The earnestness, with which Schedoni pleaded for Vivaldi, excited some surprize; but the Marchesa, without condescending to reply either to his argument or remonstrance, inquired whether Ellena had a suspicion of the design, with which she had been carried into the forests of the Garganus, or concerning the identity of her persecutor. Schedoni, immediately perceiving to what these questions tended, replied, with the facility with which he usually accommodated his conscience to his interest, that Ellena was totally ignorant as to who were her immediate persecutors, and equally unsuspicious of any other evil having been intended her, than that of a temporary confinement.
The last assertion was admitted by the Marchesa to be probable, till the boldness of the first made her doubt the truth of each; and occasioned her new surprize and conjecture as to the motive, which could induce Schedoni to venture these untruths. She then inquired where Ellena was now disposed of, but he had too much prudence to disclose the place of her retreat, however plausible might be the air with which the inquiry was urged; and he endeavoured to call off her attention to Vivaldi. The Confessor did not, however, venture, at present, to give a hint as to the pretended discovery of his situation in the inquisition, but reserved to a more favourable opportunity such mention, together with the zealous offer of his services to extricate the prisoner. The Marchesa, believing that her son was still engaged in pursuit of Ellena, made many inquiries concerning him, but without expressing any solicitude for his welfare; resentment appearing to be the only emotion she retained towards him. While Schedoni replied with circumspection to her questions, he urged inquiries of his own, as to the manner in which the Marchesa endured the long absence of Vivaldi; thus endeavouring to ascertain how far he might hereafter venture to appear in any efforts for liberating him, and how shape his conduct respecting Ellena. It seemed that the Marchese was not indifferent as to his son’s absence; and, though he had at first believed the search for Ellena to have occasioned it, other apprehensions now disturbed him, and taught him the feelings of a father. His numerous avocations and interests, however, seemed to prevent such anxiety from preying upon his mind; and, having dismissed persons in search of Vivaldi, he passed his time in the usual routine of company and the court. Of the actual situation of his son it was evident that neither he, nor the Marchesa, had the least apprehension, and this was a circumstance, which the Confessor was very careful to ascertain.
Before he took leave, he ventured to renew the mention of Vivaldi’s attachment, and gently to plead for him. The Marchesa, however, seemed inattentive to what he represented, till, at length, awaking from her reverie, she said— “Father, you have judged ill — ,” and, before she concluded the sentence, she relapsed again into thoughtful silence. Believing that he anticipated her meaning, Schedoni began to repeat his own justification respecting his conduct towards Ellena.
“You have judged erroneously, father,” resumed the Marchesa, with the same considering air, “in placing the girl in such a situation; my son cannot fail to discover her there.”
“Or wherever she may be,” replied the Confessor, believing that he understood the Marchesa’s aim. “It may not be possible to conceal her long from his search.”
“The neighbourhood of Naples ought at least to have been avoided,” observed the Marchesa.
Schedoni was silent, and she added, “So near, also, to his own residence! How far is the Santa della Piéta from the Vivaldi palace?”
Though Schedoni had thought that the Marchesa, while displaying a pretended knowledge of Ellena’s retreat, was only endeavouring to obtain a real one, this mention of the place of her actual residence shocked him; but he replied almost immediately, “I am ignorant of the distance, for, till now, I was unacquainted that there is a convent of the name you mention. It appears, however, that this Santa della Piéta is the place, of all other, which ought to have been avoided. How could you suspect me, lady, of imprudence thus extravagant!”
While Schedoni spoke, the Marchesa regarded him attentively, and then replied, “I may be allowed, good father, to suspect your prudence in this instance, since you have just given me so unequivocal a proof of it in another.”
She would then have changed the subject, but Schedoni, believing this inclination to be the consequence of her having assured herself, that she had actually discovered Ellena’s asylum, and too reasonably suspecting the dreadful use she designed to make of the discovery, endeavoured to unsettle her opinion, and mislead her as to the place of Ellena’s abode. He not only contradicted the fact of her. present residence at the Santa della Piéta, but, without scruple, made a positive assertion, that she was at a distance from Naples, naming, at the same time, a fictitious place, whose obscurity, he added, would be the best protection from the pursuit of Vivaldi.
“Very true, father,” observed the Marchesa; “I believe that my son will not readily discover the girl in the place you have named,”
Whether the Marchesa believed Schedoni’s assertion or not, she expressed no farther curiosity on the subject, and appeared considerably more tranquil than before. She now chatted with ease on general topics, while the Confessor dared no more to urge the subject of his secret wishes; and, having supported, for some time, a conversation most uncongenial with his temper, he took his leave, and returned to Naples. On the way thither, he reviewed, with exactness, the late behaviour of the Marchesa, and the result of this examination was a resolution — never to renew the subject of their conversation, but to solemnize, without her consent, the nuptials of Vivaldi and Ellena.
The Marchesa, meanwhile, on the departure of Schedoni, remained in the attitude in which he had left her, and absorbed by the interest, which his visit excited. The sudden change in his conduct no less astonished and perplexed, than, disappointed her. She could not explain it by the supposition of any principle, or motive. Sometimes it occurred to her, that Vivaldi had bribed him with rich promises, to promote the marriage, which he contributed to thwart; but, when she considered the high expectations she had herself encouraged him to cherish, the improbability of the conjecture was apparent. That Schedoni, from whatever cause, was no longer to be trusted in this business, was sufficiently clear, but she endeavoured to console herself with a hope that a more confidential person might yet be discovered. A part of Schedoni’s resolution she also adopted, which was, never again to introduce the subject of their late conversation. But, while she should silently pursue her own, plans, she determined to conduct herself towards Schedoni in every other respect, as usual, not suffering him to suspect that she had withdrawn her confidence, but inducing him to believe that she had relinquished all farther design, against Ellena.
Chapter 24
— “We
Would learn the private virtues; how to glide
Through shades and plains, along the smoothest stream
Of rural life; or, snatch’d away by hope,
Through the dim spaces of futurity,
With earnest eye anticipate those scenes
Of happiness and wonder, where the mind,
In endless growth and infinite ascent,
Rises from state to state, and world to world.”
Thomson.
Ellena, obedient to the command of Schedoni, withdrew from her home on the day that followed her arrival there, to the Santa della Piéta. The Superiour, who had known her from her infancy, and, from the acquaintance which such long observation afforded, had both esteemed and loved her, received Ellena with a degree of satisfaction proportionate to the concern she had suffered when informed of her disastrous removal from the Villa Altieri.
Among the quiet groves of this convent, however, Ellena vainly endeavoured to moderate her solicitude respecting the situation of Vivaldi; for, now that she had a respite from immediate calamity, she thought with more intense anxiety as to what might be his sufferings, and her fears and impatience increased, as each day disappointed her expectation of intelligencé from Schedoni.
If the soothings of sympathy and the del
icate arts of benevolence could have restored the serenity of her mind, Ellena would now have been peaceful; for all these were offered her by the abbess and the sisters of the Santa della Piéta. They were not acquainted with the cause of her sorrow, but they perceived that she was unhappy, and wished her to be otherwise. The society of Our Lady of Pity, was such as a convent does not often shroud; to the wisdom and virtue of the Superiour, the sisterhood was principally indebted for the harmony and happiness which distinguished them. This lady was a shining example to governesses of religious houses, and a striking instance of the influence, which a virtuous mind may acquire over others, as well as of the extensive good that it may thus diffuse. She was dignified without haughtiness, religious without bigotry, and mild, though decisive and firm. She possessed penetration to discover what was just, resolution to adhere to it, and temper to practise it with gentleness and grace; so that even correction from her, assumed the winning air of courtesy: the person, whom she admonished, wept in sorrow for the offence, instead of being secretly irritated by the reproof, and loved her as a mother, rather than feared her as a judge. Whatever might be her failings, they were effectually concealed by the general benevolence of her heart, and the harmony of her mind; a harmony, not the effect of torpid feelings, but the accomplishment of correct and vigilant judgment. Her religion was neither gloomy, nor bigotted; it was the sentiment of a grateful heart offering itself up to a Deity, who delights in the happiness of his creatures; and she conformed to the customs of the Roman church, without supposing a faith in all of them to be necessary to salvation. This opinion, however, she was obliged to conceal, lest her very virtue should draw upon her the punishment of a crime, from some fierce ecclesiastics, who contradicted in their practice the very essential principles, which the christianity they professed would have taught them.
In her lectures to the nuns she seldom touched upon points of faith, but explained and enforced the moral duties, particularly such as were most practicable in the society to which she belonged; such as tended to soften and harmonize the affections, to impart that repose of mind, which persuades to the practice of sisterly kindness, universal charity, and the most pure and elevated devotion. When she spoke of religion, it appeared so interesting, so beautiful, that her attentive auditors revered and loved it as a friend, a refiner of the heart, a sublime consoler; and experienced somewhat of the meek and holy ardour, which may belong to angelic natures.
The society appeared like a large family, of which the lady abbess was the mother, rather than an assemblage of strangers; and particularly when gathered around her, they listened to the evening sermon, which she delivered with such affectionate interest, such persuasive eloquence, and sometimes with such pathetic energy, as few hearts could resist.
She encouraged in her convent every innocent and liberal pursuit, which might sweeten the austerities of confinement, and which were generally rendered instrumental to charity. The Daughters of Pity particularly excelled in music; not in those difficulties of the art, which display florid graces, and intricate execution, but in such eloquence of sound as steals upon the heart, and awakens its sweetest and best affections. It was probably the well-regulated sensibility of their own minds, that enabled these sisters to diffuse through their strains a character of such finely-tempered taste, as drew crowds of visitors, on every festival, to the church of the Santa della Piéta.
The local circumstances of this convent were scarcely less agreeable than the harmony of its society was interesting. These extensive domains included olive-grounds, vineyards, and some cornland; a considerable tract was devoted to the pleasures of the garden, whose groves supplied walnuts, almonds, oranges, and citrons, in abundance, and almost every kind of fruit and flower, which this luxurious climate nurtured. These gardens hung upon the slope of a hill, about a mile within the shore, and afforded extensive views of the country round Naples, and of the gulf. But from the terraces, which extended along a semicircular range of rocks, that rose over the convent, and formed a part of the domain, the prospects were infinitely finer. They extended on the south to the isle of Capræa, where the gulf expands into the sea; in the west, appeared the island of Ischia, distinguished by the white pinnacles of the lofty mountain Epomeo; and near it Prosida, with its many-coloured cliffs, rose out of the waves. Overlooking many points towards Puzzuoli, the eye caught beyond other promontories, and others further still, to the north, a glimpse of the sea, that bathes the now desolate shores of Baia; with Capua, and all the towns and villas, that speckle the garden-plains between Caserta and Naples.
In the nearer scene were the rocky heights of Pausilippo, and Naples itself, with all its crowded suburbs ascending among the hills, and mingling with vineyards and overtopping cypress; the castle of San Elmo, conspicuous on its rock, overhanging the magnificent monastery of the Chartreux; while in the scene below appeared the Castel Nuovo, with its clustered towers, the long-extended Corso, the mole, with its tall pharos, and the harbour gay with painted shipping, and full to the brim with the blue waters of the bay. Beyond the hills of Naples, the whole horizon to the north and east was bounded by the mountains of the Appenine, an amphitheatre proportioned to the grandeur of the plain, which the gulf spread out below.
These terraces, shaded with acacias and plane-trees, were the favourite haunt of Ellena. Between the opening branches, she looked down upon Villa Altieri, which brought to her remembrance the affectionate Bianchi, with all the sportive years of her childhood; and where some of her happiest hours had been passed in the society of Vivaldi. Along the windings of the coast, too, she could distinguish many places rendered sacred by affection, to which she had made excursions with her lamented relative, and Vivaldi; and, though sadness mingled with the recollections a view of them restored, they were precious to her heart. Here, alone and unobserved, she frequently yielded to the melancholy which she endeavoured to suppress in society; and at other times tried to deceive, with books and the pencil, the lingering moments of uncertainty concerning the state of Vivaldi; for day after day still elapsed without bringing any intelligence from Schedoni. Whenever the late scenes connected with the discovery of her family recurred to Ellena, she was struck with almost as much amazement as if she was gazing upon a vision, instead of recalling realities. Contrasted with the sober truth of her present life, the past appeared like romance; and there were moments when she shrunk from the relationship of Schedoni with unconquerable affright. The first emotions his appearance had excited were so opposite to those of filial tenderness, that she perceived it was now nearly impossible to love and revere him as her father, and she endeavoured, by dwelling upon all the obligations, which she believed he had lately conferred upon her, to repay him in gratitude, what was withheld in affection.
In such melancholy considerations, she often lingered under the shade of the accacias, till the sun had sunk behind the far distant promontory of Miseno, and the last bell of vespers summoned her to the convent below.
Among the nuns, Ellena had many favourites, but not one that she admired and loved equally with Olivia of San Stefano, the remembrance of whom was always accompanied with a fear lest she should have suffered from her generous compassion, and a wish that she had taken up her abode with the happy society of the Daughters of Pity, instead of being subjected to the tyranny of the abbess of San Stefano. To Ellena, the magnificent scenes of the Santa della Piéta seemed to open a secure, and, perhaps, a last asylum; for, in her present circumstances, she could not avoid perceiving how menacing and various were the objections to her marriage with Vivaldi, even should Schedoni prove propitious to it. The character of the Marchesa di Vivaldi, such as it stood unfolded by the late occurrences, struck her with dismay, for her designs appeared sufficiently atrocious, whether they had extended to the utmost limit of Ellena’s suspicions, or had stopped where the affected charity of Schedoni had pointed out. In either case, the pertinacity of her aversion, and the vindictive violence of her nature, were obvious.
In this vi
ew of her character, however, it was not the inconvenience threatened to those who might become connected with her, that principally affected Ellena, but the circumstance of such a woman being the mother of Vivaldi; and, to alleviate so afflicting a consideration, she endeavoured to believe all the palliating suggestions of Schedoni, respecting the Marchesa’s late intentions. But if Ellena was grieved on discovering crime in the character of Vivaldi’s parent, what would have been her suffering, had she suspected the nature of Schedoni? — what, if she had been told that he was the adviser of the Marchesa’s plans? — if she had known that he had been the partner of her intentional guilt? From such suffering she was yet spared, as well as from that, which a knowledge of Vivaldi’s present situation, and of the result of Schedoni’s efforts to procure a release from the perils, among which he had precipitated him, would have inflicted. Had she known this, it is probable that in the first despondency of her mind, she would have relinquished what is called the world, and sought a lasting asylum with the society of the holy sisters. Even as it was, she sometimes endeavoured to look with resignation upon the events which might render such a step desirable; but it was an effort that seldom soothed her even with a temporary self-delusion. Should the veil, however, prove her final refuge, it would be by her own choice; for the lady abbess of the Santa della Piéta employed no art to win a recluse, nor suffered the nuns to seduce votaries to the order.
Chapter 25
“Sullen and sad to fancy’s frighted eye
Did shapes of dun and murky hue advance,
In train tumultuous, all of gesture strange,
And passing horrible.”
Caractacus.
While the late events had been passing in the Garganus, and at Naples, Vivaldi and his servant Paulo remained imprisoned in distinct chambers of the Inquisition. They were again separately interrogated. From the servant no information could be obtained; he asserted only his master’s innocence, without once remembering to mention his own; clamoured, with more justness than prudence, against the persons who had occasioned his arrest; seriously endeavouring to convince the inquisitors, that he himself had no other motive in having demanded to be brought to these prisons than that he might comfort his master, he gravely remonstrated on the injustice of separating them, adding, that he was sure when they knew the rights of the matter, they would order him to be carried to the prison of Signor Vivaldi.
Delphi Complete Works of Ann Radcliffe (Illustrated) Page 202