphi Complete Works of Ann Radcliffe (Illustrated) Page 34