On the following morning Adeline rose at an early hour, eager to indulge the new and sublime emotion with which a view of the ocean inspired her, and walked with Clara toward the hills that afforded a more extensive prospect. They pursued their way for some time between high embowering banks, till they arrived at an eminence, whence
“Heaven, earth, ocean, smil’d!”
They sat down on a point of rock, overshadowed by lofty palm-trees, to contemplate at leisure the magnificent scene. The sun was just emerged from the sea, over which his rays shed a flood of light, and darted a thousand brilliant tints on the vapours that ascended the horizon, and floated there in light clouds, leaving the bosom of the waters below clear as chrystal, except where the white surges were seen to beat upon the rocks; and discovering the distant sails of the fishing boats, and the far distant highlands of Corsica, tinted with ætherial blue. Clara, after some time, drew forth her pencil, but threw it aside in despair. Adeline, as they returned home through a romantic glen, when her senses were no longer absorbed in the contemplation of this grand scenery, and when its images floated on her memory, only, in softened colours, repeated the following lines:
SUNRISE: A SONNET.
Oft let me wander, at the break of day, Thro’ the cool vale o’erhung with waving woods, Drink the rich fragrance of the budding May, And catch the murmur of the distant floods; Or rest on the fresh bank of limpid rill, Where sleeps the vi’let in the dewy shade. Where op’ning lilies balmy sweets distill, And the wild musk-rose weeps along the glade:
Or climb the eastern cliff, whose airy head Hangs rudely o’er the blue and misty main; Watch the fine hues of morn through æther spread, And paint with roseate glow the chrystal plain. Oh! who can speak the rapture of the soul When o’er the waves the sun first steals to sight,’ And all the world of waters, as they roll, And Heaven’s vast vault unveils in living light! So life’s young hour to man enchanting smiles, With sparkling health, and joy, and fancy’s fairy wiles!
La Luc in his walks met with some sensible and agreeable companions, who like himself came to Nice in search of health. Of these he soon formed a small but pleasant society, among whom was a Frenchman, whose mild manners, marked with a deep and interesting melancholy, had particularly attracted La Luc. He very seldom mentioned himself, or any circumstance that might lead to a knowledge of his family, but on other subjects conversed with frankness and much intelligence. La Luc had frequently invited him to his lodgings, but he had always declined the invitation, and this in a manner so gentle as to disarm displeasure, and convince La Luc that his refusal was the consequence of a certain dejection of mind which made him reluctant to meet other strangers.
The description which La Luc had given of this foreigner had excited the curiosity of Clara; and the sympathy which the unfortunate feel for each other called forth the commiseration of Adeline; for that he was unfortunate she could not doubt. On their return from an evening walk La Luc pointed out the chavelier, and quickened his pace to overtake him. Adeline was for a moment impelled to follow, but delicacy checked her steps, she knew how painful the presence of a stranger often is to a wounded mind, and forbore to intrude herself on his notice for the sake of only satisfying an idle curiosity. She turned therefore, into another path; but the delicacy which now prevented the meeting, accident in a few days defeated, and La Luc introduced the stranger. Adeline received him with a soft smile, but endeavoured to restrain the expression of pity which her features had involuntarily assumed; she wished him not to know that she observed he was unhappy.
After this interview he no longer rejected the invitations of La Luc, but made him frequent visits, and often accompanied Adeline and Clara in their rambles. The mild and sensible conversation of the former seemed to sooth his mind, and in her presence he frequently conversed with a degree of animation which La Luc till then had not observed in him. Adeline too derived from the similarity of their taste, and his intelligent conversation, a degree of satisfaction which contributed, with the compassion his dejection inspired, to win her confidence, and she conversed with an easy frankness rather unusual to her.
His visits soon became more frequent. He walked with La Luc and his family; he attended them on their little excursions to view those magnificent remains of Roman antiquity which enrich the neighbourhood of Nice. When the ladies sat at home and worked, he enlivened the hours by reading to them, and they had the pleasure to observe his spirits somewhat relieved from the heavy melancholy that had oppressed him.
M. Amand was passionately fond of music. Clara had not forgot to bring her beloved lute: he would sometimes strike the chords in the most sweet and mournful symphonies, but never could be prevailed on to play. When Adeline or Clara played, he would sit in deep reverie, and lost to every object around him, except when he fixed his eyes in mournful gaze on Adeline, and a sigh would sometimes escape him.
One evening Adeline having excused herself from accompanying La Luc and Clara in a visit to a neighbouring family, she retired to the terrace of the garden, which overlooked the sea, and as she viewed the tranquil splendour of the setting sun, and his glories reflected on the polished surface of the waves, she touched the strings of the lute in softest harmony, her voice accompanying it with words which she had one day written after having read that rich effusion of Shakespeare’s genius, “A Midsummer Night’s Dream.”
TITANIA TO HER LOVE.
O! fly with me through distant air To isles that gem the western deep! For laughing Summer revels there, And hangs her wreath on ev’ry steep.
As through the green transparent sea Light floating on its waves we go, The nymphs shall gaily welcome me Far in their coral caves below.
For oft upon their margin sands, When Twilight leads the fresh’ning Hours. I come with all my jocund bands To charm them from their sea-green bow’rs.
And well they love our sports to view, And on the Ocean’s breast to lave; And oft, as we the dance renew, They call up music from the wave.
Swift hie we to that splendid clime, Where gay Jamaica spreads her scene, Lifts the blue mountain — wild — sublime! And smooths her vales of vivid green.
Where throned high, in pomp of shade, The Power of Vegetation reigns, Expanding wide, o’er hill and glade, Shrubs of all growth — fruit of all stains:
She steals the sunbeams’ fervid glow To paint her flow’rs of mingling hue; And o’er the grape the purple throw, Breaking from verdant leaves to view.
There, myrtle bow’rs, and citron grove, O’ercanopy our airy dance; And there the sea-breeze loves to rove When trembles Day’s departing glance.
And when the false moon steals away, Or e’er the chacing morn doth rise, Oft, fearless, we our gambols play By the fire-worm’s radiant eyes.
And suck the honey’d reeds that swell In tufted plumes of silver white; Or pierce the cocoa’s milky cell, To sip the nectar of delight!
And when the shaking thunders roll, And lightnings strike athwart the gloom, We shelter in the cedar’s bole, And revel ‘mid the rich perfume! But chief we love beneath the palm, Or verdant plantain’s spreading leaf, To hear, upon the midnight calm, Sweet Philomela pour her grief. To mortal sprite such dulcet sound, Such blissful hours, were never known! O! fly with me my airy round, And I will make them all thine own!
Adeline ceased to sing when she immediately heard repeated in a low voice,
“To mortal sprite such dulcet sound,
Such blissful hours, were never known!”
and turning her eyes whence it came, she saw M. Amand. She blushed and laid down the lute, which he instantly took up, and with a tremulous hand drew forth tones
“That might create a soul under the ribs of Death.”
In a melodious voice, that trembled with sensibility, he sang the following
SONNET.
How sweet is Love’s first gentle sway,
When crown’d with flow’rs he softly smiles!
His blue eyes fraught with tearful wiles,
Where
beams of tender transport play:
Hope leads him on his airy way,
And Faith and Fancy still beguiles —
Faith quickly tangled in her toils —
Fancy, whose magic forms so gay
The fair Deceiver’s self deceive —
“How sweet is Love’s first gentle sway!”
Ne’er would that heart he bids to grieve
From Sorrow’s soft enchantments stray —
Ne’er — till the God, exulting in his art,
Relentless frowns, and wings th’ envenom’d dart!
Monsieur Amand paused: he seemed much oppressed, and at length, bursting into tears, laid down the instrument and walked abruptly away to the farther end of the terrace. Adeline, without seeming to observe his agitation, rose and leaned upon the wall, below which a group of fishermen were busily employed in drawing a net. In a few moments he returned, with a composed and softened countenance. “Forgive this abrupt conduct,” said he; “I know not how to apologize for it but by owning its cause. When I tell you, Madam, that my tears flow to the memory of a lady who strongly resembled you, and who is lost to me for ever, you will know how to pity me.” — His voice faultered, and he paused. Adeline was silent. “The lute,” he resumed, was her favourite instrument, and when you touched it with such melancholy expression, I saw her very image before me. But alas! why do I distress you with a knowledge of of my sorrows! she is gone, and never to return! And you, Adeline — you” — He checked his speech; and Adeline, turning on him a look of mournful regard, observed a wildness in his eyes which alarmed her. “These recollections are too painful,” said she, in a gentle voice; let us return to the house; M. La Luc is probably come home.”— “O no!” replied M. Amand; “No — this breeze refreshes me. How often at this hour have I talked with her, as I now talk with you! — Such were the soft tones of her voice — such the ineffable expression of her countenance.” — Adeline interrupted him. “Let me beg of you to consider your health — this dewy air cannot be good for invalids.” He stood with his hands clasped, and seemed not to hear her. She took up the lute to go, and passed her fingers lightly over the chords. The sounds recalled his scattered senses: he raised his eyes, and fixed them in long unsettled gaze upon hers. “Must I leave you here?” said she, smiling, and standing in an attitude to depart— “I entreat you to play again the air I heard just now,” said M. Amand, in a hurried voice.— “Certainly;” and she immediately began to play. He leaned against a palm tree in an attitude of deep attention, and as the sounds languished on the air, his features gradually lost their wild expression, and he melted into tears. He continued to weep silently till the song concluded, and it was some time before he recovered voice enough to say, “Adeline, I cannot thank you for this goodness. My mind has recovered its bias, you have soothed a broken heart. Increase the kindness you have shewn me by promising never to mention what you have witnessed this evening, and I will endeavour never again to wound your sensibility “by a similiar offence.” — Adeline gave the required promise; and M. Amand, pressing her hand, with a melancholy smile, hurried from the garden, and she saw him no more that night.
La Luc had been near a fortnight at Nice, and his health, instead of amending, seemed rather to decline, yet he wished to make a longer experiment of the climate. The air, which failed to restore her venerable friend, revived Adeline, and the variety and novelty of the surrounding scenes amused her mind, though, since they could not obliterate the memory of past, or suppress the pang of present affection, they were ineffectual to dissipate the sick languor of melancholy. Company, by compelling her to withdraw her attention from the subject of her sorrow, afforded her a transient relief, but the violence of the exertion generally nerally left her more depressed. It was in the stillness of solitude, in the tranquil observance of beautiful nature, that her mind recovered its tone, and indulging the pensive inclination now become habitual to it, was soothed and fortified. Of all the grand objects which nature had exhibited, the ocean inspired her with the most sublime admiration She loved to wander alone on its shores, and, when she could escape so long from the duties or the forms of society, she would sit for hours on the beach watching the rolling waves, and listening to their dying murmur, till her softened fancy recalled long lost scenes, and restored the image of Theodore, when tears of despondency too often followed those of pity and regret. But these visions of memory, painful as they were, no longer excited that phrenzy of grief they formerly awakened in Savoy; the sharpness of misery was passed, though its heavy influence was not perhaps less powerful. To these solitary indulgences generally succeeded calmness, and what Adeline endeavoured to believe was resignation.
She usually rose early, and walked down to the shore to enjoy, in the cool and silent hours of the morning, the cheering beauty of nature, and inhale the pure sea-breeze. Every object then smiled in fresh and lively colours. The blue sea, the brilliant sky, the distant fishing boats, with their white sails, and the voices of the fishermen borne at intervals on the air, were circumstances which reanimated her spirits, and in one of her rambles, yielding to that taste for poetry which had seldom forsaken her, she repeated the following lines:
MORNING, ON THE SEA SHORE.
What print of fairy feet is here
On Neptune’s smooth and yellow sands?
What midnight revel’s airy dance,
Beneath the moonbeams’ trembling glance,
Has blest these shores? — What sprightly bands
Have chac’d the waves uncheck’d by fear?
Whoe’er they were they fled from morn,
For now all silent and forlorn
These tide-forsaken sands appear —
Return, sweet sprites! the scene to cheer!
In vain the call! — Till moonlight’s hour
Again diffuse its softer pow’r,
Titania, nor her fairy loves,
Emerge from India’s spicy groves.
Then, when the shad’wy hour returns,
When silence reigns o’er air and earth,
And ev’ry star in æther burns,
They come to celebrate their mirth;
In frolic ringlet trip the ground,
Bid Music’s voice on Silence win,
Till magic echoes answer round —
Thus do their festive rites begin.
O fairy forms! so coy to mortal ken,
Your mystic steps to poets only shewn,
O! lead me to the brook, or hallow’d glen,
Retiring far, with winding woods o’ergrown!
Where’er ye best delight to rule;
If in some forest’s lone retreat,
Thither conduct my willing feet
To the light brink of fountain cool,
Where, sleeping in the midnight dew,
Lie Spring’s young buds of ev’ry hue,
Yielding their sweet breath to the air;
To fold their silken leaves from harm,
And their chill heads in moonshine warm,
To bright Titania’s tender care.
There, to the night-bird’s plaintive chaunt
Your carols sweet ye love to raise,
With oaten reed and past’ral lays;
And guard with forceful spell her haunt,
Who, when your antic sports are done,
Oft lulls ye in the lily’s cell,
Sweet flow’r! that suits your slumbers well,
And shields ye from the rising sun.
When not to India’s steeps ye fly
After twilight and the moon,
In honey’d buds ye love to lie,
While reigns supreme Light’s fervid noon;
Nor quit the cell where peace pervades
Till night leads on the dews and shades.
E’en now your scenes enchanted meet my sight!
I see the earth unclose, the palace rise,
The high dome swell, and long arcades of light
Glitter among the deep embow’ring woods,
And glance reflected from the trembling floods!
While to soft lutes the portals wide unfold,
And fairy forms, of fine ætherial dyes,
Advance with frolic step and laughing eyes,
Their hair with pearl, their garments deck’d with gold;
Pearls that in Neptune’s briny waves they sought,
And gold from India’s deepest caverns brought.
Thus your light visions to my eyes unveil,
Ye sportive pleasures, sweet illusions, hail!
But ah! at morn’s first blush again ye fade!
So from youth’s ardent gaze life’s landscape gay,
And forms in Fancy’s summer hues array’d,
Dissolve at once in air at Truth’s resplendent day!
During several days succeeding that on which M. Amand had disclosed the cause of his melancholy, he did not visit La Luc. At length Adeline met him in one of her solitary rambles on the shore. He was pale and dejected, and seemed much agitated when he observed her; she therefore endeavoured to avoid him, but he advanced with quickened steps and accosted her. He said it was his intention to leave Nice in a few days. “I have found no benefit from the climate,” added M. Amand; Alas! what climate can relieve the sickness of the heart! I go to lose in the varieties of new scenes the remembrance of past happiness; yet the effort is vain; I am every where equally restless and unhappy.” Adeline tried to encourage him to hope much from time and change of place. “Time will blunt the sharpest edge of sorrow,” said she; “I know it from experience.” Yet while she spoke, the tears in her eyes contradicted the assertion of her lips. “You have been unhappy, Adeline! — Yes — I knew it from the first. The smile of pity which you gave me, assured me that you knew what it was to suffer.” The desponding air with which he spoke renewed her apprehension of a scene similar to the one she had lately witnessed, and she changed the subject, but he soon returned to it. “You bid me hope much from time! — My wife! — My dear wife!” — his tongue faultered— “It is now many months since I lost her — yet the moment of her death seems but as yesterday.” Adeline faintly smiled. “You can scarcely judge of the effect of time yet, you have much to hope for.” He shook his head. “But I am again intruding my misfortunes on your notice; forgive this perpetual egotism. There is a comfort in the pity of the good such as nothing else can impart; this must plead my excuse; may you, Adeline, never want it. Ah! those tears— “ Adeline hastily dried them. M. Amand forbore to press the subject, and immediately began to converse on indifferent topics. They returned towards the chateau, but La Luc being from home, M. Amand took leave at the door. Adeline retired to her chamber, oppressed by her own sorrows and those of her amiable friend.
Delphi Complete Works of Ann Radcliffe (Illustrated) Page 66